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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B2DCC it is the complementary color #94D233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B2DCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B2DCC shade: #702DC7, #813FDA, #9251ED, #A363FF and #B475FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B2DCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B2DCC shade: #6B2DCC, #5A1BB9, #4909A6, #380093 and #270080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B2DCC shade: #6B2DCD, #962DCD, #C22DCD, #CD2DAD and #CD2D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B2DCC shade: #6B2DCD, #402DCD and #2D2DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B2DCC shade matches the following richer shades: #6B2DCD, #6719E1 and #6205F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B2DCC shade: #6B2DCD, #7041B9, #7455A4, #796A90 and #7D7E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B2DCC shade: #2D45CD, #402DCD, #6A2DCD, #952DCD and #C02DCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B2DCC shade: #481E89, #5A26AB, #6B2DCD, #824CD8 and #9A6DDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B2DCC shade: #6B2DCC, #CD2D70 and #30CD2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B2DCC shade: #6B2DCC, #CD6A2D and #2DCD6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B2DCC shade: #6B2DCC, #CD2D70, #90CD2D and #2DCD8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B2DCC shade: #6B2DCC, #CD2D40, #90CD2D and #2DCDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

Complementary color

CMYK 30 / 0 / 76 / 18

HEX #94D233

RGB 148 210 51

HSL 83.4, 0.64%, 0.51%

LAB 77.65, -42.4, 67.21

 

CMYK 44 / 77 / 0 / 22

HEX #702DC7

RGB 112 45 199

HSL 266.1, 0.63%, 0.48%

LAB 36.83, 59.05, -68.11

 

CMYK 41 / 71 / 0 / 15

HEX #813FDA

RGB 129 63 218

HSL 265.55, 0.68%, 0.55%

LAB 43.19, 58.63, -68.62

 

CMYK 38 / 66 / 0 / 7

HEX #9251ED

RGB 146 81 237

HSL 265, 0.81%, 0.62%

LAB 49.63, 57.86, -68.83

 

CMYK 36 / 61 / 0 / 0

HEX #A363FF

RGB 163 99 255

HSL 264.62, 1%, 0.69%

LAB 56.02, 56.68, -68.43

 

CMYK 29 / 54 / 0 / 0

HEX #B475FF

RGB 180 117 255

HSL 267.39, 1%, 0.73%

LAB 61.35, 51.14, -59.78

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

CMYK 51 / 85 / 0 / 27

HEX #5A1BB9

RGB 90 27 185

HSL 263.92, 0.75%, 0.42%

LAB 30.55, 59.38, -70.3

 

CMYK 56 / 95 / 0 / 35

HEX #4909A6

RGB 73 9 166

HSL 264.46, 0.9%, 0.34%

LAB 24.84, 57.84, -68.4

 

CMYK 62 / 100 / 0 / 42

HEX #380093

RGB 56 0 147

HSL 262.86, 1%, 0.29%

LAB 19.83, 54.11, -65.11

 

CMYK 70 / 100 / 0 / 50

HEX #270080

RGB 39 0 128

HSL 258.28, 1%, 0.25%

LAB 15.43, 48.46, -60.54

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCD

RGB 107 45 205

HSL 263.25, 0.64%, 0.49%

LAB 36.76, 59.82, -71.74

 

CMYK 27 / 78 / 0 / 20

HEX #962DCD

RGB 150 45 205

HSL 279.38, 0.64%, 0.49%

LAB 42.41, 66.58, -62.28

 

CMYK 5 / 78 / 0 / 20

HEX #C22DCD

RGB 194 45 205

HSL 295.88, 0.64%, 0.49%

LAB 49.2, 74.63, -51

 

CMYK 0 / 78 / 16 / 20

HEX #CD2DAD

RGB 205 45 173

HSL 312, 0.64%, 0.49%

LAB 49.34, 72.1, -32.01

 

CMYK 0 / 78 / 37 / 20

HEX #CD2D82

RGB 205 45 130

HSL 328.13, 0.64%, 0.49%

LAB 47.58, 66.92, -8.98

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCD

RGB 107 45 205

HSL 263.25, 0.64%, 0.49%

LAB 36.76, 59.82, -71.74

 

CMYK 69 / 78 / 0 / 20

HEX #402DCD

RGB 64 45 205

HSL 247.13, 0.64%, 0.49%

LAB 32.64, 54.84, -78.66

 

CMYK 78 / 78 / 0 / 20

HEX #2D2DCD

RGB 45 45 205

HSL 240, 0.64%, 0.49%

LAB 31.45, 53.37, -80.69

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCD

RGB 107 45 205

HSL 263.25, 0.64%, 0.49%

LAB 36.76, 59.82, -71.74

 

CMYK 54 / 89 / 0 / 12

HEX #6719E1

RGB 103 25 225

HSL 263.4, 0.8%, 0.49%

LAB 36.01, 70.86, -84.52

 

CMYK 60 / 98 / 0 / 4

HEX #6205F5

RGB 98 5 245

HSL 263.25, 0.96%, 0.49%

LAB 36.55, 78.48, -95.01

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCD

RGB 107 45 205

HSL 263.25, 0.64%, 0.49%

LAB 36.76, 59.82, -71.74

 

CMYK 39 / 65 / 0 / 27

HEX #7041B9

RGB 112 65 185

HSL 263.5, 0.48%, 0.49%

LAB 39.12, 45.94, -56.18

 

CMYK 29 / 48 / 0 / 36

HEX #7455A4

RGB 116 85 164

HSL 263.54, 0.32%, 0.49%

LAB 42.6, 29.97, -38.16

 

CMYK 16 / 26 / 0 / 44

HEX #796A90

RGB 121 106 144

HSL 263.68, 0.15%, 0.49%

LAB 47.48, 13.91, -18.63

 

CMYK 1 / 0 / 2 / 51

HEX #7D7E7C

RGB 125 126 124

HSL 90, 0.01%, 0.49%

LAB 52.66, -0.77, 0.95

 

CMYK 78 / 66 / 0 / 20

HEX #2D45CD

RGB 45 69 205

HSL 231, 0.64%, 0.49%

LAB 36.41, 39.6, -72.5

 

CMYK 69 / 78 / 0 / 20

HEX #402DCD

RGB 64 45 205

HSL 247.13, 0.64%, 0.49%

LAB 32.64, 54.84, -78.66

 

CMYK 48 / 78 / 0 / 20

HEX #6A2DCD

RGB 106 45 205

HSL 262.88, 0.64%, 0.49%

LAB 36.65, 59.68, -71.93

 

CMYK 27 / 78 / 0 / 20

HEX #952DCD

RGB 149 45 205

HSL 279, 0.64%, 0.49%

LAB 42.27, 66.41, -62.52

 

CMYK 6 / 78 / 0 / 20

HEX #C02DCD

RGB 192 45 205

HSL 295.13, 0.64%, 0.49%

LAB 48.87, 74.25, -51.53

 

CMYK 47 / 78 / 0 / 46

HEX #481E89

RGB 72 30 137

HSL 263.55, 0.64%, 0.33%

LAB 24.04, 43.31, -51.88

 

CMYK 47 / 78 / 0 / 33

HEX #5A26AB

RGB 90 38 171

HSL 263.46, 0.64%, 0.41%

LAB 30.64, 51.6, -61.79

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCD

RGB 107 45 205

HSL 263.25, 0.64%, 0.49%

LAB 36.76, 59.82, -71.74

 

CMYK 40 / 65 / 0 / 15

HEX #824CD8

RGB 130 76 216

HSL 263.14, 0.64%, 0.57%

LAB 45.46, 51.93, -63.78

 

CMYK 31 / 51 / 0 / 13

HEX #9A6DDF

RGB 154 109 223

HSL 263.68, 0.64%, 0.65%

LAB 55.21, 41.3, -51.94

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

CMYK 0 / 78 / 45 / 20

HEX #CD2D70

RGB 205 45 112

HSL 334.88, 0.64%, 0.49%

LAB 47.01, 65.17, 1.17

 

CMYK 77 / 0 / 78 / 20

HEX #30CD2D

RGB 48 205 45

HSL 118.88, 0.64%, 0.49%

LAB 72.55, -67.75, 62.95

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

CMYK 0 / 48 / 78 / 20

HEX #CD6A2D

RGB 205 106 45

HSL 22.88, 0.64%, 0.49%

LAB 55.56, 35, 49.94

 

CMYK 78 / 0 / 48 / 20

HEX #2DCD6A

RGB 45 205 106

HSL 142.88, 0.64%, 0.49%

LAB 73.06, -61.35, 37.95

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

CMYK 0 / 78 / 45 / 20

HEX #CD2D70

RGB 205 45 112

HSL 334.88, 0.64%, 0.49%

LAB 47.01, 65.17, 1.17

 

CMYK 30 / 0 / 78 / 20

HEX #90CD2D

RGB 144 205 45

HSL 82.88, 0.64%, 0.49%

LAB 75.93, -42.01, 67.35

 

CMYK 78 / 0 / 33 / 20

HEX #2DCD8A

RGB 45 205 138

HSL 154.88, 0.64%, 0.49%

LAB 73.58, -55.42, 22.2

 

CMYK 48 / 78 / 0 / 20

HEX #6B2DCC

RGB 107 45 204

HSL 263.4, 0.64%, 0.49%

LAB 36.67, 59.57, -71.3

 

CMYK 0 / 78 / 69 / 20

HEX #CD2D40

RGB 205 45 64

HSL 352.88, 0.64%, 0.49%

LAB 45.94, 61.86, 29.18

 

CMYK 30 / 0 / 78 / 20

HEX #90CD2D

RGB 144 205 45

HSL 82.88, 0.64%, 0.49%

LAB 75.93, -42.01, 67.35

 

CMYK 78 / 0 / 9 / 20

HEX #2DCDBA

RGB 45 205 186

HSL 172.88, 0.64%, 0.49%

LAB 74.68, -43.83, -1.97

 

Description

Color code: HEX #6B2DCC | qconv.com Color code: HEX #6B2DCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 45 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 45 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 78 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 78% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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