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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B94C2 it is the complementary color #946B3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B94C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B94C2 shade: #7094BD, #81A6D0, #92B8E3, #A3CAF6 and #B4DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B94C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B94C2 shade: #6B94C2, #5A82AF, #49709C, #385E89 and #274C76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B94C2 shade: #6B94C2, #6B7CC2, #716BC2, #886BC2 and #A06BC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B94C2 shade: #6B94C2, #6B7CC2 and #6B6BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B94C2 shade matches the following richer shades: #6B94C2, #5A93D3, #4992E4 and #3891F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B94C2 shade: #6B94C2, #7B95B1, #8C96A1, #9D9790 and #AE987F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B94C2 shade: #6BC2C1, #6BACC2, #6B95C2, #6B7EC2 and #6F6BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B94C2 shade: #3F6B9B, #4D7FB6, #6B94C2, #88A9CE and #A5BEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B94C2 shade: #6B94C2, #A96BC2 and #B8C26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B94C2 shade: #6B94C2, #C26B95 and #95C26B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B94C2 shade: #6B94C2, #A96BC2, #C2986B and #83C26B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B94C2 shade: #6B94C2, #C26BC1, #C2986B and #6BC26C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

Complementary color

CMYK 0 / 28 / 59 / 42

HEX #946B3D

RGB 148 107 61

HSL 31.72, 0.42%, 0.41%

LAB 48.45, 11, 31.92

 

CMYK 41 / 22 / 0 / 26

HEX #7094BD

RGB 112 148 189

HSL 211.95, 0.37%, 0.59%

LAB 60.16, -1.8, -25.24

 

CMYK 38 / 20 / 0 / 18

HEX #81A6D0

RGB 129 166 208

HSL 211.9, 0.46%, 0.66%

LAB 66.9, -2.11, -25.41

 

CMYK 36 / 19 / 0 / 11

HEX #92B8E3

RGB 146 184 227

HSL 211.85, 0.59%, 0.73%

LAB 73.51, -2.38, -25.61

 

CMYK 34 / 18 / 0 / 4

HEX #A3CAF6

RGB 163 202 246

HSL 211.81, 0.82%, 0.8%

LAB 80, -2.61, -25.82

 

CMYK 29 / 14 / 0 / 0

HEX #B4DCFF

RGB 180 220 255

HSL 208, 1%, 0.85%

LAB 86.06, -5.2, -21.29

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 49 / 26 / 0 / 31

HEX #5A82AF

RGB 90 130 175

HSL 211.76, 0.35%, 0.52%

LAB 53.2, -1.21, -28.1

 

CMYK 53 / 28 / 0 / 39

HEX #49709C

RGB 73 112 156

HSL 211.81, 0.36%, 0.45%

LAB 46.18, -0.61, -28.02

 

CMYK 59 / 31 / 0 / 46

HEX #385E89

RGB 56 94 137

HSL 211.85, 0.42%, 0.38%

LAB 38.99, 0.19, -27.97

 

CMYK 67 / 36 / 0 / 54

HEX #274C76

RGB 39 76 118

HSL 211.9, 0.5%, 0.31%

LAB 31.6, 1.29, -27.95

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 45 / 36 / 0 / 24

HEX #6B7CC2

RGB 107 124 194

HSL 228.28, 0.42%, 0.59%

LAB 53.42, 12.38, -38.58

 

CMYK 42 / 45 / 0 / 24

HEX #716BC2

RGB 113 107 194

HSL 244.14, 0.42%, 0.59%

LAB 49.4, 24.19, -44.91

 

CMYK 30 / 45 / 0 / 24

HEX #886BC2

RGB 136 107 194

HSL 260, 0.42%, 0.59%

LAB 51.43, 30.33, -41.56

 

CMYK 18 / 45 / 0 / 24

HEX #A06BC2

RGB 160 107 194

HSL 276.55, 0.42%, 0.59%

LAB 53.9, 37.19, -37.5

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 45 / 36 / 0 / 24

HEX #6B7CC2

RGB 107 124 194

HSL 228.28, 0.42%, 0.59%

LAB 53.42, 12.38, -38.58

 

CMYK 45 / 45 / 0 / 24

HEX #6B6BC2

RGB 107 107 194

HSL 240, 0.42%, 0.59%

LAB 48.93, 22.69, -45.69

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 57 / 30 / 0 / 17

HEX #5A93D3

RGB 90 147 211

HSL 211.74, 0.58%, 0.59%

LAB 59.66, 0.16, -38.47

 

CMYK 68 / 36 / 0 / 11

HEX #4992E4

RGB 73 146 228

HSL 211.74, 0.74%, 0.59%

LAB 59.5, 3.36, -48.24

 

CMYK 77 / 41 / 0 / 4

HEX #3891F5

RGB 56 145 245

HSL 211.75, 0.9%, 0.59%

LAB 59.6, 7.76, -57.52

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 31 / 16 / 0 / 31

HEX #7B95B1

RGB 123 149 177

HSL 211.11, 0.26%, 0.59%

LAB 60.68, -2.42, -17.6

 

CMYK 13 / 7 / 0 / 37

HEX #8C96A1

RGB 140 150 161

HSL 211.43, 0.1%, 0.59%

LAB 61.62, -1.27, -7

 

CMYK 0 / 4 / 8 / 38

HEX #9D9790

RGB 157 151 144

HSL 32.31, 0.06%, 0.59%

LAB 62.77, 0.92, 4.46

 

CMYK 0 / 13 / 27 / 32

HEX #AE987F

RGB 174 152 127

HSL 31.91, 0.22%, 0.59%

LAB 64.15, 4.21, 16.16

 

CMYK 45 / 0 / 1 / 24

HEX #6BC2C1

RGB 107 194 193

HSL 179.31, 0.42%, 0.59%

LAB 73.26, -26.42, -7.67

 

CMYK 45 / 11 / 0 / 24

HEX #6BACC2

RGB 107 172 194

HSL 195.17, 0.42%, 0.59%

LAB 66.92, -14.9, -17.73

 

CMYK 45 / 23 / 0 / 24

HEX #6B95C2

RGB 107 149 194

HSL 211.03, 0.42%, 0.59%

LAB 60.35, -2.26, -27.78

 

CMYK 45 / 35 / 0 / 24

HEX #6B7EC2

RGB 107 126 194

HSL 226.9, 0.42%, 0.59%

LAB 53.97, 11.18, -37.73

 

CMYK 43 / 45 / 0 / 24

HEX #6F6BC2

RGB 111 107 194

HSL 242.76, 0.42%, 0.59%

LAB 49.24, 23.68, -45.18

 

CMYK 59 / 31 / 0 / 39

HEX #3F6B9B

RGB 63 107 155

HSL 211.3, 0.42%, 0.43%

LAB 44.14, -0.16, -30.65

 

CMYK 58 / 30 / 0 / 29

HEX #4D7FB6

RGB 77 127 182

HSL 211.43, 0.42%, 0.51%

LAB 51.99, -0.22, -34.07

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 34 / 18 / 0 / 19

HEX #88A9CE

RGB 136 169 206

HSL 211.71, 0.42%, 0.67%

LAB 68.07, -2.35, -22.47

 

CMYK 24 / 13 / 0 / 15

HEX #A5BEDA

RGB 165 190 218

HSL 211.7, 0.42%, 0.75%

LAB 76, -2.33, -16.83

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 13 / 45 / 0 / 24

HEX #A96BC2

RGB 169 107 194

HSL 282.76, 0.42%, 0.59%

LAB 54.91, 39.83, -35.85

 

CMYK 5 / 0 / 45 / 24

HEX #B8C26B

RGB 184 194 107

HSL 66.9, 0.42%, 0.59%

LAB 75.97, -16.45, 42.41

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 0 / 45 / 23 / 24

HEX #C26B95

RGB 194 107 149

HSL 331.03, 0.42%, 0.59%

LAB 56.24, 39.79, -7.52

 

CMYK 23 / 0 / 45 / 24

HEX #95C26B

RGB 149 194 107

HSL 91.03, 0.42%, 0.59%

LAB 73.57, -29.95, 38.9

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 13 / 45 / 0 / 24

HEX #A96BC2

RGB 169 107 194

HSL 282.76, 0.42%, 0.59%

LAB 54.91, 39.83, -35.85

 

CMYK 0 / 22 / 45 / 24

HEX #C2986B

RGB 194 152 107

HSL 31.03, 0.42%, 0.59%

LAB 65.74, 9.88, 29.64

 

CMYK 32 / 0 / 45 / 24

HEX #83C26B

RGB 131 194 107

HSL 103.45, 0.42%, 0.59%

LAB 72.54, -36.34, 37.39

 

CMYK 45 / 24 / 0 / 24

HEX #6B94C2

RGB 107 148 194

HSL 211.72, 0.42%, 0.59%

LAB 60.07, -1.69, -28.21

 

CMYK 0 / 45 / 1 / 24

HEX #C26BC1

RGB 194 107 193

HSL 300.69, 0.42%, 0.59%

LAB 57.88, 47.07, -30.42

 

CMYK 0 / 22 / 45 / 24

HEX #C2986B

RGB 194 152 107

HSL 31.03, 0.42%, 0.59%

LAB 65.74, 9.88, 29.64

 

CMYK 45 / 0 / 44 / 24

HEX #6BC26C

RGB 107 194 108

HSL 120.69, 0.42%, 0.59%

LAB 71.41, -43.84, 35.22

 

Description

Color code: HEX #6B94C2 | qconv.com Color code: HEX #6B94C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 148 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 148 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 24 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 24% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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