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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6BA01A it is the complementary color #945FE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6BA01A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6BA01A shade: #70A015, #81B228, #92C43B, #A3D64E and #B4E861

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6BA01A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6BA01A shade: #6BA01A, #5A8E07, #497C00, #386A00 and #275800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6BA01A shade: #6A9E1A, #8D9E1A, #9E8B1A, #9E671A and #9E441A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6BA01A shade: #6A9E1A, #469E1A, #229E1A, #1A9E35 and #1A9E58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6BA01A shade matches the following richer shades: #6A9E1A and #6DAD0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6BA01A shade: #6A9E1A, #678F29, #638037, #607146 and #5D6255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6BA01A shade: #9E8A1A, #8E9E1A, #6B9E1A, #489E1A and #259E1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6BA01A shade: #3A570E, #527A14, #6A9E1A, #81C11F and #97DD2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6BA01A shade: #6BA01A, #1A9E67 and #9C1A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6BA01A shade: #6BA01A, #1A6B9E and #9E1A6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6BA01A shade: #6BA01A, #1A9E67, #4C1A9E and #9E1A51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6BA01A shade: #6BA01A, #1A9E8E, #4C1A9E and #9E1A29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

Complementary color

CMYK 35 / 59 / 0 / 10

HEX #945FE5

RGB 148 95 229

HSL 263.73, 0.72%, 0.64%

LAB 51.99, 49.05, -60.5

 

CMYK 30 / 0 / 87 / 37

HEX #70A015

RGB 112 160 21

HSL 80.72, 0.77%, 0.35%

LAB 60.46, -35.25, 59.2

 

CMYK 28 / 0 / 78 / 30

HEX #81B228

RGB 129 178 40

HSL 81.3, 0.63%, 0.43%

LAB 67.02, -35.98, 60.27

 

CMYK 26 / 0 / 70 / 23

HEX #92C43B

RGB 146 196 59

HSL 81.9, 0.54%, 0.5%

LAB 73.48, -36.49, 60.32

 

CMYK 24 / 0 / 64 / 16

HEX #A3D64E

RGB 163 214 78

HSL 82.5, 0.62%, 0.57%

LAB 79.86, -36.85, 59.81

 

CMYK 22 / 0 / 58 / 9

HEX #B4E861

RGB 180 232 97

HSL 83.11, 0.75%, 0.65%

LAB 86.15, -37.1, 59

 

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

CMYK 37 / 0 / 95 / 44

HEX #5A8E07

RGB 90 142 7

HSL 83.11, 0.91%, 0.29%

LAB 53.53, -36.1, 55.55

 

CMYK 41 / 0 / 100 / 51

HEX #497C00

RGB 73 124 0

HSL 84.68, 1%, 0.24%

LAB 46.75, -34.8, 51.12

 

CMYK 47 / 0 / 100 / 58

HEX #386A00

RGB 56 106 0

HSL 88.3, 1%, 0.21%

LAB 39.83, -33.23, 45.36

 

CMYK 56 / 0 / 100 / 65

HEX #275800

RGB 39 88 0

HSL 93.41, 1%, 0.17%

LAB 32.72, -31.49, 39.47

 

CMYK 33 / 0 / 84 / 38

HEX #6A9E1A

RGB 106 158 26

HSL 83.64, 0.72%, 0.36%

LAB 59.52, -36.49, 57.02

 

CMYK 11 / 0 / 84 / 38

HEX #8D9E1A

RGB 141 158 26

HSL 67.73, 0.72%, 0.36%

LAB 61.82, -22.06, 59.92

 

CMYK 0 / 12 / 84 / 38

HEX #9E8B1A

RGB 158 139 26

HSL 51.36, 0.72%, 0.36%

LAB 57.86, -4.43, 57.08

 

CMYK 0 / 35 / 84 / 38

HEX #9E671A

RGB 158 103 26

HSL 35, 0.72%, 0.36%

LAB 48.32, 15.83, 48.8

 

CMYK 0 / 57 / 84 / 38

HEX #9E441A

RGB 158 68 26

HSL 19.09, 0.72%, 0.36%

LAB 40.37, 35.11, 41.66

 

CMYK 33 / 0 / 84 / 38

HEX #6A9E1A

RGB 106 158 26

HSL 83.64, 0.72%, 0.36%

LAB 59.52, -36.49, 57.02

 

CMYK 56 / 0 / 84 / 38

HEX #469E1A

RGB 70 158 26

HSL 100, 0.72%, 0.36%

LAB 57.88, -48.59, 54.92

 

CMYK 78 / 0 / 84 / 38

HEX #229E1A

RGB 34 158 26

HSL 116.36, 0.72%, 0.36%

LAB 56.95, -56.33, 53.73

 

CMYK 84 / 0 / 66 / 38

HEX #1A9E35

RGB 26 158 53

HSL 132.27, 0.72%, 0.36%

LAB 57.01, -55.14, 43.97

 

CMYK 84 / 0 / 44 / 38

HEX #1A9E58

RGB 26 158 88

HSL 148.18, 0.72%, 0.36%

LAB 57.44, -49.92, 27.21

 

CMYK 33 / 0 / 84 / 38

HEX #6A9E1A

RGB 106 158 26

HSL 83.64, 0.72%, 0.36%

LAB 59.52, -36.49, 57.02

 

CMYK 37 / 0 / 94 / 32

HEX #6DAD0B

RGB 109 173 11

HSL 83.7, 0.88%, 0.36%

LAB 64.29, -42.33, 64.08

 

CMYK 33 / 0 / 84 / 38

HEX #6A9E1A

RGB 106 158 26

HSL 83.64, 0.72%, 0.36%

LAB 59.52, -36.49, 57.02

 

CMYK 28 / 0 / 71 / 44

HEX #678F29

RGB 103 143 41

HSL 83.53, 0.55%, 0.36%

LAB 54.75, -29.94, 47.41

 

CMYK 23 / 0 / 57 / 50

HEX #638037

RGB 99 128 55

HSL 83.84, 0.4%, 0.36%

LAB 49.94, -22.99, 35.74

 

CMYK 15 / 0 / 38 / 56

HEX #607146

RGB 96 113 70

HSL 83.72, 0.23%, 0.36%

LAB 45.27, -14.44, 21.83

 

CMYK 5 / 0 / 13 / 62

HEX #5D6255

RGB 93 98 85

HSL 83.08, 0.07%, 0.36%

LAB 40.77, -4.6, 6.74

 

CMYK 0 / 13 / 84 / 38

HEX #9E8A1A

RGB 158 138 26

HSL 50.91, 0.72%, 0.36%

LAB 57.58, -3.89, 56.85

 

CMYK 10 / 0 / 84 / 38

HEX #8E9E1A

RGB 142 158 26

HSL 67.27, 0.72%, 0.36%

LAB 61.89, -21.63, 60.01

 

CMYK 32 / 0 / 84 / 38

HEX #6B9E1A

RGB 107 158 26

HSL 83.18, 0.72%, 0.36%

LAB 59.57, -36.11, 57.09

 

CMYK 54 / 0 / 84 / 38

HEX #489E1A

RGB 72 158 26

HSL 99.09, 0.72%, 0.36%

LAB 57.95, -48.02, 55.02

 

CMYK 77 / 0 / 84 / 38

HEX #259E1A

RGB 37 158 26

HSL 115, 0.72%, 0.36%

LAB 57, -55.88, 53.8

 

CMYK 33 / 0 / 84 / 66

HEX #3A570E

RGB 58 87 14

HSL 83.84, 0.72%, 0.2%

LAB 33.45, -22.95, 35.92

 

CMYK 33 / 0 / 84 / 52

HEX #527A14

RGB 82 122 20

HSL 83.53, 0.72%, 0.28%

LAB 46.66, -29.69, 46.66

 

CMYK 33 / 0 / 84 / 38

HEX #6A9E1A

RGB 106 158 26

HSL 83.64, 0.72%, 0.36%

LAB 59.52, -36.49, 57.02

 

CMYK 33 / 0 / 84 / 24

HEX #81C11F

RGB 129 193 31

HSL 83.7, 0.72%, 0.44%

LAB 71.49, -42.96, 66.79

 

CMYK 32 / 0 / 80 / 13

HEX #97DD2D

RGB 151 221 45

HSL 83.86, 0.72%, 0.52%

LAB 81.01, -46.29, 72.14

 

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

CMYK 84 / 0 / 35 / 38

HEX #1A9E67

RGB 26 158 103

HSL 155, 0.72%, 0.36%

LAB 57.71, -46.89, 19.41

 

CMYK 1 / 84 / 0 / 38

HEX #9C1A9E

RGB 156 26 158

HSL 299.09, 0.72%, 0.36%

LAB 38.33, 64.45, -41.02

 

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

CMYK 84 / 32 / 0 / 38

HEX #1A6B9E

RGB 26 107 158

HSL 203.18, 0.72%, 0.36%

LAB 43.07, -4.79, -34.2

 

CMYK 0 / 84 / 32 / 38

HEX #9E1A6B

RGB 158 26 107

HSL 323.18, 0.72%, 0.36%

LAB 36.12, 57.75, -12.88

 

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

CMYK 84 / 0 / 35 / 38

HEX #1A9E67

RGB 26 158 103

HSL 155, 0.72%, 0.36%

LAB 57.71, -46.89, 19.41

 

CMYK 52 / 84 / 0 / 38

HEX #4C1A9E

RGB 76 26 158

HSL 262.73, 0.72%, 0.36%

LAB 25.99, 51.21, -61.62

 

CMYK 0 / 84 / 49 / 38

HEX #9E1A51

RGB 158 26 81

HSL 335, 0.72%, 0.36%

LAB 35.21, 55.1, 2.46

 

CMYK 33 / 0 / 84 / 37

HEX #6BA01A

RGB 107 160 26

HSL 83.73, 0.72%, 0.36%

LAB 60.2, -37, 57.64

 

CMYK 84 / 0 / 10 / 38

HEX #1A9E8E

RGB 26 158 142

HSL 172.73, 0.72%, 0.36%

LAB 58.63, -37.03, -1.19

 

CMYK 52 / 84 / 0 / 38

HEX #4C1A9E

RGB 76 26 158

HSL 262.73, 0.72%, 0.36%

LAB 25.99, 51.21, -61.62

 

CMYK 0 / 84 / 74 / 38

HEX #9E1A29

RGB 158 26 41

HSL 353.18, 0.72%, 0.36%

LAB 34.33, 52.48, 27.11

 

Description

Color code: HEX #6BA01A | qconv.com Color code: HEX #6BA01A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 160 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 160 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 84 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 84% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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