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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BECE8 it is the complementary color #941317. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BECE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BECE8 shade: #70ECE3, #81FEF6, #92FFFF, #A3FFFF and #B4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BECE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BECE8 shade: #6BECE8, #5ADAD5, #49C8C2, #38B6AF and #27A49C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BECE8 shade: #6AEBE7, #6AEBC4, #6AEBA1, #6AEB7E and #78EB6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BECE8 shade: #6AEBE7, #6ACCEB, #6AA9EB, #6A86EB and #6A6AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BECE8 shade matches the following richer shades: #6AEBE7 and #5CF9F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BECE8 shade: #6AEBE7, #77DEDA, #85D0CE, #92C2C1 and #A0B5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BECE8 shade: #6AEBA2, #6AEBC4, #6AEBE7, #6ACDEB and #6AAAEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BECE8 shade: #21E2DC, #45E6E1, #6AEBE7, #8EF0ED and #B3F5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BECE8 shade: #6BECE8, #7F6AEB and #EBB36A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BECE8 shade: #6BECE8, #E76AEB and #EBE76A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BECE8 shade: #6BECE8, #7F6AEB, #EB6A6E and #D6EB6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BECE8 shade: #6BECE8, #A66AEB, #EB6A6E and #AFEB6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

Complementary color

CMYK 0 / 87 / 84 / 42

HEX #941317

RGB 148 19 23

HSL 358.14, 0.77%, 0.33%

LAB 31.4, 50.63, 34.17

 

CMYK 53 / 0 / 4 / 7

HEX #70ECE3

RGB 112 236 227

HSL 175.65, 0.77%, 0.68%

LAB 86.49, -36.71, -6.22

 

CMYK 49 / 0 / 3 / 0

HEX #81FEF6

RGB 129 254 246

HSL 176.16, 0.98%, 0.75%

LAB 92.67, -36.79, -6.94

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 29 / 0 / 0 / 0

HEX #B4FFFF

RGB 180 255 255

HSL 180, 1%, 0.85%

LAB 95.35, -22.82, -7.39

 

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

CMYK 59 / 0 / 2 / 15

HEX #5ADAD5

RGB 90 218 213

HSL 177.66, 0.63%, 0.6%

LAB 80.25, -36.15, -8.14

 

CMYK 64 / 0 / 3 / 22

HEX #49C8C2

RGB 73 200 194

HSL 177.17, 0.54%, 0.54%

LAB 73.95, -35.78, -7.32

 

CMYK 69 / 0 / 4 / 29

HEX #38B6AF

RGB 56 182 175

HSL 176.67, 0.53%, 0.47%

LAB 67.57, -35.24, -6.42

 

CMYK 76 / 0 / 5 / 36

HEX #27A49C

RGB 39 164 156

HSL 176.16, 0.62%, 0.4%

LAB 61.12, -34.45, -5.42

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 55 / 0 / 17 / 8

HEX #6AEBC4

RGB 106 235 196

HSL 161.86, 0.76%, 0.67%

LAB 85.23, -44.88, 8.19

 

CMYK 55 / 0 / 31 / 8

HEX #6AEBA1

RGB 106 235 161

HSL 145.58, 0.76%, 0.67%

LAB 84.51, -52.14, 25.37

 

CMYK 55 / 0 / 46 / 8

HEX #6AEB7E

RGB 106 235 126

HSL 129.3, 0.76%, 0.67%

LAB 83.96, -57.99, 42.18

 

CMYK 49 / 0 / 55 / 8

HEX #78EB6A

RGB 120 235 106

HSL 113.49, 0.76%, 0.67%

LAB 84.2, -57.03, 52

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 55 / 13 / 0 / 8

HEX #6ACCEB

RGB 106 204 235

HSL 194.42, 0.76%, 0.67%

LAB 77.43, -20.27, -24.1

 

CMYK 55 / 28 / 0 / 8

HEX #6AA9EB

RGB 106 169 235

HSL 210.7, 0.76%, 0.67%

LAB 67.6, -1.55, -39.26

 

CMYK 55 / 43 / 0 / 8

HEX #6A86EB

RGB 106 134 235

HSL 226.98, 0.76%, 0.67%

LAB 58.14, 18.81, -54.19

 

CMYK 55 / 55 / 0 / 8

HEX #6A6AEB

RGB 106 106 235

HSL 240, 0.76%, 0.67%

LAB 51.12, 35.66, -65.47

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 63 / 0 / 2 / 2

HEX #5CF9F4

RGB 92 249 244

HSL 178.09, 0.93%, 0.67%

LAB 90.12, -41.71, -9.8

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 46 / 0 / 2 / 13

HEX #77DEDA

RGB 119 222 218

HSL 177.67, 0.61%, 0.67%

LAB 82.5, -30.92, -7.35

 

CMYK 36 / 0 / 1 / 18

HEX #85D0CE

RGB 133 208 206

HSL 178.4, 0.44%, 0.67%

LAB 78.78, -23.62, -6.38

 

CMYK 25 / 0 / 1 / 24

HEX #92C2C1

RGB 146 194 193

HSL 178.75, 0.28%, 0.67%

LAB 75.17, -15.87, -4.64

 

CMYK 12 / 0 / 1 / 29

HEX #A0B5B4

RGB 160 181 180

HSL 177.14, 0.12%, 0.67%

LAB 72.11, -7.4, -1.95

 

CMYK 55 / 0 / 31 / 8

HEX #6AEBA2

RGB 106 235 162

HSL 146.05, 0.76%, 0.67%

LAB 84.53, -51.96, 24.88

 

CMYK 55 / 0 / 17 / 8

HEX #6AEBC4

RGB 106 235 196

HSL 161.86, 0.76%, 0.67%

LAB 85.23, -44.88, 8.19

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 55 / 13 / 0 / 8

HEX #6ACDEB

RGB 106 205 235

HSL 193.95, 0.76%, 0.67%

LAB 77.71, -20.78, -23.67

 

CMYK 55 / 28 / 0 / 8

HEX #6AAAEB

RGB 106 170 235

HSL 210.23, 0.76%, 0.67%

LAB 67.88, -2.11, -38.83

 

CMYK 85 / 0 / 3 / 11

HEX #21E2DC

RGB 33 226 220

HSL 178.13, 0.77%, 0.51%

LAB 81.77, -44.45, -9.7

 

CMYK 70 / 0 / 2 / 10

HEX #45E6E1

RGB 69 230 225

HSL 178.14, 0.76%, 0.59%

LAB 83.6, -41.51, -9.59

 

CMYK 55 / 0 / 2 / 8

HEX #6AEBE7

RGB 106 235 231

HSL 178.14, 0.76%, 0.67%

LAB 86.13, -36.39, -8.88

 

CMYK 41 / 0 / 1 / 6

HEX #8EF0ED

RGB 142 240 237

HSL 178.16, 0.77%, 0.75%

LAB 89.01, -29.5, -7.62

 

CMYK 27 / 0 / 1 / 4

HEX #B3F5F3

RGB 179 245 243

HSL 178.18, 0.77%, 0.83%

LAB 92.29, -20.86, -5.7

 

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

CMYK 46 / 55 / 0 / 8

HEX #7F6AEB

RGB 127 106 235

HSL 249.77, 0.76%, 0.67%

LAB 52.75, 39.89, -62.75

 

CMYK 0 / 24 / 55 / 8

HEX #EBB36A

RGB 235 179 106

HSL 33.95, 0.76%, 0.67%

LAB 76.64, 12.17, 44.78

 

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

CMYK 2 / 55 / 0 / 8

HEX #E76AEB

RGB 231 106 235

HSL 298.14, 0.76%, 0.67%

LAB 64.4, 65.27, -43.51

 

CMYK 0 / 2 / 55 / 8

HEX #EBE76A

RGB 235 231 106

HSL 58.14, 0.76%, 0.67%

LAB 89.79, -14.5, 60.21

 

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

CMYK 46 / 55 / 0 / 8

HEX #7F6AEB

RGB 127 106 235

HSL 249.77, 0.76%, 0.67%

LAB 52.75, 39.89, -62.75

 

CMYK 0 / 55 / 53 / 8

HEX #EB6A6E

RGB 235 106 110

HSL 358.14, 0.76%, 0.67%

LAB 60.87, 50.21, 22.47

 

CMYK 9 / 0 / 55 / 8

HEX #D6EB6A

RGB 214 235 106

HSL 69.77, 0.76%, 0.67%

LAB 89.28, -24.77, 59.21

 

CMYK 55 / 0 / 2 / 7

HEX #6BECE8

RGB 107 236 232

HSL 178.14, 0.77%, 0.67%

LAB 86.48, -36.41, -8.89

 

CMYK 29 / 55 / 0 / 8

HEX #A66AEB

RGB 166 106 235

HSL 267.91, 0.76%, 0.67%

LAB 56.5, 48.85, -56.53

 

CMYK 0 / 55 / 53 / 8

HEX #EB6A6E

RGB 235 106 110

HSL 358.14, 0.76%, 0.67%

LAB 60.87, 50.21, 22.47

 

CMYK 26 / 0 / 55 / 8

HEX #AFEB6A

RGB 175 235 106

HSL 87.91, 0.76%, 0.67%

LAB 86.79, -39.45, 55.69

 

Description

Color code: HEX #6BECE8 | qconv.com Color code: HEX #6BECE8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 236 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 236 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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