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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B7991 it is the complementary color #94866E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B7991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B7991 shade: #70798C, #818B9F, #929DB2, #A3AFC5 and #B4C1D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B7991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B7991 shade: #6B7991, #5A677E, #49556B, #384358 and #273145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B7991 shade: #6A7890, #6A6E90, #716A90, #7B6A90 and #856A90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B7991 shade: #6A7890, #6A6E90 and #6A6A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B7991 shade matches the following richer shades: #6A7890, #5673A4, #426DB8, #2E68CC and #1963E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B7991 shade: #6A7890, #7E7D7B, #938367, #A78853 and #BB8D3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B7991 shade: #6A8D90, #6A8390, #6A7990, #6A6F90 and #706A90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B7991 shade: #475060, #596478, #6A7890, #818DA2 and #99A3B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B7991 shade: #6B7991, #896A90 and #88906A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B7991 shade: #6B7991, #906A79 and #79906A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B7991 shade: #6B7991, #896A90, #90816A and #71906A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B7991 shade: #6B7991, #906A8B, #90816A and #6A906F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

Complementary color

CMYK 0 / 9 / 26 / 42

HEX #94866E

RGB 148 134 110

HSL 37.89, 0.15%, 0.51%

LAB 56.56, 1.31, 14.86

 

CMYK 20 / 14 / 0 / 45

HEX #70798C

RGB 112 121 140

HSL 220.71, 0.11%, 0.49%

LAB 50.7, 0.96, -11.45

 

CMYK 19 / 13 / 0 / 38

HEX #818B9F

RGB 129 139 159

HSL 220, 0.14%, 0.56%

LAB 57.69, 0.77, -11.83

 

CMYK 18 / 12 / 0 / 30

HEX #929DB2

RGB 146 157 178

HSL 219.38, 0.17%, 0.64%

LAB 64.52, 0.6, -12.21

 

CMYK 17 / 11 / 0 / 23

HEX #A3AFC5

RGB 163 175 197

HSL 218.82, 0.23%, 0.71%

LAB 71.2, 0.43, -12.61

 

CMYK 17 / 11 / 0 / 15

HEX #B4C1D8

RGB 180 193 216

HSL 218.33, 0.32%, 0.78%

LAB 77.76, 0.27, -13

 

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

CMYK 29 / 18 / 0 / 51

HEX #5A677E

RGB 90 103 126

HSL 218.33, 0.17%, 0.42%

LAB 43.33, 0.77, -14.43

 

CMYK 32 / 21 / 0 / 58

HEX #49556B

RGB 73 85 107

HSL 218.82, 0.19%, 0.35%

LAB 35.94, 1.04, -14.17

 

CMYK 36 / 24 / 0 / 65

HEX #384358

RGB 56 67 88

HSL 219.38, 0.22%, 0.28%

LAB 28.27, 1.38, -13.97

 

CMYK 43 / 29 / 0 / 73

HEX #273145

RGB 39 49 69

HSL 220, 0.28%, 0.21%

LAB 20.27, 1.83, -13.83

 

CMYK 26 / 17 / 0 / 44

HEX #6A7890

RGB 106 120 144

HSL 217.89, 0.15%, 0.49%

LAB 50.11, 0.54, -14.74

 

CMYK 26 / 24 / 0 / 44

HEX #6A6E90

RGB 106 110 144

HSL 233.68, 0.15%, 0.49%

LAB 47.27, 6.49, -19.06

 

CMYK 22 / 26 / 0 / 44

HEX #716A90

RGB 113 106 144

HSL 251.05, 0.15%, 0.49%

LAB 46.75, 11.21, -19.81

 

CMYK 15 / 26 / 0 / 44

HEX #7B6A90

RGB 123 106 144

HSL 266.84, 0.15%, 0.49%

LAB 47.67, 14.59, -18.33

 

CMYK 8 / 26 / 0 / 44

HEX #856A90

RGB 133 106 144

HSL 282.63, 0.15%, 0.49%

LAB 48.65, 18.06, -16.75

 

CMYK 26 / 17 / 0 / 44

HEX #6A7890

RGB 106 120 144

HSL 217.89, 0.15%, 0.49%

LAB 50.11, 0.54, -14.74

 

CMYK 26 / 24 / 0 / 44

HEX #6A6E90

RGB 106 110 144

HSL 233.68, 0.15%, 0.49%

LAB 47.27, 6.49, -19.06

 

CMYK 26 / 26 / 0 / 44

HEX #6A6A90

RGB 106 106 144

HSL 240, 0.15%, 0.49%

LAB 46.16, 8.91, -20.77

 

CMYK 26 / 17 / 0 / 44

HEX #6A7890

RGB 106 120 144

HSL 217.89, 0.15%, 0.49%

LAB 50.11, 0.54, -14.74

 

CMYK 48 / 30 / 0 / 36

HEX #5673A4

RGB 86 115 164

HSL 217.69, 0.31%, 0.49%

LAB 48.16, 3.33, -29.58

 

CMYK 64 / 41 / 0 / 28

HEX #426DB8

RGB 66 109 184

HSL 218.14, 0.47%, 0.49%

LAB 46.39, 9.26, -44.11

 

CMYK 77 / 49 / 0 / 20

HEX #2E68CC

RGB 46 104 204

HSL 217.97, 0.63%, 0.49%

LAB 45.42, 16.86, -57.25

 

CMYK 89 / 56 / 0 / 12

HEX #1963E1

RGB 25 99 225

HSL 217.8, 0.8%, 0.49%

LAB 45.03, 26.44, -69.87

 

CMYK 26 / 17 / 0 / 44

HEX #6A7890

RGB 106 120 144

HSL 217.89, 0.15%, 0.49%

LAB 50.11, 0.54, -14.74

 

CMYK 0 / 1 / 2 / 51

HEX #7E7D7B

RGB 126 125 123

HSL 40, 0.01%, 0.49%

LAB 52.43, -0.01, 1.21

 

CMYK 0 / 11 / 30 / 42

HEX #938367

RGB 147 131 103

HSL 38.18, 0.18%, 0.49%

LAB 55.5, 1.57, 17.38

 

CMYK 0 / 19 / 50 / 35

HEX #A78853

RGB 167 136 83

HSL 37.86, 0.34%, 0.49%

LAB 58.46, 4.88, 32.75

 

CMYK 0 / 25 / 66 / 27

HEX #BB8D3F

RGB 187 141 63

HSL 37.74, 0.5%, 0.49%

LAB 61.63, 9.24, 47.18

 

CMYK 26 / 2 / 0 / 44

HEX #6A8D90

RGB 106 141 144

HSL 184.74, 0.15%, 0.49%

LAB 56.22, -11.41, -5.58

 

CMYK 26 / 9 / 0 / 44

HEX #6A8390

RGB 106 131 144

HSL 200.53, 0.15%, 0.49%

LAB 53.29, -5.82, -9.94

 

CMYK 26 / 16 / 0 / 44

HEX #6A7990

RGB 106 121 144

HSL 216.32, 0.15%, 0.49%

LAB 50.4, -0.05, -14.3

 

CMYK 26 / 23 / 0 / 44

HEX #6A6F90

RGB 106 111 144

HSL 232.11, 0.15%, 0.49%

LAB 47.56, 5.89, -18.63

 

CMYK 22 / 26 / 0 / 44

HEX #706A90

RGB 112 106 144

HSL 249.47, 0.15%, 0.49%

LAB 46.67, 10.88, -19.95

 

CMYK 26 / 17 / 0 / 62

HEX #475060

RGB 71 80 96

HSL 218.4, 0.15%, 0.33%

LAB 33.82, 0.47, -10.51

 

CMYK 26 / 17 / 0 / 53

HEX #596478

RGB 89 100 120

HSL 218.71, 0.15%, 0.41%

LAB 42.15, 0.67, -12.61

 

CMYK 26 / 17 / 0 / 44

HEX #6A7890

RGB 106 120 144

HSL 217.89, 0.15%, 0.49%

LAB 50.11, 0.54, -14.74

 

CMYK 20 / 13 / 0 / 36

HEX #818DA2

RGB 129 141 162

HSL 218.18, 0.15%, 0.57%

LAB 58.34, 0.33, -12.56

 

CMYK 15 / 9 / 0 / 29

HEX #99A3B4

RGB 153 163 180

HSL 217.78, 0.15%, 0.65%

LAB 66.72, 0.02, -9.98

 

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

CMYK 5 / 26 / 0 / 44

HEX #896A90

RGB 137 106 144

HSL 288.95, 0.15%, 0.49%

LAB 49.06, 19.46, -16.08

 

CMYK 6 / 0 / 26 / 44

HEX #88906A

RGB 136 144 106

HSL 72.63, 0.15%, 0.49%

LAB 58.25, -9.68, 19.27

 

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

CMYK 0 / 26 / 16 / 44

HEX #906A79

RGB 144 106 121

HSL 336.32, 0.15%, 0.49%

LAB 49.03, 17.63, -2.38

 

CMYK 16 / 0 / 26 / 44

HEX #79906A

RGB 121 144 106

HSL 96.32, 0.15%, 0.49%

LAB 57.13, -15.54, 17.56

 

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

CMYK 5 / 26 / 0 / 44

HEX #896A90

RGB 137 106 144

HSL 288.95, 0.15%, 0.49%

LAB 49.06, 19.46, -16.08

 

CMYK 0 / 10 / 26 / 44

HEX #90816A

RGB 144 129 106

HSL 36.32, 0.15%, 0.49%

LAB 54.73, 1.9, 14.56

 

CMYK 22 / 0 / 26 / 44

HEX #71906A

RGB 113 144 106

HSL 108.95, 0.15%, 0.49%

LAB 56.58, -18.54, 16.73

 

CMYK 26 / 17 / 0 / 43

HEX #6B7991

RGB 107 121 145

HSL 217.89, 0.15%, 0.49%

LAB 50.51, 0.53, -14.72

 

CMYK 0 / 26 / 3 / 44

HEX #906A8B

RGB 144 106 139

HSL 307.89, 0.15%, 0.49%

LAB 49.62, 20.94, -12.2

 

CMYK 0 / 10 / 26 / 44

HEX #90816A

RGB 144 129 106

HSL 36.32, 0.15%, 0.49%

LAB 54.73, 1.9, 14.56

 

CMYK 26 / 0 / 23 / 44

HEX #6A906F

RGB 106 144 111

HSL 127.89, 0.15%, 0.49%

LAB 56.25, -20.15, 13.37

 

Description

Color code: HEX #6B7991 | qconv.com Color code: HEX #6B7991 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 121 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 121 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 17 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 17% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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