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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B28DF it is the complementary color #94D720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B28DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B28DF shade: #7028DA, #813AED, #924CFF, #A35EFF and #B470FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B28DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B28DF shade: #6B28DF, #5A16CC, #4904B9, #3800A6 and #270093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B28DF shade: #6C2ADF, #9D2ADF, #CE2ADF, #DF2ABF and #DF2A8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B28DF shade: #6C2ADF, #3C2ADF and #2A2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B28DF shade matches the following richer shades: #6C2ADF and #6716F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B28DF shade: #6C2ADF, #723ECB, #7752B8, #7C65A4 and #827990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B28DF shade: #2A4BDF, #392ADF, #692ADF, #9A2ADF and #CA2ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B28DF shade: #49189F, #5A1DC3, #6C2ADF, #854EE5 and #9E72EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B28DF shade: #6B28DF, #DF2A7C and #33DF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B28DF shade: #6B28DF, #DF692A and #2ADF69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B28DF shade: #6B28DF, #DF2A7C, #A0DF2A and #2ADF8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B28DF shade: #6B28DF, #DF2A45, #A0DF2A and #2ADFC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

Complementary color

CMYK 31 / 0 / 85 / 16

HEX #94D720

RGB 148 215 32

HSL 81.97, 0.74%, 0.48%

LAB 79.04, -45.33, 73.5

 

CMYK 49 / 82 / 0 / 15

HEX #7028DA

RGB 112 40 218

HSL 264.27, 0.71%, 0.51%

LAB 37.89, 65.6, -77.38

 

CMYK 46 / 76 / 0 / 7

HEX #813AED

RGB 129 58 237

HSL 263.8, 0.83%, 0.58%

LAB 43.96, 65.53, -78.16

 

CMYK 43 / 70 / 0 / 0

HEX #924CFF

RGB 146 76 255

HSL 263.46, 1%, 0.65%

LAB 50.1, 64.7, -78.13

 

CMYK 36 / 63 / 0 / 0

HEX #A35EFF

RGB 163 94 255

HSL 265.71, 1%, 0.68%

LAB 55.08, 59.2, -69.94

 

CMYK 29 / 56 / 0 / 0

HEX #B470FF

RGB 180 112 255

HSL 268.53, 1%, 0.72%

LAB 60.35, 53.76, -61.38

 

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

CMYK 56 / 89 / 0 / 20

HEX #5A16CC

RGB 90 22 204

HSL 262.42, 0.81%, 0.44%

LAB 32.05, 65.49, -78.99

 

CMYK 61 / 98 / 0 / 27

HEX #4904B9

RGB 73 4 185

HSL 262.87, 0.96%, 0.37%

LAB 26.75, 63.37, -76.64

 

CMYK 66 / 100 / 0 / 35

HEX #3800A6

RGB 56 0 166

HSL 260.24, 1%, 0.33%

LAB 22.28, 58.71, -72.71

 

CMYK 73 / 100 / 0 / 42

HEX #270093

RGB 39 0 147

HSL 255.92, 1%, 0.29%

LAB 18.09, 53.28, -68.06

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 30 / 81 / 0 / 13

HEX #9D2ADF

RGB 157 42 223

HSL 278.12, 0.74%, 0.52%

LAB 44.45, 72.34, -69.26

 

CMYK 8 / 81 / 0 / 13

HEX #CE2ADF

RGB 206 42 223

HSL 294.36, 0.74%, 0.52%

LAB 51.96, 80.53, -56.76

 

CMYK 0 / 81 / 14 / 13

HEX #DF2ABF

RGB 223 42 191

HSL 310.61, 0.74%, 0.52%

LAB 53.06, 79.06, -36.47

 

CMYK 0 / 81 / 36 / 13

HEX #DF2A8F

RGB 223 42 143

HSL 326.52, 0.74%, 0.52%

LAB 51.07, 73.41, -11.26

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 73 / 81 / 0 / 13

HEX #3C2ADF

RGB 60 42 223

HSL 245.97, 0.74%, 0.52%

LAB 33.87, 61.2, -87.05

 

CMYK 81 / 81 / 0 / 13

HEX #2A2ADF

RGB 42 42 223

HSL 240, 0.74%, 0.52%

LAB 32.87, 60.18, -88.74

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 58 / 91 / 0 / 5

HEX #6716F3

RGB 103 22 243

HSL 261.99, 0.9%, 0.52%

LAB 37.71, 75.74, -91.94

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 44 / 69 / 0 / 20

HEX #723ECB

RGB 114 62 203

HSL 262.13, 0.58%, 0.52%

LAB 40.14, 52.63, -65.02

 

CMYK 35 / 55 / 0 / 28

HEX #7752B8

RGB 119 82 184

HSL 261.76, 0.42%, 0.52%

LAB 43.39, 37.8, -48.68

 

CMYK 24 / 38 / 0 / 36

HEX #7C65A4

RGB 124 101 164

HSL 261.9, 0.26%, 0.52%

LAB 47.33, 22.76, -30.66

 

CMYK 10 / 16 / 0 / 44

HEX #827990

RGB 130 121 144

HSL 263.48, 0.09%, 0.52%

LAB 52.32, 8.14, -11.2

 

CMYK 81 / 66 / 0 / 13

HEX #2A4BDF

RGB 42 75 223

HSL 229.06, 0.74%, 0.52%

LAB 39.33, 42.06, -78.05

 

CMYK 74 / 81 / 0 / 13

HEX #392ADF

RGB 57 42 223

HSL 244.97, 0.74%, 0.52%

LAB 33.68, 61, -87.37

 

CMYK 53 / 81 / 0 / 13

HEX #692ADF

RGB 105 42 223

HSL 260.88, 0.74%, 0.52%

LAB 37.82, 65.28, -80.39

 

CMYK 31 / 81 / 0 / 13

HEX #9A2ADF

RGB 154 42 223

HSL 277.13, 0.74%, 0.52%

LAB 44.02, 71.88, -69.98

 

CMYK 9 / 81 / 0 / 13

HEX #CA2ADF

RGB 202 42 223

HSL 293.04, 0.74%, 0.52%

LAB 51.31, 79.82, -57.82

 

CMYK 54 / 85 / 0 / 38

HEX #49189F

RGB 73 24 159

HSL 261.78, 0.74%, 0.36%

LAB 25.48, 51.87, -63.08

 

CMYK 54 / 85 / 0 / 24

HEX #5A1DC3

RGB 90 29 195

HSL 262.05, 0.74%, 0.44%

LAB 31.79, 61.21, -74.15

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 42 / 66 / 0 / 10

HEX #854EE5

RGB 133 78 229

HSL 261.85, 0.74%, 0.6%

LAB 47.1, 54.84, -68.5

 

CMYK 32 / 51 / 0 / 8

HEX #9E72EA

RGB 158 114 234

HSL 262, 0.74%, 0.68%

LAB 57.31, 42.27, -54.72

 

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

CMYK 0 / 81 / 44 / 13

HEX #DF2A7C

RGB 223 42 124

HSL 332.82, 0.74%, 0.52%

LAB 50.45, 71.6, -0.72

 

CMYK 77 / 0 / 81 / 13

HEX #33DF2A

RGB 51 223 42

HSL 117.02, 0.74%, 0.52%

LAB 78.26, -72.9, 69.19

 

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

CMYK 0 / 53 / 81 / 13

HEX #DF692A

RGB 223 105 42

HSL 20.88, 0.74%, 0.52%

LAB 58, 42.48, 54.52

 

CMYK 81 / 0 / 53 / 13

HEX #2ADF69

RGB 42 223 105

HSL 140.88, 0.74%, 0.52%

LAB 78.63, -67.86, 45.32

 

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

CMYK 0 / 81 / 44 / 13

HEX #DF2A7C

RGB 223 42 124

HSL 332.82, 0.74%, 0.52%

LAB 50.45, 71.6, -0.72

 

CMYK 28 / 0 / 81 / 13

HEX #A0DF2A

RGB 160 223 42

HSL 80.88, 0.74%, 0.52%

LAB 82.06, -43.97, 74.06

 

CMYK 81 / 0 / 36 / 13

HEX #2ADF8E

RGB 42 223 142

HSL 153.15, 0.74%, 0.52%

LAB 79.17, -61.56, 27.67

 

CMYK 52 / 82 / 0 / 13

HEX #6B28DF

RGB 107 40 223

HSL 261.97, 0.74%, 0.52%

LAB 37.79, 66.24, -80.42

 

CMYK 0 / 81 / 69 / 13

HEX #DF2A45

RGB 223 42 69

HSL 351.05, 0.74%, 0.52%

LAB 49.22, 67.92, 30.99

 

CMYK 28 / 0 / 81 / 13

HEX #A0DF2A

RGB 160 223 42

HSL 80.88, 0.74%, 0.52%

LAB 82.06, -43.97, 74.06

 

CMYK 81 / 0 / 12 / 13

HEX #2ADFC4

RGB 42 223 196

HSL 171.05, 0.74%, 0.52%

LAB 80.32, -49.09, 0.92

 

Description

Color code: HEX #6B28DF | qconv.com Color code: HEX #6B28DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 40 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 40 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 82 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 82% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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