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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B76C3 it is the complementary color #94893C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B76C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B76C3 shade: #7076BE, #8188D1, #929AE4, #A3ACF7 and #B4BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B76C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B76C3 shade: #6B76C3, #5A64B0, #49529D, #38408A and #272E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B76C3 shade: #6B76C2, #776BC2, #8F6BC2, #A76BC2 and #BE6BC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B76C3 shade: #6B76C2 and #6B6BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B76C3 shade matches the following richer shades: #6B76C2, #5A69D3, #495CE4 and #384FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B76C3 shade: #6B76C2, #7B82B1, #8C8FA1, #9D9C90 and #AEA87F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B76C3 shade: #6BA5C2, #6B8EC2, #6B76C2, #766BC2 and #8E6BC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B76C3 shade: #3F4B9B, #4D5AB6, #6B76C2, #8891CE and #A5ACDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B76C3 shade: #6B76C3, #C26BBD and #99C26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B76C3 shade: #6B76C3, #C26B76 and #76C26B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B76C3 shade: #6B76C3, #C26BBD, #C2B76B and #6BC270

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B76C3 shade: #6B76C3, #C26BA2, #C2B76B and #6BC28B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

Complementary color

CMYK 0 / 7 / 59 / 42

HEX #94893C

RGB 148 137 60

HSL 52.5, 0.42%, 0.41%

LAB 56.6, -6.05, 41.93

 

CMYK 41 / 38 / 0 / 25

HEX #7076BE

RGB 112 118 190

HSL 235.38, 0.38%, 0.59%

LAB 51.97, 16.11, -38.55

 

CMYK 38 / 35 / 0 / 18

HEX #8188D1

RGB 129 136 209

HSL 234.75, 0.47%, 0.66%

LAB 58.86, 15.34, -38.43

 

CMYK 36 / 32 / 0 / 11

HEX #929AE4

RGB 146 154 228

HSL 234.15, 0.6%, 0.73%

LAB 65.61, 14.66, -38.36

 

CMYK 34 / 30 / 0 / 3

HEX #A3ACF7

RGB 163 172 247

HSL 233.57, 0.84%, 0.8%

LAB 72.23, 14.08, -38.33

 

CMYK 29 / 25 / 0 / 0

HEX #B4BEFF

RGB 180 190 255

HSL 232, 1%, 0.85%

LAB 78.32, 10.84, -33.12

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

CMYK 49 / 43 / 0 / 31

HEX #5A64B0

RGB 90 100 176

HSL 233.02, 0.35%, 0.52%

LAB 44.83, 17.33, -41.83

 

CMYK 54 / 48 / 0 / 38

HEX #49529D

RGB 73 82 157

HSL 233.57, 0.37%, 0.45%

LAB 37.64, 18.6, -42.11

 

CMYK 59 / 54 / 0 / 46

HEX #38408A

RGB 56 64 138

HSL 234.15, 0.42%, 0.38%

LAB 30.26, 20.19, -42.45

 

CMYK 67 / 61 / 0 / 53

HEX #272E77

RGB 39 46 119

HSL 234.75, 0.51%, 0.31%

LAB 22.71, 22.25, -42.81

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 39 / 45 / 0 / 24

HEX #776BC2

RGB 119 107 194

HSL 248.28, 0.42%, 0.59%

LAB 49.9, 25.74, -44.09

 

CMYK 26 / 45 / 0 / 24

HEX #8F6BC2

RGB 143 107 194

HSL 264.83, 0.42%, 0.59%

LAB 52.12, 32.3, -40.43

 

CMYK 14 / 45 / 0 / 24

HEX #A76BC2

RGB 167 107 194

HSL 281.38, 0.42%, 0.59%

LAB 54.68, 39.24, -36.22

 

CMYK 2 / 45 / 0 / 24

HEX #BE6BC2

RGB 190 107 194

HSL 297.24, 0.42%, 0.59%

LAB 57.42, 46.06, -31.74

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 45 / 45 / 0 / 24

HEX #6B6BC2

RGB 107 107 194

HSL 240, 0.42%, 0.59%

LAB 48.93, 22.69, -45.69

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 57 / 50 / 0 / 17

HEX #5A69D3

RGB 90 105 211

HSL 232.56, 0.58%, 0.59%

LAB 48.23, 25.52, -56.61

 

CMYK 68 / 60 / 0 / 11

HEX #495CE4

RGB 73 92 228

HSL 232.65, 0.74%, 0.59%

LAB 45.18, 36.52, -71.26

 

CMYK 77 / 68 / 0 / 4

HEX #384FF5

RGB 56 79 245

HSL 232.7, 0.9%, 0.59%

LAB 42.8, 48.38, -84.77

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 31 / 27 / 0 / 31

HEX #7B82B1

RGB 123 130 177

HSL 232.22, 0.26%, 0.59%

LAB 55.43, 8.52, -25.63

 

CMYK 13 / 11 / 0 / 37

HEX #8C8FA1

RGB 140 143 161

HSL 231.43, 0.1%, 0.59%

LAB 59.7, 2.67, -9.87

 

CMYK 0 / 1 / 8 / 38

HEX #9D9C90

RGB 157 156 144

HSL 55.38, 0.06%, 0.59%

LAB 64.13, -1.84, 6.41

 

CMYK 0 / 3 / 27 / 32

HEX #AEA87F

RGB 174 168 127

HSL 52.34, 0.22%, 0.59%

LAB 68.41, -4.49, 22.01

 

CMYK 45 / 15 / 0 / 24

HEX #6BA5C2

RGB 107 165 194

HSL 200, 0.42%, 0.59%

LAB 64.91, -11.15, -20.79

 

CMYK 45 / 27 / 0 / 24

HEX #6B8EC2

RGB 107 142 194

HSL 215.86, 0.42%, 0.59%

LAB 58.38, 1.75, -30.83

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 39 / 45 / 0 / 24

HEX #766BC2

RGB 118 107 194

HSL 247.59, 0.42%, 0.59%

LAB 49.81, 25.48, -44.23

 

CMYK 27 / 45 / 0 / 24

HEX #8E6BC2

RGB 142 107 194

HSL 264.14, 0.42%, 0.59%

LAB 52.02, 32.02, -40.6

 

CMYK 59 / 52 / 0 / 39

HEX #3F4B9B

RGB 63 75 155

HSL 232.17, 0.42%, 0.43%

LAB 34.91, 20.32, -45.31

 

CMYK 58 / 51 / 0 / 29

HEX #4D5AB6

RGB 77 90 182

HSL 232.57, 0.42%, 0.51%

LAB 41.64, 22.72, -50.5

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C2

RGB 107 118 194

HSL 232.41, 0.42%, 0.59%

LAB 51.81, 16, -41.12

 

CMYK 34 / 30 / 0 / 19

HEX #8891CE

RGB 136 145 206

HSL 232.29, 0.42%, 0.67%

LAB 61.6, 11.22, -32.43

 

CMYK 24 / 21 / 0 / 15

HEX #A5ACDA

RGB 165 172 218

HSL 232.08, 0.42%, 0.75%

LAB 71.26, 7.49, -24.02

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

CMYK 0 / 45 / 3 / 24

HEX #C26BBD

RGB 194 107 189

HSL 303.45, 0.42%, 0.59%

LAB 57.71, 46.34, -28.4

 

CMYK 21 / 0 / 45 / 24

HEX #99C26B

RGB 153 194 107

HSL 88.28, 0.42%, 0.59%

LAB 73.82, -28.47, 39.26

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

CMYK 0 / 45 / 39 / 24

HEX #C26B76

RGB 194 107 118

HSL 352.41, 0.42%, 0.59%

LAB 55.37, 35.7, 9.34

 

CMYK 39 / 0 / 45 / 24

HEX #76C26B

RGB 118 194 107

HSL 112.41, 0.42%, 0.59%

LAB 71.89, -40.63, 36.43

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

CMYK 0 / 45 / 3 / 24

HEX #C26BBD

RGB 194 107 189

HSL 303.45, 0.42%, 0.59%

LAB 57.71, 46.34, -28.4

 

CMYK 0 / 6 / 45 / 24

HEX #C2B76B

RGB 194 183 107

HSL 52.41, 0.42%, 0.59%

LAB 73.8, -6.74, 39.91

 

CMYK 45 / 0 / 42 / 24

HEX #6BC270

RGB 107 194 112

HSL 123.45, 0.42%, 0.59%

LAB 71.47, -43.24, 33.25

 

CMYK 45 / 39 / 0 / 24

HEX #6B76C3

RGB 107 118 195

HSL 232.5, 0.42%, 0.59%

LAB 51.86, 16.3, -41.61

 

CMYK 0 / 45 / 16 / 24

HEX #C26BA2

RGB 194 107 162

HSL 322.07, 0.42%, 0.59%

LAB 56.68, 41.77, -14.43

 

CMYK 0 / 6 / 45 / 24

HEX #C2B76B

RGB 194 183 107

HSL 52.41, 0.42%, 0.59%

LAB 73.8, -6.74, 39.91

 

CMYK 45 / 0 / 28 / 24

HEX #6BC28B

RGB 107 194 139

HSL 142.07, 0.42%, 0.59%

LAB 71.94, -38.57, 19.69

 

Description

Color code: HEX #6B76C3 | qconv.com Color code: HEX #6B76C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 118 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 118 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 39 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 39% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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