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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B5935 it is the complementary color #94A6CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B5935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B5935 shade: #705930, #816B43, #927D56, #A38F69 and #B4A17C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B5935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B5935 shade: #6B5935, #5A4722, #49350F, #382300 and #271100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B5935 shade: #6A5834, #6A4A34, #6A3B34 and #6A3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B5935 shade: #6A5834, #6A6734, #5F6A34, #506A34 and #426A34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B5935 shade matches the following richer shades: #6A5834, #775C27, #84611B, #90650E and #9D6901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B5935 shade: #6A5834, #5D5441, #504F4E, #444B5B and #374767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B5935 shade: #6A3B34, #6A4A34, #6A5834, #6A6634 and #5F6A34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B5935 shade: #332A19, #4E4127, #6A5834, #866F42 and #A1864F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B5935 shade: #6B5935, #3B6A34 and #43346A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B5935 shade: #6B5935, #346A58 and #58346A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B5935 shade: #6B5935, #3B6A34, #34466A and #63346A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B5935 shade: #6B5935, #346A3D, #34466A and #6A3461

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

Complementary color

CMYK 27 / 18 / 0 / 21

HEX #94A6CA

RGB 148 166 202

HSL 220, 0.34%, 0.69%

LAB 67.9, 1.84, -20.45

 

CMYK 0 / 21 / 57 / 56

HEX #705930

RGB 112 89 48

HSL 38.44, 0.4%, 0.31%

LAB 39.25, 3.95, 27.08

 

CMYK 0 / 17 / 48 / 49

HEX #816B43

RGB 129 107 67

HSL 38.71, 0.32%, 0.38%

LAB 46.43, 3.04, 25.61

 

CMYK 0 / 14 / 41 / 43

HEX #927D56

RGB 146 125 86

HSL 39, 0.26%, 0.45%

LAB 53.44, 2.33, 24.25

 

CMYK 0 / 12 / 36 / 36

HEX #A38F69

RGB 163 143 105

HSL 39.31, 0.24%, 0.53%

LAB 60.29, 1.75, 22.99

 

CMYK 0 / 11 / 31 / 29

HEX #B4A17C

RGB 180 161 124

HSL 39.64, 0.27%, 0.6%

LAB 67.01, 1.27, 21.83

 

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

CMYK 0 / 21 / 62 / 65

HEX #5A4722

RGB 90 71 34

HSL 39.64, 0.45%, 0.24%

LAB 31.34, 3.1, 25.01

 

CMYK 0 / 27 / 79 / 71

HEX #49350F

RGB 73 53 15

HSL 39.31, 0.66%, 0.17%

LAB 23.66, 4.5, 26.4

 

CMYK 0 / 38 / 100 / 78

HEX #382300

RGB 56 35 0

HSL 37.5, 1%, 0.11%

LAB 15.71, 6.5, 23.13

 

CMYK 0 / 56 / 100 / 85

HEX #271100

RGB 39 17 0

HSL 26.15, 1%, 0.08%

LAB 7.52, 9.53, 11.45

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 30 / 51 / 58

HEX #6A4A34

RGB 106 74 52

HSL 24.44, 0.34%, 0.31%

LAB 34.42, 10.69, 18.51

 

CMYK 0 / 44 / 51 / 58

HEX #6A3B34

RGB 106 59 52

HSL 7.78, 0.34%, 0.31%

LAB 30.5, 19.87, 13.33

 

CMYK 0 / 51 / 51 / 58

HEX #6A3434

RGB 106 52 52

HSL 0, 0.34%, 0.31%

LAB 28.82, 24.02, 11.06

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 3 / 51 / 58

HEX #6A6734

RGB 106 103 52

HSL 56.67, 0.34%, 0.31%

LAB 42.78, -6.69, 28.98

 

CMYK 10 / 0 / 51 / 58

HEX #5F6A34

RGB 95 106 52

HSL 72.22, 0.34%, 0.31%

LAB 42.75, -13.36, 28.71

 

CMYK 25 / 0 / 51 / 58

HEX #506A34

RGB 80 106 52

HSL 88.89, 0.34%, 0.31%

LAB 41.63, -19.81, 27.09

 

CMYK 38 / 0 / 51 / 58

HEX #426A34

RGB 66 106 52

HSL 104.44, 0.34%, 0.31%

LAB 40.76, -25.34, 25.83

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 23 / 67 / 53

HEX #775C27

RGB 119 92 39

HSL 39.75, 0.51%, 0.31%

LAB 40.77, 4.73, 33.93

 

CMYK 0 / 27 / 80 / 48

HEX #84611B

RGB 132 97 27

HSL 40, 0.66%, 0.31%

LAB 43.56, 7.27, 42.87

 

CMYK 0 / 30 / 90 / 44

HEX #90650E

RGB 144 101 14

HSL 40.15, 0.82%, 0.31%

LAB 46, 10.18, 50

 

CMYK 0 / 33 / 99 / 38

HEX #9D6901

RGB 157 105 1

HSL 40, 0.99%, 0.31%

LAB 48.6, 13.7, 55.59

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 10 / 30 / 64

HEX #5D5441

RGB 93 84 65

HSL 40.71, 0.18%, 0.31%

LAB 36.08, 0.33, 12.47

 

CMYK 0 / 1 / 2 / 69

HEX #504F4E

RGB 80 79 78

HSL 30, 0.01%, 0.31%

LAB 33.66, 0.2, 0.73

 

CMYK 25 / 18 / 0 / 64

HEX #444B5B

RGB 68 75 91

HSL 221.74, 0.14%, 0.31%

LAB 31.84, 1.22, -10.36

 

CMYK 47 / 31 / 0 / 60

HEX #374767

RGB 55 71 103

HSL 220, 0.3%, 0.31%

LAB 30.15, 3.17, -20.69

 

CMYK 0 / 44 / 51 / 58

HEX #6A3B34

RGB 106 59 52

HSL 7.78, 0.34%, 0.31%

LAB 30.5, 19.87, 13.33

 

CMYK 0 / 30 / 51 / 58

HEX #6A4A34

RGB 106 74 52

HSL 24.44, 0.34%, 0.31%

LAB 34.42, 10.69, 18.51

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 4 / 51 / 58

HEX #6A6634

RGB 106 102 52

HSL 55.56, 0.34%, 0.31%

LAB 42.48, -6.11, 28.62

 

CMYK 10 / 0 / 51 / 58

HEX #5F6A34

RGB 95 106 52

HSL 72.22, 0.34%, 0.31%

LAB 42.75, -13.36, 28.71

 

CMYK 0 / 18 / 51 / 80

HEX #332A19

RGB 51 42 25

HSL 39.23, 0.34%, 0.15%

LAB 17.6, 1.22, 12.64

 

CMYK 0 / 17 / 50 / 69

HEX #4E4127

RGB 78 65 39

HSL 40, 0.33%, 0.23%

LAB 28.24, 1.51, 17.91

 

CMYK 0 / 17 / 51 / 58

HEX #6A5834

RGB 106 88 52

HSL 40, 0.34%, 0.31%

LAB 38.36, 2.15, 23.54

 

CMYK 0 / 17 / 51 / 47

HEX #866F42

RGB 134 111 66

HSL 39.71, 0.34%, 0.39%

LAB 48.05, 2.86, 28.32

 

CMYK 0 / 17 / 51 / 37

HEX #A1864F

RGB 161 134 79

HSL 40.24, 0.34%, 0.47%

LAB 57.26, 3.01, 33.27

 

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

CMYK 44 / 0 / 51 / 58

HEX #3B6A34

RGB 59 106 52

HSL 112.22, 0.34%, 0.31%

LAB 40.39, -27.85, 25.28

 

CMYK 37 / 51 / 0 / 58

HEX #43346A

RGB 67 52 106

HSL 256.67, 0.34%, 0.31%

LAB 25.83, 20.36, -29.34

 

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

CMYK 51 / 0 / 17 / 58

HEX #346A58

RGB 52 106 88

HSL 160, 0.34%, 0.31%

LAB 40.8, -22.74, 4.62

 

CMYK 17 / 51 / 0 / 58

HEX #58346A

RGB 88 52 106

HSL 280, 0.34%, 0.31%

LAB 28.3, 26.82, -25.27

 

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

CMYK 44 / 0 / 51 / 58

HEX #3B6A34

RGB 59 106 52

HSL 112.22, 0.34%, 0.31%

LAB 40.39, -27.85, 25.28

 

CMYK 51 / 34 / 0 / 58

HEX #34466A

RGB 52 70 106

HSL 220, 0.34%, 0.31%

LAB 29.79, 3.99, -23.17

 

CMYK 7 / 51 / 0 / 58

HEX #63346A

RGB 99 52 106

HSL 292.22, 0.34%, 0.31%

LAB 29.79, 30.33, -22.84

 

CMYK 0 / 17 / 50 / 58

HEX #6B5935

RGB 107 89 53

HSL 40, 0.34%, 0.31%

LAB 38.77, 2.12, 23.5

 

CMYK 51 / 0 / 42 / 58

HEX #346A3D

RGB 52 106 61

HSL 130, 0.34%, 0.31%

LAB 40.21, -28.64, 19.88

 

CMYK 51 / 34 / 0 / 58

HEX #34466A

RGB 52 70 106

HSL 220, 0.34%, 0.31%

LAB 29.79, 3.99, -23.17

 

CMYK 0 / 51 / 8 / 58

HEX #6A3461

RGB 106 52 97

HSL 310, 0.34%, 0.31%

LAB 30.36, 30.82, -16.09

 

Description

Color code: HEX #6B5935 | qconv.com Color code: HEX #6B5935 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 89 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 89 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 50 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 50% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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