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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5DFE it is the complementary color #94A201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5DFE shade: #705DF9, #816FFF, #9281FF, #A393FF and #B4A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5DFE shade: #6B5DFE, #5A4BEB, #4939D8, #3827C5 and #2715B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5DFE shade: #6A5CFE, #965CFE, #C15CFE, #ED5CFE and #FE5CE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5DFE shade: #6A5CFE and #5C5CFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5DFE shade matches the following richer shades: #6A5CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5DFE shade: #6A5CFE, #7569F0, #8077E3, #8B84D6 and #9691C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5DFE shade: #5CA5FE, #5C7AFE, #6A5CFE, #955CFE and #C05CFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5DFE shade: #1F0AFD, #4533FD, #6A5CFE, #9085FE and #B5AEFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5DFE shade: #6B5DFE, #FE5CD0 and #8FFE5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5DFE shade: #6B5DFE, #FE6A5C and #5CFE6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5DFE shade: #6B5DFE, #FE5CD0, #F0FE5C and #5CFE8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5DFE shade: #6B5DFE, #FE5C9F, #F0FE5C and #5CFEBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

Complementary color

CMYK 9 / 0 / 99 / 36

HEX #94A201

RGB 148 162 1

HSL 65.22, 0.99%, 0.32%

LAB 63.46, -21.54, 65.82

 

CMYK 55 / 63 / 0 / 2

HEX #705DF9

RGB 112 93 249

HSL 247.31, 0.93%, 0.67%

LAB 49.63, 48.58, -75.68

 

CMYK 49 / 56 / 0 / 0

HEX #816FFF

RGB 129 111 255

HSL 247.5, 1%, 0.72%

LAB 55.34, 43.19, -69.69

 

CMYK 43 / 49 / 0 / 0

HEX #9281FF

RGB 146 129 255

HSL 248.1, 1%, 0.75%

LAB 60.81, 36.47, -60.82

 

CMYK 36 / 42 / 0 / 0

HEX #A393FF

RGB 163 147 255

HSL 248.89, 1%, 0.79%

LAB 66.42, 30.3, -51.8

 

CMYK 29 / 35 / 0 / 0

HEX #B4A5FF

RGB 180 165 255

HSL 250, 1%, 0.82%

LAB 72.12, 24.69, -42.75

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 62 / 68 / 0 / 8

HEX #5A4BEB

RGB 90 75 235

HSL 245.63, 0.8%, 0.61%

LAB 43.07, 51.12, -78.63

 

CMYK 66 / 74 / 0 / 15

HEX #4939D8

RGB 73 57 216

HSL 246.04, 0.67%, 0.54%

LAB 36.56, 52.98, -78.55

 

CMYK 72 / 80 / 0 / 23

HEX #3827C5

RGB 56 39 197

HSL 246.46, 0.67%, 0.46%

LAB 30.21, 54.63, -78.03

 

CMYK 78 / 88 / 0 / 30

HEX #2715B2

RGB 39 21 178

HSL 246.88, 0.79%, 0.39%

LAB 24.26, 55.53, -76.68

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 41 / 64 / 0 / 0

HEX #965CFE

RGB 150 92 254

HSL 261.48, 0.99%, 0.68%

LAB 53.27, 57.38, -72.39

 

CMYK 24 / 64 / 0 / 0

HEX #C15CFE

RGB 193 92 254

HSL 277.41, 0.99%, 0.68%

LAB 58.18, 66.21, -64.23

 

CMYK 7 / 64 / 0 / 0

HEX #ED5CFE

RGB 237 92 254

HSL 293.7, 0.99%, 0.68%

LAB 64.01, 75.89, -54.57

 

CMYK 0 / 64 / 11 / 0

HEX #FE5CE3

RGB 254 92 227

HSL 310, 0.99%, 0.68%

LAB 65.18, 75.57, -37.61

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 64 / 64 / 0 / 0

HEX #5C5CFE

RGB 92 92 254

HSL 240, 0.99%, 0.68%

LAB 48.37, 47.67, -80.59

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 51 / 56 / 0 / 6

HEX #7569F0

RGB 117 105 240

HSL 245.33, 0.82%, 0.68%

LAB 52.04, 39.89, -66.74

 

CMYK 44 / 48 / 0 / 11

HEX #8077E3

RGB 128 119 227

HSL 245, 0.66%, 0.68%

LAB 55.41, 30.21, -54

 

CMYK 35 / 38 / 0 / 16

HEX #8B84D6

RGB 139 132 214

HSL 245.12, 0.5%, 0.68%

LAB 58.83, 21.76, -41.23

 

CMYK 25 / 28 / 0 / 21

HEX #9691C9

RGB 150 145 201

HSL 245.36, 0.34%, 0.68%

LAB 62.47, 14.07, -28.21

 

CMYK 64 / 35 / 0 / 0

HEX #5CA5FE

RGB 92 165 254

HSL 212.96, 0.99%, 0.68%

LAB 66.78, 4.14, -50.96

 

CMYK 64 / 52 / 0 / 0

HEX #5C7AFE

RGB 92 122 254

HSL 228.89, 0.99%, 0.68%

LAB 55.43, 29.73, -69.11

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 41 / 64 / 0 / 0

HEX #955CFE

RGB 149 92 254

HSL 261.11, 0.99%, 0.68%

LAB 53.17, 57.19, -72.56

 

CMYK 24 / 64 / 0 / 0

HEX #C05CFE

RGB 192 92 254

HSL 277.04, 0.99%, 0.68%

LAB 58.05, 65.99, -64.43

 

CMYK 88 / 96 / 0 / 1

HEX #1F0AFD

RGB 31 10 253

HSL 245.19, 0.98%, 0.52%

LAB 33.14, 77.47, -105.33

 

CMYK 73 / 80 / 0 / 1

HEX #4533FD

RGB 69 51 253

HSL 245.35, 0.98%, 0.6%

LAB 39.11, 66.47, -95.33

 

CMYK 58 / 64 / 0 / 0

HEX #6A5CFE

RGB 106 92 254

HSL 245.19, 0.99%, 0.68%

LAB 49.34, 49.69, -78.96

 

CMYK 43 / 48 / 0 / 0

HEX #9085FE

RGB 144 133 254

HSL 245.45, 0.98%, 0.76%

LAB 61.53, 33.43, -59.12

 

CMYK 29 / 31 / 0 / 0

HEX #B5AEFE

RGB 181 174 254

HSL 245.25, 0.98%, 0.84%

LAB 74.35, 19.71, -38.72

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 64 / 18 / 0

HEX #FE5CD0

RGB 254 92 208

HSL 317.04, 0.99%, 0.68%

LAB 64.39, 72.89, -28.18

 

CMYK 44 / 0 / 64 / 0

HEX #8FFE5C

RGB 143 254 92

HSL 101.11, 0.99%, 0.68%

LAB 90.55, -59.16, 65.44

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 58 / 64 / 0

HEX #FE6A5C

RGB 254 106 92

HSL 5.19, 0.99%, 0.68%

LAB 63.47, 55.52, 36.54

 

CMYK 64 / 0 / 58 / 0

HEX #5CFE6A

RGB 92 254 106

HSL 125.19, 0.99%, 0.68%

LAB 89.02, -70.44, 57.43

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 64 / 18 / 0

HEX #FE5CD0

RGB 254 92 208

HSL 317.04, 0.99%, 0.68%

LAB 64.39, 72.89, -28.18

 

CMYK 6 / 0 / 64 / 0

HEX #F0FE5C

RGB 240 254 92

HSL 65.19, 0.99%, 0.68%

LAB 96.07, -24.53, 72.97

 

CMYK 64 / 0 / 46 / 0

HEX #5CFE8A

RGB 92 254 138

HSL 137.04, 0.99%, 0.68%

LAB 89.39, -66.18, 43.18

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 64 / 37 / 0

HEX #FE5C9F

RGB 254 92 159

HSL 335.19, 0.99%, 0.68%

LAB 62.7, 66.97, -2.79

 

CMYK 6 / 0 / 64 / 0

HEX #F0FE5C

RGB 240 254 92

HSL 65.19, 0.99%, 0.68%

LAB 96.07, -24.53, 72.97

 

CMYK 64 / 0 / 27 / 0

HEX #5CFEBA

RGB 92 254 186

HSL 154.81, 0.99%, 0.68%

LAB 90.19, -57.55, 20.31

 

Description

Color code: HEX #6B5DFE | qconv.com Color code: HEX #6B5DFE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 93 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 93 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 63 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 63% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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