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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B751D it is the complementary color #948AE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B751D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B751D shade: #707518, #81872B, #92993E, #A3AB51 and #B4BD64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B751D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B751D shade: #6B751D, #5A630A, #495100, #383F00 and #272D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B751D shade: #6C761E, #76681E, #76511E, #76391E and #76211E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B751D shade: #6C761E, #54761E, #3C761E, #24761E and #1E762F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B751D shade matches the following richer shades: #6C761E, #758212 and #7F8E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B751D shade: #6C761E, #636A2A, #5A5E36, #505241 and #47464D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B751D shade: #76501E, #76681E, #6D761E, #56761E and #3E761E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B751D shade: #30340D, #4E5515, #6C761E, #8A9726 and #A9B82E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B751D shade: #6B751D, #1E7638 and #5C1E76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B751D shade: #6B751D, #1E6D76 and #761E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B751D shade: #6B751D, #1E7638, #261E76 and #761E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B751D shade: #6B751D, #1E7653, #261E76 and #761E41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

Complementary color

CMYK 35 / 39 / 0 / 11

HEX #948AE2

RGB 148 138 226

HSL 246.82, 0.6%, 0.71%

LAB 61.62, 23.9, -43.49

 

CMYK 4 / 0 / 79 / 54

HEX #707518

RGB 112 117 24

HSL 63.23, 0.66%, 0.28%

LAB 47.28, -13.77, 46.74

 

CMYK 4 / 0 / 68 / 47

HEX #81872B

RGB 129 135 43

HSL 63.91, 0.52%, 0.35%

LAB 54.21, -14.67, 46.63

 

CMYK 5 / 0 / 59 / 40

HEX #92993E

RGB 146 153 62

HSL 64.62, 0.42%, 0.42%

LAB 60.99, -15.34, 45.85

 

CMYK 5 / 0 / 53 / 33

HEX #A3AB51

RGB 163 171 81

HSL 65.33, 0.36%, 0.49%

LAB 67.66, -15.85, 44.8

 

CMYK 5 / 0 / 47 / 26

HEX #B4BD64

RGB 180 189 100

HSL 66.07, 0.4%, 0.57%

LAB 74.2, -16.24, 43.64

 

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

CMYK 9 / 0 / 90 / 61

HEX #5A630A

RGB 90 99 10

HSL 66.07, 0.82%, 0.21%

LAB 39.78, -14.81, 43.64

 

CMYK 10 / 0 / 100 / 68

HEX #495100

RGB 73 81 0

HSL 65.93, 1%, 0.16%

LAB 32.48, -13.38, 40.23

 

CMYK 11 / 0 / 100 / 75

HEX #383F00

RGB 56 63 0

HSL 66.67, 1%, 0.12%

LAB 24.94, -11.58, 33.43

 

CMYK 13 / 0 / 100 / 82

HEX #272D00

RGB 39 45 0

HSL 68, 1%, 0.09%

LAB 17.03, -9.7, 24.32

 

CMYK 8 / 0 / 75 / 54

HEX #6C761E

RGB 108 118 30

HSL 66.82, 0.59%, 0.29%

LAB 47.29, -15.85, 44.43

 

CMYK 0 / 12 / 75 / 54

HEX #76681E

RGB 118 104 30

HSL 50.45, 0.59%, 0.29%

LAB 44.01, -3.35, 41.53

 

CMYK 0 / 31 / 75 / 54

HEX #76511E

RGB 118 81 30

HSL 34.77, 0.59%, 0.29%

LAB 37.54, 10.28, 34.97

 

CMYK 0 / 52 / 75 / 54

HEX #76391E

RGB 118 57 30

HSL 18.41, 0.59%, 0.29%

LAB 31.51, 24.52, 28.53

 

CMYK 0 / 72 / 75 / 54

HEX #76211E

RGB 118 33 30

HSL 2.05, 0.59%, 0.29%

LAB 26.83, 36.77, 23.23

 

CMYK 8 / 0 / 75 / 54

HEX #6C761E

RGB 108 118 30

HSL 66.82, 0.59%, 0.29%

LAB 47.29, -15.85, 44.43

 

CMYK 29 / 0 / 75 / 54

HEX #54761E

RGB 84 118 30

HSL 83.18, 0.59%, 0.29%

LAB 45.55, -26.37, 42.13

 

CMYK 49 / 0 / 75 / 54

HEX #3C761E

RGB 60 118 30

HSL 99.55, 0.59%, 0.29%

LAB 44.25, -35.43, 40.4

 

CMYK 69 / 0 / 75 / 54

HEX #24761E

RGB 36 118 30

HSL 115.91, 0.59%, 0.29%

LAB 43.4, -42.14, 39.26

 

CMYK 75 / 0 / 60 / 54

HEX #1E762F

RGB 30 118 47

HSL 131.59, 0.59%, 0.29%

LAB 43.42, -41.39, 31.37

 

CMYK 8 / 0 / 75 / 54

HEX #6C761E

RGB 108 118 30

HSL 66.82, 0.59%, 0.29%

LAB 47.29, -15.85, 44.43

 

CMYK 10 / 0 / 86 / 49

HEX #758212

RGB 117 130 18

HSL 66.96, 0.76%, 0.29%

LAB 51.6, -18.63, 52.48

 

CMYK 11 / 0 / 96 / 44

HEX #7F8E06

RGB 127 142 6

HSL 66.62, 0.92%, 0.29%

LAB 55.96, -20.62, 58.67

 

CMYK 8 / 0 / 75 / 54

HEX #6C761E

RGB 108 118 30

HSL 66.82, 0.59%, 0.29%

LAB 47.29, -15.85, 44.43

 

CMYK 7 / 0 / 60 / 58

HEX #636A2A

RGB 99 106 42

HSL 66.56, 0.43%, 0.29%

LAB 42.96, -12.56, 34.29

 

CMYK 4 / 0 / 43 / 63

HEX #5A5E36

RGB 90 94 54

HSL 66, 0.27%, 0.29%

LAB 38.63, -8.55, 22.39

 

CMYK 2 / 0 / 21 / 68

HEX #505241

RGB 80 82 65

HSL 67.06, 0.12%, 0.29%

LAB 34.24, -4.19, 9.73

 

CMYK 8 / 9 / 0 / 70

HEX #47464D

RGB 71 70 77

HSL 248.57, 0.05%, 0.29%

LAB 30.05, 2.01, -4.04

 

CMYK 0 / 32 / 75 / 54

HEX #76501E

RGB 118 80 30

HSL 34.09, 0.59%, 0.29%

LAB 37.27, 10.88, 34.69

 

CMYK 0 / 12 / 75 / 54

HEX #76681E

RGB 118 104 30

HSL 50.45, 0.59%, 0.29%

LAB 44.01, -3.35, 41.53

 

CMYK 8 / 0 / 75 / 54

HEX #6D761E

RGB 109 118 30

HSL 66.14, 0.59%, 0.29%

LAB 47.37, -15.39, 44.54

 

CMYK 27 / 0 / 75 / 54

HEX #56761E

RGB 86 118 30

HSL 81.82, 0.59%, 0.29%

LAB 45.67, -25.54, 42.3

 

CMYK 47 / 0 / 75 / 54

HEX #3E761E

RGB 62 118 30

HSL 98.18, 0.59%, 0.29%

LAB 44.34, -34.76, 40.52

 

CMYK 8 / 0 / 75 / 80

HEX #30340D

RGB 48 52 13

HSL 66.15, 0.6%, 0.13%

LAB 20.49, -8.21, 23.19

 

CMYK 8 / 0 / 75 / 67

HEX #4E5515

RGB 78 85 21

HSL 66.56, 0.6%, 0.21%

LAB 34.34, -12.23, 34.53

 

CMYK 8 / 0 / 75 / 54

HEX #6C761E

RGB 108 118 30

HSL 66.82, 0.59%, 0.29%

LAB 47.29, -15.85, 44.43

 

CMYK 9 / 0 / 75 / 41

HEX #8A9726

RGB 138 151 38

HSL 66.9, 0.6%, 0.37%

LAB 59.6, -19.32, 54.14

 

CMYK 8 / 0 / 75 / 28

HEX #A9B82E

RGB 169 184 46

HSL 66.52, 0.6%, 0.45%

LAB 71.5, -22.22, 63.49

 

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

CMYK 75 / 0 / 53 / 54

HEX #1E7638

RGB 30 118 56

HSL 137.73, 0.59%, 0.29%

LAB 43.53, -40.01, 26.78

 

CMYK 22 / 75 / 0 / 54

HEX #5C1E76

RGB 92 30 118

HSL 282.27, 0.59%, 0.29%

LAB 25.3, 42.46, -37.71

 

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

CMYK 75 / 8 / 0 / 54

HEX #1E6D76

RGB 30 109 118

HSL 186.14, 0.59%, 0.29%

LAB 42.03, -19.95, -11.84

 

CMYK 0 / 75 / 8 / 54

HEX #761E6D

RGB 118 30 109

HSL 306.14, 0.59%, 0.29%

LAB 29.12, 46.92, -25.6

 

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

CMYK 75 / 0 / 53 / 54

HEX #1E7638

RGB 30 118 56

HSL 137.73, 0.59%, 0.29%

LAB 43.53, -40.01, 26.78

 

CMYK 68 / 75 / 0 / 54

HEX #261E76

RGB 38 30 118

HSL 245.45, 0.59%, 0.29%

LAB 18.58, 32.29, -48.94

 

CMYK 0 / 75 / 22 / 54

HEX #761E5C

RGB 118 30 92

HSL 317.73, 0.59%, 0.29%

LAB 28.25, 44.24, -15.93

 

CMYK 9 / 0 / 75 / 54

HEX #6B751D

RGB 107 117 29

HSL 66.82, 0.6%, 0.29%

LAB 46.89, -15.83, 44.41

 

CMYK 75 / 0 / 30 / 54

HEX #1E7653

RGB 30 118 83

HSL 156.14, 0.59%, 0.29%

LAB 44.03, -34.49, 12.05

 

CMYK 68 / 75 / 0 / 54

HEX #261E76

RGB 38 30 118

HSL 245.45, 0.59%, 0.29%

LAB 18.58, 32.29, -48.94

 

CMYK 0 / 75 / 45 / 54

HEX #761E41

RGB 118 30 65

HSL 336.14, 0.59%, 0.29%

LAB 27.19, 40.79, 0.41

 

Description

Color code: HEX #6B751D | qconv.com Color code: HEX #6B751D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 117 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 117 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 75 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 75% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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