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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B71BC it is the complementary color #948E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B71BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6B71BC: #7071B7, #8183CA, #9295DD, #A3A7F0 and #B4B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B71BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6B71BC: #6B71BC, #5A5FA9, #494D96, #383B83 and #272970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

Complementary color

CMYK 0 / 4 / 55 / 42

HEX #948E43

RGB 148 142 67

HSL 55.56, 0.38%, 0.42%

LAB 58.08, -8.2, 40.19

 

CMYK 39 / 38 / 0 / 28

HEX #7071B7

RGB 112 113 183

HSL 239.15, 0.33%, 0.58%

LAB 50.3, 17.12, -37.14

 

CMYK 36 / 35 / 0 / 21

HEX #8183CA

RGB 129 131 202

HSL 238.36, 0.41%, 0.65%

LAB 57.23, 16.35, -37.03

 

CMYK 34 / 33 / 0 / 13

HEX #9295DD

RGB 146 149 221

HSL 237.6, 0.52%, 0.72%

LAB 64.02, 15.68, -36.97

 

CMYK 32 / 30 / 0 / 6

HEX #A3A7F0

RGB 163 167 240

HSL 236.88, 0.72%, 0.79%

LAB 70.67, 15.09, -36.95

 

CMYK 29 / 27 / 0 / 0

HEX #B4B9FF

RGB 180 185 255

HSL 236, 1%, 0.85%

LAB 77.05, 13.59, -35.07

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 47 / 44 / 0 / 34

HEX #5A5FA9

RGB 90 95 169

HSL 236.2, 0.31%, 0.51%

LAB 43.1, 18.27, -40.48

 

CMYK 51 / 49 / 0 / 41

HEX #494D96

RGB 73 77 150

HSL 236.88, 0.35%, 0.44%

LAB 35.84, 19.51, -40.76

 

CMYK 57 / 55 / 0 / 49

HEX #383B83

RGB 56 59 131

HSL 237.6, 0.4%, 0.37%

LAB 28.4, 21.08, -41.11

 

CMYK 65 / 63 / 0 / 56

HEX #272970

RGB 39 41 112

HSL 238.36, 0.48%, 0.3%

LAB 20.78, 23.08, -41.48

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 40 / 43 / 0 / 26

HEX #716BBC

RGB 113 107 188

HSL 244.44, 0.38%, 0.58%

LAB 49.08, 22.46, -41.96

 

CMYK 32 / 43 / 0 / 26

HEX #7F6BBC

RGB 127 107 188

HSL 254.81, 0.38%, 0.58%

LAB 50.28, 26.26, -39.98

 

CMYK 25 / 43 / 0 / 26

HEX #8D6BBC

RGB 141 107 188

HSL 265.19, 0.38%, 0.58%

LAB 51.62, 30.25, -37.78

 

CMYK 18 / 43 / 0 / 26

HEX #9A6BBC

RGB 154 107 188

HSL 274.81, 0.38%, 0.58%

LAB 52.97, 34.07, -35.57

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 43 / 40 / 0 / 6

HEX #8890EF

RGB 136 144 239

HSL 235.34, 0.76%, 0.74%

LAB 62.85, 20.89, -48.81

 

CMYK 43 / 40 / 0 / 86

HEX #141523

RGB 20 21 35

HSL 236, 0.27%, 0.11%

LAB 7.28, 3.83, -9.85

 

CMYK 43 / 40 / 0 / 66

HEX #313456

RGB 49 52 86

HSL 235.14, 0.27%, 0.26%

LAB 22.93, 8.59, -21

 

CMYK 43 / 40 / 0 / 46

HEX #4E5289

RGB 78 82 137

HSL 235.93, 0.27%, 0.42%

LAB 36.86, 13.41, -31.22

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 0 / 43 / 5 / 26

HEX #BC6BB3

RGB 188 107 179

HSL 306.67, 0.38%, 0.58%

LAB 56.55, 42.7, -24.52

 

CMYK 22 / 0 / 43 / 26

HEX #92BC6B

RGB 146 188 107

HSL 91.11, 0.38%, 0.58%

LAB 71.65, -28.19, 36.45

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 0 / 43 / 40 / 26

HEX #BC6B71

RGB 188 107 113

HSL 355.56, 0.38%, 0.58%

LAB 54.45, 32.87, 10.85

 

CMYK 40 / 0 / 43 / 26

HEX #71BC6B

RGB 113 188 107

HSL 115.56, 0.38%, 0.58%

LAB 69.85, -39.56, 33.79

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 0 / 43 / 5 / 26

HEX #BC6BB3

RGB 188 107 179

HSL 306.67, 0.38%, 0.58%

LAB 56.55, 42.7, -24.52

 

CMYK 0 / 4 / 43 / 26

HEX #BCB56B

RGB 188 181 107

HSL 54.81, 0.38%, 0.58%

LAB 72.76, -8.15, 38.49

 

CMYK 43 / 0 / 38 / 26

HEX #6BBC74

RGB 107 188 116

HSL 126.67, 0.38%, 0.58%

LAB 69.72, -39.99, 28.89

 

CMYK 43 / 40 / 0 / 26

HEX #6B71BC

RGB 107 113 188

HSL 235.56, 0.38%, 0.58%

LAB 50.18, 17.25, -40.26

 

CMYK 0 / 43 / 18 / 26

HEX #BC6B9A

RGB 188 107 154

HSL 325.19, 0.38%, 0.58%

LAB 55.62, 38.49, -11.44

 

CMYK 0 / 4 / 43 / 26

HEX #BCB56B

RGB 188 181 107

HSL 54.81, 0.38%, 0.58%

LAB 72.76, -8.15, 38.49

 

CMYK 43 / 0 / 25 / 26

HEX #6BBC8D

RGB 107 188 141

HSL 145.19, 0.38%, 0.58%

LAB 70.19, -35.45, 16.19

 

Description

Color code: HEX #6B71BC | qconv.com Color code: HEX #6B71BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 113 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 113 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 40 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 40% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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