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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5EC4CE it is the complementary color #94A13BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5EC4CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5EC4CE shade: #705EBFCE, #8170D2CE, #9282E5CE, #A394F8CE and #B4A6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5EC4CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5EC4CE shade: #6B5EC4CE, #5A4CB1CE, #493A9ECE, #38288BCE and #271678CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5EC4CE shade: #6C5FC4, #875FC4, #A25FC4, #BD5FC4 and #C45FAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5EC4CE shade: #6C5FC4 and #5F5FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5EC4CE shade matches the following richer shades: #6C5FC4, #5F4DD6, #513BE7 and #442AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5EC4CE shade: #6C5FC4, #7971B2, #8682A0, #93948F and #A1A67D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5EC4CE shade: #5F89C4, #5F6EC4, #6B5FC4, #865FC4 and #A05FC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5EC4CE shade: #443898, #5243B6, #6C5FC4, #877DCF and #A39BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5EC4CE shade: #6B5EC4, #C45FA4 and #7BC45F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5EC4CE shade: #6B5EC4, #C46B5F and #5FC46B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5EC4CE shade: #6B5EC4, #C45FA4, #B8C45F and #5FC47F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5EC4CE shade: #6B5EC4, #C45F86, #B8C45F and #5FC49D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 42 / 0 / 19

HEX #6B5EC4CE

RGBA 107 94 196 0.81

HSLA 247.65, 0.46%, 0.57%, 0.81

LABA 45.79, 31.19, -51.85, 0.81

 

Complementary color

CMYK 7 / 0 / 51 / 30

HEX #94A13BCE

RGBA 148 161 59 0.81

HSLA 67.65, 0.46%, 0.43%, 0.81

LABA 63.43, -18.84, 49.9, 0.81

 

CMYK 34 / 41 / 0 / 20

HEX #705EBFCE

RGBA 112 94 191 0.81

HSLA 251.13, 0.43%, 0.56%, 0.81

LABA 45.92, 30.93, -48.73, 0.81

 

CMYK 31 / 38 / 0 / 14

HEX #8170D2CE

RGBA 129 112 210 0.81

HSLA 250.41, 0.52%, 0.63%, 0.81

LABA 52.85, 29.8, -48.49, 0.81

 

CMYK 29 / 35 / 0 / 8

HEX #9282E5CE

RGBA 146 130 229 0.81

HSLA 249.7, 0.66%, 0.7%, 0.81

LABA 59.65, 28.8, -48.29, 0.81

 

CMYK 28 / 33 / 0 / 2

HEX #A394F8CE

RGBA 163 148 248 0.81

HSLA 249, 0.88%, 0.78%, 0.81

LABA 66.32, 27.91, -48.13, 0.81

 

CMYK 24 / 28 / 0 / 0

HEX #B4A6FFCE

RGBA 180 166 255 0.81

HSLA 249.44, 1%, 0.83%, 0.81

LABA 72.36, 24.13, -42.37, 0.81

 

CMYK 37 / 42 / 0 / 19

HEX #6B5EC4CE

RGBA 107 94 196 0.81

HSLA 247.65, 0.46%, 0.57%, 0.81

LABA 45.79, 31.19, -51.85, 0.81

 

CMYK 40 / 46 / 0 / 25

HEX #5A4CB1CE

RGBA 90 76 177 0.81

HSLA 248.32, 0.4%, 0.5%, 0.81

LABA 38.75, 32.6, -52.16, 0.81

 

CMYK 44 / 51 / 0 / 31

HEX #493A9ECE

RGBA 73 58 158 0.81

HSLA 249, 0.46%, 0.42%, 0.81

LABA 31.6, 34.21, -52.45, 0.81

 

CMYK 48 / 58 / 0 / 37

HEX #38288BCE

RGBA 56 40 139 0.81

HSLA 249.7, 0.55%, 0.35%, 0.81

LABA 24.39, 35.97, -52.61, 0.81

 

CMYK 55 / 66 / 0 / 43

HEX #271678CE

RGBA 39 22 120 0.81

HSLA 250.41, 0.69%, 0.28%, 0.81

LABA 17.28, 37.62, -52.36, 0.81

 

CMYK 45 / 52 / 0 / 23

HEX #6C5FC4

RGB 108 95 196

HSL 247.72, 0.46%, 0.57%

LAB 46.12, 30.82, -51.32

 

CMYK 31 / 52 / 0 / 23

HEX #875FC4

RGB 135 95 196

HSL 263.76, 0.46%, 0.57%

LAB 48.66, 37.52, -47.12

 

CMYK 17 / 52 / 0 / 23

HEX #A25FC4

RGB 162 95 196

HSL 279.8, 0.46%, 0.57%

LAB 51.67, 44.76, -42.16

 

CMYK 4 / 52 / 0 / 23

HEX #BD5FC4

RGB 189 95 196

HSL 295.84, 0.46%, 0.57%

LAB 55.06, 52.23, -36.58

 

CMYK 0 / 52 / 11 / 23

HEX #C45FAF

RGB 196 95 175

HSL 312.48, 0.46%, 0.57%

LAB 55.09, 50.58, -24.37

 

CMYK 45 / 52 / 0 / 23

HEX #6C5FC4

RGB 108 95 196

HSL 247.72, 0.46%, 0.57%

LAB 46.12, 30.82, -51.32

 

CMYK 52 / 52 / 0 / 23

HEX #5F5FC4

RGB 95 95 196

HSL 240, 0.46%, 0.57%

LAB 45.09, 27.9, -53.04

 

CMYK 45 / 52 / 0 / 23

HEX #6C5FC4

RGB 108 95 196

HSL 247.72, 0.46%, 0.57%

LAB 46.12, 30.82, -51.32

 

CMYK 56 / 64 / 0 / 16

HEX #5F4DD6

RGB 95 77 214

HSL 247.88, 0.63%, 0.57%

LAB 42.15, 44.31, -68.17

 

CMYK 65 / 74 / 0 / 9

HEX #513BE7

RGB 81 59 231

HSL 247.67, 0.78%, 0.57%

LAB 38.98, 57.32, -83.11

 

CMYK 73 / 83 / 0 / 2

HEX #442AF9

RGB 68 42 249

HSL 247.54, 0.95%, 0.57%

LAB 37.34, 69, -96.02

 

CMYK 45 / 52 / 0 / 23

HEX #6C5FC4

RGB 108 95 196

HSL 247.72, 0.46%, 0.57%

LAB 46.12, 30.82, -51.32

 

CMYK 32 / 37 / 0 / 30

HEX #7971B2

RGB 121 113 178

HSL 247.38, 0.3%, 0.57%

LAB 50.79, 18.29, -33.43

 

CMYK 16 / 19 / 0 / 37

HEX #8682A0

RGB 134 130 160

HSL 248, 0.14%, 0.57%

LAB 55.66, 7.86, -15.43

 

CMYK 1 / 0 / 3 / 42

HEX #93948F

RGB 147 148 143

HSL 72, 0.02%, 0.57%

LAB 61.1, -1.32, 2.5

 

CMYK 3 / 0 / 25 / 35

HEX #A1A67D

RGB 161 166 125

HSL 67.32, 0.19%, 0.57%

LAB 66.77, -8.81, 20.69

 

CMYK 52 / 30 / 0 / 23

HEX #5F89C4

RGB 95 137 196

HSL 215.05, 0.46%, 0.57%

LAB 56.4, 2.34, -35.1

 

CMYK 52 / 44 / 0 / 23

HEX #5F6EC4

RGB 95 110 196

HSL 231.09, 0.46%, 0.57%

LAB 48.97, 18.63, -46.83

 

CMYK 45 / 52 / 0 / 23

HEX #6B5FC4

RGB 107 95 196

HSL 247.13, 0.46%, 0.57%

LAB 46.04, 30.59, -51.46

 

CMYK 32 / 52 / 0 / 23

HEX #865FC4

RGB 134 95 196

HSL 263.17, 0.46%, 0.57%

LAB 48.56, 37.26, -47.29

 

CMYK 18 / 52 / 0 / 23

HEX #A05FC4

RGB 160 95 196

HSL 278.61, 0.46%, 0.57%

LAB 51.43, 44.22, -42.55

 

CMYK 55 / 63 / 0 / 40

HEX #443898

RGB 68 56 152

HSL 247.5, 0.46%, 0.41%

LAB 30.22, 32.55, -51.07

 

CMYK 55 / 63 / 0 / 29

HEX #5243B6

RGB 82 67 182

HSL 247.83, 0.46%, 0.49%

LAB 36.34, 38.02, -59.06

 

CMYK 45 / 52 / 0 / 23

HEX #6C5FC4

RGB 108 95 196

HSL 247.72, 0.46%, 0.57%

LAB 46.12, 30.82, -51.32

 

CMYK 35 / 40 / 0 / 19

HEX #877DCF

RGB 135 125 207

HSL 247.32, 0.46%, 0.65%

LAB 56.41, 22.89, -41.12

 

CMYK 25 / 29 / 0 / 15

HEX #A39BDA

RGB 163 155 218

HSL 247.62, 0.46%, 0.73%

LAB 66.74, 16.42, -30.98

 

CMYK 45 / 52 / 0 / 23

HEX #6B5EC4

RGB 107 94 196

HSL 247.65, 0.46%, 0.57%

LAB 45.79, 31.19, -51.85

 

CMYK 0 / 52 / 16 / 23

HEX #C45FA4

RGB 196 95 164

HSL 319.01, 0.46%, 0.57%

LAB 54.66, 48.83, -18.63

 

CMYK 37 / 0 / 52 / 23

HEX #7BC45F

RGB 123 196 95

HSL 103.37, 0.46%, 0.57%

LAB 72.57, -41.45, 43.27

 

CMYK 45 / 52 / 0 / 23

HEX #6B5EC4

RGB 107 94 196

HSL 247.65, 0.46%, 0.57%

LAB 45.79, 31.19, -51.85

 

CMYK 0 / 45 / 52 / 23

HEX #C46B5F

RGB 196 107 95

HSL 7.13, 0.46%, 0.57%

LAB 55.15, 34.08, 22.47

 

CMYK 52 / 0 / 45 / 23

HEX #5FC46B

RGB 95 196 107

HSL 127.13, 0.46%, 0.57%

LAB 71.54, -48.17, 35.79

 

CMYK 45 / 52 / 0 / 23

HEX #6B5EC4

RGB 107 94 196

HSL 247.65, 0.46%, 0.57%

LAB 45.79, 31.19, -51.85

 

CMYK 0 / 52 / 16 / 23

HEX #C45FA4

RGB 196 95 164

HSL 319.01, 0.46%, 0.57%

LAB 54.66, 48.83, -18.63

 

CMYK 6 / 0 / 52 / 23

HEX #B8C45F

RGB 184 196 95

HSL 67.13, 0.46%, 0.57%

LAB 76.37, -18.62, 48.73

 

CMYK 52 / 0 / 35 / 23

HEX #5FC47F

RGB 95 196 127

HSL 139.01, 0.46%, 0.57%

LAB 71.86, -44.85, 25.87

 

CMYK 45 / 52 / 0 / 23

HEX #6B5EC4

RGB 107 94 196

HSL 247.65, 0.46%, 0.57%

LAB 45.79, 31.19, -51.85

 

CMYK 0 / 52 / 32 / 23

HEX #C45F86

RGB 196 95 134

HSL 336.83, 0.46%, 0.57%

LAB 53.64, 44.57, -2.54

 

CMYK 6 / 0 / 52 / 23

HEX #B8C45F

RGB 184 196 95

HSL 67.13, 0.46%, 0.57%

LAB 76.37, -18.62, 48.73

 

CMYK 52 / 0 / 20 / 23

HEX #5FC49D

RGB 95 196 157

HSL 156.83, 0.46%, 0.57%

LAB 72.46, -38.81, 10.67

 

Description

Color code: HEX #6B5EC4CE | qconv.com Color code: HEX #6B5EC4CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 94 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 94 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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