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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5DFE it is the complementary color #94A201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5DFE shade: #705DF9, #816FFF, #9281FF, #A393FF and #B4A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5DFE shade: #6B5DFE, #5A4BEB, #4939D8, #3827C5 and #2715B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5DFE shade: #6B5DFE, #965DFE, #C25DFE, #ED5DFE and #FE5DE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5DFE shade: #6B5DFE and #5D5DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5DFE shade matches the following richer shades: #6B5DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5DFE shade: #6B5DFE, #766AF1, #8077E4, #8B84D7 and #9691C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5DFE shade: #5DA5FE, #5D7AFE, #6A5DFE, #955DFE and #C05DFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5DFE shade: #200BFE, #4534FE, #6B5DFE, #9086FE and #B6AFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5DFE shade: #6B5DFE, #FE5DD0 and #90FE5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5DFE shade: #6B5DFE, #FE6A5D and #5DFE6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5DFE shade: #6B5DFE, #FE5DD0, #F1FE5D and #5DFE8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5DFE shade: #6B5DFE, #FE5DA0, #F1FE5D and #5DFEBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

Complementary color

CMYK 9 / 0 / 99 / 36

HEX #94A201

RGB 148 162 1

HSL 65.22, 0.99%, 0.32%

LAB 63.46, -21.54, 65.82

 

CMYK 55 / 63 / 0 / 2

HEX #705DF9

RGB 112 93 249

HSL 247.31, 0.93%, 0.67%

LAB 49.63, 48.58, -75.68

 

CMYK 49 / 56 / 0 / 0

HEX #816FFF

RGB 129 111 255

HSL 247.5, 1%, 0.72%

LAB 55.34, 43.19, -69.69

 

CMYK 43 / 49 / 0 / 0

HEX #9281FF

RGB 146 129 255

HSL 248.1, 1%, 0.75%

LAB 60.81, 36.47, -60.82

 

CMYK 36 / 42 / 0 / 0

HEX #A393FF

RGB 163 147 255

HSL 248.89, 1%, 0.79%

LAB 66.42, 30.3, -51.8

 

CMYK 29 / 35 / 0 / 0

HEX #B4A5FF

RGB 180 165 255

HSL 250, 1%, 0.82%

LAB 72.12, 24.69, -42.75

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 62 / 68 / 0 / 8

HEX #5A4BEB

RGB 90 75 235

HSL 245.63, 0.8%, 0.61%

LAB 43.07, 51.12, -78.63

 

CMYK 66 / 74 / 0 / 15

HEX #4939D8

RGB 73 57 216

HSL 246.04, 0.67%, 0.54%

LAB 36.56, 52.98, -78.55

 

CMYK 72 / 80 / 0 / 23

HEX #3827C5

RGB 56 39 197

HSL 246.46, 0.67%, 0.46%

LAB 30.21, 54.63, -78.03

 

CMYK 78 / 88 / 0 / 30

HEX #2715B2

RGB 39 21 178

HSL 246.88, 0.79%, 0.39%

LAB 24.26, 55.53, -76.68

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 41 / 63 / 0 / 0

HEX #965DFE

RGB 150 93 254

HSL 261.24, 0.99%, 0.68%

LAB 53.46, 56.87, -72.09

 

CMYK 24 / 63 / 0 / 0

HEX #C25DFE

RGB 194 93 254

HSL 277.64, 0.99%, 0.68%

LAB 58.47, 65.97, -63.76

 

CMYK 7 / 63 / 0 / 0

HEX #ED5DFE

RGB 237 93 254

HSL 293.66, 0.99%, 0.68%

LAB 64.15, 75.49, -54.34

 

CMYK 0 / 63 / 11 / 0

HEX #FE5DE3

RGB 254 93 227

HSL 310.06, 0.99%, 0.68%

LAB 65.31, 75.19, -37.39

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 63 / 63 / 0 / 0

HEX #5D5DFE

RGB 93 93 254

HSL 240, 0.99%, 0.68%

LAB 48.65, 47.23, -80.13

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 51 / 56 / 0 / 5

HEX #766AF1

RGB 118 106 241

HSL 245.33, 0.83%, 0.68%

LAB 52.41, 39.8, -66.69

 

CMYK 44 / 48 / 0 / 11

HEX #8077E4

RGB 128 119 228

HSL 244.95, 0.67%, 0.68%

LAB 55.47, 30.5, -54.47

 

CMYK 35 / 39 / 0 / 16

HEX #8B84D7

RGB 139 132 215

HSL 245.06, 0.51%, 0.68%

LAB 58.88, 22.02, -41.72

HEX #8B84D7

CMYK 25 / 28 / 0 / 21

HEX #9691C9

RGB 150 145 201

HSL 245.36, 0.34%, 0.68%

LAB 62.47, 14.07, -28.21

HEX #9691C9

CMYK 63 / 35 / 0 / 0

HEX #5DA5FE

RGB 93 165 254

HSL 213.17, 0.99%, 0.68%

LAB 66.82, 4.31, -50.9

 

CMYK 63 / 52 / 0 / 0

HEX #5D7AFE

RGB 93 122 254

HSL 229.19, 0.99%, 0.68%

LAB 55.48, 29.89, -69.02

 

CMYK 58 / 63 / 0 / 0

HEX #6A5DFE

RGB 106 93 254

HSL 244.84, 0.99%, 0.68%

LAB 49.56, 49.13, -78.61

 

CMYK 41 / 63 / 0 / 0

HEX #955DFE

RGB 149 93 254

HSL 260.87, 0.99%, 0.68%

LAB 53.36, 56.67, -72.26

 

CMYK 24 / 63 / 0 / 0

HEX #C05DFE

RGB 192 93 254

HSL 276.89, 0.99%, 0.68%

LAB 58.22, 65.54, -64.17

 

CMYK 87 / 96 / 0 / 0

HEX #200BFE

RGB 32 11 254

HSL 245.19, 0.99%, 0.52%

LAB 33.35, 77.58, -105.53

 

CMYK 73 / 80 / 0 / 0

HEX #4534FE

RGB 69 52 254

HSL 245.05, 0.99%, 0.6%

LAB 39.37, 66.32, -95.46

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 43 / 47 / 0 / 0

HEX #9086FE

RGB 144 134 254

HSL 245, 0.98%, 0.76%

LAB 61.77, 32.85, -58.74

 

CMYK 29 / 31 / 0 / 0

HEX #B6AFFF

RGB 182 175 255

HSL 245.25, 1%, 0.84%

LAB 74.71, 19.68, -38.69

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 63 / 18 / 0

HEX #FE5DD0

RGB 254 93 208

HSL 317.14, 0.99%, 0.68%

LAB 64.53, 72.5, -27.97

 

CMYK 43 / 0 / 63 / 0

HEX #90FE5D

RGB 144 254 93

HSL 100.99, 0.99%, 0.68%

LAB 90.6, -58.78, 65.1

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 58 / 63 / 0

HEX #FE6A5D

RGB 254 106 93

HSL 4.84, 0.99%, 0.68%

LAB 63.48, 55.58, 36.01

 

CMYK 63 / 0 / 58 / 0

HEX #5DFE6A

RGB 93 254 106

HSL 124.84, 0.99%, 0.68%

LAB 89.04, -70.25, 57.47

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 63 / 18 / 0

HEX #FE5DD0

RGB 254 93 208

HSL 317.14, 0.99%, 0.68%

LAB 64.53, 72.5, -27.97

 

CMYK 5 / 0 / 63 / 0

HEX #F1FE5D

RGB 241 254 93

HSL 64.84, 0.99%, 0.68%

LAB 96.15, -24.08, 72.69

 

CMYK 63 / 0 / 46 / 0

HEX #5DFE8A

RGB 93 254 138

HSL 136.77, 0.99%, 0.68%

LAB 89.41, -66, 43.22

 

CMYK 58 / 63 / 0 / 0

HEX #6B5DFE

RGB 107 93 254

HSL 245.22, 0.99%, 0.68%

LAB 49.63, 49.28, -78.49

 

CMYK 0 / 63 / 37 / 0

HEX #FE5DA0

RGB 254 93 160

HSL 335.03, 0.99%, 0.68%

LAB 62.88, 66.67, -3.11

 

CMYK 5 / 0 / 63 / 0

HEX #F1FE5D

RGB 241 254 93

HSL 64.84, 0.99%, 0.68%

LAB 96.15, -24.08, 72.69

 

CMYK 63 / 0 / 26 / 0

HEX #5DFEBB

RGB 93 254 187

HSL 155.03, 0.99%, 0.68%

LAB 90.23, -57.17, 19.86

 

Description

Color code: HEX #6B5DFE | qconv.com Color code: HEX #6B5DFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 93 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 93 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 63 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 63% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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