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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BDF2E it is the complementary color #9420D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BDF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BDF2E shade: #70DF29, #81F13C, #92FF4F, #A3FF62 and #B4FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BDF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BDF2E shade: #6BDF2E, #5ACD1B, #49BB08, #38A900 and #279700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BDF2E shade: #6BDE2F, #9BDE2F, #CADE2F, #DEC32F and #DE942F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BDF2E shade: #6BDE2F, #3CDE2F, #2FDE51, #2FDE80 and #2FDEB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BDF2E shade matches the following richer shades: #6BDE2F and #65F21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BDF2E shade: #6BDE2F, #71CB43, #78B756, #7EA469 and #84917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BDF2E shade: #CADE2F, #9BDE2F, #6CDE2F, #3EDE2F and #2FDE4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BDF2E shade: #48A219, #58C61E, #6BDE2F, #85E453 and #9EE977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BDF2E shade: #6BDF2E, #2FDEC4 and #DE2FB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BDF2E shade: #6BDF2E, #2F6CDE and #DE2F6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BDF2E shade: #6BDF2E, #2FDEC4, #A12FDE and #DE2F49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BDF2E shade: #6BDF2E, #2FC4DE, #A12FDE and #DE492F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

Complementary color

CMYK 29 / 85 / 0 / 18

HEX #9420D1

RGB 148 32 209

HSL 279.32, 0.73%, 0.47%

LAB 41.11, 70.91, -66.72

 

CMYK 50 / 0 / 82 / 13

HEX #70DF29

RGB 112 223 41

HSL 96.59, 0.74%, 0.52%

LAB 79.83, -59.98, 71.47

 

CMYK 46 / 0 / 75 / 5

HEX #81F13C

RGB 129 241 60

HSL 97.13, 0.87%, 0.59%

LAB 85.96, -60.69, 72.03

 

CMYK 43 / 0 / 69 / 0

HEX #92FF4F

RGB 146 255 79

HSL 97.16, 1%, 0.65%

LAB 90.87, -59.66, 70.75

 

CMYK 36 / 0 / 62 / 0

HEX #A3FF62

RGB 163 255 98

HSL 95.16, 1%, 0.69%

LAB 91.77, -52.8, 64.6

 

CMYK 29 / 0 / 54 / 0

HEX #B4FF75

RGB 180 255 117

HSL 92.61, 1%, 0.73%

LAB 92.8, -45.37, 57.86

 

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

CMYK 56 / 0 / 87 / 20

HEX #5ACD1B

RGB 90 205 27

HSL 98.76, 0.77%, 0.45%

LAB 73.49, -60.14, 68.76

 

CMYK 61 / 0 / 96 / 27

HEX #49BB08

RGB 73 187 8

HSL 98.21, 0.92%, 0.38%

LAB 67.26, -58.72, 66.26

 

CMYK 67 / 0 / 100 / 34

HEX #38A900

RGB 56 169 0

HSL 100.12, 1%, 0.33%

LAB 60.97, -56.75, 62.03

 

CMYK 74 / 0 / 100 / 41

HEX #279700

RGB 39 151 0

HSL 104.5, 1%, 0.3%

LAB 54.62, -54.24, 56.82

 

CMYK 52 / 0 / 79 / 13

HEX #6BDE2F

RGB 107 222 47

HSL 99.43, 0.73%, 0.53%

LAB 79.37, -60.73, 69.37

 

CMYK 30 / 0 / 79 / 13

HEX #9BDE2F

RGB 155 222 47

HSL 82.97, 0.73%, 0.53%

LAB 81.52, -45.18, 72.14

 

CMYK 9 / 0 / 79 / 13

HEX #CADE2F

RGB 202 222 47

HSL 66.86, 0.73%, 0.53%

LAB 84.49, -26.85, 75.92

 

CMYK 0 / 12 / 79 / 13

HEX #DEC32F

RGB 222 195 47

HSL 50.74, 0.73%, 0.53%

LAB 78.91, -5.04, 71.58

 

CMYK 0 / 33 / 79 / 13

HEX #DE942F

RGB 222 148 47

HSL 34.63, 0.73%, 0.53%

LAB 67.21, 19.81, 60.97

 

CMYK 52 / 0 / 79 / 13

HEX #6BDE2F

RGB 107 222 47

HSL 99.43, 0.73%, 0.53%

LAB 79.37, -60.73, 69.37

 

CMYK 73 / 0 / 79 / 13

HEX #3CDE2F

RGB 60 222 47

HSL 115.54, 0.73%, 0.53%

LAB 78.12, -71.02, 67.74

 

CMYK 79 / 0 / 64 / 13

HEX #2FDE51

RGB 47 222 81

HSL 131.66, 0.73%, 0.53%

LAB 78.13, -70, 55.49

 

CMYK 79 / 0 / 42 / 13

HEX #2FDE80

RGB 47 222 128

HSL 147.77, 0.73%, 0.53%

LAB 78.7, -63.3, 34.18

 

CMYK 79 / 0 / 21 / 13

HEX #2FDEB0

RGB 47 222 176

HSL 164.23, 0.73%, 0.53%

LAB 79.6, -53.26, 10.5

 

CMYK 52 / 0 / 79 / 13

HEX #6BDE2F

RGB 107 222 47

HSL 99.43, 0.73%, 0.53%

LAB 79.37, -60.73, 69.37

 

CMYK 58 / 0 / 88 / 5

HEX #65F21C

RGB 101 242 28

HSL 99.53, 0.89%, 0.53%

LAB 85.18, -69.95, 78.72

 

CMYK 52 / 0 / 79 / 13

HEX #6BDE2F

RGB 107 222 47

HSL 99.43, 0.73%, 0.53%

LAB 79.37, -60.73, 69.37

 

CMYK 44 / 0 / 67 / 20

HEX #71CB43

RGB 113 203 67

HSL 99.71, 0.57%, 0.53%

LAB 73.95, -50.42, 57.18

 

CMYK 34 / 0 / 53 / 28

HEX #78B756

RGB 120 183 86

HSL 98.97, 0.4%, 0.53%

LAB 68.41, -37.78, 42.58

 

CMYK 23 / 0 / 36 / 36

HEX #7EA469

RGB 126 164 105

HSL 98.64, 0.24%, 0.53%

LAB 63.35, -24.11, 26.53

 

CMYK 9 / 0 / 14 / 43

HEX #84917D

RGB 132 145 125

HSL 99, 0.08%, 0.53%

LAB 58.64, -8.59, 9.03

 

CMYK 9 / 0 / 79 / 13

HEX #CADE2F

RGB 202 222 47

HSL 66.86, 0.73%, 0.53%

LAB 84.49, -26.85, 75.92

 

CMYK 30 / 0 / 79 / 13

HEX #9BDE2F

RGB 155 222 47

HSL 82.97, 0.73%, 0.53%

LAB 81.52, -45.18, 72.14

 

CMYK 51 / 0 / 79 / 13

HEX #6CDE2F

RGB 108 222 47

HSL 99.09, 0.73%, 0.53%

LAB 79.41, -60.46, 69.41

 

CMYK 72 / 0 / 79 / 13

HEX #3EDE2F

RGB 62 222 47

HSL 114.86, 0.73%, 0.53%

LAB 78.15, -70.7, 67.79

 

CMYK 79 / 0 / 64 / 13

HEX #2FDE4F

RGB 47 222 79

HSL 130.97, 0.73%, 0.53%

LAB 78.12, -70.22, 56.31

 

CMYK 56 / 0 / 85 / 36

HEX #48A219

RGB 72 162 25

HSL 99.42, 0.73%, 0.37%

LAB 59.24, -49.57, 56.44

 

CMYK 56 / 0 / 85 / 22

HEX #58C61E

RGB 88 198 30

HSL 99.29, 0.74%, 0.45%

LAB 71.25, -58.09, 66.14

 

CMYK 52 / 0 / 79 / 13

HEX #6BDE2F

RGB 107 222 47

HSL 99.43, 0.73%, 0.53%

LAB 79.37, -60.73, 69.37

 

CMYK 42 / 0 / 64 / 11

HEX #85E453

RGB 133 228 83

HSL 99.31, 0.73%, 0.61%

LAB 82.43, -52.8, 60.1

 

CMYK 32 / 0 / 49 / 9

HEX #9EE977

RGB 158 233 119

HSL 99.47, 0.72%, 0.69%

LAB 85.44, -43.08, 47.86

 

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

CMYK 79 / 0 / 12 / 13

HEX #2FDEC4

RGB 47 222 196

HSL 171.09, 0.73%, 0.53%

LAB 80.09, -48.23, 0.58

 

CMYK 0 / 79 / 20 / 13

HEX #DE2FB2

RGB 222 47 178

HSL 315.09, 0.73%, 0.53%

LAB 52.7, 75.97, -29.48

 

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

CMYK 79 / 51 / 0 / 13

HEX #2F6CDE

RGB 47 108 222

HSL 219.09, 0.73%, 0.53%

LAB 47.76, 21.19, -63.73

 

CMYK 0 / 79 / 51 / 13

HEX #DE2F6C

RGB 222 47 108

HSL 339.09, 0.73%, 0.53%

LAB 50.27, 68.76, 8.71

 

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

CMYK 79 / 0 / 12 / 13

HEX #2FDEC4

RGB 47 222 196

HSL 171.09, 0.73%, 0.53%

LAB 80.09, -48.23, 0.58

 

CMYK 27 / 79 / 0 / 13

HEX #A12FDE

RGB 161 47 222

HSL 279.09, 0.73%, 0.53%

LAB 45.47, 71.24, -67

 

CMYK 0 / 79 / 67 / 13

HEX #DE2F49

RGB 222 47 73

HSL 351.09, 0.73%, 0.53%

LAB 49.55, 66.54, 28.97

 

CMYK 52 / 0 / 79 / 13

HEX #6BDF2E

RGB 107 223 46

HSL 99.32, 0.73%, 0.53%

LAB 79.67, -61.15, 69.93

 

CMYK 79 / 12 / 0 / 13

HEX #2FC4DE

RGB 47 196 222

HSL 188.91, 0.73%, 0.53%

LAB 73.13, -28.9, -23.79

 

CMYK 27 / 79 / 0 / 13

HEX #A12FDE

RGB 161 47 222

HSL 279.09, 0.73%, 0.53%

LAB 45.47, 71.24, -67

 

CMYK 0 / 67 / 79 / 13

HEX #DE492F

RGB 222 73 47

HSL 8.91, 0.73%, 0.53%

LAB 52.4, 56.67, 46.76

 

Description

Color code: HEX #6BDF2E | qconv.com Color code: HEX #6BDF2E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 223 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 223 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 79% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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