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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA3E5 it is the complementary color #945C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA3E5 shade: #70A3E0, #81B5F3, #92C7FF, #A3D9FF and #B4EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA3E5 shade: #6BA3E5, #5A91D2, #497FBF, #386DAC and #275B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA3E5 shade: #6CA3E5, #6C83E5, #756CE5, #966CE5 and #B76CE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA3E5 shade: #6CA3E5, #6C83E5 and #6C6CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA3E5 shade matches the following richer shades: #6CA3E5 and #5EA2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA3E5 shade: #6CA3E5, #7AA4D7, #88A6C9, #96A7BB and #A4A8AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA3E5 shade: #6CE5E5, #6CC5E5, #6CA4E5, #6C84E5 and #746CE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA3E5 shade: #2678D8, #498EDF, #6CA3E5, #8FB9EB and #B2CFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA3E5 shade: #6BA3E5, #C56CE5 and #D5E56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA3E5 shade: #6BA3E5, #E56CA4 and #A4E56C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA3E5 shade: #6BA3E5, #C56CE5, #E5AC6C and #8CE56C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA3E5 shade: #6BA3E5, #E56CE1, #E5AC6C and #6CE570

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

Complementary color

CMYK 0 / 38 / 82 / 42

HEX #945C1A

RGB 148 92 26

HSL 32.46, 0.7%, 0.34%

LAB 44.27, 17.6, 44.67

 

CMYK 50 / 27 / 0 / 12

HEX #70A3E0

RGB 112 163 224

HSL 212.68, 0.64%, 0.66%

LAB 65.76, -0.19, -36.07

 

CMYK 47 / 26 / 0 / 5

HEX #81B5F3

RGB 129 181 243

HSL 212.63, 0.83%, 0.73%

LAB 72.35, -0.73, -36.14

 

CMYK 43 / 22 / 0 / 0

HEX #92C7FF

RGB 146 199 255

HSL 210.83, 1%, 0.79%

LAB 78.57, -3.1, -32.91

 

CMYK 36 / 15 / 0 / 0

HEX #A3D9FF

RGB 163 217 255

HSL 204.78, 1%, 0.82%

LAB 84.29, -8.28, -24.06

 

CMYK 29 / 8 / 0 / 0

HEX #B4EBFF

RGB 180 235 255

HSL 196, 1%, 0.85%

LAB 90.02, -12.91, -15.33

 

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

CMYK 57 / 31 / 0 / 18

HEX #5A91D2

RGB 90 145 210

HSL 212.5, 0.57%, 0.59%

LAB 59.05, 1, -38.87

 

CMYK 62 / 34 / 0 / 25

HEX #497FBF

RGB 73 127 191

HSL 212.54, 0.48%, 0.52%

LAB 52.24, 1.98, -38.86

 

CMYK 67 / 37 / 0 / 33

HEX #386DAC

RGB 56 109 172

HSL 212.59, 0.51%, 0.45%

LAB 45.3, 3.23, -38.87

 

CMYK 75 / 41 / 0 / 40

HEX #275B99

RGB 39 91 153

HSL 212.63, 0.59%, 0.38%

LAB 38.22, 4.87, -38.88

 

CMYK 53 / 29 / 0 / 10

HEX #6CA3E5

RGB 108 163 229

HSL 212.73, 0.7%, 0.66%

LAB 65.78, 0.42, -38.82

 

CMYK 53 / 43 / 0 / 10

HEX #6C83E5

RGB 108 131 229

HSL 228.6, 0.7%, 0.66%

LAB 57.15, 19.13, -52.43

 

CMYK 49 / 53 / 0 / 10

HEX #756CE5

RGB 117 108 229

HSL 244.46, 0.7%, 0.66%

LAB 52.02, 34.84, -60.6

 

CMYK 34 / 53 / 0 / 10

HEX #966CE5

RGB 150 108 229

HSL 260.83, 0.7%, 0.66%

LAB 54.93, 42.38, -55.77

 

CMYK 20 / 53 / 0 / 10

HEX #B76CE5

RGB 183 108 229

HSL 277.19, 0.7%, 0.66%

LAB 58.46, 50.7, -49.94

 

CMYK 53 / 29 / 0 / 10

HEX #6CA3E5

RGB 108 163 229

HSL 212.73, 0.7%, 0.66%

LAB 65.78, 0.42, -38.82

 

CMYK 53 / 43 / 0 / 10

HEX #6C83E5

RGB 108 131 229

HSL 228.6, 0.7%, 0.66%

LAB 57.15, 19.13, -52.43

 

CMYK 53 / 53 / 0 / 10

HEX #6C6CE5

RGB 108 108 229

HSL 240, 0.7%, 0.66%

LAB 51.35, 32.99, -61.72

 

CMYK 53 / 29 / 0 / 10

HEX #6CA3E5

RGB 108 163 229

HSL 212.73, 0.7%, 0.66%

LAB 65.78, 0.42, -38.82

 

CMYK 61 / 33 / 0 / 5

HEX #5EA2F3

RGB 94 162 243

HSL 212.62, 0.86%, 0.66%

LAB 65.51, 2.61, -46.97

 

CMYK 53 / 29 / 0 / 10

HEX #6CA3E5

RGB 108 163 229

HSL 212.73, 0.7%, 0.66%

LAB 65.78, 0.42, -38.82

 

CMYK 43 / 24 / 0 / 16

HEX #7AA4D7

RGB 122 164 215

HSL 212.9, 0.54%, 0.66%

LAB 66.21, -0.93, -30.37

 

CMYK 32 / 17 / 0 / 21

HEX #88A6C9

RGB 136 166 201

HSL 212.31, 0.38%, 0.66%

LAB 67.07, -1.97, -21.23

 

CMYK 20 / 11 / 0 / 27

HEX #96A7BB

RGB 150 167 187

HSL 212.43, 0.21%, 0.66%

LAB 67.81, -1.6, -12.27

 

CMYK 5 / 3 / 0 / 32

HEX #A4A8AD

RGB 164 168 173

HSL 213.33, 0.05%, 0.66%

LAB 68.69, -0.44, -3.07

 

CMYK 53 / 0 / 0 / 10

HEX #6CE5E5

RGB 108 229 229

HSL 180, 0.7%, 0.66%

LAB 84.42, -33.73, -10.36

 

CMYK 53 / 14 / 0 / 10

HEX #6CC5E5

RGB 108 197 229

HSL 195.87, 0.7%, 0.66%

LAB 75.31, -17.98, -24.1

 

CMYK 53 / 28 / 0 / 10

HEX #6CA4E5

RGB 108 164 229

HSL 212.23, 0.7%, 0.66%

LAB 66.06, -0.14, -38.38

 

CMYK 53 / 42 / 0 / 10

HEX #6C84E5

RGB 108 132 229

HSL 228.1, 0.7%, 0.66%

LAB 57.41, 18.53, -52.01

 

CMYK 49 / 53 / 0 / 10

HEX #746CE5

RGB 116 108 229

HSL 243.97, 0.7%, 0.66%

LAB 51.94, 34.63, -60.73

 

CMYK 82 / 44 / 0 / 15

HEX #2678D8

RGB 38 120 216

HSL 212.36, 0.7%, 0.5%

LAB 50.46, 10.5, -55.99

 

CMYK 67 / 36 / 0 / 13

HEX #498EDF

RGB 73 142 223

HSL 212.4, 0.7%, 0.58%

LAB 58.12, 4, -47.64

 

CMYK 53 / 29 / 0 / 10

HEX #6CA3E5

RGB 108 163 229

HSL 212.73, 0.7%, 0.66%

LAB 65.78, 0.42, -38.82

 

CMYK 39 / 21 / 0 / 8

HEX #8FB9EB

RGB 143 185 235

HSL 212.61, 0.7%, 0.74%

LAB 73.89, -1.64, -29.37

 

CMYK 26 / 14 / 0 / 5

HEX #B2CFF1

RGB 178 207 241

HSL 212.38, 0.69%, 0.82%

LAB 82.08, -2.21, -19.91

 

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

CMYK 14 / 53 / 0 / 10

HEX #C56CE5

RGB 197 108 229

HSL 284.13, 0.7%, 0.66%

LAB 60.12, 54.35, -47.21

 

CMYK 7 / 0 / 53 / 10

HEX #D5E56C

RGB 213 229 108

HSL 67.93, 0.7%, 0.66%

LAB 87.61, -22.11, 56.38

 

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

CMYK 0 / 53 / 28 / 10

HEX #E56CA4

RGB 229 108 164

HSL 332.23, 0.7%, 0.66%

LAB 61.71, 52.94, -7.55

 

CMYK 28 / 0 / 53 / 10

HEX #A4E56C

RGB 164 229 108

HSL 92.23, 0.7%, 0.66%

LAB 84.49, -40.48, 51.93

 

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

CMYK 14 / 53 / 0 / 10

HEX #C56CE5

RGB 197 108 229

HSL 284.13, 0.7%, 0.66%

LAB 60.12, 54.35, -47.21

 

CMYK 0 / 25 / 53 / 10

HEX #E5AC6C

RGB 229 172 108

HSL 31.74, 0.7%, 0.66%

LAB 74.35, 13.59, 40.8

 

CMYK 39 / 0 / 53 / 10

HEX #8CE56C

RGB 140 229 108

HSL 104.13, 0.7%, 0.66%

LAB 83.28, -48.5, 50.2

 

CMYK 53 / 29 / 0 / 10

HEX #6BA3E5

RGB 107 163 229

HSL 212.46, 0.7%, 0.66%

LAB 65.73, 0.21, -38.89

 

CMYK 0 / 53 / 2 / 10

HEX #E56CE1

RGB 229 108 225

HSL 301.98, 0.7%, 0.66%

LAB 64.01, 62.12, -38.57

 

CMYK 0 / 25 / 53 / 10

HEX #E5AC6C

RGB 229 172 108

HSL 31.74, 0.7%, 0.66%

LAB 74.35, 13.59, 40.8

 

CMYK 53 / 0 / 51 / 10

HEX #6CE570

RGB 108 229 112

HSL 121.98, 0.7%, 0.66%

LAB 82.05, -57.14, 46.54

 

Description

Color code: HEX #6BA3E5 | qconv.com Color code: HEX #6BA3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 163 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 163 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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