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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BC9F600 it is the complementary color #94360900. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BC9F600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BC9F600 shade: #70C9F100, #81DBFF00, #92EDFF00, #A3FFFF00 and #B4FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BC9F600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BC9F600 shade: #6BC9F600, #5AB7E300, #49A5D000, #3893BD00 and #2781AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BC9F600 shade: #6AC9F6, #6AA3F6, #6A7DF6, #7C6AF6 and #A26AF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BC9F600 shade: #6AC9F6, #6AA3F6, #6A7DF6 and #6A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BC9F600 shade matches the following richer shades: #6AC9F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BC9F600 shade: #6AC9F6, #76C4EA, #83C0DD, #90BBD0 and #9DB7C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BC9F600 shade: #6AF6D8, #6AEFF6, #6ACAF6, #6AA4F6 and #6A7FF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BC9F600 shade: #1CACF2, #43BBF4, #6AC9F6, #91D7F9 and #B8E5FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BC9F600 shade: #6BC9F6, #B26AF6 and #F6EB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BC9F600 shade: #6BC9F6, #F66ACA and #CAF66A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BC9F600 shade: #6BC9F6, #B26AF6, #F6966A and #AEF66A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BC9F600 shade: #6BC9F6, #DD6AF6, #F6966A and #83F66A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #6BC9F600

RGBA 107 201 246 0

HSLA 199.42, 0.89%, 0.69%, 0

LABA 77.01, -15.35, -30.64, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #94360900

RGBA 148 54 9 0

HSLA 19.42, 0.89%, 0.31%, 0

LABA 35.9, 37.71, 44.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #70C9F100

RGBA 112 201 241 0

HSLA 198.6, 0.82%, 0.69%, 0

LABA 77.02, -15.8, -27.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81DBFF00

RGBA 129 219 255 0

HSLA 197.14, 1%, 0.75%, 0

LABA 83.21, -17.53, -25.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92EDFF00

RGBA 146 237 255 0

HSLA 189.91, 1%, 0.79%, 0

LABA 88.87, -22.68, -17.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3FFFF00

RGBA 163 255 255 0

HSLA 180, 1%, 0.82%, 0

LABA 94.54, -27.27, -8.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4FFFF00

RGBA 180 255 255 0

HSLA 180, 1%, 0.85%, 0

LABA 95.35, -22.82, -7.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6BC9F600

RGBA 107 201 246 0

HSLA 199.42, 0.89%, 0.69%, 0

LABA 77.01, -15.35, -30.64, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5AB7E300

RGBA 90 183 227 0

HSLA 199.27, 0.71%, 0.62%, 0

LABA 70.59, -14.78, -30.32, 0

 

CMYK 0 / 0 / 0 / 0

HEX #49A5D000

RGBA 73 165 208 0

HSLA 199.11, 0.59%, 0.55%, 0

LABA 64.06, -14.05, -29.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3893BD00

RGBA 56 147 189 0

HSLA 198.95, 0.54%, 0.48%, 0

LABA 57.45, -13.11, -29.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2781AA00

RGBA 39 129 170 0

HSLA 198.78, 0.63%, 0.41%, 0

LABA 50.73, -11.87, -29.22, 0

 

CMYK 57 / 18 / 0 / 4

HEX #6AC9F6

RGB 106 201 246

HSL 199.29, 0.89%, 0.69%

LAB 76.98, -15.54, -30.7

 

CMYK 57 / 34 / 0 / 4

HEX #6AA3F6

RGB 106 163 246

HSL 215.57, 0.89%, 0.69%

LAB 66.45, 5.27, -47.08

 

CMYK 57 / 49 / 0 / 4

HEX #6A7DF6

RGB 106 125 246

HSL 231.86, 0.89%, 0.69%

LAB 56.47, 27.72, -62.97

 

CMYK 50 / 57 / 0 / 4

HEX #7C6AF6

RGB 124 106 246

HSL 247.71, 0.89%, 0.69%

LAB 53.22, 42.46, -68.15

 

CMYK 34 / 57 / 0 / 4

HEX #A26AF6

RGB 162 106 246

HSL 264, 0.89%, 0.69%

LAB 56.73, 50.58, -62.32

 

CMYK 57 / 18 / 0 / 4

HEX #6AC9F6

RGB 106 201 246

HSL 199.29, 0.89%, 0.69%

LAB 76.98, -15.54, -30.7

 

CMYK 57 / 34 / 0 / 4

HEX #6AA3F6

RGB 106 163 246

HSL 215.57, 0.89%, 0.69%

LAB 66.45, 5.27, -47.08

 

CMYK 57 / 49 / 0 / 4

HEX #6A7DF6

RGB 106 125 246

HSL 231.86, 0.89%, 0.69%

LAB 56.47, 27.72, -62.97

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 57 / 18 / 0 / 4

HEX #6AC9F6

RGB 106 201 246

HSL 199.29, 0.89%, 0.69%

LAB 76.98, -15.54, -30.7

 

CMYK 57 / 18 / 0 / 4

HEX #6AC9F6

RGB 106 201 246

HSL 199.29, 0.89%, 0.69%

LAB 76.98, -15.54, -30.7

 

CMYK 50 / 16 / 0 / 8

HEX #76C4EA

RGB 118 196 234

HSL 199.66, 0.73%, 0.69%

LAB 75.62, -13.89, -26.29

 

CMYK 41 / 13 / 0 / 13

HEX #83C0DD

RGB 131 192 221

HSL 199.33, 0.57%, 0.69%

LAB 74.66, -12.2, -20.66

 

CMYK 31 / 10 / 0 / 18

HEX #90BBD0

RGB 144 187 208

HSL 199.69, 0.41%, 0.69%

LAB 73.56, -9.3, -15.2

 

CMYK 19 / 6 / 0 / 24

HEX #9DB7C3

RGB 157 183 195

HSL 198.95, 0.24%, 0.69%

LAB 72.88, -6.25, -9.05

 

CMYK 57 / 0 / 12 / 4

HEX #6AF6D8

RGB 106 246 216

HSL 167.14, 0.89%, 0.69%

LAB 88.89, -45.04, 3.02

 

CMYK 57 / 3 / 0 / 4

HEX #6AEFF6

RGB 106 239 246

HSL 183, 0.89%, 0.69%

LAB 87.7, -34.31, -14.41

 

CMYK 57 / 18 / 0 / 4

HEX #6ACAF6

RGB 106 202 246

HSL 198.86, 0.89%, 0.69%

LAB 77.26, -16.06, -30.27

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F6

RGB 106 164 246

HSL 215.14, 0.89%, 0.69%

LAB 66.72, 4.7, -46.65

 

CMYK 57 / 48 / 0 / 4

HEX #6A7FF6

RGB 106 127 246

HSL 231, 0.89%, 0.69%

LAB 56.97, 26.52, -62.16

 

CMYK 88 / 29 / 0 / 5

HEX #1CACF2

RGB 28 172 242

HSL 199.63, 0.89%, 0.53%

LAB 66.64, -11.1, -44.75

 

CMYK 73 / 23 / 0 / 4

HEX #43BBF4

RGB 67 187 244

HSL 199.32, 0.89%, 0.61%

LAB 71.73, -15.02, -37.82

 

CMYK 57 / 18 / 0 / 4

HEX #6AC9F6

RGB 106 201 246

HSL 199.29, 0.89%, 0.69%

LAB 76.98, -15.54, -30.7

 

CMYK 42 / 14 / 0 / 2

HEX #91D7F9

RGB 145 215 249

HSL 199.62, 0.9%, 0.77%

LAB 82.63, -13.37, -23.51

 

CMYK 27 / 9 / 0 / 2

HEX #B8E5FB

RGB 184 229 251

HSL 199.7, 0.89%, 0.85%

LAB 88.54, -9.64, -15.43

 

CMYK 57 / 18 / 0 / 4

HEX #6BC9F6

RGB 107 201 246

HSL 199.42, 0.89%, 0.69%

LAB 77.01, -15.35, -30.64

 

CMYK 28 / 57 / 0 / 4

HEX #B26AF6

RGB 178 106 246

HSL 270.86, 0.89%, 0.69%

LAB 58.44, 54.3, -59.47

 

CMYK 0 / 4 / 57 / 4

HEX #F6EB6A

RGB 246 235 106

HSL 55.29, 0.89%, 0.69%

LAB 91.71, -12.04, 62.62

 

CMYK 57 / 18 / 0 / 4

HEX #6BC9F6

RGB 107 201 246

HSL 199.42, 0.89%, 0.69%

LAB 77.01, -15.35, -30.64

 

CMYK 0 / 57 / 18 / 4

HEX #F66ACA

RGB 246 106 202

HSL 318.86, 0.89%, 0.69%

LAB 65.09, 64.12, -23.82

 

CMYK 18 / 0 / 57 / 4

HEX #CAF66A

RGB 202 246 106

HSL 78.86, 0.89%, 0.69%

LAB 91.46, -34.49, 61.48

 

CMYK 57 / 18 / 0 / 4

HEX #6BC9F6

RGB 107 201 246

HSL 199.42, 0.89%, 0.69%

LAB 77.01, -15.35, -30.64

 

CMYK 28 / 57 / 0 / 4

HEX #B26AF6

RGB 178 106 246

HSL 270.86, 0.89%, 0.69%

LAB 58.44, 54.3, -59.47

 

CMYK 0 / 39 / 57 / 4

HEX #F6966A

RGB 246 150 106

HSL 18.86, 0.89%, 0.69%

LAB 71.18, 31.9, 38.32

 

CMYK 29 / 0 / 57 / 4

HEX #AEF66A

RGB 174 246 106

HSL 90.86, 0.89%, 0.69%

LAB 89.84, -44.61, 59.19

 

CMYK 57 / 18 / 0 / 4

HEX #6BC9F6

RGB 107 201 246

HSL 199.42, 0.89%, 0.69%

LAB 77.01, -15.35, -30.64

 

CMYK 10 / 57 / 0 / 4

HEX #DD6AF6

RGB 221 106 246

HSL 289.29, 0.89%, 0.69%

LAB 63.62, 64.73, -50.92

 

CMYK 0 / 39 / 57 / 4

HEX #F6966A

RGB 246 150 106

HSL 18.86, 0.89%, 0.69%

LAB 71.18, 31.9, 38.32

 

CMYK 47 / 0 / 57 / 4

HEX #83F66A

RGB 131 246 106

HSL 109.29, 0.89%, 0.69%

LAB 87.86, -58.22, 56.4

 

Description

Color code: HEX #6BC9F600 | qconv.com Color code: HEX #6BC9F600 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 201 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 201 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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