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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BECA0 it is the complementary color #94135F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BECA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BECA0 shade: #70EC9B, #81FEAE, #92FFC1, #A3FFD4 and #B4FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BECA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BECA0 shade: #6BECA0, #5ADA8D, #49C87A, #38B667 and #27A454

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BECA0 shade: #6AEC9F, #6AEC7C, #7BEC6A, #9EEC6A and #C1EC6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BECA0 shade: #6AEC9F, #6AECC2, #6AECE5, #6ACFEC and #6AACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BECA0 shade matches the following richer shades: #6AEC9F and #5CF99D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BECA0 shade: #6AEC9F, #78DEA2, #85D0A4, #93C3A7 and #A1B5A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BECA0 shade: #7BEC6A, #6AEC7B, #6AEC9E, #6AECC0 and #6AECE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BECA0 shade: #21E270, #46E788, #6AEC9F, #8FF0B7 and #B3F5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BECA0 shade: #6BECA0, #6A9EEC and #EC6A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BECA0 shade: #6BECA0, #9E6AEC and #EC9E6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BECA0 shade: #6BECA0, #6A9EEC, #EC6AB8 and #ECB86A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BECA0 shade: #6BECA0, #6A77EC, #EC6AB8 and #ECDF6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

Complementary color

CMYK 0 / 87 / 36 / 42

HEX #94135F

RGB 148 19 95

HSL 324.65, 0.77%, 0.33%

LAB 33.11, 55.56, -9.94

 

CMYK 53 / 0 / 34 / 7

HEX #70EC9B

RGB 112 236 155

HSL 140.81, 0.77%, 0.68%

LAB 84.9, -52.27, 28.99

 

CMYK 49 / 0 / 31 / 0

HEX #81FEAE

RGB 129 254 174

HSL 141.6, 0.98%, 0.75%

LAB 91.06, -52.16, 27.78

 

CMYK 43 / 0 / 24 / 0

HEX #92FFC1

RGB 146 255 193

HSL 145.87, 1%, 0.79%

LAB 92.35, -44.77, 20

 

CMYK 36 / 0 / 17 / 0

HEX #A3FFD4

RGB 163 255 212

HSL 151.96, 1%, 0.82%

LAB 93.48, -36.51, 11.96

 

CMYK 29 / 0 / 9 / 0

HEX #B4FFE7

RGB 180 255 231

HSL 160.8, 1%, 0.85%

LAB 94.74, -27.92, 4.09

 

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

CMYK 59 / 0 / 35 / 15

HEX #5ADA8D

RGB 90 218 141

HSL 143.91, 0.63%, 0.6%

LAB 78.6, -52.5, 27.59

 

CMYK 64 / 0 / 39 / 22

HEX #49C87A

RGB 73 200 122

HSL 143.15, 0.54%, 0.54%

LAB 72.32, -52.33, 28.97

 

CMYK 69 / 0 / 43 / 29

HEX #38B667

RGB 56 182 103

HSL 142.38, 0.53%, 0.47%

LAB 65.96, -51.95, 30.45

 

CMYK 76 / 0 / 49 / 36

HEX #27A454

RGB 39 164 84

HSL 141.6, 0.62%, 0.4%

LAB 59.55, -51.22, 32.05

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9F

RGB 106 236 159

HSL 144.46, 0.77%, 0.67%

LAB 84.77, -52.92, 26.75

 

CMYK 55 / 0 / 47 / 7

HEX #6AEC7C

RGB 106 236 124

HSL 128.31, 0.77%, 0.67%

LAB 84.23, -58.66, 43.49

 

CMYK 48 / 0 / 55 / 7

HEX #7BEC6A

RGB 123 236 106

HSL 112.15, 0.77%, 0.67%

LAB 84.61, -56.59, 52.52

 

CMYK 33 / 0 / 55 / 7

HEX #9EEC6A

RGB 158 236 106

HSL 96, 0.77%, 0.67%

LAB 86.16, -45.79, 54.72

 

CMYK 18 / 0 / 55 / 7

HEX #C1EC6A

RGB 193 236 106

HSL 79.85, 0.77%, 0.67%

LAB 88.15, -33.29, 57.54

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9F

RGB 106 236 159

HSL 144.46, 0.77%, 0.67%

LAB 84.77, -52.92, 26.75

 

CMYK 55 / 0 / 18 / 7

HEX #6AECC2

RGB 106 236 194

HSL 160.62, 0.77%, 0.67%

LAB 85.48, -45.77, 9.59

 

CMYK 55 / 0 / 3 / 7

HEX #6AECE5

RGB 106 236 229

HSL 176.77, 0.77%, 0.67%

LAB 86.36, -37.36, -7.49

 

CMYK 55 / 12 / 0 / 7

HEX #6ACFEC

RGB 106 207 236

HSL 193.38, 0.77%, 0.67%

LAB 78.31, -21.51, -23.29

 

CMYK 55 / 27 / 0 / 7

HEX #6AACEC

RGB 106 172 236

HSL 209.54, 0.77%, 0.67%

LAB 68.48, -2.92, -38.45

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9F

RGB 106 236 159

HSL 144.46, 0.77%, 0.67%

LAB 84.77, -52.92, 26.75

 

CMYK 63 / 0 / 37 / 2

HEX #5CF99D

RGB 92 249 157

HSL 144.84, 0.93%, 0.67%

LAB 88.19, -61.21, 32.28

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9F

RGB 106 236 159

HSL 144.46, 0.77%, 0.67%

LAB 84.77, -52.92, 26.75

 

CMYK 46 / 0 / 27 / 13

HEX #78DEA2

RGB 120 222 162

HSL 144.71, 0.61%, 0.67%

LAB 81.21, -43.09, 20.39

 

CMYK 36 / 0 / 21 / 18

HEX #85D0A4

RGB 133 208 164

HSL 144.8, 0.44%, 0.67%

LAB 77.74, -32.75, 14.6

 

CMYK 25 / 0 / 14 / 24

HEX #93C3A7

RGB 147 195 167

HSL 145, 0.29%, 0.67%

LAB 74.84, -21.53, 8.98

 

CMYK 11 / 0 / 7 / 29

HEX #A1B5A9

RGB 161 181 169

HSL 144, 0.12%, 0.67%

LAB 71.89, -9.24, 3.77

 

CMYK 48 / 0 / 55 / 7

HEX #7BEC6A

RGB 123 236 106

HSL 112.15, 0.77%, 0.67%

LAB 84.61, -56.59, 52.52

 

CMYK 55 / 0 / 48 / 7

HEX #6AEC7B

RGB 106 236 123

HSL 127.85, 0.77%, 0.67%

LAB 84.22, -58.8, 43.96

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9E

RGB 106 236 158

HSL 144, 0.77%, 0.67%

LAB 84.75, -53.11, 27.23

 

CMYK 55 / 0 / 19 / 7

HEX #6AECC0

RGB 106 236 192

HSL 159.69, 0.77%, 0.67%

LAB 85.43, -46.21, 10.57

 

CMYK 55 / 0 / 4 / 7

HEX #6AECE3

RGB 106 236 227

HSL 175.85, 0.77%, 0.67%

LAB 86.31, -37.87, -6.52

 

CMYK 85 / 0 / 50 / 11

HEX #21E270

RGB 33 226 112

HSL 144.56, 0.77%, 0.51%

LAB 79.55, -68.61, 43.1

 

CMYK 70 / 0 / 41 / 9

HEX #46E788

RGB 70 231 136

HSL 144.6, 0.77%, 0.59%

LAB 81.96, -62.02, 34.5

 

CMYK 55 / 0 / 33 / 7

HEX #6AEC9F

RGB 106 236 159

HSL 144.46, 0.77%, 0.67%

LAB 84.77, -52.92, 26.75

 

CMYK 40 / 0 / 24 / 6

HEX #8FF0B7

RGB 143 240 183

HSL 144.74, 0.76%, 0.75%

LAB 87.77, -40.87, 18.74

 

CMYK 27 / 0 / 16 / 4

HEX #B3F5CE

RGB 179 245 206

HSL 144.55, 0.77%, 0.83%

LAB 91.39, -28.36, 12.2

 

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

CMYK 55 / 33 / 0 / 7

HEX #6A9EEC

RGB 106 158 236

HSL 216, 0.77%, 0.67%

LAB 64.62, 5.01, -44.48

 

CMYK 0 / 55 / 55 / 7

HEX #EC6A6A

RGB 236 106 106

HSL 0, 0.77%, 0.67%

LAB 60.94, 50.24, 24.89

 

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

CMYK 33 / 55 / 0 / 7

HEX #9E6AEC

RGB 158 106 236

HSL 264, 0.77%, 0.67%

LAB 55.72, 47.17, -58.39

 

CMYK 0 / 33 / 55 / 7

HEX #EC9E6A

RGB 236 158 106

HSL 24, 0.77%, 0.67%

LAB 71.78, 23.71, 38.81

 

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

CMYK 55 / 33 / 0 / 7

HEX #6A9EEC

RGB 106 158 236

HSL 216, 0.77%, 0.67%

LAB 64.62, 5.01, -44.48

 

CMYK 0 / 55 / 22 / 7

HEX #EC6AB8

RGB 236 106 184

HSL 324, 0.77%, 0.67%

LAB 63.01, 58.7, -16.93

 

CMYK 0 / 22 / 55 / 7

HEX #ECB86A

RGB 236 184 106

HSL 36, 0.77%, 0.67%

LAB 77.97, 9.94, 46.4

 

CMYK 55 / 0 / 32 / 7

HEX #6BECA0

RGB 107 236 160

HSL 144.65, 0.77%, 0.67%

LAB 84.82, -52.51, 26.31

 

CMYK 55 / 50 / 0 / 7

HEX #6A77EC

RGB 106 119 236

HSL 234, 0.77%, 0.67%

LAB 54.36, 28.15, -60.81

 

CMYK 0 / 55 / 22 / 7

HEX #EC6AB8

RGB 236 106 184

HSL 324, 0.77%, 0.67%

LAB 63.01, 58.7, -16.93

 

CMYK 0 / 6 / 55 / 7

HEX #ECDF6A

RGB 236 223 106

HSL 54, 0.77%, 0.67%

LAB 87.8, -10.12, 57.96

 

Description

Color code: HEX #6BECA0 | qconv.com Color code: HEX #6BECA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 236 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 236 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 32 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 32% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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