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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B283F it is the complementary color #94D7C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B283F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B283F shade: #70283A, #813A4D, #924C60, #A35E73 and #B47086

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B283F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B283F shade: #6B283F, #5A162C, #490419, #380006 and #270000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B283F shade: #6C283F, #6C282D and #6C2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B283F shade: #6C283F, #6C2852, #6C2864, #62286C and #4F286C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B283F shade matches the following richer shades: #6C283F, #781C3C, #841038 and #900434

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B283F shade: #6C283F, #603443, #544047, #484C4B and #3C584E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B283F shade: #6C2864, #6C2852, #6C2840, #6C282E and #6C3428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B283F shade: #30121C, #4E1D2E, #6C283F, #8A3351 and #A83E63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B283F shade: #6B283F, #6C6228 and #285B6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B283F shade: #6B283F, #406C28 and #28406C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B283F shade: #6B283F, #6C6228, #286C54 and #28326C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B283F shade: #6B283F, #626C28, #286C54 and #32286C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

Complementary color

CMYK 31 / 0 / 11 / 16

HEX #94D7C0

RGB 148 215 192

HSL 159.4, 0.46%, 0.71%

LAB 81.13, -26.01, 4.62

 

CMYK 0 / 64 / 48 / 56

HEX #70283A

RGB 112 40 58

HSL 345, 0.47%, 0.3%

LAB 27.48, 33.54, 5.38

 

CMYK 0 / 55 / 40 / 49

HEX #813A4D

RGB 129 58 77

HSL 343.94, 0.38%, 0.37%

LAB 34.46, 32.69, 3.29

 

CMYK 0 / 48 / 34 / 43

HEX #924C60

RGB 146 76 96

HSL 342.86, 0.32%, 0.44%

LAB 41.41, 31.73, 1.7

 

CMYK 0 / 42 / 29 / 36

HEX #A35E73

RGB 163 94 115

HSL 341.74, 0.27%, 0.5%

LAB 48.3, 30.79, 0.41

 

CMYK 0 / 38 / 26 / 29

HEX #B47086

RGB 180 112 134

HSL 340.59, 0.31%, 0.57%

LAB 55.09, 29.89, -0.67

 

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

CMYK 0 / 76 / 51 / 65

HEX #5A162C

RGB 90 22 44

HSL 340.59, 0.61%, 0.22%

LAB 19.76, 32.69, 3.42

 

CMYK 0 / 95 / 66 / 71

HEX #490419

RGB 73 4 25

HSL 341.74, 0.9%, 0.15%

LAB 13.07, 32.13, 7.32

 

CMYK 0 / 100 / 89 / 78

HEX #380006

RGB 56 0 6

HSL 353.57, 1%, 0.11%

LAB 7.71, 27.61, 9.73

 

CMYK 0 / 100 / 100 / 85

HEX #270000

RGB 39 0 0

HSL 0, 1%, 0.08%

LAB 3.9, 17.48, 6.16

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 63 / 58 / 58

HEX #6C282D

RGB 108 40 45

HSL 355.59, 0.46%, 0.29%

LAB 26.43, 30.76, 12.51

 

CMYK 0 / 63 / 63 / 58

HEX #6C2828

RGB 108 40 40

HSL 0, 0.46%, 0.29%

LAB 26.33, 30.34, 15.69

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 63 / 24 / 58

HEX #6C2852

RGB 108 40 82

HSL 322.94, 0.46%, 0.29%

LAB 27.61, 35.31, -10.49

 

CMYK 0 / 63 / 7 / 58

HEX #6C2864

RGB 108 40 100

HSL 307.06, 0.46%, 0.29%

LAB 28.45, 38.35, -20.97

 

CMYK 9 / 63 / 0 / 58

HEX #62286C

RGB 98 40 108

HSL 291.18, 0.46%, 0.29%

LAB 27.29, 37.03, -28.06

 

CMYK 27 / 63 / 0 / 58

HEX #4F286C

RGB 79 40 108

HSL 274.41, 0.46%, 0.29%

LAB 24.52, 31.78, -32.64

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 77 / 50 / 53

HEX #781C3C

RGB 120 28 60

HSL 339.13, 0.62%, 0.29%

LAB 27.16, 41.68, 3.78

 

CMYK 0 / 88 / 58 / 48

HEX #841038

RGB 132 16 56

HSL 339.31, 0.78%, 0.29%

LAB 28.28, 48.41, 8.41

 

CMYK 0 / 97 / 64 / 44

HEX #900434

RGB 144 4 52

HSL 339.43, 0.95%, 0.29%

LAB 30.07, 53.4, 13.97

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 46 / 30 / 62

HEX #603443

RGB 96 52 67

HSL 339.55, 0.3%, 0.29%

LAB 27.7, 21.85, -0.63

 

CMYK 0 / 24 / 15 / 67

HEX #544047

RGB 84 64 71

HSL 339, 0.14%, 0.29%

LAB 29.43, 9.98, -0.91

 

CMYK 5 / 0 / 1 / 70

HEX #484C4B

RGB 72 76 75

HSL 165, 0.03%, 0.29%

LAB 31.93, -1.85, 0.03

 

CMYK 32 / 0 / 11 / 65

HEX #3C584E

RGB 60 88 78

HSL 158.57, 0.19%, 0.29%

LAB 34.98, -12.92, 2.45

 

CMYK 0 / 63 / 7 / 58

HEX #6C2864

RGB 108 40 100

HSL 307.06, 0.46%, 0.29%

LAB 28.45, 38.35, -20.97

 

CMYK 0 / 63 / 24 / 58

HEX #6C2852

RGB 108 40 82

HSL 322.94, 0.46%, 0.29%

LAB 27.61, 35.31, -10.49

 

CMYK 0 / 63 / 41 / 58

HEX #6C2840

RGB 108 40 64

HSL 338.82, 0.46%, 0.29%

LAB 26.95, 32.79, 0.5

 

CMYK 0 / 63 / 57 / 58

HEX #6C282E

RGB 108 40 46

HSL 354.71, 0.46%, 0.29%

LAB 26.46, 30.85, 11.87

 

CMYK 0 / 52 / 63 / 58

HEX #6C3428

RGB 108 52 40

HSL 10.59, 0.46%, 0.29%

LAB 28.9, 23.72, 18.97

 

CMYK 0 / 63 / 42 / 81

HEX #30121C

RGB 48 18 28

HSL 340, 0.45%, 0.13%

LAB 10.14, 16.64, 0.16

 

CMYK 0 / 63 / 41 / 69

HEX #4E1D2E

RGB 78 29 46

HSL 339.18, 0.46%, 0.21%

LAB 18.78, 25.07, 0.31

 

CMYK 0 / 63 / 42 / 58

HEX #6C283F

RGB 108 40 63

HSL 339.71, 0.46%, 0.29%

LAB 26.92, 32.66, 1.12

 

CMYK 0 / 63 / 41 / 46

HEX #8A3351

RGB 138 51 81

HSL 339.31, 0.46%, 0.37%

LAB 34.73, 39.93, 1.31

 

CMYK 0 / 63 / 41 / 34

HEX #A83E63

RGB 168 62 99

HSL 339.06, 0.46%, 0.45%

LAB 42.26, 46.87, 1.5

 

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

CMYK 0 / 9 / 63 / 58

HEX #6C6228

RGB 108 98 40

HSL 51.18, 0.46%, 0.29%

LAB 41.34, -3.96, 33.72

 

CMYK 63 / 16 / 0 / 58

HEX #285B6C

RGB 40 91 108

HSL 195, 0.46%, 0.29%

LAB 36.02, -11.45, -14.84

 

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

CMYK 41 / 0 / 63 / 58

HEX #406C28

RGB 64 108 40

HSL 98.82, 0.46%, 0.29%

LAB 41.17, -28.57, 32.62

 

CMYK 63 / 41 / 0 / 58

HEX #28406C

RGB 40 64 108

HSL 218.82, 0.46%, 0.29%

LAB 27.3, 5.76, -28.42

 

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

CMYK 0 / 9 / 63 / 58

HEX #6C6228

RGB 108 98 40

HSL 51.18, 0.46%, 0.29%

LAB 41.34, -3.96, 33.72

 

CMYK 63 / 0 / 22 / 58

HEX #286C54

RGB 40 108 84

HSL 158.82, 0.46%, 0.29%

LAB 40.92, -27.72, 7.15

 

CMYK 63 / 54 / 0 / 58

HEX #28326C

RGB 40 50 108

HSL 231.18, 0.46%, 0.29%

LAB 23.05, 15.49, -35.21

 

CMYK 0 / 63 / 41 / 58

HEX #6B283F

RGB 107 40 63

HSL 339.4, 0.46%, 0.29%

LAB 26.74, 32.3, 0.85

 

CMYK 9 / 0 / 63 / 58

HEX #626C28

RGB 98 108 40

HSL 68.82, 0.46%, 0.29%

LAB 43.47, -14.29, 35.83

 

CMYK 63 / 0 / 22 / 58

HEX #286C54

RGB 40 108 84

HSL 158.82, 0.46%, 0.29%

LAB 40.92, -27.72, 7.15

 

CMYK 54 / 63 / 0 / 58

HEX #32286C

RGB 50 40 108

HSL 248.82, 0.46%, 0.29%

LAB 21.13, 24.54, -38.28

 

Description

Color code: HEX #6B283F | qconv.com Color code: HEX #6B283F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 40 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 40 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 41 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 41% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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