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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5E10 it is the complementary color #94A1EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5E10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5E10 shade: #705E0B, #81701E, #928231, #A39444 and #B4A657

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5E10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5E10 shade: #6B5E10, #5A4C00, #493A00, #382800 and #271600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5E10 shade: #6A5E10, #6A4510, #6A2D10, #6A1410 and #6A1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5E10 shade: #6A5E10, #5F6A10, #476A10, #2E6A10 and #166A10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5E10 shade matches the following richer shades: #6A5E10 and #746506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5E10 shade: #6A5E10, #61561A, #574F24, #4D482E and #434138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5E10 shade: #6A2D10, #6A4510, #6A5D10, #606A10 and #486A10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5E10 shade: #231E05, #473E0B, #6A5E10, #8E7D15 and #B29D1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5E10 shade: #6B5E10, #106A14 and #39106A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5E10 shade: #6B5E10, #106A5D and #5D106A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5E10 shade: #6B5E10, #106A14, #101D6A and #6A1066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5E10 shade: #6B5E10, #106A30, #101D6A and #6A104B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

Complementary color

CMYK 38 / 33 / 0 / 6

HEX #94A1EF

RGB 148 161 239

HSL 231.43, 0.74%, 0.76%

LAB 68.03, 14.15, -40.6

 

CMYK 0 / 16 / 90 / 56

HEX #705E0B

RGB 112 94 11

HSL 49.31, 0.82%, 0.24%

LAB 40.37, -1.2, 44.73

 

CMYK 0 / 13 / 77 / 49

HEX #81701E

RGB 129 112 30

HSL 49.7, 0.62%, 0.31%

LAB 47.43, -2.71, 45.23

 

CMYK 0 / 11 / 66 / 43

HEX #928231

RGB 146 130 49

HSL 50.1, 0.5%, 0.38%

LAB 54.34, -3.88, 44.61

 

CMYK 0 / 9 / 58 / 36

HEX #A39444

RGB 163 148 68

HSL 50.53, 0.41%, 0.45%

LAB 61.12, -4.79, 43.54

 

CMYK 0 / 8 / 52 / 29

HEX #B4A657

RGB 180 166 87

HSL 50.97, 0.38%, 0.52%

LAB 67.77, -5.53, 42.34

 

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

CMYK 0 / 16 / 100 / 65

HEX #5A4C00

RGB 90 76 0

HSL 50.67, 1%, 0.18%

LAB 32.57, -1.8, 41.06

 

CMYK 0 / 21 / 100 / 71

HEX #493A00

RGB 73 58 0

HSL 47.67, 1%, 0.14%

LAB 25.08, 0.53, 34.19

 

CMYK 0 / 29 / 100 / 78

HEX #382800

RGB 56 40 0

HSL 42.86, 1%, 0.11%

LAB 17.27, 3.09, 25.06

 

CMYK 0 / 44 / 100 / 85

HEX #271600

RGB 39 22 0

HSL 33.85, 1%, 0.08%

LAB 9.03, 5.99, 13.65

 

CMYK 0 / 11 / 85 / 58

HEX #6A5E10

RGB 106 94 16

HSL 52, 0.74%, 0.24%

LAB 39.76, -3.99, 42.46

 

CMYK 0 / 35 / 85 / 58

HEX #6A4510

RGB 106 69 16

HSL 35.33, 0.74%, 0.24%

LAB 32.61, 11.11, 36.08

 

CMYK 0 / 58 / 85 / 58

HEX #6A2D10

RGB 106 45 16

HSL 19.33, 0.74%, 0.24%

LAB 26.67, 25.41, 30.56

 

CMYK 0 / 81 / 85 / 58

HEX #6A1410

RGB 106 20 16

HSL 2.67, 0.74%, 0.24%

LAB 22.31, 37.09, 26.25

 

CMYK 0 / 85 / 85 / 58

HEX #6A1010

RGB 106 16 16

HSL 0, 0.74%, 0.24%

LAB 21.84, 38.4, 25.75

 

CMYK 0 / 11 / 85 / 58

HEX #6A5E10

RGB 106 94 16

HSL 52, 0.74%, 0.24%

LAB 39.76, -3.99, 42.46

 

CMYK 10 / 0 / 85 / 58

HEX #5F6A10

RGB 95 106 16

HSL 67.33, 0.74%, 0.24%

LAB 42.43, -16.06, 44.42

 

CMYK 33 / 0 / 85 / 58

HEX #476A10

RGB 71 106 16

HSL 83.33, 0.74%, 0.24%

LAB 40.71, -26.74, 42.24

 

CMYK 57 / 0 / 85 / 58

HEX #2E6A10

RGB 46 106 16

HSL 100, 0.74%, 0.24%

LAB 39.46, -35.89, 40.62

 

CMYK 79 / 0 / 85 / 58

HEX #166A10

RGB 22 106 16

HSL 116, 0.74%, 0.24%

LAB 38.75, -41.7, 39.71

 

CMYK 0 / 11 / 85 / 58

HEX #6A5E10

RGB 106 94 16

HSL 52, 0.74%, 0.24%

LAB 39.76, -3.99, 42.46

 

CMYK 0 / 13 / 95 / 55

HEX #746506

RGB 116 101 6

HSL 51.82, 0.9%, 0.24%

LAB 42.81, -3.45, 48.1

 

CMYK 0 / 11 / 85 / 58

HEX #6A5E10

RGB 106 94 16

HSL 52, 0.74%, 0.24%

LAB 39.76, -3.99, 42.46

 

CMYK 0 / 11 / 73 / 62

HEX #61561A

RGB 97 86 26

HSL 50.7, 0.58%, 0.24%

LAB 36.5, -3.2, 35.06

 

CMYK 0 / 9 / 59 / 66

HEX #574F24

RGB 87 79 36

HSL 50.59, 0.41%, 0.24%

LAB 33.45, -3.1, 26.27

 

CMYK 0 / 6 / 40 / 70

HEX #4D482E

RGB 77 72 46

HSL 50.32, 0.25%, 0.24%

LAB 30.42, -2.45, 16.37

 

CMYK 0 / 3 / 16 / 74

HEX #434138

RGB 67 65 56

HSL 49.09, 0.09%, 0.24%

LAB 27.46, -1.01, 5.8

 

CMYK 0 / 58 / 85 / 58

HEX #6A2D10

RGB 106 45 16

HSL 19.33, 0.74%, 0.24%

LAB 26.67, 25.41, 30.56

 

CMYK 0 / 35 / 85 / 58

HEX #6A4510

RGB 106 69 16

HSL 35.33, 0.74%, 0.24%

LAB 32.61, 11.11, 36.08

 

CMYK 0 / 12 / 85 / 58

HEX #6A5D10

RGB 106 93 16

HSL 51.33, 0.74%, 0.24%

LAB 39.46, -3.4, 42.2

 

CMYK 9 / 0 / 85 / 58

HEX #606A10

RGB 96 106 16

HSL 66.67, 0.74%, 0.24%

LAB 42.51, -15.59, 44.52

 

CMYK 32 / 0 / 85 / 58

HEX #486A10

RGB 72 106 16

HSL 82.67, 0.74%, 0.24%

LAB 40.77, -26.32, 42.31

 

CMYK 0 / 14 / 86 / 86

HEX #231E05

RGB 35 30 5

HSL 50, 0.75%, 0.08%

LAB 11.25, -1.54, 14.66

 

CMYK 0 / 13 / 85 / 72

HEX #473E0B

RGB 71 62 11

HSL 51, 0.73%, 0.16%

LAB 26.18, -2.54, 30.65

 

CMYK 0 / 11 / 85 / 58

HEX #6A5E10

RGB 106 94 16

HSL 52, 0.74%, 0.24%

LAB 39.76, -3.99, 42.46

 

CMYK 0 / 12 / 85 / 44

HEX #8E7D15

RGB 142 125 21

HSL 51.57, 0.74%, 0.32%

LAB 52.37, -4.27, 53.21

 

CMYK 0 / 12 / 85 / 30

HEX #B29D1B

RGB 178 157 27

HSL 51.66, 0.74%, 0.4%

LAB 64.69, -5.06, 63.35

 

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

CMYK 85 / 0 / 81 / 58

HEX #106A14

RGB 16 106 20

HSL 122.67, 0.74%, 0.24%

LAB 38.67, -42.33, 38.24

 

CMYK 46 / 85 / 0 / 58

HEX #39106A

RGB 57 16 106

HSL 267.33, 0.74%, 0.24%

LAB 16.9, 38.73, -43.84

 

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

CMYK 85 / 0 / 12 / 58

HEX #106A5D

RGB 16 106 93

HSL 171.33, 0.74%, 0.24%

LAB 39.93, -28.12, 0.19

 

CMYK 12 / 85 / 0 / 58

HEX #5D106A

RGB 93 16 106

HSL 291.33, 0.74%, 0.24%

LAB 22.79, 45.36, -34.01

 

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

CMYK 85 / 0 / 81 / 58

HEX #106A14

RGB 16 106 20

HSL 122.67, 0.74%, 0.24%

LAB 38.67, -42.33, 38.24

 

CMYK 85 / 73 / 0 / 58

HEX #101D6A

RGB 16 29 106

HSL 231.33, 0.74%, 0.24%

LAB 15.64, 25.98, -46.04

 

CMYK 0 / 85 / 4 / 58

HEX #6A1066

RGB 106 16 102

HSL 302.67, 0.74%, 0.24%

LAB 24.93, 47.4, -27.83

 

CMYK 0 / 12 / 85 / 58

HEX #6B5E10

RGB 107 94 16

HSL 51.43, 0.74%, 0.24%

LAB 39.86, -3.5, 42.59

 

CMYK 85 / 0 / 55 / 58

HEX #106A30

RGB 16 106 48

HSL 141.33, 0.74%, 0.24%

LAB 38.95, -38.88, 25.41

 

CMYK 85 / 73 / 0 / 58

HEX #101D6A

RGB 16 29 106

HSL 231.33, 0.74%, 0.24%

LAB 15.64, 25.98, -46.04

 

CMYK 0 / 85 / 29 / 58

HEX #6A104B

RGB 106 16 75

HSL 320.67, 0.74%, 0.24%

LAB 23.48, 43.32, -12.15

 

Description

Color code: HEX #6B5E10 | qconv.com Color code: HEX #6B5E10 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 94 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 94 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 85 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 85% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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