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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B9C3E it is the complementary color #9463C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B9C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B9C3E shade: #709C39, #81AE4C, #92C05F, #A3D272 and #B4E485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B9C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B9C3E shade: #6B9C3E, #5A8A2B, #497818, #386605 and #275400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B9C3E shade: #6B9C3E, #859C3E, #9C9B3E, #9C813E and #9C683E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B9C3E shade: #6B9C3E, #529C3E, #3E9C44, #3E9C5D and #3E9C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B9C3E shade matches the following richer shades: #6B9C3E, #6AAE2C, #6AC01B and #69D209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B9C3E shade: #6B9C3E, #6C8B50, #6D7961, #6D6773 and #6E5585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B9C3E shade: #9C9B3E, #859C3E, #6C9C3E, #529C3E and #3E9C43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B9C3E shade: #436126, #577F32, #6B9C3E, #7FB74C and #94C36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B9C3E shade: #6B9C3E, #3E9C82 and #9C3E91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B9C3E shade: #6B9C3E, #3E6C9C and #9C3E6C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B9C3E shade: #6B9C3E, #3E9C82, #6F3E9C and #9C3E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B9C3E shade: #6B9C3E, #3E9B9C, #6F3E9C and #9C403E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

Complementary color

CMYK 23 / 49 / 0 / 24

HEX #9463C1

RGB 148 99 193

HSL 271.28, 0.43%, 0.57%

LAB 50.77, 38.02, -41.96

 

CMYK 28 / 0 / 63 / 39

HEX #709C39

RGB 112 156 57

HSL 86.67, 0.46%, 0.42%

LAB 59.45, -31.28, 45.75

 

CMYK 26 / 0 / 56 / 32

HEX #81AE4C

RGB 129 174 76

HSL 87.55, 0.39%, 0.49%

LAB 66.11, -31.45, 44.78

 

CMYK 24 / 0 / 51 / 25

HEX #92C05F

RGB 146 192 95

HSL 88.45, 0.43%, 0.56%

LAB 72.65, -31.52, 43.66

 

CMYK 22 / 0 / 46 / 18

HEX #A3D272

RGB 163 210 114

HSL 89.38, 0.52%, 0.64%

LAB 79.1, -31.53, 42.51

 

CMYK 21 / 0 / 42 / 11

HEX #B4E485

RGB 180 228 133

HSL 90.32, 0.64%, 0.71%

LAB 85.45, -31.5, 41.35

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 35 / 0 / 69 / 46

HEX #5A8A2B

RGB 90 138 43

HSL 90.32, 0.52%, 0.35%

LAB 52.43, -32.52, 43.94

 

CMYK 39 / 0 / 80 / 53

HEX #497818

RGB 73 120 24

HSL 89.38, 0.67%, 0.28%

LAB 45.52, -32.08, 44.12

 

CMYK 45 / 0 / 95 / 60

HEX #386605

RGB 56 102 5

HSL 88.45, 0.91%, 0.21%

LAB 38.47, -31.27, 42.93

 

CMYK 54 / 0 / 100 / 67

HEX #275400

RGB 39 84 0

HSL 92.14, 1%, 0.16%

LAB 31.28, -29.78, 38.34

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 15 / 0 / 60 / 39

HEX #859C3E

RGB 133 156 62

HSL 74.68, 0.43%, 0.43%

LAB 60.88, -22.39, 45.45

 

CMYK 0 / 1 / 60 / 39

HEX #9C9B3E

RGB 156 155 62

HSL 59.36, 0.43%, 0.43%

LAB 62.39, -12.06, 47.62

 

CMYK 0 / 17 / 60 / 39

HEX #9C813E

RGB 156 129 62

HSL 42.77, 0.43%, 0.43%

LAB 55.19, 2.12, 39.55

 

CMYK 0 / 33 / 60 / 39

HEX #9C683E

RGB 156 104 62

HSL 26.81, 0.43%, 0.43%

LAB 48.66, 16.36, 31.85

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 47 / 0 / 60 / 39

HEX #529C3E

RGB 82 156 62

HSL 107.23, 0.43%, 0.43%

LAB 57.96, -41.35, 41.36

 

CMYK 60 / 0 / 56 / 39

HEX #3E9C44

RGB 62 156 68

HSL 123.83, 0.43%, 0.43%

LAB 57.29, -46.18, 37.5

 

CMYK 60 / 0 / 40 / 39

HEX #3E9C5D

RGB 62 156 93

HSL 139.79, 0.43%, 0.43%

LAB 57.65, -42.23, 24.94

 

CMYK 60 / 0 / 24 / 39

HEX #3E9C77

RGB 62 156 119

HSL 156.38, 0.43%, 0.43%

LAB 58.16, -36.83, 11.24

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 39 / 0 / 75 / 32

HEX #6AAE2C

RGB 106 174 44

HSL 91.38, 0.6%, 0.43%

LAB 64.58, -42.51, 56.16

 

CMYK 45 / 0 / 86 / 25

HEX #6AC01B

RGB 106 192 27

HSL 91.27, 0.75%, 0.43%

LAB 70.07, -50.65, 66.03

 

CMYK 50 / 0 / 96 / 18

HEX #69D209

RGB 105 210 9

HSL 91.34, 0.92%, 0.43%

LAB 75.52, -58.19, 73.29

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 22 / 0 / 42 / 45

HEX #6C8B50

RGB 108 139 80

HSL 91.53, 0.27%, 0.43%

LAB 54.27, -21.94, 28.04

 

CMYK 10 / 0 / 20 / 53

HEX #6D7961

RGB 109 121 97

HSL 90, 0.11%, 0.43%

LAB 49.24, -9.2, 11.69

 

CMYK 5 / 10 / 0 / 55

HEX #6D6773

RGB 109 103 115

HSL 270, 0.06%, 0.43%

LAB 44.5, 4.84, -5.87

 

CMYK 17 / 36 / 0 / 48

HEX #6E5585

RGB 110 85 133

HSL 271.25, 0.22%, 0.43%

LAB 40.42, 20.32, -23

 

CMYK 0 / 1 / 60 / 39

HEX #9C9B3E

RGB 156 155 62

HSL 59.36, 0.43%, 0.43%

LAB 62.39, -12.06, 47.62

 

CMYK 15 / 0 / 60 / 39

HEX #859C3E

RGB 133 156 62

HSL 74.68, 0.43%, 0.43%

LAB 60.88, -22.39, 45.45

 

CMYK 31 / 0 / 60 / 39

HEX #6C9C3E

RGB 108 156 62

HSL 90.64, 0.43%, 0.43%

LAB 59.26, -32.35, 43.19

 

CMYK 47 / 0 / 60 / 39

HEX #529C3E

RGB 82 156 62

HSL 107.23, 0.43%, 0.43%

LAB 57.96, -41.35, 41.36

 

CMYK 60 / 0 / 57 / 39

HEX #3E9C43

RGB 62 156 67

HSL 123.19, 0.43%, 0.43%

LAB 57.28, -46.32, 37.97

 

CMYK 31 / 0 / 61 / 62

HEX #436126

RGB 67 97 38

HSL 90.51, 0.44%, 0.26%

LAB 37.63, -22.19, 29.64

 

CMYK 31 / 0 / 61 / 50

HEX #577F32

RGB 87 127 50

HSL 91.17, 0.44%, 0.35%

LAB 48.8, -27.83, 36.72

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 31 / 0 / 58 / 28

HEX #7FB74C

RGB 127 183 76

HSL 91.4, 0.43%, 0.51%

LAB 68.68, -36.35, 47.71

 

CMYK 24 / 0 / 46 / 24

HEX #94C36A

RGB 148 195 106

HSL 91.69, 0.43%, 0.59%

LAB 73.78, -30.92, 39.66

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 60 / 0 / 17 / 39

HEX #3E9C82

RGB 62 156 130

HSL 163.4, 0.43%, 0.43%

LAB 58.43, -34.18, 5.41

 

CMYK 0 / 60 / 7 / 39

HEX #9C3E91

RGB 156 62 145

HSL 307.02, 0.43%, 0.43%

LAB 42.09, 49.68, -27.23

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 60 / 31 / 0 / 39

HEX #3E6C9C

RGB 62 108 156

HSL 210.64, 0.43%, 0.43%

LAB 44.45, -0.64, -30.77

 

CMYK 0 / 60 / 31 / 39

HEX #9C3E6C

RGB 156 62 108

HSL 330.64, 0.43%, 0.43%

LAB 40.57, 44.05, -6.83

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 60 / 0 / 17 / 39

HEX #3E9C82

RGB 62 156 130

HSL 163.4, 0.43%, 0.43%

LAB 58.43, -34.18, 5.41

 

CMYK 29 / 60 / 0 / 39

HEX #6F3E9C

RGB 111 62 156

HSL 271.28, 0.43%, 0.43%

LAB 36.41, 39.88, -43.27

 

CMYK 0 / 60 / 43 / 39

HEX #9C3E59

RGB 156 62 89

HSL 342.77, 0.43%, 0.43%

LAB 39.97, 41.75, 4.18

 

CMYK 31 / 0 / 60 / 39

HEX #6B9C3E

RGB 107 156 62

HSL 91.28, 0.43%, 0.43%

LAB 59.21, -32.73, 43.11

 

CMYK 60 / 1 / 0 / 39

HEX #3E9B9C

RGB 62 155 156

HSL 180.64, 0.43%, 0.43%

LAB 58.85, -26.69, -8.73

 

CMYK 29 / 60 / 0 / 39

HEX #6F3E9C

RGB 111 62 156

HSL 271.28, 0.43%, 0.43%

LAB 36.41, 39.88, -43.27

 

CMYK 0 / 59 / 60 / 39

HEX #9C403E

RGB 156 64 62

HSL 1.28, 0.43%, 0.43%

LAB 39.72, 38.27, 20.68

 

Description

Color code: HEX #6B9C3E | qconv.com Color code: HEX #6B9C3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 156 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 156 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 60 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 60% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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