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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BF19A it is the complementary color #940E65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BF19A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BF19A shade: #70F195, #81FFA8, #92FFBB, #A3FFCE and #B4FFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BF19A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BF19A shade: #6BF19A, #5ADF87, #49CD74, #38BB61 and #27A94E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BF19A shade: #6AF199, #6AF175, #83F16A, #A8F16A and #CCF16A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BF19A shade: #6AF199, #6AF1BE, #6AF1E2, #6ADCF1 and #6AB7F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BF19A shade matches the following richer shades: #6AF199 and #5CFE95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BF19A shade: #6AF199, #77E49D, #84D7A1, #91CAA5 and #9EBCA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BF19A shade: #83F16A, #6AF175, #6AF199, #6AF1BD and #6AF1E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BF19A shade: #1EEA66, #44EE7F, #6AF199, #8FF5B3 and #B5F8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BF19A shade: #6BF19A, #6AA7F1 and #F16A70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BF19A shade: #6BF19A, #996AF1 and #F1996A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BF19A shade: #6BF19A, #6AA7F1, #F16AC2 and #F1B46A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BF19A shade: #6BF19A, #6A7EF1, #F16AC2 and #F1DD6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

Complementary color

CMYK 0 / 91 / 32 / 42

HEX #940E65

RGB 148 14 101

HSL 321.04, 0.83%, 0.32%

LAB 33.03, 57.18, -13.94

 

CMYK 54 / 0 / 38 / 5

HEX #70F195

RGB 112 241 149

HSL 137.21, 0.82%, 0.69%

LAB 86.27, -55.31, 33.85

 

CMYK 49 / 0 / 34 / 0

HEX #81FFA8

RGB 129 255 168

HSL 138.57, 1%, 0.75%

LAB 91.24, -53.62, 31.05

 

CMYK 43 / 0 / 27 / 0

HEX #92FFBB

RGB 146 255 187

HSL 142.57, 1%, 0.79%

LAB 92.23, -45.89, 22.9

 

CMYK 36 / 0 / 19 / 0

HEX #A3FFCE

RGB 163 255 206

HSL 148.04, 1%, 0.82%

LAB 93.35, -37.68, 14.86

 

CMYK 29 / 0 / 12 / 0

HEX #B4FFE1

RGB 180 255 225

HSL 156, 1%, 0.85%

LAB 94.59, -29.13, 6.98

 

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

CMYK 60 / 0 / 39 / 13

HEX #5ADF87

RGB 90 223 135

HSL 140.3, 0.68%, 0.61%

LAB 80.01, -55.53, 32.53

 

CMYK 64 / 0 / 43 / 20

HEX #49CD74

RGB 73 205 116

HSL 139.55, 0.57%, 0.55%

LAB 73.77, -55.3, 33.95

 

CMYK 70 / 0 / 48 / 27

HEX #38BB61

RGB 56 187 97

HSL 138.78, 0.54%, 0.48%

LAB 67.46, -54.81, 35.44

 

CMYK 77 / 0 / 54 / 34

HEX #27A94E

RGB 39 169 78

HSL 138, 0.63%, 0.41%

LAB 61.1, -53.95, 37.01

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 56 / 0 / 51 / 5

HEX #6AF175

RGB 106 241 117

HSL 124.89, 0.83%, 0.68%

LAB 85.63, -61.49, 48.55

 

CMYK 46 / 0 / 56 / 5

HEX #83F16A

RGB 131 241 106

HSL 108.89, 0.83%, 0.68%

LAB 86.39, -56.28, 54.69

 

CMYK 30 / 0 / 56 / 5

HEX #A8F16A

RGB 168 241 106

HSL 92.44, 0.83%, 0.68%

LAB 88.1, -44.53, 57.11

 

CMYK 15 / 0 / 56 / 5

HEX #CCF16A

RGB 204 241 106

HSL 76.44, 0.83%, 0.68%

LAB 90.22, -31.44, 60.11

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 56 / 0 / 21 / 5

HEX #6AF1BE

RGB 106 241 190

HSL 157.33, 0.83%, 0.68%

LAB 86.85, -48.77, 13.62

 

CMYK 56 / 0 / 6 / 5

HEX #6AF1E2

RGB 106 241 226

HSL 173.33, 0.83%, 0.68%

LAB 87.71, -40.39, -3.92

 

CMYK 56 / 9 / 0 / 5

HEX #6ADCF1

RGB 106 220 241

HSL 189.33, 0.83%, 0.68%

LAB 82.16, -26.57, -20.11

 

CMYK 56 / 24 / 0 / 5

HEX #6AB7F1

RGB 106 183 241

HSL 205.78, 0.83%, 0.68%

LAB 71.75, -7.45, -36.08

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 64 / 0 / 41 / 0

HEX #5CFE95

RGB 92 254 149

HSL 141.11, 0.99%, 0.68%

LAB 89.55, -64.44, 38.04

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 48 / 0 / 31 / 11

HEX #77E49D

RGB 119 228 157

HSL 140.92, 0.67%, 0.68%

LAB 82.83, -46.86, 25.21

 

CMYK 39 / 0 / 25 / 16

HEX #84D7A1

RGB 132 215 161

HSL 140.96, 0.51%, 0.68%

LAB 79.66, -36.85, 18.86

 

CMYK 28 / 0 / 18 / 21

HEX #91CAA5

RGB 145 202 165

HSL 141.05, 0.35%, 0.68%

LAB 76.67, -26.01, 12.64

 

CMYK 16 / 0 / 10 / 26

HEX #9EBCA9

RGB 158 188 169

HSL 142, 0.18%, 0.68%

LAB 73.61, -13.93, 6.23

 

CMYK 46 / 0 / 56 / 5

HEX #83F16A

RGB 131 241 106

HSL 108.89, 0.83%, 0.68%

LAB 86.39, -56.28, 54.69

 

CMYK 56 / 0 / 51 / 5

HEX #6AF175

RGB 106 241 117

HSL 124.89, 0.83%, 0.68%

LAB 85.63, -61.49, 48.55

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 56 / 0 / 22 / 5

HEX #6AF1BD

RGB 106 241 189

HSL 156.89, 0.83%, 0.68%

LAB 86.82, -48.99, 14.11

 

CMYK 56 / 0 / 7 / 5

HEX #6AF1E1

RGB 106 241 225

HSL 172.89, 0.83%, 0.68%

LAB 87.68, -40.64, -3.44

 

CMYK 87 / 0 / 56 / 8

HEX #1EEA66

RGB 30 234 102

HSL 141.18, 0.83%, 0.52%

LAB 81.88, -72.78, 50.59

 

CMYK 71 / 0 / 47 / 7

HEX #44EE7F

RGB 68 238 127

HSL 140.82, 0.83%, 0.6%

LAB 83.92, -66.3, 41.45

 

CMYK 56 / 0 / 37 / 5

HEX #6AF199

RGB 106 241 153

HSL 140.89, 0.83%, 0.68%

LAB 86.14, -55.99, 31.64

 

CMYK 42 / 0 / 27 / 4

HEX #8FF5B3

RGB 143 245 179

HSL 141.18, 0.84%, 0.76%

LAB 89.11, -43.82, 22.66

 

CMYK 27 / 0 / 17 / 3

HEX #B5F8CD

RGB 181 248 205

HSL 141.49, 0.83%, 0.84%

LAB 92.29, -29.36, 14.01

 

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

CMYK 56 / 31 / 0 / 5

HEX #6AA7F1

RGB 106 167 241

HSL 212.89, 0.83%, 0.68%

LAB 67.32, 1.43, -42.99

 

CMYK 0 / 56 / 54 / 5

HEX #F16A70

RGB 241 106 112

HSL 357.33, 0.83%, 0.68%

LAB 61.81, 52.45, 22.75

 

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

CMYK 37 / 56 / 0 / 5

HEX #996AF1

RGB 153 106 241

HSL 260.89, 0.83%, 0.68%

LAB 55.51, 47.27, -61.53

 

CMYK 0 / 37 / 56 / 5

HEX #F1996A

RGB 241 153 106

HSL 20.89, 0.83%, 0.68%

LAB 71.23, 28.35, 38.26

 

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

CMYK 56 / 31 / 0 / 5

HEX #6AA7F1

RGB 106 167 241

HSL 212.89, 0.83%, 0.68%

LAB 67.32, 1.43, -42.99

 

CMYK 0 / 56 / 20 / 5

HEX #F16AC2

RGB 241 106 194

HSL 320.89, 0.83%, 0.68%

LAB 64.08, 61.56, -20.91

 

CMYK 0 / 25 / 56 / 5

HEX #F1B46A

RGB 241 180 106

HSL 32.89, 0.83%, 0.68%

LAB 77.51, 14.1, 45.97

 

CMYK 56 / 0 / 36 / 5

HEX #6BF19A

RGB 107 241 154

HSL 141.04, 0.83%, 0.68%

LAB 86.19, -55.6, 31.2

 

CMYK 56 / 48 / 0 / 5

HEX #6A7EF1

RGB 106 126 241

HSL 231.11, 0.83%, 0.68%

LAB 56.42, 25.52, -60.27

 

CMYK 0 / 56 / 20 / 5

HEX #F16AC2

RGB 241 106 194

HSL 320.89, 0.83%, 0.68%

LAB 64.08, 61.56, -20.91

 

CMYK 0 / 8 / 56 / 5

HEX #F1DD6A

RGB 241 221 106

HSL 51.11, 0.83%, 0.68%

LAB 87.71, -7.09, 57.96

 

Description

Color code: HEX #6BF19A | qconv.com Color code: HEX #6BF19A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 241 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 241 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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