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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BABDF it is the complementary color #945420. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BABDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BABDF shade: #70ABDA, #81BDED, #92CFFF, #A3E1FF and #B4F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BABDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BABDF shade: #6BABDF, #5A99CC, #4987B9, #3875A6 and #276393

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BABDF shade: #6CABDE, #6C8CDE, #6C6EDE, #8A6CDE and #A86CDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BABDF shade: #6CABDE, #6C8CDE, #6C6EDE and #6C6CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BABDF shade matches the following richer shades: #6CABDE, #5EADED and #4FAEFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BABDF shade: #6CABDE, #7BAAD0, #89A8C1, #97A7B3 and #A6A5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BABDF shade: #6CDED3, #6CCBDE, #6CADDE, #6C8EDE and #6C70DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BABDF shade: #2C84CC, #4A98D7, #6CABDE, #8EBEE6 and #B0D2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BABDF shade: #6BABDF, #B46CDE and #DBDE6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BABDF shade: #6BABDF, #DE6CAD and #ADDE6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BABDF shade: #6BABDF, #B46CDE, #DE9E6C and #96DE6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BABDF shade: #6BABDF, #D76CDE, #DE9E6C and #74DE6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

Complementary color

CMYK 0 / 43 / 78 / 42

HEX #945420

RGB 148 84 32

HSL 26.9, 0.64%, 0.35%

LAB 42.37, 22.42, 40.22

 

CMYK 49 / 22 / 0 / 15

HEX #70ABDA

RGB 112 171 218

HSL 206.6, 0.59%, 0.65%

LAB 67.75, -6.4, -29.69

 

CMYK 46 / 20 / 0 / 7

HEX #81BDED

RGB 129 189 237

HSL 206.67, 0.75%, 0.72%

LAB 74.3, -6.78, -29.88

 

CMYK 43 / 19 / 0 / 0

HEX #92CFFF

RGB 146 207 255

HSL 206.42, 1%, 0.79%

LAB 80.71, -7.37, -29.61

 

CMYK 36 / 12 / 0 / 0

HEX #A3E1FF

RGB 163 225 255

HSL 199.57, 1%, 0.82%

LAB 86.43, -12.41, -20.82

 

CMYK 29 / 5 / 0 / 0

HEX #B4F3FF

RGB 180 243 255

HSL 189.6, 1%, 0.85%

LAB 92.14, -16.93, -12.15

 

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

CMYK 56 / 25 / 0 / 20

HEX #5A99CC

RGB 90 153 204

HSL 206.84, 0.53%, 0.58%

LAB 61.06, -5.48, -32.36

 

CMYK 61 / 27 / 0 / 27

HEX #4987B9

RGB 73 135 185

HSL 206.79, 0.44%, 0.51%

LAB 54.29, -4.74, -32.21

 

CMYK 66 / 30 / 0 / 35

HEX #3875A6

RGB 56 117 166

HSL 206.73, 0.5%, 0.44%

LAB 47.39, -3.77, -32.07

 

CMYK 73 / 33 / 0 / 42

HEX #276393

RGB 39 99 147

HSL 206.67, 0.58%, 0.36%

LAB 40.35, -2.47, -31.91

 

CMYK 51 / 23 / 0 / 13

HEX #6CABDE

RGB 108 171 222

HSL 206.84, 0.63%, 0.65%

LAB 67.72, -6.14, -31.96

 

CMYK 51 / 37 / 0 / 13

HEX #6C8CDE

RGB 108 140 222

HSL 223.16, 0.63%, 0.65%

LAB 59.18, 11.59, -45.31

 

CMYK 51 / 50 / 0 / 13

HEX #6C6EDE

RGB 108 110 222

HSL 238.95, 0.63%, 0.65%

LAB 51.4, 29.62, -57.7

 

CMYK 38 / 51 / 0 / 13

HEX #8A6CDE

RGB 138 108 222

HSL 255.79, 0.63%, 0.65%

LAB 53.39, 37.64, -54.37

 

CMYK 24 / 51 / 0 / 13

HEX #A86CDE

RGB 168 108 222

HSL 271.58, 0.63%, 0.65%

LAB 56.41, 45.23, -49.38

 

CMYK 51 / 23 / 0 / 13

HEX #6CABDE

RGB 108 171 222

HSL 206.84, 0.63%, 0.65%

LAB 67.72, -6.14, -31.96

 

CMYK 51 / 37 / 0 / 13

HEX #6C8CDE

RGB 108 140 222

HSL 223.16, 0.63%, 0.65%

LAB 59.18, 11.59, -45.31

 

CMYK 51 / 50 / 0 / 13

HEX #6C6EDE

RGB 108 110 222

HSL 238.95, 0.63%, 0.65%

LAB 51.4, 29.62, -57.7

 

CMYK 51 / 51 / 0 / 13

HEX #6C6CDE

RGB 108 108 222

HSL 240, 0.63%, 0.65%

LAB 50.91, 30.82, -58.49

 

CMYK 51 / 23 / 0 / 13

HEX #6CABDE

RGB 108 171 222

HSL 206.84, 0.63%, 0.65%

LAB 67.72, -6.14, -31.96

 

CMYK 60 / 27 / 0 / 7

HEX #5EADED

RGB 94 173 237

HSL 206.85, 0.8%, 0.65%

LAB 68.3, -5.51, -39.31

 

CMYK 69 / 31 / 0 / 2

HEX #4FAEFB

RGB 79 174 251

HSL 206.86, 0.96%, 0.65%

LAB 68.68, -3.99, -46.37

 

CMYK 51 / 23 / 0 / 13

HEX #6CABDE

RGB 108 171 222

HSL 206.84, 0.63%, 0.65%

LAB 67.72, -6.14, -31.96

 

CMYK 41 / 18 / 0 / 18

HEX #7BAAD0

RGB 123 170 208

HSL 206.82, 0.47%, 0.65%

LAB 67.66, -5.92, -24.27

 

CMYK 29 / 13 / 0 / 24

HEX #89A8C1

RGB 137 168 193

HSL 206.79, 0.31%, 0.65%

LAB 67.41, -4.77, -16.28

 

CMYK 16 / 7 / 0 / 30

HEX #97A7B3

RGB 151 167 179

HSL 205.71, 0.16%, 0.65%

LAB 67.63, -3.05, -8.08

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 51 / 0 / 5 / 13

HEX #6CDED3

RGB 108 222 211

HSL 174.21, 0.63%, 0.65%

LAB 81.91, -35.05, -4.55

 

CMYK 51 / 9 / 0 / 13

HEX #6CCBDE

RGB 108 203 222

HSL 190, 0.63%, 0.65%

LAB 76.78, -22.99, -18.09

 

CMYK 51 / 22 / 0 / 13

HEX #6CADDE

RGB 108 173 222

HSL 205.79, 0.63%, 0.65%

LAB 68.28, -7.24, -31.09

 

CMYK 51 / 36 / 0 / 13

HEX #6C8EDE

RGB 108 142 222

HSL 222.11, 0.63%, 0.65%

LAB 59.71, 10.41, -44.46

 

CMYK 51 / 50 / 0 / 13

HEX #6C70DE

RGB 108 112 222

HSL 237.89, 0.63%, 0.65%

LAB 51.89, 28.41, -56.9

 

CMYK 78 / 35 / 0 / 20

HEX #2C84CC

RGB 44 132 204

HSL 207, 0.65%, 0.49%

LAB 53.38, -0.73, -44.52

 

CMYK 66 / 29 / 0 / 16

HEX #4A98D7

RGB 74 152 215

HSL 206.81, 0.64%, 0.57%

LAB 60.62, -4.37, -39.24

 

CMYK 51 / 23 / 0 / 13

HEX #6CABDE

RGB 108 171 222

HSL 206.84, 0.63%, 0.65%

LAB 67.72, -6.14, -31.96

 

CMYK 38 / 17 / 0 / 10

HEX #8EBEE6

RGB 142 190 230

HSL 207.27, 0.64%, 0.73%

LAB 75.01, -5.92, -24.96

 

CMYK 26 / 11 / 0 / 7

HEX #B0D2ED

RGB 176 210 237

HSL 206.56, 0.63%, 0.81%

LAB 82.61, -5.3, -16.99

 

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

CMYK 19 / 51 / 0 / 13

HEX #B46CDE

RGB 180 108 222

HSL 277.89, 0.63%, 0.65%

LAB 57.75, 48.39, -47.16

 

CMYK 1 / 0 / 51 / 13

HEX #DBDE6C

RGB 219 222 108

HSL 61.58, 0.63%, 0.65%

LAB 86.2, -16.31, 54.84

 

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

CMYK 0 / 51 / 22 / 13

HEX #DE6CAD

RGB 222 108 173

HSL 325.79, 0.63%, 0.65%

LAB 61.02, 51.94, -13.85

 

CMYK 22 / 0 / 51 / 13

HEX #ADDE6C

RGB 173 222 108

HSL 85.79, 0.63%, 0.65%

LAB 83.02, -34.09, 50.31

 

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

CMYK 19 / 51 / 0 / 13

HEX #B46CDE

RGB 180 108 222

HSL 277.89, 0.63%, 0.65%

LAB 57.75, 48.39, -47.16

 

CMYK 0 / 29 / 51 / 13

HEX #DE9E6C

RGB 222 158 108

HSL 26.32, 0.63%, 0.65%

LAB 70.22, 18.22, 35.47

 

CMYK 32 / 0 / 51 / 13

HEX #96DE6C

RGB 150 222 108

HSL 97.89, 0.63%, 0.65%

LAB 81.73, -42.24, 48.46

 

CMYK 52 / 23 / 0 / 13

HEX #6BABDF

RGB 107 171 223

HSL 206.9, 0.64%, 0.65%

LAB 67.71, -6.07, -32.52

 

CMYK 3 / 51 / 0 / 13

HEX #D76CDE

RGB 215 108 222

HSL 296.32, 0.63%, 0.65%

LAB 62.04, 57.82, -40.12

 

CMYK 0 / 29 / 51 / 13

HEX #DE9E6C

RGB 222 158 108

HSL 26.32, 0.63%, 0.65%

LAB 70.22, 18.22, 35.47

 

CMYK 48 / 0 / 51 / 13

HEX #74DE6C

RGB 116 222 108

HSL 115.79, 0.63%, 0.65%

LAB 80.2, -52.79, 46.24

 

Description

Color code: HEX #6BABDF | qconv.com Color code: HEX #6BABDF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 171 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 171 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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