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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B0C92 it is the complementary color #94F36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B0C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B0C92 shade: #700C8D, #811EA0, #9230B3, #A342C6 and #B454D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B0C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B0C92 shade: #6B0C92, #5A007F, #49006C, #380059 and #270046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B0C92 shade: #6B0C92, #8F0C92, #920C71, #920C4D and #920C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B0C92 shade: #6B0C92, #470C92, #230C92 and #0C0C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B0C92 shade matches the following richer shades: #6B0C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B0C92 shade: #6B0C92, #661985, #602579, #5B326C and #563F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B0C92 shade: #220C92, #460C92, #6A0C92, #8E0C92 and #920C73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B0C92 shade: #330646, #4F096C, #6B0C92, #870FB8 and #A312DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B0C92 shade: #6B0C92, #920C19 and #0C9234

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B0C92 shade: #6B0C92, #926A0C and #0C926A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B0C92 shade: #6B0C92, #920C19, #34920C and #0C9285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B0C92 shade: #6B0C92, #92270C, #34920C and #0C7792

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

Complementary color

CMYK 39 / 0 / 55 / 5

HEX #94F36D

RGB 148 243 109

HSL 102.54, 0.85%, 0.69%

LAB 87.73, -51.65, 55.1

 

CMYK 21 / 91 / 0 / 45

HEX #700C8D

RGB 112 12 141

HSL 286.51, 0.84%, 0.3%

LAB 28.46, 56.52, -46.9

 

CMYK 19 / 81 / 0 / 37

HEX #811EA0

RGB 129 30 160

HSL 285.69, 0.68%, 0.37%

LAB 34.26, 58.65, -49.02

 

CMYK 18 / 73 / 0 / 30

HEX #9230B3

RGB 146 48 179

HSL 284.89, 0.58%, 0.45%

LAB 40.38, 59.5, -50.39

 

CMYK 18 / 67 / 0 / 22

HEX #A342C6

RGB 163 66 198

HSL 284.09, 0.54%, 0.52%

LAB 46.66, 59.6, -51.28

 

CMYK 17 / 61 / 0 / 15

HEX #B454D9

RGB 180 84 217

HSL 283.31, 0.64%, 0.59%

LAB 53.01, 59.28, -51.88

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 29 / 100 / 0 / 50

HEX #5A007F

RGB 90 0 127

HSL 282.52, 1%, 0.25%

LAB 22.67, 52.85, -47.71

 

CMYK 32 / 100 / 0 / 58

HEX #49006C

RGB 73 0 108

HSL 280.56, 1%, 0.21%

LAB 17.91, 46.67, -43.38

 

CMYK 37 / 100 / 0 / 65

HEX #380059

RGB 56 0 89

HSL 277.75, 1%, 0.17%

LAB 13, 40.31, -38.93

 

CMYK 44 / 100 / 0 / 73

HEX #270046

RGB 39 0 70

HSL 273.43, 1%, 0.14%

LAB 7.89, 33.72, -34.32

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 2 / 92 / 0 / 43

HEX #8F0C92

RGB 143 12 146

HSL 298.66, 0.85%, 0.31%

LAB 34.35, 62.72, -40.21

 

CMYK 0 / 92 / 23 / 43

HEX #920C71

RGB 146 12 113

HSL 314.78, 0.85%, 0.31%

LAB 33.06, 58.52, -21.59

 

CMYK 0 / 92 / 47 / 43

HEX #920C4D

RGB 146 12 77

HSL 330.9, 0.85%, 0.31%

LAB 31.6, 54.57, -0.47

 

CMYK 0 / 92 / 73 / 43

HEX #920C28

RGB 146 12 40

HSL 347.46, 0.85%, 0.31%

LAB 30.71, 52.06, 22.82

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 51 / 92 / 0 / 43

HEX #470C92

RGB 71 12 146

HSL 266.42, 0.85%, 0.31%

LAB 22.58, 52.1, -59.89

 

CMYK 76 / 92 / 0 / 43

HEX #230C92

RGB 35 12 146

HSL 250.3, 0.85%, 0.31%

LAB 18.78, 49.31, -66.3

 

CMYK 92 / 92 / 0 / 43

HEX #0C0C92

RGB 12 12 146

HSL 240, 0.85%, 0.31%

LAB 17.54, 48.51, -68.4

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 23 / 81 / 0 / 48

HEX #661985

RGB 102 25 133

HSL 282.78, 0.68%, 0.31%

LAB 27.33, 49.73, -43.82

 

CMYK 21 / 69 / 0 / 53

HEX #602579

RGB 96 37 121

HSL 282.14, 0.53%, 0.31%

LAB 27.27, 40.85, -36.41

 

CMYK 16 / 54 / 0 / 58

HEX #5B326C

RGB 91 50 108

HSL 282.41, 0.37%, 0.31%

LAB 28.35, 29.43, -26.45

 

CMYK 9 / 34 / 0 / 63

HEX #563F5F

RGB 86 63 95

HSL 283.13, 0.2%, 0.31%

LAB 30.3, 16.59, -15.11

 

CMYK 77 / 92 / 0 / 43

HEX #220C92

RGB 34 12 146

HSL 249.85, 0.85%, 0.31%

LAB 18.71, 49.26, -66.42

 

CMYK 52 / 92 / 0 / 43

HEX #460C92

RGB 70 12 146

HSL 265.97, 0.85%, 0.31%

LAB 22.44, 51.99, -60.11

 

CMYK 27 / 92 / 0 / 43

HEX #6A0C92

RGB 106 12 146

HSL 282.09, 0.85%, 0.31%

LAB 27.85, 56.58, -51.03

 

CMYK 3 / 92 / 0 / 43

HEX #8E0C92

RGB 142 12 146

HSL 298.21, 0.85%, 0.31%

LAB 34.17, 62.54, -40.52

 

CMYK 0 / 92 / 21 / 43

HEX #920C73

RGB 146 12 115

HSL 313.88, 0.85%, 0.31%

LAB 33.16, 58.78, -22.71

 

CMYK 27 / 91 / 0 / 73

HEX #330646

RGB 51 6 70

HSL 282.19, 0.84%, 0.15%

LAB 11.11, 32.56, -28.97

 

CMYK 27 / 92 / 0 / 58

HEX #4F096C

RGB 79 9 108

HSL 282.42, 0.85%, 0.23%

LAB 19.8, 45.08, -40.26

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 27 / 92 / 0 / 28

HEX #870FB8

RGB 135 15 184

HSL 282.6, 0.85%, 0.39%

LAB 35.89, 67.72, -60.69

 

CMYK 27 / 92 / 0 / 13

HEX #A312DF

RGB 163 18 223

HSL 282.44, 0.85%, 0.47%

LAB 43.58, 78.41, -70.65

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 0 / 92 / 83 / 43

HEX #920C19

RGB 146 12 25

HSL 354.18, 0.85%, 0.31%

LAB 30.51, 51.49, 32

 

CMYK 92 / 0 / 64 / 43

HEX #0C9234

RGB 12 146 52

HSL 137.91, 0.85%, 0.31%

LAB 52.82, -52.61, 39.71

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 0 / 27 / 92 / 43

HEX #926A0C

RGB 146 106 12

HSL 42.09, 0.85%, 0.31%

LAB 47.55, 8.19, 51.82

 

CMYK 92 / 0 / 27 / 43

HEX #0C926A

RGB 12 146 106

HSL 162.09, 0.85%, 0.31%

LAB 53.68, -42.53, 12.17

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 0 / 92 / 83 / 43

HEX #920C19

RGB 146 12 25

HSL 354.18, 0.85%, 0.31%

LAB 30.51, 51.49, 32

 

CMYK 64 / 0 / 92 / 43

HEX #34920C

RGB 52 146 12

HSL 102.09, 0.85%, 0.31%

LAB 53.29, -49.51, 53.87

 

CMYK 92 / 0 / 9 / 43

HEX #0C9285

RGB 12 146 133

HSL 174.18, 0.85%, 0.31%

LAB 54.37, -35.17, -2.31

 

CMYK 27 / 92 / 0 / 43

HEX #6B0C92

RGB 107 12 146

HSL 282.54, 0.85%, 0.31%

LAB 28.02, 56.73, -50.76

 

CMYK 0 / 73 / 92 / 43

HEX #92270C

RGB 146 39 12

HSL 12.09, 0.85%, 0.31%

LAB 33.11, 43.57, 40.84

 

CMYK 64 / 0 / 92 / 43

HEX #34920C

RGB 52 146 12

HSL 102.09, 0.85%, 0.31%

LAB 53.29, -49.51, 53.87

 

CMYK 92 / 18 / 0 / 43

HEX #0C7792

RGB 12 119 146

HSL 192.09, 0.85%, 0.31%

LAB 46.11, -17.31, -22.38

 

Description

Color code: HEX #6B0C92 | qconv.com Color code: HEX #6B0C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 12 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 12 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 92 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 92% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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