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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5E32 it is the complementary color #94A1CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5E32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5E32 shade: #705E2D, #817040, #928253, #A39466 and #B4A679

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5E32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5E32 shade: #6B5E32, #5A4C1F, #493A0C, #382800 and #271600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5E32 shade: #6B5E32, #6B4F32, #6B3F32 and #6B3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5E32 shade: #6B5E32, #696B32, #596B32, #4A6B32 and #3B6B32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5E32 shade matches the following richer shades: #6B5E32, #786525, #856C19 and #91730C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5E32 shade: #6B5E32, #5E573F, #51504C, #454958 and #384265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5E32 shade: #6B3F32, #6B4F32, #6B5E32, #696B32 and #5A6B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5E32 shade: #332D18, #4F4525, #6B5E32, #87773F and #A38F4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5E32 shade: #6B5E32, #346B32 and #47326B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5E32 shade: #6B5E32, #326B5E and #5E326B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5E32 shade: #6B5E32, #346B32, #323F6B and #69326B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5E32 shade: #6B5E32, #326B41, #323F6B and #6B325C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

Complementary color

CMYK 28 / 21 / 0 / 20

HEX #94A1CD

RGB 148 161 205

HSL 226.32, 0.36%, 0.69%

LAB 66.67, 5.36, -23.99

 

CMYK 0 / 16 / 60 / 56

HEX #705E2D

RGB 112 94 45

HSL 43.88, 0.43%, 0.31%

LAB 40.64, 0.7, 30.39

 

CMYK 0 / 13 / 50 / 49

HEX #817040

RGB 129 112 64

HSL 44.31, 0.34%, 0.38%

LAB 47.78, -0.17, 28.99

 

CMYK 0 / 11 / 43 / 43

HEX #928253

RGB 146 130 83

HSL 44.76, 0.28%, 0.45%

LAB 54.76, -0.84, 27.64

 

CMYK 0 / 9 / 37 / 36

HEX #A39466

RGB 163 148 102

HSL 45.25, 0.25%, 0.52%

LAB 61.59, -1.38, 26.37

 

CMYK 0 / 8 / 33 / 29

HEX #B4A679

RGB 180 166 121

HSL 45.76, 0.28%, 0.59%

LAB 68.28, -1.82, 25.18

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 0 / 16 / 66 / 65

HEX #5A4C1F

RGB 90 76 31

HSL 45.76, 0.49%, 0.24%

LAB 32.79, -0.24, 28.35

 

CMYK 0 / 21 / 84 / 71

HEX #493A0C

RGB 73 58 12

HSL 45.25, 0.72%, 0.17%

LAB 25.17, 1.1, 29.34

 

CMYK 0 / 29 / 100 / 78

HEX #382800

RGB 56 40 0

HSL 42.86, 1%, 0.11%

LAB 17.27, 3.09, 25.06

 

CMYK 0 / 44 / 100 / 85

HEX #271600

RGB 39 22 0

HSL 33.85, 1%, 0.08%

LAB 9.03, 5.99, 13.65

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 0 / 26 / 53 / 58

HEX #6B4F32

RGB 107 79 50

HSL 30.53, 0.36%, 0.31%

LAB 35.88, 7.87, 21.63

 

CMYK 0 / 41 / 53 / 58

HEX #6B3F32

RGB 107 63 50

HSL 13.68, 0.36%, 0.31%

LAB 31.6, 17.67, 16.1

 

CMYK 0 / 53 / 53 / 58

HEX #6B3232

RGB 107 50 50

HSL 0, 0.36%, 0.31%

LAB 28.48, 25.38, 11.93

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 2 / 0 / 53 / 58

HEX #696B32

RGB 105 107 50

HSL 62.11, 0.36%, 0.31%

LAB 43.87, -9.63, 31.33

 

CMYK 17 / 0 / 53 / 58

HEX #596B32

RGB 89 107 50

HSL 78.95, 0.36%, 0.31%

LAB 42.57, -16.77, 29.47

 

CMYK 31 / 0 / 53 / 58

HEX #4A6B32

RGB 74 107 50

HSL 94.74, 0.36%, 0.31%

LAB 41.53, -23.03, 27.98

 

CMYK 45 / 0 / 53 / 58

HEX #3B6B32

RGB 59 107 50

HSL 110.53, 0.36%, 0.31%

LAB 40.7, -28.62, 26.76

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 0 / 16 / 69 / 53

HEX #786525

RGB 120 101 37

HSL 46.27, 0.53%, 0.31%

LAB 43.41, -0.24, 37.81

 

CMYK 0 / 19 / 81 / 48

HEX #856C19

RGB 133 108 25

HSL 46.11, 0.68%, 0.31%

LAB 46.69, 1.26, 46.59

 

CMYK 0 / 21 / 92 / 43

HEX #91730C

RGB 145 115 12

HSL 46.47, 0.85%, 0.31%

LAB 49.87, 2.55, 53.57

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 0 / 7 / 33 / 63

HEX #5E573F

RGB 94 87 63

HSL 46.45, 0.2%, 0.31%

LAB 37.03, -1.35, 15

 

CMYK 0 / 1 / 6 / 68

HEX #51504C

RGB 81 80 76

HSL 48, 0.03%, 0.31%

LAB 34, -0.43, 2.49

 

CMYK 22 / 17 / 0 / 65

HEX #454958

RGB 69 73 88

HSL 227.37, 0.12%, 0.31%

LAB 31.2, 2.07, -9.42

 

CMYK 45 / 35 / 0 / 60

HEX #384265

RGB 56 66 101

HSL 226.67, 0.29%, 0.31%

LAB 28.58, 6.12, -21.86

 

CMYK 0 / 41 / 53 / 58

HEX #6B3F32

RGB 107 63 50

HSL 13.68, 0.36%, 0.31%

LAB 31.6, 17.67, 16.1

 

CMYK 0 / 26 / 53 / 58

HEX #6B4F32

RGB 107 79 50

HSL 30.53, 0.36%, 0.31%

LAB 35.88, 7.87, 21.63

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 2 / 0 / 53 / 58

HEX #696B32

RGB 105 107 50

HSL 62.11, 0.36%, 0.31%

LAB 43.87, -9.63, 31.33

 

CMYK 16 / 0 / 53 / 58

HEX #5A6B32

RGB 90 107 50

HSL 77.89, 0.36%, 0.31%

LAB 42.64, -16.33, 29.57

 

CMYK 0 / 12 / 53 / 80

HEX #332D18

RGB 51 45 24

HSL 46.67, 0.36%, 0.15%

LAB 18.57, -0.93, 14.55

 

CMYK 0 / 13 / 53 / 69

HEX #4F4525

RGB 79 69 37

HSL 45.71, 0.36%, 0.23%

LAB 29.54, -0.75, 20.79

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 0 / 12 / 53 / 47

HEX #87773F

RGB 135 119 63

HSL 46.67, 0.36%, 0.39%

LAB 50.34, -1.57, 32.79

 

CMYK 0 / 12 / 53 / 36

HEX #A38F4C

RGB 163 143 76

HSL 46.21, 0.36%, 0.47%

LAB 59.85, -1.39, 38.05

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 51 / 0 / 53 / 58

HEX #346B32

RGB 52 107 50

HSL 117.89, 0.36%, 0.31%

LAB 40.37, -30.93, 26.29

 

CMYK 34 / 53 / 0 / 58

HEX #47326B

RGB 71 50 107

HSL 262.11, 0.36%, 0.31%

LAB 25.81, 23.13, -29.99

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 53 / 0 / 12 / 58

HEX #326B5E

RGB 50 107 94

HSL 166.32, 0.36%, 0.31%

LAB 41.22, -22.22, 1.57

 

CMYK 12 / 53 / 0 / 58

HEX #5E326B

RGB 94 50 107

HSL 286.32, 0.36%, 0.31%

LAB 28.7, 30.13, -25.23

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 51 / 0 / 53 / 58

HEX #346B32

RGB 52 107 50

HSL 117.89, 0.36%, 0.31%

LAB 40.37, -30.93, 26.29

 

CMYK 53 / 41 / 0 / 58

HEX #323F6B

RGB 50 63 107

HSL 226.32, 0.36%, 0.31%

LAB 27.56, 8.49, -27.33

 

CMYK 2 / 53 / 0 / 58

HEX #69326B

RGB 105 50 107

HSL 297.89, 0.36%, 0.31%

LAB 30.27, 33.58, -22.66

 

CMYK 0 / 12 / 53 / 58

HEX #6B5E32

RGB 107 94 50

HSL 46.32, 0.36%, 0.31%

LAB 40.18, -1.18, 26.96

 

CMYK 53 / 0 / 39 / 58

HEX #326B41

RGB 50 107 65

HSL 135.79, 0.36%, 0.31%

LAB 40.53, -28.96, 17.97

 

CMYK 53 / 41 / 0 / 58

HEX #323F6B

RGB 50 63 107

HSL 226.32, 0.36%, 0.31%

LAB 27.56, 8.49, -27.33

 

CMYK 0 / 53 / 14 / 58

HEX #6B325C

RGB 107 50 92

HSL 315.79, 0.36%, 0.31%

LAB 29.86, 31.36, -13.61

 

Description

Color code: HEX #6B5E32 | qconv.com Color code: HEX #6B5E32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 94 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 94 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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