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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B2671 it is the complementary color #94D98E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B2671. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B2671 shade: #70266C, #81387F, #924A92, #A35CA5 and #B46EB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B2671. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B2671 shade: #6B2671, #5A145E, #49024B, #380038 and #270025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B2671 shade: #6D2673, #732664, #732650, #73263B and #732626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B2671 shade: #6D2673, #582673, #432673, #2F2673 and #262673

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B2671 shade matches the following richer shades: #6D2673, #771A7F, #810D8C and #8C0198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B2671 shade: #6D2673, #623366, #583F5A, #4D4B4E and #435841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B2671 shade: #442673, #582673, #6C2673, #732665 and #732650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B2671 shade: #321235, #4F1C54, #6D2673, #8A3192 and #A73BB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B2671 shade: #6B2671, #732F26 and #26734E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B2671 shade: #6B2671, #736C26 and #26736C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B2671 shade: #6B2671, #732F26, #2D7326 and #266A73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B2671 shade: #6B2671, #734626, #2D7326 and #265373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

Complementary color

CMYK 32 / 0 / 35 / 15

HEX #94D98E

RGB 148 217 142

HSL 115.2, 0.5%, 0.7%

LAB 80.67, -36.12, 30.25

 

CMYK 0 / 66 / 4 / 56

HEX #70266C

RGB 112 38 108

HSL 303.24, 0.49%, 0.29%

LAB 29.19, 41.89, -24.91

 

CMYK 0 / 57 / 2 / 49

HEX #81387F

RGB 129 56 127

HSL 301.64, 0.39%, 0.36%

LAB 36.04, 41.62, -25.96

 

CMYK 0 / 49 / 0 / 43

HEX #924A92

RGB 146 74 146

HSL 300, 0.33%, 0.43%

LAB 42.89, 41.02, -26.69

 

CMYK 1 / 44 / 0 / 35

HEX #A35CA5

RGB 163 92 165

HSL 298.36, 0.29%, 0.5%

LAB 49.69, 40.29, -27.24

 

CMYK 2 / 40 / 0 / 28

HEX #B46EB8

RGB 180 110 184

HSL 296.76, 0.34%, 0.58%

LAB 56.4, 39.52, -27.7

 

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

CMYK 4 / 79 / 0 / 63

HEX #5A145E

RGB 90 20 94

HSL 296.76, 0.65%, 0.22%

LAB 21.88, 41.06, -27.61

 

CMYK 3 / 97 / 0 / 71

HEX #49024B

RGB 73 2 75

HSL 298.36, 0.95%, 0.15%

LAB 15.32, 39.5, -25.45

 

CMYK 0 / 100 / 0 / 78

HEX #380038

RGB 56 0 56

HSL 300, 1%, 0.11%

LAB 10, 33.47, -20.73

 

CMYK 0 / 100 / 5 / 85

HEX #270025

RGB 39 0 37

HSL 303.08, 1%, 0.08%

LAB 5.1, 24.51, -14.54

 

CMYK 5 / 67 / 0 / 55

HEX #6D2673

RGB 109 38 115

HSL 295.32, 0.5%, 0.3%

LAB 29.1, 42.41, -29.57

 

CMYK 0 / 67 / 13 / 55

HEX #732664

RGB 115 38 100

HSL 311.69, 0.5%, 0.3%

LAB 29.29, 41.33, -19.57

 

CMYK 0 / 67 / 30 / 55

HEX #732650

RGB 115 38 80

HSL 327.27, 0.5%, 0.3%

LAB 28.41, 38.26, -7.85

 

CMYK 0 / 67 / 49 / 55

HEX #73263B

RGB 115 38 59

HSL 343.64, 0.5%, 0.3%

LAB 27.7, 35.69, 5.09

 

CMYK 0 / 67 / 67 / 55

HEX #732626

RGB 115 38 38

HSL 0, 0.5%, 0.3%

LAB 27.22, 33.87, 18.4

 

CMYK 5 / 67 / 0 / 55

HEX #6D2673

RGB 109 38 115

HSL 295.32, 0.5%, 0.3%

LAB 29.1, 42.41, -29.57

 

CMYK 23 / 67 / 0 / 55

HEX #582673

RGB 88 38 115

HSL 278.96, 0.5%, 0.3%

LAB 25.86, 36.97, -34.92

 

CMYK 42 / 67 / 0 / 55

HEX #432673

RGB 67 38 115

HSL 262.6, 0.5%, 0.3%

LAB 23.06, 31.86, -39.58

 

CMYK 59 / 67 / 0 / 55

HEX #2F2673

RGB 47 38 115

HSL 247.01, 0.5%, 0.3%

LAB 20.94, 27.64, -43.12

 

CMYK 67 / 67 / 0 / 55

HEX #262673

RGB 38 38 115

HSL 240, 0.5%, 0.3%

LAB 20.19, 26.06, -44.37

 

CMYK 5 / 67 / 0 / 55

HEX #6D2673

RGB 109 38 115

HSL 295.32, 0.5%, 0.3%

LAB 29.1, 42.41, -29.57

 

CMYK 6 / 80 / 0 / 50

HEX #771A7F

RGB 119 26 127

HSL 295.25, 0.66%, 0.3%

LAB 29.89, 51.67, -35.78

 

CMYK 8 / 91 / 0 / 45

HEX #810D8C

RGB 129 13 140

HSL 294.8, 0.83%, 0.3%

LAB 31.46, 59.06, -41.29

 

CMYK 8 / 99 / 0 / 40

HEX #8C0198

RGB 140 1 152

HSL 295.23, 0.99%, 0.3%

LAB 33.7, 64.67, -44.97

 

CMYK 5 / 67 / 0 / 55

HEX #6D2673

RGB 109 38 115

HSL 295.32, 0.5%, 0.3%

LAB 29.1, 42.41, -29.57

 

CMYK 4 / 50 / 0 / 60

HEX #623366

RGB 98 51 102

HSL 295.29, 0.33%, 0.3%

LAB 29.22, 29.73, -21.17

 

CMYK 2 / 30 / 0 / 65

HEX #583F5A

RGB 88 63 90

HSL 295.56, 0.18%, 0.3%

LAB 30.32, 16.19, -11.85

 

CMYK 1 / 4 / 0 / 69

HEX #4D4B4E

RGB 77 75 78

HSL 280, 0.02%, 0.3%

LAB 32.17, 1.48, -1.49

 

CMYK 24 / 0 / 26 / 65

HEX #435841

RGB 67 88 65

HSL 114.78, 0.15%, 0.3%

LAB 35.11, -13.16, 10.78

 

CMYK 41 / 67 / 0 / 55

HEX #442673

RGB 68 38 115

HSL 263.38, 0.5%, 0.3%

LAB 23.18, 32.09, -39.37

 

CMYK 23 / 67 / 0 / 55

HEX #582673

RGB 88 38 115

HSL 278.96, 0.5%, 0.3%

LAB 25.86, 36.97, -34.92

 

CMYK 6 / 67 / 0 / 55

HEX #6C2673

RGB 108 38 115

HSL 294.55, 0.5%, 0.3%

LAB 28.93, 42.14, -29.83

 

CMYK 0 / 67 / 12 / 55

HEX #732665

RGB 115 38 101

HSL 310.91, 0.5%, 0.3%

LAB 29.34, 41.5, -20.14

 

CMYK 0 / 67 / 30 / 55

HEX #732650

RGB 115 38 80

HSL 327.27, 0.5%, 0.3%

LAB 28.41, 38.26, -7.85

 

CMYK 6 / 66 / 0 / 79

HEX #321235

RGB 50 18 53

HSL 294.86, 0.49%, 0.14%

LAB 11.74, 22.36, -15.87

 

CMYK 6 / 67 / 0 / 67

HEX #4F1C54

RGB 79 28 84

HSL 294.64, 0.5%, 0.22%

LAB 20.57, 32.68, -23.15

 

CMYK 5 / 67 / 0 / 55

HEX #6D2673

RGB 109 38 115

HSL 295.32, 0.5%, 0.3%

LAB 29.1, 42.41, -29.57

 

CMYK 5 / 66 / 0 / 43

HEX #8A3192

RGB 138 49 146

HSL 295.05, 0.5%, 0.38%

LAB 37.25, 50.89, -35.64

 

CMYK 6 / 67 / 0 / 31

HEX #A73BB1

RGB 167 59 177

HSL 294.92, 0.5%, 0.46%

LAB 44.97, 59.42, -41.68

 

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

CMYK 0 / 59 / 67 / 55

HEX #732F26

RGB 115 47 38

HSL 7.01, 0.5%, 0.3%

LAB 28.95, 29.3, 20.56

 

CMYK 67 / 0 / 32 / 55

HEX #26734E

RGB 38 115 78

HSL 151.17, 0.5%, 0.3%

LAB 43.1, -32.86, 13.74

 

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

CMYK 0 / 6 / 67 / 55

HEX #736C26

RGB 115 108 38

HSL 54.55, 0.5%, 0.3%

LAB 44.96, -6.57, 38.83

 

CMYK 67 / 0 / 6 / 55

HEX #26736C

RGB 38 115 108

HSL 174.55, 0.5%, 0.3%

LAB 43.88, -24.96, -3.03

 

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

CMYK 0 / 59 / 67 / 55

HEX #732F26

RGB 115 47 38

HSL 7.01, 0.5%, 0.3%

LAB 28.95, 29.3, 20.56

 

CMYK 61 / 0 / 67 / 55

HEX #2D7326

RGB 45 115 38

HSL 114.55, 0.5%, 0.3%

LAB 42.7, -37.97, 35.08

 

CMYK 67 / 8 / 0 / 55

HEX #266A73

RGB 38 106 115

HSL 187.01, 0.5%, 0.3%

LAB 41.15, -18.03, -11.34

 

CMYK 5 / 66 / 0 / 56

HEX #6B2671

RGB 107 38 113

HSL 295.2, 0.5%, 0.3%

LAB 28.65, 41.48, -29.01

 

CMYK 0 / 39 / 67 / 55

HEX #734626

RGB 115 70 38

HSL 24.94, 0.5%, 0.3%

LAB 34.32, 16.02, 27.02

 

CMYK 61 / 0 / 67 / 55

HEX #2D7326

RGB 45 115 38

HSL 114.55, 0.5%, 0.3%

LAB 42.7, -37.97, 35.08

 

CMYK 67 / 28 / 0 / 55

HEX #265373

RGB 38 83 115

HSL 204.94, 0.5%, 0.3%

LAB 33.64, -4.51, -22.87

 

Description

Color code: HEX #6B2671 | qconv.com Color code: HEX #6B2671 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 38 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 38 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 66 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 66% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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