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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B9C06 it is the complementary color #9463F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B9C06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B9C06 shade: #709C01, #81AE14, #92C027, #A3D23A and #B4E44D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B9C06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B9C06 shade: #6B9C06, #5A8A00, #497800, #386600 and #275400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B9C06 shade: #6B9D05, #949D05, #9D7D05, #9D5405 and #9D2B05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B9C06 shade: #6B9D05, #429D05, #1A9D05, #059D1A and #059D43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B9C06 shade matches the following richer shades: #6B9D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B9C06 shade: #6B9D05, #679012, #628320, #5E752D and #59683A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B9C06 shade: #9D7C05, #959D05, #6D9D05, #449D05 and #1C9D05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B9C06 shade: #354D02, #507504, #6B9D05, #87C507 and #A2ED08

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B9C06 shade: #6B9C06, #059D54 and #90059D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B9C06 shade: #6B9C06, #056D9D and #9D056D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B9C06 shade: #6B9C06, #059D54, #35059D and #9D054F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B9C06 shade: #6B9C06, #059D81, #35059D and #9D0521

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

Complementary color

CMYK 41 / 60 / 0 / 2

HEX #9463F9

RGB 148 99 249

HSL 259.6, 0.93%, 0.68%

LAB 54.09, 52.04, -68.3

 

CMYK 28 / 0 / 99 / 39

HEX #709C01

RGB 112 156 1

HSL 77.03, 0.99%, 0.31%

LAB 59.18, -33.89, 61.49

 

CMYK 26 / 0 / 89 / 32

HEX #81AE14

RGB 129 174 20

HSL 77.53, 0.79%, 0.38%

LAB 65.74, -34.92, 64.26

 

CMYK 24 / 0 / 80 / 25

HEX #92C027

RGB 146 192 39

HSL 78.04, 0.66%, 0.45%

LAB 72.2, -35.74, 65.71

 

CMYK 22 / 0 / 72 / 18

HEX #A3D23A

RGB 163 210 58

HSL 78.55, 0.63%, 0.53%

LAB 78.57, -36.35, 66.08

 

CMYK 21 / 0 / 66 / 11

HEX #B4E44D

RGB 180 228 77

HSL 79.07, 0.74%, 0.6%

LAB 84.86, -36.82, 65.81

 

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

CMYK 35 / 0 / 100 / 46

HEX #5A8A00

RGB 90 138 0

HSL 80.87, 1%, 0.27%

LAB 52.23, -34.49, 55.75

 

CMYK 39 / 0 / 100 / 53

HEX #497800

RGB 73 120 0

HSL 83.5, 1%, 0.24%

LAB 45.43, -33.02, 50.09

 

CMYK 45 / 0 / 100 / 60

HEX #386600

RGB 56 102 0

HSL 87.06, 1%, 0.2%

LAB 38.45, -31.48, 44.29

 

CMYK 54 / 0 / 100 / 67

HEX #275400

RGB 39 84 0

HSL 92.14, 1%, 0.16%

LAB 31.28, -29.78, 38.34

 

CMYK 32 / 0 / 97 / 38

HEX #6B9D05

RGB 107 157 5

HSL 79.74, 0.94%, 0.32%

LAB 59.21, -36.25, 60.79

 

CMYK 6 / 0 / 97 / 38

HEX #949D05

RGB 148 157 5

HSL 63.55, 0.94%, 0.32%

LAB 62.02, -18.95, 64.18

 

CMYK 0 / 20 / 97 / 38

HEX #9D7D05

RGB 157 125 5

HSL 47.37, 0.94%, 0.32%

LAB 53.86, 2.4, 58.48

 

CMYK 0 / 46 / 97 / 38

HEX #9D5405

RGB 157 84 5

HSL 31.18, 0.94%, 0.32%

LAB 43.54, 25.66, 51.22

 

CMYK 0 / 73 / 97 / 38

HEX #9D2B05

RGB 157 43 5

HSL 15, 0.94%, 0.32%

LAB 35.8, 45.68, 46.31

 

CMYK 32 / 0 / 97 / 38

HEX #6B9D05

RGB 107 157 5

HSL 79.74, 0.94%, 0.32%

LAB 59.21, -36.25, 60.79

 

CMYK 58 / 0 / 97 / 38

HEX #429D05

RGB 66 157 5

HSL 95.92, 0.94%, 0.32%

LAB 57.35, -50.04, 58.53

 

CMYK 83 / 0 / 97 / 38

HEX #1A9D05

RGB 26 157 5

HSL 111.71, 0.94%, 0.32%

LAB 56.43, -57.86, 57.4

 

CMYK 97 / 0 / 83 / 38

HEX #059D1A

RGB 5 157 26

HSL 128.29, 0.94%, 0.32%

LAB 56.31, -58.73, 53.03

 

CMYK 97 / 0 / 57 / 38

HEX #059D43

RGB 5 157 67

HSL 144.47, 0.94%, 0.32%

LAB 56.64, -54.6, 36.98

 

CMYK 32 / 0 / 97 / 38

HEX #6B9D05

RGB 107 157 5

HSL 79.74, 0.94%, 0.32%

LAB 59.21, -36.25, 60.79

 

CMYK 32 / 0 / 97 / 38

HEX #6B9D05

RGB 107 157 5

HSL 79.74, 0.94%, 0.32%

LAB 59.21, -36.25, 60.79

 

CMYK 28 / 0 / 88 / 44

HEX #679012

RGB 103 144 18

HSL 79.52, 0.78%, 0.32%

LAB 54.94, -31.58, 54.95

 

CMYK 25 / 0 / 76 / 49

HEX #628320

RGB 98 131 32

HSL 80, 0.61%, 0.32%

LAB 50.61, -26.79, 46.66

 

CMYK 20 / 0 / 62 / 54

HEX #5E752D

RGB 94 117 45

HSL 79.17, 0.44%, 0.32%

LAB 46.03, -20.43, 36.15

 

CMYK 14 / 0 / 44 / 59

HEX #59683A

RGB 89 104 58

HSL 79.57, 0.28%, 0.32%

LAB 41.74, -14.13, 24.01

 

CMYK 0 / 21 / 97 / 38

HEX #9D7C05

RGB 157 124 5

HSL 46.97, 0.94%, 0.32%

LAB 53.59, 2.97, 58.29

 

CMYK 5 / 0 / 97 / 38

HEX #959D05

RGB 149 157 5

HSL 63.16, 0.94%, 0.32%

LAB 62.1, -18.5, 64.28

 

CMYK 31 / 0 / 97 / 38

HEX #6D9D05

RGB 109 157 5

HSL 78.95, 0.94%, 0.32%

LAB 59.32, -35.46, 60.93

 

CMYK 57 / 0 / 97 / 38

HEX #449D05

RGB 68 157 5

HSL 95.13, 0.94%, 0.32%

LAB 57.42, -49.49, 58.61

 

CMYK 82 / 0 / 97 / 38

HEX #1C9D05

RGB 28 157 5

HSL 110.92, 0.94%, 0.32%

LAB 56.46, -57.62, 57.43

 

CMYK 31 / 0 / 97 / 70

HEX #354D02

RGB 53 77 2

HSL 79.2, 0.95%, 0.15%

LAB 29.59, -20.67, 36.56

 

CMYK 32 / 0 / 97 / 54

HEX #507504

RGB 80 117 4

HSL 79.65, 0.93%, 0.24%

LAB 44.85, -28.71, 48.92

 

CMYK 32 / 0 / 97 / 38

HEX #6B9D05

RGB 107 157 5

HSL 79.74, 0.94%, 0.32%

LAB 59.21, -36.25, 60.79

 

CMYK 31 / 0 / 96 / 23

HEX #87C507

RGB 135 197 7

HSL 79.58, 0.93%, 0.4%

LAB 72.96, -43.02, 72.03

 

CMYK 32 / 0 / 97 / 7

HEX #A2ED08

RGB 162 237 8

HSL 79.65, 0.93%, 0.48%

LAB 86.14, -49.9, 82.89

 

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

CMYK 97 / 0 / 46 / 38

HEX #059D54

RGB 5 157 84

HSL 151.18, 0.94%, 0.32%

LAB 56.87, -51.8, 28.56

 

CMYK 8 / 97 / 0 / 38

HEX #90059D

RGB 144 5 157

HSL 294.87, 0.94%, 0.32%

LAB 34.95, 65.61, -45.96

 

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

CMYK 97 / 31 / 0 / 38

HEX #056D9D

RGB 5 109 157

HSL 198.95, 0.94%, 0.32%

LAB 43.37, -7.75, -33.16

 

CMYK 0 / 97 / 31 / 38

HEX #9D056D

RGB 157 5 109

HSL 318.95, 0.94%, 0.32%

LAB 34.76, 61.34, -16.24

 

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

CMYK 97 / 0 / 46 / 38

HEX #059D54

RGB 5 157 84

HSL 151.18, 0.94%, 0.32%

LAB 56.87, -51.8, 28.56

 

CMYK 66 / 97 / 0 / 38

HEX #35059D

RGB 53 5 157

HSL 258.95, 0.94%, 0.32%

LAB 21.21, 55.11, -69.01

 

CMYK 0 / 97 / 50 / 38

HEX #9D054F

RGB 157 5 79

HSL 330.79, 0.94%, 0.32%

LAB 33.65, 58.4, 1.49

 

CMYK 31 / 0 / 96 / 39

HEX #6B9C06

RGB 107 156 6

HSL 79.6, 0.93%, 0.32%

LAB 58.9, -35.78, 60.4

 

CMYK 97 / 0 / 18 / 38

HEX #059D81

RGB 5 157 129

HSL 168.95, 0.94%, 0.32%

LAB 57.78, -41.47, 4.92

 

CMYK 66 / 97 / 0 / 38

HEX #35059D

RGB 53 5 157

HSL 258.95, 0.94%, 0.32%

LAB 21.21, 55.11, -69.01

 

CMYK 0 / 97 / 79 / 38

HEX #9D0521

RGB 157 5 33

HSL 348.95, 0.94%, 0.32%

LAB 32.67, 55.73, 30.16

 

Description

Color code: HEX #6B9C06 | qconv.com Color code: HEX #6B9C06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 156 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 156 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 96 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 96% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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