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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BCC3E it is the complementary color #9433C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BCC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BCC3E shade: #70CC39, #81DE4C, #92F05F, #A3FF72 and #B4FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BCC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BCC3E shade: #6BCC3E, #5ABA2B, #49A818, #389605 and #278400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BCC3E shade: #6BCC3E, #91CC3E, #B7CC3E, #CCBA3E and #CC933E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BCC3E shade: #6BCC3E, #44CC3E, #3ECC5D, #3ECC83 and #3ECCAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BCC3E shade matches the following richer shades: #6BCC3E, #63DF2A and #5CF316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BCC3E shade: #6BCC3E, #72B851, #79A465, #809079 and #887C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BCC3E shade: #B9CC3E, #93CC3E, #6DCC3E, #47CC3E and #3ECC5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BCC3E shade: #489026, #58B12F, #6BCC3E, #84D45E and #9DDD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BCC3E shade: #6BCC3E, #3ECCB9 and #CC3EA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BCC3E shade: #6BCC3E, #3E6DCC and #CC3E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BCC3E shade: #6BCC3E, #3ECCB9, #9C3ECC and #CC3E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BCC3E shade: #6BCC3E, #3EB4CC, #9C3ECC and #CC553E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

Complementary color

CMYK 23 / 74 / 0 / 24

HEX #9433C1

RGB 148 51 193

HSL 280.99, 0.58%, 0.48%

LAB 42.02, 61.59, -55.95

 

CMYK 45 / 0 / 72 / 20

HEX #70CC39

RGB 112 204 57

HSL 97.55, 0.59%, 0.51%

LAB 74.14, -51.89, 61.16

 

CMYK 42 / 0 / 66 / 13

HEX #81DE4C

RGB 129 222 76

HSL 98.22, 0.69%, 0.58%

LAB 80.42, -52.25, 60.7

 

CMYK 39 / 0 / 60 / 6

HEX #92F05F

RGB 146 240 95

HSL 98.9, 0.83%, 0.66%

LAB 86.63, -52.45, 59.91

 

CMYK 36 / 0 / 55 / 0

HEX #A3FF72

RGB 163 255 114

HSL 99.15, 1%, 0.72%

LAB 91.92, -51.3, 57.95

 

CMYK 29 / 0 / 48 / 0

HEX #B4FF85

RGB 180 255 133

HSL 96.89, 1%, 0.76%

LAB 92.98, -43.65, 50.77

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 52 / 0 / 77 / 27

HEX #5ABA2B

RGB 90 186 43

HSL 100.28, 0.62%, 0.45%

LAB 67.63, -52.48, 59.22

 

CMYK 57 / 0 / 86 / 34

HEX #49A818

RGB 73 168 24

HSL 99.58, 0.75%, 0.38%

LAB 61.21, -51.56, 58.46

 

CMYK 63 / 0 / 97 / 41

HEX #389605

RGB 56 150 5

HSL 98.9, 0.94%, 0.3%

LAB 54.72, -50.14, 56.26

 

CMYK 70 / 0 / 100 / 48

HEX #278400

RGB 39 132 0

HSL 102.27, 1%, 0.26%

LAB 48.18, -47.99, 51.69

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 29 / 0 / 70 / 20

HEX #91CC3E

RGB 145 204 62

HSL 84.93, 0.58%, 0.52%

LAB 75.79, -40.24, 61.52

 

CMYK 10 / 0 / 70 / 20

HEX #B7CC3E

RGB 183 204 62

HSL 68.87, 0.58%, 0.52%

LAB 78.23, -25.35, 64.77

 

CMYK 0 / 9 / 70 / 20

HEX #CCBA3E

RGB 204 186 62

HSL 52.39, 0.58%, 0.52%

LAB 75.02, -7.49, 62.12

 

CMYK 0 / 28 / 70 / 20

HEX #CC933E

RGB 204 147 62

HSL 35.92, 0.58%, 0.52%

LAB 65, 13.29, 51.83

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 67 / 0 / 70 / 20

HEX #44CC3E

RGB 68 204 62

HSL 117.46, 0.58%, 0.52%

LAB 72.74, -62.78, 57.4

 

CMYK 70 / 0 / 54 / 20

HEX #3ECC5D

RGB 62 204 93

HSL 133.1, 0.58%, 0.52%

LAB 72.89, -60.44, 44.12

 

CMYK 70 / 0 / 36 / 20

HEX #3ECC83

RGB 62 204 131

HSL 149.15, 0.58%, 0.52%

LAB 73.45, -54.14, 25.74

 

CMYK 70 / 0 / 17 / 20

HEX #3ECCAA

RGB 62 204 170

HSL 165.63, 0.58%, 0.52%

LAB 74.26, -45.5, 6.1

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 56 / 0 / 81 / 13

HEX #63DF2A

RGB 99 223 42

HSL 101.1, 0.74%, 0.52%

LAB 79.38, -63.47, 70.64

 

CMYK 62 / 0 / 91 / 5

HEX #5CF316

RGB 92 243 22

HSL 101, 0.9%, 0.52%

LAB 85.22, -72.49, 79.56

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 38 / 0 / 56 / 28

HEX #72B851

RGB 114 184 81

HSL 100.78, 0.42%, 0.52%

LAB 68.35, -40.83, 44.83

 

CMYK 26 / 0 / 38 / 36

HEX #79A465

RGB 121 164 101

HSL 100.95, 0.26%, 0.52%

LAB 62.97, -26.54, 28.12

 

CMYK 11 / 0 / 16 / 44

HEX #809079

RGB 128 144 121

HSL 101.74, 0.09%, 0.52%

LAB 57.96, -10.28, 10.31

 

CMYK 4 / 12 / 0 / 45

HEX #887C8D

RGB 136 124 141

HSL 282.35, 0.07%, 0.52%

LAB 53.57, 7.9, -7.53

 

CMYK 9 / 0 / 70 / 20

HEX #B9CC3E

RGB 185 204 62

HSL 68.03, 0.58%, 0.52%

LAB 78.37, -24.53, 64.96

 

CMYK 28 / 0 / 70 / 20

HEX #93CC3E

RGB 147 204 62

HSL 84.08, 0.58%, 0.52%

LAB 75.91, -39.5, 61.68

 

CMYK 47 / 0 / 70 / 20

HEX #6DCC3E

RGB 109 204 62

HSL 100.14, 0.58%, 0.52%

LAB 74.05, -52.44, 59.18

 

CMYK 65 / 0 / 70 / 20

HEX #47CC3E

RGB 71 204 62

HSL 116.2, 0.58%, 0.52%

LAB 72.81, -62.18, 57.5

 

CMYK 70 / 0 / 56 / 20

HEX #3ECC5A

RGB 62 204 90

HSL 131.83, 0.58%, 0.52%

LAB 72.86, -60.84, 45.49

 

CMYK 50 / 0 / 74 / 44

HEX #489026

RGB 72 144 38

HSL 100.75, 0.58%, 0.36%

LAB 53.45, -41.78, 46.76

 

CMYK 50 / 0 / 73 / 31

HEX #58B12F

RGB 88 177 47

HSL 101.08, 0.58%, 0.44%

LAB 64.74, -49.35, 54.99

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 38 / 0 / 56 / 17

HEX #84D45E

RGB 132 212 94

HSL 100.68, 0.58%, 0.6%

LAB 77.76, -45.47, 50.02

 

CMYK 29 / 0 / 43 / 13

HEX #9DDD7F

RGB 157 221 127

HSL 100.85, 0.58%, 0.68%

LAB 82.06, -37.09, 39.74

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 70 / 0 / 9 / 20

HEX #3ECCB9

RGB 62 204 185

HSL 171.97, 0.58%, 0.52%

LAB 74.64, -41.65, -1.44

 

CMYK 0 / 70 / 19 / 20

HEX #CC3EA6

RGB 204 62 166

HSL 316.06, 0.58%, 0.52%

LAB 50.73, 65.59, -25.74

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 70 / 47 / 0 / 20

HEX #3E6DCC

RGB 62 109 204

HSL 220.14, 0.58%, 0.52%

LAB 47.39, 15.76, -54.04

 

CMYK 0 / 70 / 47 / 20

HEX #CC3E6D

RGB 204 62 109

HSL 340.14, 0.58%, 0.52%

LAB 48.74, 59.02, 5.49

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 70 / 0 / 9 / 20

HEX #3ECCB9

RGB 62 204 185

HSL 171.97, 0.58%, 0.52%

LAB 74.64, -41.65, -1.44

 

CMYK 24 / 70 / 0 / 20

HEX #9C3ECC

RGB 156 62 204

HSL 279.72, 0.58%, 0.52%

LAB 45.46, 61.04, -56.73

 

CMYK 0 / 70 / 60 / 20

HEX #CC3E51

RGB 204 62 81

HSL 351.97, 0.58%, 0.52%

LAB 48.1, 56.81, 21.63

 

CMYK 48 / 0 / 70 / 20

HEX #6BCC3E

RGB 107 204 62

HSL 100.99, 0.58%, 0.52%

LAB 73.97, -53.05, 59.07

 

CMYK 70 / 12 / 0 / 20

HEX #3EB4CC

RGB 62 180 204

HSL 190.14, 0.58%, 0.52%

LAB 68.04, -24.84, -21.7

 

CMYK 24 / 70 / 0 / 20

HEX #9C3ECC

RGB 156 62 204

HSL 279.72, 0.58%, 0.52%

LAB 45.46, 61.04, -56.73

 

CMYK 0 / 58 / 70 / 20

HEX #CC553E

RGB 204 85 62

HSL 9.72, 0.58%, 0.52%

LAB 51.48, 45.84, 36.88

 

Description

Color code: HEX #6BCC3E | qconv.com Color code: HEX #6BCC3E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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