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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BC9F200 it is the complementary color #94360D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BC9F200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BC9F200 shade: #70C9ED00, #81DBFF00, #92EDFF00, #A3FFFF00 and #B4FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BC9F200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BC9F200 shade: #6BC9F200, #5AB7DF00, #49A5CC00, #3893B900 and #2781A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BC9F200 shade: #69C8F2, #69A3F2, #697EF2, #7869F2 and #9D69F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BC9F200 shade: #69C8F2, #69A3F2, #697EF2 and #6969F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BC9F200 shade matches the following richer shades: #69C8F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BC9F200 shade: #69C8F2, #76C3E5, #83BED8, #90B9CA and #9EB4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BC9F200 shade: #69F2D2, #69EDF2, #69C9F2, #69A4F2 and #6980F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BC9F200 shade: #1DADEB, #43BAEF, #69C8F2, #8FD6F5 and #B5E4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BC9F200 shade: #6BC9F2, #AD69F2 and #F2E469

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BC9F200 shade: #6BC9F2, #F269C9 and #C9F269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BC9F200 shade: #6BC9F2, #AD69F2, #F29269 and #ADF269

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BC9F200 shade: #6BC9F2, #D769F2, #F29269 and #84F269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #6BC9F200

RGBA 107 201 242 0

HSLA 198.22, 0.84%, 0.68%, 0

LABA 76.87, -16.52, -28.72, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #94360D00

RGBA 148 54 13 0

HSLA 18.22, 0.84%, 0.32%, 0

LABA 35.91, 37.78, 42.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #70C9ED00

RGBA 112 201 237 0

HSLA 197.28, 0.78%, 0.68%, 0

LABA 76.88, -16.94, -26, 0

 

CMYK 0 / 0 / 0 / 0

HEX #81DBFF00

RGBA 129 219 255 0

HSLA 197.14, 1%, 0.75%, 0

LABA 83.21, -17.53, -25.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #92EDFF00

RGBA 146 237 255 0

HSLA 189.91, 1%, 0.79%, 0

LABA 88.87, -22.68, -17.21, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3FFFF00

RGBA 163 255 255 0

HSLA 180, 1%, 0.82%, 0

LABA 94.54, -27.27, -8.68, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4FFFF00

RGBA 180 255 255 0

HSLA 180, 1%, 0.85%, 0

LABA 95.35, -22.82, -7.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6BC9F200

RGBA 107 201 242 0

HSLA 198.22, 0.84%, 0.68%, 0

LABA 76.87, -16.52, -28.72, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5AB7DF00

RGBA 90 183 223 0

HSLA 198.05, 0.68%, 0.61%, 0

LABA 70.43, -16, -28.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #49A5CC00

RGBA 73 165 204 0

HSLA 197.86, 0.56%, 0.54%, 0

LABA 63.91, -15.33, -28.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3893B900

RGBA 56 147 185 0

HSLA 197.67, 0.54%, 0.47%, 0

LABA 57.28, -14.45, -27.61, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2781A600

RGBA 39 129 166 0

HSLA 197.48, 0.62%, 0.4%, 0

LABA 50.55, -13.28, -27.17, 0

 

CMYK 57 / 17 / 0 / 5

HEX #69C8F2

RGB 105 200 242

HSL 198.39, 0.84%, 0.68%

LAB 76.51, -16.39, -29.27

 

CMYK 57 / 33 / 0 / 5

HEX #69A3F2

RGB 105 163 242

HSL 214.6, 0.84%, 0.68%

LAB 66.22, 3.82, -45.27

 

CMYK 57 / 48 / 0 / 5

HEX #697EF2

RGB 105 126 242

HSL 230.8, 0.84%, 0.68%

LAB 56.42, 25.65, -60.83

 

CMYK 50 / 57 / 0 / 5

HEX #7869F2

RGB 120 105 242

HSL 246.57, 0.84%, 0.68%

LAB 52.41, 41.07, -67.25

 

CMYK 35 / 57 / 0 / 5

HEX #9D69F2

RGB 157 105 242

HSL 262.77, 0.84%, 0.68%

LAB 55.77, 48.98, -61.66

 

CMYK 57 / 17 / 0 / 5

HEX #69C8F2

RGB 105 200 242

HSL 198.39, 0.84%, 0.68%

LAB 76.51, -16.39, -29.27

 

CMYK 57 / 33 / 0 / 5

HEX #69A3F2

RGB 105 163 242

HSL 214.6, 0.84%, 0.68%

LAB 66.22, 3.82, -45.27

 

CMYK 57 / 48 / 0 / 5

HEX #697EF2

RGB 105 126 242

HSL 230.8, 0.84%, 0.68%

LAB 56.42, 25.65, -60.83

 

CMYK 57 / 57 / 0 / 5

HEX #6969F2

RGB 105 105 242

HSL 240, 0.84%, 0.68%

LAB 51.29, 38.27, -69.12

 

CMYK 57 / 17 / 0 / 5

HEX #69C8F2

RGB 105 200 242

HSL 198.39, 0.84%, 0.68%

LAB 76.51, -16.39, -29.27

 

CMYK 57 / 17 / 0 / 5

HEX #69C8F2

RGB 105 200 242

HSL 198.39, 0.84%, 0.68%

LAB 76.51, -16.39, -29.27

 

CMYK 48 / 15 / 0 / 10

HEX #76C3E5

RGB 118 195 229

HSL 198.38, 0.68%, 0.68%

LAB 75.16, -14.76, -24.29

 

CMYK 39 / 12 / 0 / 15

HEX #83BED8

RGB 131 190 216

HSL 198.35, 0.52%, 0.68%

LAB 73.94, -12.45, -19.05

 

CMYK 29 / 8 / 0 / 21

HEX #90B9CA

RGB 144 185 202

HSL 197.59, 0.35%, 0.68%

LAB 72.82, -9.68, -13.04

 

CMYK 16 / 5 / 0 / 26

HEX #9EB4BD

RGB 158 180 189

HSL 197.42, 0.19%, 0.68%

LAB 71.95, -5.63, -7.13

 

CMYK 57 / 0 / 13 / 5

HEX #69F2D2

RGB 105 242 210

HSL 165.99, 0.84%, 0.68%

LAB 87.56, -44.9, 4.22

 

CMYK 57 / 2 / 0 / 5

HEX #69EDF2

RGB 105 237 242

HSL 182.19, 0.84%, 0.68%

LAB 86.99, -34.62, -13.39

 

CMYK 57 / 17 / 0 / 5

HEX #69C9F2

RGB 105 201 242

HSL 197.96, 0.84%, 0.68%

LAB 76.79, -16.91, -28.84

 

CMYK 57 / 32 / 0 / 5

HEX #69A4F2

RGB 105 164 242

HSL 214.16, 0.84%, 0.68%

LAB 66.49, 3.25, -44.84

 

CMYK 57 / 47 / 0 / 5

HEX #6980F2

RGB 105 128 242

HSL 229.93, 0.84%, 0.68%

LAB 56.93, 24.45, -60.02

 

CMYK 88 / 26 / 0 / 8

HEX #1DADEB

RGB 29 173 235

HSL 198.06, 0.84%, 0.52%

LAB 66.63, -14.06, -40.94

 

CMYK 72 / 22 / 0 / 6

HEX #43BAEF

RGB 67 186 239

HSL 198.49, 0.84%, 0.6%

LAB 71.24, -16.13, -35.88

 

CMYK 57 / 17 / 0 / 5

HEX #69C8F2

RGB 105 200 242

HSL 198.39, 0.84%, 0.68%

LAB 76.51, -16.39, -29.27

 

CMYK 42 / 13 / 0 / 4

HEX #8FD6F5

RGB 143 214 245

HSL 198.24, 0.84%, 0.76%

LAB 82.12, -14.38, -22.16

 

CMYK 27 / 8 / 0 / 2

HEX #B5E4F9

RGB 181 228 249

HSL 198.53, 0.85%, 0.84%

LAB 88.04, -10.44, -15.14

 

CMYK 56 / 17 / 0 / 5

HEX #6BC9F2

RGB 107 201 242

HSL 198.22, 0.84%, 0.68%

LAB 76.87, -16.52, -28.72

 

CMYK 29 / 57 / 0 / 5

HEX #AD69F2

RGB 173 105 242

HSL 269.78, 0.84%, 0.68%

LAB 57.46, 52.7, -58.85

 

CMYK 0 / 6 / 57 / 5

HEX #F2E469

RGB 242 228 105

HSL 53.87, 0.84%, 0.68%

LAB 89.57, -10.26, 60.56

 

CMYK 56 / 17 / 0 / 5

HEX #6BC9F2

RGB 107 201 242

HSL 198.22, 0.84%, 0.68%

LAB 76.87, -16.52, -28.72

 

CMYK 0 / 57 / 17 / 5

HEX #F269C9

RGB 242 105 201

HSL 317.96, 0.84%, 0.68%

LAB 64.32, 63.29, -24.49

 

CMYK 17 / 0 / 57 / 5

HEX #C9F269

RGB 201 242 105

HSL 77.96, 0.84%, 0.68%

LAB 90.29, -33.12, 60.57

 

CMYK 56 / 17 / 0 / 5

HEX #6BC9F2

RGB 107 201 242

HSL 198.22, 0.84%, 0.68%

LAB 76.87, -16.52, -28.72

 

CMYK 29 / 57 / 0 / 5

HEX #AD69F2

RGB 173 105 242

HSL 269.78, 0.84%, 0.68%

LAB 57.46, 52.7, -58.85

 

CMYK 0 / 40 / 57 / 5

HEX #F29269

RGB 242 146 105

HSL 17.96, 0.84%, 0.68%

LAB 69.79, 32.34, 37.01

 

CMYK 29 / 0 / 57 / 5

HEX #ADF269

RGB 173 242 105

HSL 90.22, 0.84%, 0.68%

LAB 88.64, -43.33, 58.25

 

CMYK 56 / 17 / 0 / 5

HEX #6BC9F2

RGB 107 201 242

HSL 198.22, 0.84%, 0.68%

LAB 76.87, -16.52, -28.72

 

CMYK 11 / 57 / 0 / 5

HEX #D769F2

RGB 215 105 242

HSL 288.18, 0.84%, 0.68%

LAB 62.47, 62.95, -50.57

 

CMYK 0 / 40 / 57 / 5

HEX #F29269

RGB 242 146 105

HSL 17.96, 0.84%, 0.68%

LAB 69.79, 32.34, 37.01

 

CMYK 45 / 0 / 57 / 5

HEX #84F269

RGB 132 242 105

HSL 108.18, 0.84%, 0.68%

LAB 86.72, -56.49, 55.52

 

Description

Color code: HEX #6BC9F200 | qconv.com Color code: HEX #6BC9F200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 201 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 201 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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