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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA913 it is the complementary color #9456EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA913 shade: #70A90E, #81BB21, #92CD34, #A3DF47 and #B4F15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA913 shade: #6BA913, #5A9700, #498500, #387300 and #276100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA913 shade: #6BAA13, #94AA13, #AA9713, #AA6E13 and #AA4513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA913 shade: #6BAA13, #43AA13, #1AAA13, #13AA34 and #13AA5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA913 shade matches the following richer shades: #6BAA13 and #6EB904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA913 shade: #6BAA13, #699B22, #668B31, #637C41 and #616D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA913 shade: #AA9613, #96AA13, #6DAA13, #45AA13 and #1DAA13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA913 shade: #3C600B, #54850F, #6BAA13, #83CF17 and #98E728

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA913 shade: #6BA913, #13AA6D and #AA13AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA913 shade: #6BA913, #136DAA and #AA136D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA913 shade: #6BA913, #13AA6D, #4F13AA and #AA134F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA913 shade: #6BA913, #13AA9B, #4F13AA and #AA1322

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

Complementary color

CMYK 37 / 64 / 0 / 7

HEX #9456EC

RGB 148 86 236

HSL 264.8, 0.8%, 0.63%

LAB 50.7, 55.51, -66.53

 

CMYK 34 / 0 / 92 / 34

HEX #70A90E

RGB 112 169 14

HSL 82.06, 0.85%, 0.36%

LAB 63.22, -39.44, 62.84

 

CMYK 31 / 0 / 82 / 27

HEX #81BB21

RGB 129 187 33

HSL 82.6, 0.7%, 0.43%

LAB 69.7, -40.29, 64.71

 

CMYK 29 / 0 / 75 / 20

HEX #92CD34

RGB 146 205 52

HSL 83.14, 0.6%, 0.5%

LAB 76.08, -40.91, 65.34

 

CMYK 27 / 0 / 68 / 13

HEX #A3DF47

RGB 163 223 71

HSL 83.68, 0.7%, 0.58%

LAB 82.39, -41.35, 65.22

 

CMYK 25 / 0 / 63 / 5

HEX #B4F15A

RGB 180 241 90

HSL 84.24, 0.84%, 0.65%

LAB 88.62, -41.67, 64.66

 

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

CMYK 40 / 0 / 100 / 41

HEX #5A9700

RGB 90 151 0

HSL 84.24, 1%, 0.3%

LAB 56.39, -40.15, 58.97

 

CMYK 45 / 0 / 100 / 48

HEX #498500

RGB 73 133 0

HSL 87.07, 1%, 0.26%

LAB 49.73, -38.65, 53.43

 

CMYK 51 / 0 / 100 / 55

HEX #387300

RGB 56 115 0

HSL 90.78, 1%, 0.23%

LAB 42.92, -37.03, 47.78

 

CMYK 60 / 0 / 100 / 62

HEX #276100

RGB 39 97 0

HSL 95.88, 1%, 0.19%

LAB 35.95, -35.18, 42.01

 

CMYK 37 / 0 / 89 / 33

HEX #6BAA13

RGB 107 170 19

HSL 85.03, 0.8%, 0.37%

LAB 63.28, -41.59, 61.89

 

CMYK 13 / 0 / 89 / 33

HEX #94AA13

RGB 148 170 19

HSL 68.74, 0.8%, 0.37%

LAB 65.82, -25.19, 65.04

 

CMYK 0 / 11 / 89 / 33

HEX #AA9713

RGB 170 151 19

HSL 52.45, 0.8%, 0.37%

LAB 62.28, -5.65, 62.94

 

CMYK 0 / 35 / 89 / 33

HEX #AA6E13

RGB 170 110 19

HSL 36.16, 0.8%, 0.37%

LAB 51.55, 17.1, 54.4

 

CMYK 0 / 59 / 89 / 33

HEX #AA4513

RGB 170 69 19

HSL 19.87, 0.8%, 0.37%

LAB 42.54, 39.14, 47.25

 

CMYK 37 / 0 / 89 / 33

HEX #6BAA13

RGB 107 170 19

HSL 85.03, 0.8%, 0.37%

LAB 63.28, -41.59, 61.89

 

CMYK 61 / 0 / 89 / 33

HEX #43AA13

RGB 67 170 19

HSL 100.93, 0.8%, 0.37%

LAB 61.65, -54.04, 59.86

 

CMYK 85 / 0 / 89 / 33

HEX #1AAA13

RGB 26 170 19

HSL 117.22, 0.8%, 0.37%

LAB 60.8, -61.31, 58.79

 

CMYK 89 / 0 / 69 / 33

HEX #13AA34

RGB 19 170 52

HSL 133.11, 0.8%, 0.37%

LAB 60.9, -59.7, 48.58

 

CMYK 89 / 0 / 45 / 33

HEX #13AA5D

RGB 19 170 93

HSL 149.4, 0.8%, 0.37%

LAB 61.38, -53.92, 29.64

 

CMYK 37 / 0 / 89 / 33

HEX #6BAA13

RGB 107 170 19

HSL 85.03, 0.8%, 0.37%

LAB 63.28, -41.59, 61.89

 

CMYK 41 / 0 / 98 / 27

HEX #6EB904

RGB 110 185 4

HSL 84.86, 0.96%, 0.37%

LAB 68.04, -47.07, 67.95

 

CMYK 37 / 0 / 89 / 33

HEX #6BAA13

RGB 107 170 19

HSL 85.03, 0.8%, 0.37%

LAB 63.28, -41.59, 61.89

 

CMYK 32 / 0 / 78 / 39

HEX #699B22

RGB 105 155 34

HSL 84.79, 0.64%, 0.37%

LAB 58.57, -35.15, 53.74

 

CMYK 27 / 0 / 65 / 45

HEX #668B31

RGB 102 139 49

HSL 84.67, 0.48%, 0.37%

LAB 53.51, -27.8, 42.67

 

CMYK 20 / 0 / 48 / 51

HEX #637C41

RGB 99 124 65

HSL 85.42, 0.31%, 0.37%

LAB 48.82, -19.77, 29.17

 

CMYK 11 / 0 / 27 / 57

HEX #616D50

RGB 97 109 80

HSL 84.83, 0.15%, 0.37%

LAB 44.32, -10.22, 14.74

 

CMYK 0 / 12 / 89 / 33

HEX #AA9613

RGB 170 150 19

HSL 52.05, 0.8%, 0.37%

LAB 62, -5.11, 62.72

 

CMYK 12 / 0 / 89 / 33

HEX #96AA13

RGB 150 170 19

HSL 67.95, 0.8%, 0.37%

LAB 65.97, -24.34, 65.22

 

CMYK 36 / 0 / 89 / 33

HEX #6DAA13

RGB 109 170 19

HSL 84.24, 0.8%, 0.37%

LAB 63.38, -40.86, 62.02

 

CMYK 59 / 0 / 89 / 33

HEX #45AA13

RGB 69 170 19

HSL 100.13, 0.8%, 0.37%

LAB 61.71, -53.53, 59.93

 

CMYK 83 / 0 / 89 / 33

HEX #1DAA13

RGB 29 170 19

HSL 116.03, 0.8%, 0.37%

LAB 60.83, -60.98, 58.83

 

CMYK 38 / 0 / 89 / 62

HEX #3C600B

RGB 60 96 11

HSL 85.41, 0.79%, 0.21%

LAB 36.65, -26.68, 39.83

 

CMYK 37 / 0 / 89 / 48

HEX #54850F

RGB 84 133 15

HSL 84.92, 0.8%, 0.29%

LAB 50.33, -34.16, 51.25

 

CMYK 37 / 0 / 89 / 33

HEX #6BAA13

RGB 107 170 19

HSL 85.03, 0.8%, 0.37%

LAB 63.28, -41.59, 61.89

 

CMYK 37 / 0 / 89 / 19

HEX #83CF17

RGB 131 207 23

HSL 84.78, 0.8%, 0.45%

LAB 75.77, -48.35, 72.11

 

CMYK 34 / 0 / 83 / 9

HEX #98E728

RGB 152 231 40

HSL 84.82, 0.8%, 0.53%

LAB 83.96, -50.28, 76.05

 

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

CMYK 89 / 0 / 36 / 33

HEX #13AA6D

RGB 19 170 109

HSL 155.76, 0.8%, 0.37%

LAB 61.65, -50.76, 21.45

 

CMYK 0 / 89 / 0 / 33

HEX #AA13AA

RGB 170 19 170

HSL 300, 0.8%, 0.37%

LAB 41.08, 70.29, -43.7

 

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

CMYK 89 / 36 / 0 / 33

HEX #136DAA

RGB 19 109 170

HSL 204.24, 0.8%, 0.37%

LAB 44.2, -1.92, -39.5

 

CMYK 0 / 89 / 36 / 33

HEX #AA136D

RGB 170 19 109

HSL 324.24, 0.8%, 0.37%

LAB 38.05, 62.28, -10.99

 

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

CMYK 89 / 0 / 36 / 33

HEX #13AA6D

RGB 19 170 109

HSL 155.76, 0.8%, 0.37%

LAB 61.65, -50.76, 21.45

 

CMYK 54 / 89 / 0 / 33

HEX #4F13AA

RGB 79 19 170

HSL 263.84, 0.8%, 0.37%

LAB 26.82, 56.95, -67.52

 

CMYK 0 / 89 / 54 / 33

HEX #AA134F

RGB 170 19 79

HSL 336.16, 0.8%, 0.37%

LAB 37.07, 59.55, 6.75

 

CMYK 37 / 0 / 89 / 34

HEX #6BA913

RGB 107 169 19

HSL 84.8, 0.8%, 0.37%

LAB 62.97, -41.17, 61.63

 

CMYK 89 / 0 / 9 / 33

HEX #13AA9B

RGB 19 170 155

HSL 174.04, 0.8%, 0.37%

LAB 62.72, -39.17, -2.52

 

CMYK 54 / 89 / 0 / 33

HEX #4F13AA

RGB 79 19 170

HSL 263.84, 0.8%, 0.37%

LAB 26.82, 56.95, -67.52

 

CMYK 0 / 89 / 80 / 33

HEX #AA1322

RGB 170 19 34

HSL 354.04, 0.8%, 0.37%

LAB 36.23, 57.14, 34.18

 

Description

Color code: HEX #6BA913 | qconv.com Color code: HEX #6BA913 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 169 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 169 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 89 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 89% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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