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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BF650 it is the complementary color #9409AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BF650. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BF650 shade: #70F64B, #81FF5E, #92FF71, #A3FF84 and #B4FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BF650. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BF650 shade: #6BF650, #5AE43D, #49D22A, #38C017 and #27AE04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BF650 shade: #6BF651, #98F651, #C5F651, #F1F651 and #F6CE51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BF650 shade: #6BF651, #51F662, #51F68F, #51F6BB and #51F6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BF650 shade matches the following richer shades: #6BF651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BF650 shade: #6BF651, #75E75F, #80D86E, #8AC97D and #94BA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BF650 shade: #C4F651, #98F651, #6CF651, #51F661 and #51F68D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BF650 shade: #30E80C, #4AF429, #6BF651, #8DF878 and #AEFA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BF650 shade: #6BF650, #51F0F6 and #F651AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BF650 shade: #6BF650, #516CF6 and #F6516C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BF650 shade: #6BF650, #51F0F6, #DA51F6 and #F65651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BF650 shade: #6BF650, #51BFF6, #DA51F6 and #F68851

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

Complementary color

CMYK 15 / 95 / 0 / 31

HEX #9409AF

RGB 148 9 175

HSL 290.24, 0.9%, 0.36%

LAB 37.09, 68.8, -53.3

 

CMYK 54 / 0 / 70 / 4

HEX #70F64B

RGB 112 246 75

HSL 107.02, 0.9%, 0.63%

LAB 86.93, -66.16, 67.73

 

CMYK 49 / 0 / 63 / 0

HEX #81FF5E

RGB 129 255 94

HSL 106.96, 1%, 0.68%

LAB 90.32, -63.35, 64.23

 

CMYK 43 / 0 / 56 / 0

HEX #92FF71

RGB 146 255 113

HSL 106.06, 1%, 0.72%

LAB 91.15, -56.65, 57.31

 

CMYK 36 / 0 / 48 / 0

HEX #A3FF84

RGB 163 255 132

HSL 104.88, 1%, 0.76%

LAB 92.12, -49.3, 49.99

 

CMYK 29 / 0 / 41 / 0

HEX #B4FF97

RGB 180 255 151

HSL 103.27, 1%, 0.8%

LAB 93.21, -41.43, 42.46

 

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

CMYK 61 / 0 / 73 / 11

HEX #5AE43D

RGB 90 228 61

HSL 109.58, 0.76%, 0.57%

LAB 80.74, -66.25, 66.13

 

CMYK 65 / 0 / 80 / 18

HEX #49D22A

RGB 73 210 42

HSL 108.93, 0.67%, 0.49%

LAB 74.62, -65.15, 65.97

 

CMYK 71 / 0 / 88 / 25

HEX #38C017

RGB 56 192 23

HSL 108.28, 0.79%, 0.42%

LAB 68.46, -63.55, 64.85

 

CMYK 78 / 0 / 98 / 32

HEX #27AE04

RGB 39 174 4

HSL 107.65, 0.96%, 0.35%

LAB 62.26, -61.3, 62.38

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 38 / 0 / 67 / 4

HEX #98F651

RGB 152 246 81

HSL 94.18, 0.9%, 0.64%

LAB 88.53, -54.1, 67.67

 

CMYK 20 / 0 / 67 / 4

HEX #C5F651

RGB 197 246 81

HSL 77.82, 0.9%, 0.64%

LAB 90.95, -38.2, 70.93

 

CMYK 2 / 0 / 67 / 4

HEX #F1F651

RGB 241 246 81

HSL 61.82, 0.9%, 0.64%

LAB 93.97, -20.95, 74.97

 

CMYK 0 / 16 / 67 / 4

HEX #F6CE51

RGB 246 206 81

HSL 45.45, 0.9%, 0.64%

LAB 84.14, 0.98, 65.05

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 67 / 0 / 60 / 4

HEX #51F662

RGB 81 246 98

HSL 126.18, 0.9%, 0.64%

LAB 86.28, -70.73, 57.66

 

CMYK 67 / 0 / 42 / 4

HEX #51F68F

RGB 81 246 143

HSL 142.55, 0.9%, 0.64%

LAB 86.82, -64.47, 37.4

 

CMYK 67 / 0 / 24 / 4

HEX #51F6BB

RGB 81 246 187

HSL 158.55, 0.9%, 0.64%

LAB 87.61, -55.96, 16.15

 

CMYK 67 / 0 / 6 / 4

HEX #51F6E8

RGB 81 246 232

HSL 174.91, 0.9%, 0.64%

LAB 88.68, -45.13, -5.7

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 49 / 0 / 59 / 9

HEX #75E75F

RGB 117 231 95

HSL 110.29, 0.74%, 0.64%

LAB 82.79, -57.53, 55.23

 

CMYK 41 / 0 / 49 / 15

HEX #80D86E

RGB 128 216 110

HSL 109.81, 0.58%, 0.64%

LAB 78.94, -46.56, 43.86

 

CMYK 31 / 0 / 38 / 21

HEX #8AC97D

RGB 138 201 125

HSL 109.74, 0.41%, 0.64%

LAB 75.24, -34.65, 31.74

 

CMYK 20 / 0 / 25 / 27

HEX #94BA8C

RGB 148 186 140

HSL 109.57, 0.25%, 0.64%

LAB 71.76, -21.6, 19.25

 

CMYK 20 / 0 / 67 / 4

HEX #C4F651

RGB 196 246 81

HSL 78.18, 0.9%, 0.64%

LAB 90.89, -38.58, 70.85

 

CMYK 38 / 0 / 67 / 4

HEX #98F651

RGB 152 246 81

HSL 94.18, 0.9%, 0.64%

LAB 88.53, -54.1, 67.67

 

CMYK 56 / 0 / 67 / 4

HEX #6CF651

RGB 108 246 81

HSL 110.18, 0.9%, 0.64%

LAB 86.85, -66.67, 65.37

 

CMYK 67 / 0 / 61 / 4

HEX #51F661

RGB 81 246 97

HSL 125.82, 0.9%, 0.64%

LAB 86.27, -70.84, 58.07

 

CMYK 67 / 0 / 43 / 4

HEX #51F68D

RGB 81 246 141

HSL 141.82, 0.9%, 0.64%

LAB 86.79, -64.8, 38.34

 

CMYK 79 / 0 / 95 / 9

HEX #30E80C

RGB 48 232 12

HSL 110.18, 0.9%, 0.48%

LAB 80.94, -76.89, 76.83

 

CMYK 70 / 0 / 83 / 4

HEX #4AF429

RGB 74 244 41

HSL 110.25, 0.9%, 0.56%

LAB 85.16, -75.69, 75.87

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 43 / 0 / 52 / 3

HEX #8DF878

RGB 141 248 120

HSL 110.16, 0.9%, 0.72%

LAB 89, -54.55, 51.53

 

CMYK 30 / 0 / 36 / 2

HEX #AEFA9F

RGB 174 250 159

HSL 110.11, 0.9%, 0.8%

LAB 91.63, -40.06, 36.41

 

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

CMYK 67 / 2 / 0 / 4

HEX #51F0F6

RGB 81 240 246

HSL 182.18, 0.9%, 0.64%

LAB 87.35, -38.68, -15

 

CMYK 0 / 67 / 29 / 4

HEX #F651AE

RGB 246 81 174

HSL 326.18, 0.9%, 0.64%

LAB 60.37, 70.62, -15.06

 

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

CMYK 67 / 56 / 0 / 4

HEX #516CF6

RGB 81 108 246

HSL 230.18, 0.9%, 0.64%

LAB 50.84, 33.93, -72.14

 

CMYK 0 / 67 / 56 / 4

HEX #F6516C

RGB 246 81 108

HSL 350.18, 0.9%, 0.64%

LAB 58.57, 64.37, 20.84

 

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

CMYK 67 / 2 / 0 / 4

HEX #51F0F6

RGB 81 240 246

HSL 182.18, 0.9%, 0.64%

LAB 87.35, -38.68, -15

 

CMYK 11 / 67 / 0 / 4

HEX #DA51F6

RGB 218 81 246

HSL 289.82, 0.9%, 0.64%

LAB 59.38, 74.6, -57.68

 

CMYK 0 / 65 / 67 / 4

HEX #F65651

RGB 246 86 81

HSL 1.82, 0.9%, 0.64%

LAB 58.83, 60.76, 36.7

 

CMYK 57 / 0 / 67 / 4

HEX #6BF650

RGB 107 246 80

HSL 110.24, 0.9%, 0.64%

LAB 86.81, -66.99, 65.7

 

CMYK 67 / 22 / 0 / 4

HEX #51BFF6

RGB 81 191 246

HSL 200, 0.9%, 0.64%

LAB 73.33, -14.57, -36.4

 

CMYK 11 / 67 / 0 / 4

HEX #DA51F6

RGB 218 81 246

HSL 289.82, 0.9%, 0.64%

LAB 59.38, 74.6, -57.68

 

CMYK 0 / 45 / 67 / 4

HEX #F68851

RGB 246 136 81

HSL 20, 0.9%, 0.64%

LAB 67.87, 37.48, 47.31

 

Description

Color code: HEX #6BF650 | qconv.com Color code: HEX #6BF650 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 246 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 246 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 67 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 67% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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