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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BEDF0 it is the complementary color #94120F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BEDF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BEDF0 shade: #70EDEB, #81FFFE, #92FFFF, #A3FFFF and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BEDF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BEDF0 shade: #6BEDF0, #5ADBDD, #49C9CA, #38B7B7 and #27A5A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BEDF0 shade: #6AEDF0, #6AC9F0, #6AA5F0, #6A81F0 and #786AF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BEDF0 shade: #6AEDF0, #6AC9F0, #6AA5F0, #6A81F0 and #6A6AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BEDF0 shade matches the following richer shades: #6AEDF0 and #5DF9FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BEDF0 shade: #6AEDF0, #77E0E3, #84D4D5, #92C7C8 and #9FBABB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BEDF0 shade: #6AF0AB, #6AF0CE, #6AEEF0, #6ACAF0 and #6AA6F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BEDF0 shade: #1FE4E8, #44E8EC, #6AEDF0, #90F1F4 and #B5F6F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BEDF0 shade: #6BEDF0, #876AF0 and #F0BD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BEDF0 shade: #6BEDF0, #F06AEE and #EEF06A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BEDF0 shade: #6BEDF0, #876AF0, #F06C6A and #D3F06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BEDF0 shade: #6BEDF0, #AF6AF0, #F06C6A and #ABF06A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

Complementary color

CMYK 0 / 88 / 90 / 42

HEX #94120F

RGB 148 18 15

HSL 1.35, 0.82%, 0.32%

LAB 31.26, 50.66, 38.28

 

CMYK 53 / 0 / 1 / 7

HEX #70EDEB

RGB 112 237 235

HSL 179.04, 0.78%, 0.68%

LAB 87, -35.14, -9.67

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFE

RGB 129 255 254

HSL 179.52, 1%, 0.75%

LAB 93.16, -35.27, -10.35

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

CMYK 59 / 1 / 0 / 13

HEX #5ADBDD

RGB 90 219 221

HSL 180.92, 0.66%, 0.61%

LAB 80.77, -34.47, -11.62

 

CMYK 64 / 0 / 0 / 21

HEX #49C9CA

RGB 73 201 202

HSL 180.47, 0.55%, 0.54%

LAB 74.48, -34.04, -10.86

 

CMYK 69 / 0 / 0 / 28

HEX #38B7B7

RGB 56 183 183

HSL 180, 0.53%, 0.47%

LAB 68.11, -33.42, -10.02

 

CMYK 76 / 0 / 1 / 35

HEX #27A5A4

RGB 39 165 164

HSL 179.52, 0.62%, 0.4%

LAB 61.67, -32.56, -9.09

 

CMYK 56 / 1 / 0 / 6

HEX #6AEDF0

RGB 106 237 240

HSL 181.34, 0.82%, 0.68%

LAB 86.96, -34.97, -12.38

 

CMYK 56 / 16 / 0 / 6

HEX #6AC9F0

RGB 106 201 240

HSL 197.46, 0.82%, 0.68%

LAB 76.76, -17.3, -27.82

 

CMYK 56 / 31 / 0 / 6

HEX #6AA5F0

RGB 106 165 240

HSL 213.58, 0.82%, 0.68%

LAB 66.72, 2.25, -43.38

 

CMYK 56 / 46 / 0 / 6

HEX #6A81F0

RGB 106 129 240

HSL 229.7, 0.82%, 0.68%

LAB 57.13, 23.4, -58.59

 

CMYK 50 / 56 / 0 / 6

HEX #786AF0

RGB 120 106 240

HSL 246.27, 0.82%, 0.68%

LAB 52.5, 39.9, -65.98

 

CMYK 56 / 1 / 0 / 6

HEX #6AEDF0

RGB 106 237 240

HSL 181.34, 0.82%, 0.68%

LAB 86.96, -34.97, -12.38

 

CMYK 56 / 16 / 0 / 6

HEX #6AC9F0

RGB 106 201 240

HSL 197.46, 0.82%, 0.68%

LAB 76.76, -17.3, -27.82

 

CMYK 56 / 31 / 0 / 6

HEX #6AA5F0

RGB 106 165 240

HSL 213.58, 0.82%, 0.68%

LAB 66.72, 2.25, -43.38

 

CMYK 56 / 46 / 0 / 6

HEX #6A81F0

RGB 106 129 240

HSL 229.7, 0.82%, 0.68%

LAB 57.13, 23.4, -58.59

 

CMYK 56 / 56 / 0 / 6

HEX #6A6AF0

RGB 106 106 240

HSL 240, 0.82%, 0.68%

LAB 51.45, 37.22, -67.72

 

CMYK 56 / 1 / 0 / 6

HEX #6AEDF0

RGB 106 237 240

HSL 181.34, 0.82%, 0.68%

LAB 86.96, -34.97, -12.38

 

CMYK 63 / 2 / 0 / 1

HEX #5DF9FD

RGB 93 249 253

HSL 181.5, 0.98%, 0.68%

LAB 90.4, -39.16, -14.06

 

CMYK 56 / 1 / 0 / 6

HEX #6AEDF0

RGB 106 237 240

HSL 181.34, 0.82%, 0.68%

LAB 86.96, -34.97, -12.38

 

CMYK 48 / 1 / 0 / 11

HEX #77E0E3

RGB 119 224 227

HSL 181.67, 0.66%, 0.68%

LAB 83.33, -29.6, -10.9

 

CMYK 38 / 0 / 0 / 16

HEX #84D4D5

RGB 132 212 213

HSL 180.74, 0.49%, 0.68%

LAB 80.07, -24.18, -8.24

 

CMYK 27 / 0 / 0 / 22

HEX #92C7C8

RGB 146 199 200

HSL 181.11, 0.33%, 0.68%

LAB 76.76, -16.86, -6.08

 

CMYK 15 / 1 / 0 / 27

HEX #9FBABB

RGB 159 186 187

HSL 182.14, 0.17%, 0.68%

LAB 73.6, -8.93, -3.6

 

CMYK 56 / 0 / 29 / 6

HEX #6AF0AB

RGB 106 240 171

HSL 149.1, 0.82%, 0.68%

LAB 86.17, -52.26, 22.5

 

CMYK 56 / 0 / 14 / 6

HEX #6AF0CE

RGB 106 240 206

HSL 164.78, 0.82%, 0.68%

LAB 86.92, -44.77, 5.38

 

CMYK 56 / 1 / 0 / 6

HEX #6AEEF0

RGB 106 238 240

HSL 180.9, 0.82%, 0.68%

LAB 87.24, -35.43, -11.95

 

CMYK 56 / 16 / 0 / 6

HEX #6ACAF0

RGB 106 202 240

HSL 197.01, 0.82%, 0.68%

LAB 77.04, -17.81, -27.38

 

CMYK 56 / 31 / 0 / 6

HEX #6AA6F0

RGB 106 166 240

HSL 213.13, 0.82%, 0.68%

LAB 67, 1.69, -42.95

 

CMYK 87 / 2 / 0 / 9

HEX #1FE4E8

RGB 31 228 232

HSL 181.19, 0.81%, 0.52%

LAB 82.7, -41.98, -14.68

 

CMYK 71 / 2 / 0 / 7

HEX #44E8EC

RGB 68 232 236

HSL 181.43, 0.82%, 0.6%

LAB 84.48, -39.47, -14.07

 

CMYK 56 / 1 / 0 / 6

HEX #6AEDF0

RGB 106 237 240

HSL 181.34, 0.82%, 0.68%

LAB 86.96, -34.97, -12.38

 

CMYK 41 / 1 / 0 / 4

HEX #90F1F4

RGB 144 241 244

HSL 181.8, 0.82%, 0.76%

LAB 89.57, -27.82, -10.44

 

CMYK 27 / 0 / 0 / 3

HEX #B5F6F7

RGB 181 246 247

HSL 180.91, 0.8%, 0.84%

LAB 92.77, -19.91, -7.05

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

CMYK 44 / 56 / 0 / 6

HEX #876AF0

RGB 135 106 240

HSL 252.99, 0.82%, 0.68%

LAB 53.76, 43.01, -63.88

 

CMYK 0 / 21 / 56 / 6

HEX #F0BD6A

RGB 240 189 106

HSL 37.16, 0.82%, 0.68%

LAB 79.59, 8.96, 48.45

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

CMYK 0 / 56 / 1 / 6

HEX #F06AEE

RGB 240 106 238

HSL 300.9, 0.82%, 0.68%

LAB 65.75, 68.08, -42.96

 

CMYK 1 / 0 / 56 / 6

HEX #EEF06A

RGB 238 240 106

HSL 60.9, 0.82%, 0.68%

LAB 92.37, -17.69, 63.19

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

CMYK 44 / 56 / 0 / 6

HEX #876AF0

RGB 135 106 240

HSL 252.99, 0.82%, 0.68%

LAB 53.76, 43.01, -63.88

 

CMYK 0 / 55 / 56 / 6

HEX #F06C6A

RGB 240 108 106

HSL 0.9, 0.82%, 0.68%

LAB 61.9, 50.7, 26.27

 

CMYK 12 / 0 / 56 / 6

HEX #D3F06A

RGB 211 240 106

HSL 72.99, 0.82%, 0.68%

LAB 90.42, -28.29, 60.45

 

CMYK 55 / 1 / 0 / 6

HEX #6BEDF0

RGB 107 237 240

HSL 181.35, 0.82%, 0.68%

LAB 86.99, -34.78, -12.33

 

CMYK 27 / 56 / 0 / 6

HEX #AF6AF0

RGB 175 106 240

HSL 270.9, 0.82%, 0.68%

LAB 57.76, 52.2, -57.24

 

CMYK 0 / 55 / 56 / 6

HEX #F06C6A

RGB 240 108 106

HSL 0.9, 0.82%, 0.68%

LAB 61.9, 50.7, 26.27

 

CMYK 29 / 0 / 56 / 6

HEX #ABF06A

RGB 171 240 106

HSL 90.9, 0.82%, 0.68%

LAB 87.98, -43.06, 57.01

 

Description

Color code: HEX #6BEDF0 | qconv.com Color code: HEX #6BEDF0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 237 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 237 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 1 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 1% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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