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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BEDC2 it is the complementary color #94123D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BEDC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BEDC2 shade: #70EDBD, #81FFD0, #92FFE3, #A3FFF6 and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BEDC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BEDC2 shade: #6BEDC2, #5ADBAF, #49C99C, #38B789 and #27A576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BEDC2 shade: #69ECC1, #69EC9E, #69EC7A, #7CEC69 and #9FEC69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BEDC2 shade: #69ECC1, #69ECE4, #69D1EC, #69AEEC and #698AEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BEDC2 shade matches the following richer shades: #69ECC1 and #5CFAC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BEDC2 shade: #69ECC1, #77DFBC, #84D1B8, #92C4B3 and #A0B6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BEDC2 shade: #69EC7B, #69EC9E, #69ECC1, #69ECE4 and #69D2EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BEDC2 shade: #20E3A3, #44E8B2, #69ECC1, #8EF1D0 and #B3F6DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BEDC2 shade: #6BEDC2, #697BEC and #EC8C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BEDC2 shade: #6BEDC2, #C169EC and #ECC169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BEDC2 shade: #6BEDC2, #697BEC, #EC6995 and #ECDB69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BEDC2 shade: #6BEDC2, #7F69EC, #EC6995 and #D7EC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

Complementary color

CMYK 0 / 88 / 59 / 42

HEX #94123D

RGB 148 18 61

HSL 340.15, 0.78%, 0.33%

LAB 31.96, 52.69, 10.69

 

CMYK 53 / 0 / 20 / 7

HEX #70EDBD

RGB 112 237 189

HSL 156.96, 0.78%, 0.68%

LAB 85.85, -46.01, 12.76

 

CMYK 49 / 0 / 18 / 0

HEX #81FFD0

RGB 129 255 208

HSL 157.62, 1%, 0.75%

LAB 92.02, -45.93, 11.75

 

CMYK 43 / 0 / 11 / 0

HEX #92FFE3

RGB 146 255 227

HSL 164.59, 1%, 0.79%

LAB 93.09, -37.81, 3.58

 

CMYK 36 / 0 / 4 / 0

HEX #A3FFF6

RGB 163 255 246

HSL 174.13, 1%, 0.82%

LAB 94.3, -29.32, -4.39

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

CMYK 59 / 0 / 20 / 14

HEX #5ADBAF

RGB 90 219 175

HSL 159.53, 0.64%, 0.61%

LAB 79.58, -45.94, 11.12

 

CMYK 64 / 0 / 22 / 21

HEX #49C99C

RGB 73 201 156

HSL 158.91, 0.54%, 0.54%

LAB 73.28, -45.78, 12.27

 

CMYK 69 / 0 / 25 / 28

HEX #38B789

RGB 56 183 137

HSL 158.27, 0.53%, 0.47%

LAB 66.91, -45.44, 13.54

 

CMYK 76 / 0 / 28 / 35

HEX #27A576

RGB 39 165 118

HSL 157.62, 0.62%, 0.4%

LAB 60.47, -44.83, 14.94

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 56 / 0 / 33 / 7

HEX #69EC9E

RGB 105 236 158

HSL 144.27, 0.78%, 0.67%

LAB 84.72, -53.33, 27.19

 

CMYK 56 / 0 / 48 / 7

HEX #69EC7A

RGB 105 236 122

HSL 127.79, 0.78%, 0.67%

LAB 84.17, -59.18, 44.37

 

CMYK 47 / 0 / 56 / 7

HEX #7CEC69

RGB 124 236 105

HSL 111.3, 0.78%, 0.67%

LAB 84.64, -56.42, 53.01

 

CMYK 33 / 0 / 56 / 7

HEX #9FEC69

RGB 159 236 105

HSL 95.27, 0.78%, 0.67%

LAB 86.2, -45.56, 55.23

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 56 / 0 / 3 / 7

HEX #69ECE4

RGB 105 236 228

HSL 176.34, 0.78%, 0.67%

LAB 86.3, -37.81, -7.05

 

CMYK 56 / 11 / 0 / 7

HEX #69D1EC

RGB 105 209 236

HSL 192.37, 0.78%, 0.67%

LAB 78.85, -22.71, -22.49

 

CMYK 56 / 26 / 0 / 7

HEX #69AEEC

RGB 105 174 236

HSL 208.4, 0.78%, 0.67%

LAB 68.99, -4.23, -37.65

 

CMYK 56 / 42 / 0 / 7

HEX #698AEC

RGB 105 138 236

HSL 224.89, 0.78%, 0.67%

LAB 59.19, 16.53, -53.08

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 63 / 0 / 21 / 2

HEX #5CFAC6

RGB 92 250 198

HSL 160.25, 0.94%, 0.67%

LAB 89.26, -53.37, 12.85

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 47 / 0 / 16 / 13

HEX #77DFBC

RGB 119 223 188

HSL 159.81, 0.62%, 0.67%

LAB 82.02, -38.43, 7.85

 

CMYK 37 / 0 / 12 / 18

HEX #84D1B8

RGB 132 209 184

HSL 160.52, 0.46%, 0.67%

LAB 78.44, -29.39, 4.91

 

CMYK 26 / 0 / 9 / 23

HEX #92C4B3

RGB 146 196 179

HSL 159.6, 0.3%, 0.67%

LAB 75.36, -19.92, 3.23

 

CMYK 12 / 0 / 4 / 29

HEX #A0B6AF

RGB 160 182 175

HSL 160.91, 0.13%, 0.67%

LAB 72.24, -8.94, 0.99

 

CMYK 56 / 0 / 48 / 7

HEX #69EC7B

RGB 105 236 123

HSL 128.24, 0.78%, 0.67%

LAB 84.19, -59.04, 43.91

 

CMYK 56 / 0 / 33 / 7

HEX #69EC9E

RGB 105 236 158

HSL 144.27, 0.78%, 0.67%

LAB 84.72, -53.33, 27.19

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 56 / 0 / 3 / 7

HEX #69ECE4

RGB 105 236 228

HSL 176.34, 0.78%, 0.67%

LAB 86.3, -37.81, -7.05

 

CMYK 56 / 11 / 0 / 7

HEX #69D2EC

RGB 105 210 236

HSL 191.91, 0.78%, 0.67%

LAB 79.13, -23.21, -22.06

 

CMYK 86 / 0 / 28 / 11

HEX #20E3A3

RGB 32 227 163

HSL 160.31, 0.78%, 0.51%

LAB 80.68, -59.44, 18.83

 

CMYK 71 / 0 / 23 / 9

HEX #44E8B2

RGB 68 232 178

HSL 160.24, 0.78%, 0.59%

LAB 83, -54.29, 14.31

 

CMYK 56 / 0 / 18 / 7

HEX #69ECC1

RGB 105 236 193

HSL 160.31, 0.78%, 0.67%

LAB 85.43, -46.19, 10.03

 

CMYK 41 / 0 / 14 / 5

HEX #8EF1D0

RGB 142 241 208

HSL 160, 0.78%, 0.75%

LAB 88.55, -36.54, 6.86

 

CMYK 27 / 0 / 9 / 4

HEX #B3F6DF

RGB 179 246 223

HSL 159.4, 0.79%, 0.83%

LAB 92.05, -25.53, 4.34

 

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

CMYK 56 / 48 / 0 / 7

HEX #697BEC

RGB 105 123 236

HSL 231.76, 0.78%, 0.67%

LAB 55.3, 25.54, -59.29

 

CMYK 0 / 41 / 56 / 7

HEX #EC8C69

RGB 236 140 105

HSL 16.03, 0.78%, 0.67%

LAB 67.73, 33.13, 34.25

 

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

CMYK 18 / 56 / 0 / 7

HEX #C169EC

RGB 193 105 236

HSL 280.31, 0.78%, 0.67%

LAB 59.43, 56.26, -52.23

 

CMYK 0 / 18 / 56 / 7

HEX #ECC169

RGB 236 193 105

HSL 40.31, 0.78%, 0.67%

LAB 80.18, 5.14, 49.53

 

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

CMYK 56 / 48 / 0 / 7

HEX #697BEC

RGB 105 123 236

HSL 231.76, 0.78%, 0.67%

LAB 55.3, 25.54, -59.29

 

CMYK 0 / 56 / 37 / 7

HEX #EC6995

RGB 236 105 149

HSL 339.85, 0.78%, 0.67%

LAB 61.75, 54.79, 1.25

 

CMYK 0 / 7 / 56 / 7

HEX #ECDB69

RGB 236 219 105

HSL 52.21, 0.78%, 0.67%

LAB 86.76, -8.19, 57.22

 

CMYK 55 / 0 / 18 / 7

HEX #6BEDC2

RGB 107 237 194

HSL 160.15, 0.78%, 0.67%

LAB 85.8, -45.99, 10.05

 

CMYK 46 / 56 / 0 / 7

HEX #7F69EC

RGB 127 105 236

HSL 250.08, 0.78%, 0.67%

LAB 52.59, 40.75, -63.58

 

CMYK 0 / 56 / 37 / 7

HEX #EC6995

RGB 236 105 149

HSL 339.85, 0.78%, 0.67%

LAB 61.75, 54.79, 1.25

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

Description

Color code: HEX #6BEDC2 | qconv.com Color code: HEX #6BEDC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 237 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 237 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 18 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 18% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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