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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B1DBA it is the complementary color #94E245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B1DBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B1DBA shade: #701DB5, #812FC8, #9241DB, #A353EE and #B465FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B1DBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B1DBA shade: #6B1DBA, #5A0BA7, #490094, #380081 and #27006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B1DBA shade: #6B1DB9, #951DB9, #B91DB4, #B91D89 and #B91D5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B1DBA shade: #6B1DB9, #401DB9 and #1D1DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B1DBA shade matches the following richer shades: #6B1DB9 and #6A0CCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B1DBA shade: #6B1DB9, #6B2EA8, #6B4097, #6B5185 and #6B6274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B1DBA shade: #1D25B9, #3F1DB9, #681DB9, #921DB9 and #B91DB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B1DBA shade: #421272, #561796, #6B1DB9, #7F23DD and #9447E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B1DBA shade: #6B1DBA, #B91D4E and #1DB92A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B1DBA shade: #6B1DBA, #B9681D and #1DB968

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B1DBA shade: #6B1DBA, #B91D4E, #6EB91D and #1DB988

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B1DBA shade: #6B1DBA, #B91D20, #6EB91D and #1DB9B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

Complementary color

CMYK 35 / 0 / 69 / 11

HEX #94E245

RGB 148 226 69

HSL 89.81, 0.73%, 0.58%

LAB 82.44, -48.12, 65.76

 

CMYK 38 / 84 / 0 / 29

HEX #701DB5

RGB 112 29 181

HSL 272.76, 0.72%, 0.41%

LAB 33.26, 60.6, -63.35

 

CMYK 36 / 77 / 0 / 22

HEX #812FC8

RGB 129 47 200

HSL 272.16, 0.62%, 0.48%

LAB 39.36, 61.2, -64.47

 

CMYK 33 / 70 / 0 / 14

HEX #9241DB

RGB 146 65 219

HSL 271.56, 0.68%, 0.56%

LAB 45.64, 61.07, -65.11

 

CMYK 32 / 65 / 0 / 7

HEX #A353EE

RGB 163 83 238

HSL 270.97, 0.82%, 0.63%

LAB 52, 60.53, -65.46

 

CMYK 29 / 60 / 0 / 0

HEX #B465FF

RGB 180 101 255

HSL 270.78, 1%, 0.7%

LAB 58.26, 59.33, -64.73

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

CMYK 46 / 93 / 0 / 35

HEX #5A0BA7

RGB 90 11 167

HSL 270.38, 0.88%, 0.35%

LAB 27.31, 59.28, -64.86

 

CMYK 51 / 100 / 0 / 42

HEX #490094

RGB 73 0 148

HSL 269.59, 1%, 0.29%

LAB 22.14, 55.57, -61.84

 

CMYK 57 / 100 / 0 / 49

HEX #380081

RGB 56 0 129

HSL 266.05, 1%, 0.25%

LAB 17.58, 49.74, -57.55

 

CMYK 65 / 100 / 0 / 57

HEX #27006E

RGB 39 0 110

HSL 261.27, 1%, 0.22%

LAB 12.97, 43.85, -53.03

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DB9

RGB 107 29 185

HSL 270, 0.73%, 0.42%

LAB 32.93, 60.83, -66.29

 

CMYK 19 / 84 / 0 / 27

HEX #951DB9

RGB 149 29 185

HSL 286.15, 0.73%, 0.42%

LAB 39.19, 67.18, -55.82

 

CMYK 0 / 84 / 3 / 27

HEX #B91DB4

RGB 185 29 180

HSL 301.92, 0.73%, 0.42%

LAB 44.93, 72.78, -43.34

 

CMYK 0 / 84 / 26 / 27

HEX #B91D89

RGB 185 29 137

HSL 318.46, 0.73%, 0.42%

LAB 42.76, 66.91, -20.93

 

CMYK 0 / 84 / 49 / 27

HEX #B91D5F

RGB 185 29 95

HSL 334.62, 0.73%, 0.42%

LAB 41.25, 62.61, 2.92

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DB9

RGB 107 29 185

HSL 270, 0.73%, 0.42%

LAB 32.93, 60.83, -66.29

 

CMYK 65 / 84 / 0 / 27

HEX #401DB9

RGB 64 29 185

HSL 253.46, 0.73%, 0.42%

LAB 28.04, 56.12, -74.53

 

CMYK 84 / 84 / 0 / 27

HEX #1D1DB9

RGB 29 29 185

HSL 240, 0.73%, 0.42%

LAB 25.69, 53.98, -78.5

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DB9

RGB 107 29 185

HSL 270, 0.73%, 0.42%

LAB 32.93, 60.83, -66.29

 

CMYK 48 / 94 / 0 / 20

HEX #6A0CCB

RGB 106 12 203

HSL 269.53, 0.89%, 0.42%

LAB 33.22, 68.76, -76.41

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DB9

RGB 107 29 185

HSL 270, 0.73%, 0.42%

LAB 32.93, 60.83, -66.29

 

CMYK 36 / 73 / 0 / 34

HEX #6B2EA8

RGB 107 46 168

HSL 270, 0.57%, 0.42%

LAB 33.79, 50.13, -54.76

 

CMYK 29 / 58 / 0 / 41

HEX #6B4097

RGB 107 64 151

HSL 269.66, 0.4%, 0.42%

LAB 36.04, 36.47, -40.87

 

CMYK 20 / 39 / 0 / 48

HEX #6B5185

RGB 107 81 133

HSL 270, 0.24%, 0.42%

LAB 39.08, 21.78, -25.11

 

CMYK 8 / 16 / 0 / 55

HEX #6B6274

RGB 107 98 116

HSL 270, 0.08%, 0.42%

LAB 42.95, 7.33, -8.82

 

CMYK 84 / 80 / 0 / 27

HEX #1D25B9

RGB 29 37 185

HSL 236.92, 0.73%, 0.42%

LAB 26.98, 50.19, -76.35

 

CMYK 66 / 84 / 0 / 27

HEX #3F1DB9

RGB 63 29 185

HSL 253.08, 0.73%, 0.42%

LAB 27.95, 56.03, -74.68

 

CMYK 44 / 84 / 0 / 27

HEX #681DB9

RGB 104 29 185

HSL 268.85, 0.73%, 0.42%

LAB 32.53, 60.43, -66.96

 

CMYK 21 / 84 / 0 / 27

HEX #921DB9

RGB 146 29 185

HSL 285, 0.73%, 0.42%

LAB 38.71, 66.68, -56.62

 

CMYK 0 / 84 / 1 / 27

HEX #B91DB7

RGB 185 29 183

HSL 300.77, 0.73%, 0.42%

LAB 45.1, 73.23, -44.83

 

CMYK 42 / 84 / 0 / 55

HEX #421272

RGB 66 18 114

HSL 270, 0.73%, 0.26%

LAB 19.25, 41.47, -45.14

 

CMYK 43 / 85 / 0 / 41

HEX #561796

RGB 86 23 150

HSL 269.76, 0.73%, 0.34%

LAB 26.14, 51.62, -56.43

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DB9

RGB 107 29 185

HSL 270, 0.73%, 0.42%

LAB 32.93, 60.83, -66.29

 

CMYK 43 / 84 / 0 / 13

HEX #7F23DD

RGB 127 35 221

HSL 269.68, 0.73%, 0.5%

LAB 39.47, 69.77, -76.43

 

CMYK 35 / 69 / 0 / 11

HEX #9447E2

RGB 148 71 226

HSL 269.81, 0.73%, 0.58%

LAB 47.36, 60.37, -66.3

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

CMYK 0 / 84 / 58 / 27

HEX #B91D4E

RGB 185 29 78

HSL 341.15, 0.73%, 0.42%

LAB 40.8, 61.32, 13.06

 

CMYK 84 / 0 / 77 / 27

HEX #1DB92A

RGB 29 185 42

HSL 125, 0.73%, 0.42%

LAB 65.85, -64.21, 57.32

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

CMYK 0 / 44 / 84 / 27

HEX #B9681D

RGB 185 104 29

HSL 28.85, 0.73%, 0.42%

LAB 52.18, 27.25, 52.45

 

CMYK 84 / 0 / 44 / 27

HEX #1DB968

RGB 29 185 104

HSL 148.85, 0.73%, 0.42%

LAB 66.49, -56.41, 30.53

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

CMYK 0 / 84 / 58 / 27

HEX #B91D4E

RGB 185 29 78

HSL 341.15, 0.73%, 0.42%

LAB 40.8, 61.32, 13.06

 

CMYK 41 / 0 / 84 / 27

HEX #6EB91D

RGB 110 185 29

HSL 88.85, 0.73%, 0.42%

LAB 68.1, -46.45, 63.92

 

CMYK 84 / 0 / 26 / 27

HEX #1DB988

RGB 29 185 136

HSL 161.15, 0.73%, 0.42%

LAB 67.08, -49.72, 14.25

 

CMYK 42 / 84 / 0 / 27

HEX #6B1DBA

RGB 107 29 186

HSL 269.81, 0.73%, 0.42%

LAB 33.03, 61.06, -66.73

 

CMYK 0 / 84 / 83 / 27

HEX #B91D20

RGB 185 29 32

HSL 358.85, 0.73%, 0.42%

LAB 40.08, 59.15, 40.18

 

CMYK 41 / 0 / 84 / 27

HEX #6EB91D

RGB 110 185 29

HSL 88.85, 0.73%, 0.42%

LAB 68.1, -46.45, 63.92

 

CMYK 84 / 0 / 1 / 27

HEX #1DB9B7

RGB 29 185 183

HSL 179.23, 0.73%, 0.42%

LAB 68.3, -37.11, -9.79

 

Description

Color code: HEX #6B1DBA | qconv.com Color code: HEX #6B1DBA | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 29 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 29 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 84 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 84% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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