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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B05C8 it is the complementary color #94FA37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B05C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B05C8 shade: #7005C3, #8117D6, #9229E9, #A33BFC and #B44DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B05C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B05C8 shade: #6B05C8, #5A00B5, #4900A2, #38008F and #27007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B05C8 shade: #6A05C7, #9F05C7, #C705BB, #C70587 and #C70552

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B05C8 shade: #6A05C7, #3605C7 and #0505C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B05C8 shade matches the following richer shades: #6A05C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B05C8 shade: #6A05C7, #6A16B6, #6926A6, #683795 and #674785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B05C8 shade: #0508C7, #3605C7, #6905C7, #9D05C7 and #C705BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B05C8 shade: #3F0376, #55049F, #6A05C7, #8006EF and #9425F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B05C8 shade: #6B05C8, #C7053C and #05C71C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B05C8 shade: #6B05C8, #C76905 and #05C769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B05C8 shade: #6B05C8, #C7053C, #63C705 and #05C790

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B05C8 shade: #6B05C8, #C70805, #63C705 and #05C4C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

Complementary color

CMYK 41 / 0 / 78 / 2

HEX #94FA37

RGB 148 250 55

HSL 91.38, 0.95%, 0.6%

LAB 89.37, -58.53, 77.02

 

CMYK 43 / 97 / 0 / 24

HEX #7005C3

RGB 112 5 195

HSL 273.79, 0.95%, 0.39%

LAB 32.9, 68.61, -72.21

 

CMYK 40 / 89 / 0 / 16

HEX #8117D6

RGB 129 23 214

HSL 273.3, 0.81%, 0.46%

LAB 38.08, 71.52, -74.67

 

CMYK 37 / 82 / 0 / 9

HEX #9229E9

RGB 146 41 233

HSL 272.81, 0.81%, 0.54%

LAB 43.62, 73.12, -76.36

 

CMYK 35 / 77 / 0 / 1

HEX #A33BFC

RGB 163 59 252

HSL 272.33, 0.97%, 0.61%

LAB 49.43, 73.75, -77.47

 

CMYK 29 / 70 / 0 / 0

HEX #B44DFF

RGB 180 77 255

HSL 274.72, 1%, 0.65%

LAB 54.27, 70.32, -71.16

 

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

CMYK 50 / 100 / 0 / 29

HEX #5A00B5

RGB 90 0 181

HSL 269.83, 1%, 0.35%

LAB 28.14, 64.39, -71.89

 

CMYK 55 / 100 / 0 / 36

HEX #4900A2

RGB 73 0 162

HSL 267.04, 1%, 0.32%

LAB 23.75, 58.79, -67.77

 

CMYK 61 / 100 / 0 / 44

HEX #38008F

RGB 56 0 143

HSL 263.5, 1%, 0.28%

LAB 19.32, 53.14, -63.47

 

CMYK 69 / 100 / 0 / 51

HEX #27007C

RGB 39 0 124

HSL 258.87, 1%, 0.24%

LAB 14.88, 47.44, -58.91

 

CMYK 47 / 97 / 0 / 22

HEX #6A05C7

RGB 106 5 199

HSL 271.24, 0.95%, 0.4%

LAB 32.47, 68.9, -75.3

 

CMYK 20 / 97 / 0 / 22

HEX #9F05C7

RGB 159 5 199

HSL 287.63, 0.95%, 0.4%

LAB 40.58, 75.03, -61.71

 

CMYK 0 / 97 / 6 / 22

HEX #C705BB

RGB 199 5 187

HSL 303.71, 0.95%, 0.4%

LAB 46.76, 79.39, -44.38

 

CMYK 0 / 97 / 32 / 22

HEX #C70587

RGB 199 5 135

HSL 319.79, 0.95%, 0.4%

LAB 44.23, 72.99, -17.21

 

CMYK 0 / 97 / 59 / 22

HEX #C70552

RGB 199 5 82

HSL 336.19, 0.95%, 0.4%

LAB 42.55, 68.54, 13.38

 

CMYK 47 / 97 / 0 / 22

HEX #6A05C7

RGB 106 5 199

HSL 271.24, 0.95%, 0.4%

LAB 32.47, 68.9, -75.3

 

CMYK 73 / 97 / 0 / 22

HEX #3605C7

RGB 54 5 199

HSL 255.15, 0.95%, 0.4%

LAB 26.78, 65.62, -84.91

 

CMYK 97 / 97 / 0 / 22

HEX #0505C7

RGB 5 5 199

HSL 240, 0.95%, 0.4%

LAB 24.53, 64.66, -88.74

 

CMYK 47 / 97 / 0 / 22

HEX #6A05C7

RGB 106 5 199

HSL 271.24, 0.95%, 0.4%

LAB 32.47, 68.9, -75.3

 

CMYK 47 / 97 / 0 / 22

HEX #6A05C7

RGB 106 5 199

HSL 271.24, 0.95%, 0.4%

LAB 32.47, 68.9, -75.3

 

CMYK 42 / 88 / 0 / 29

HEX #6A16B6

RGB 106 22 182

HSL 271.5, 0.78%, 0.4%

LAB 31.84, 62.02, -66.31

 

CMYK 37 / 77 / 0 / 35

HEX #6926A6

RGB 105 38 166

HSL 271.41, 0.63%, 0.4%

LAB 32.13, 52.79, -56.27

 

CMYK 30 / 63 / 0 / 42

HEX #683795

RGB 104 55 149

HSL 271.28, 0.46%, 0.4%

LAB 33.66, 40.22, -43.49

 

CMYK 23 / 47 / 0 / 48

HEX #674785

RGB 103 71 133

HSL 270.97, 0.3%, 0.4%

LAB 36.14, 26.63, -29.73

 

CMYK 97 / 96 / 0 / 22

HEX #0508C7

RGB 5 8 199

HSL 239.07, 0.95%, 0.4%

LAB 24.73, 64.03, -88.39

 

CMYK 73 / 97 / 0 / 22

HEX #3605C7

RGB 54 5 199

HSL 255.15, 0.95%, 0.4%

LAB 26.78, 65.62, -84.91

 

CMYK 47 / 97 / 0 / 22

HEX #6905C7

RGB 105 5 199

HSL 270.93, 0.95%, 0.4%

LAB 32.34, 68.81, -75.53

 

CMYK 21 / 97 / 0 / 22

HEX #9D05C7

RGB 157 5 199

HSL 287.01, 0.95%, 0.4%

LAB 40.25, 74.76, -62.26

 

CMYK 0 / 97 / 5 / 22

HEX #C705BD

RGB 199 5 189

HSL 303.09, 0.95%, 0.4%

LAB 46.88, 79.67, -45.37

 

CMYK 47 / 97 / 0 / 54

HEX #3F0376

RGB 63 3 118

HSL 271.3, 0.95%, 0.24%

LAB 17.6, 46.83, -50.45

 

CMYK 47 / 97 / 0 / 38

HEX #55049F

RGB 85 4 159

HSL 271.35, 0.95%, 0.32%

LAB 25.33, 58.29, -63.29

 

CMYK 47 / 97 / 0 / 22

HEX #6A05C7

RGB 106 5 199

HSL 271.24, 0.95%, 0.4%

LAB 32.47, 68.9, -75.3

 

CMYK 46 / 97 / 0 / 6

HEX #8006EF

RGB 128 6 239

HSL 271.42, 0.95%, 0.48%

LAB 39.5, 79.2, -86.63

 

CMYK 41 / 85 / 0 / 2

HEX #9425F9

RGB 148 37 249

HSL 271.42, 0.95%, 0.56%

LAB 44.88, 77.9, -83.3

 

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

CMYK 0 / 97 / 70 / 22

HEX #C7053C

RGB 199 5 60

HSL 342.99, 0.95%, 0.4%

LAB 42.12, 67.36, 26.65

 

CMYK 97 / 0 / 86 / 22

HEX #05C71C

RGB 5 199 28

HSL 127.11, 0.95%, 0.4%

LAB 70.15, -70.53, 65.07

 

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

CMYK 0 / 47 / 97 / 22

HEX #C76905

RGB 199 105 5

HSL 30.93, 0.95%, 0.4%

LAB 54.3, 32.17, 61.27

 

CMYK 97 / 0 / 47 / 22

HEX #05C769

RGB 5 199 105

HSL 150.93, 0.95%, 0.4%

LAB 70.8, -62.4, 35.52

 

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

CMYK 0 / 97 / 70 / 22

HEX #C7053C

RGB 199 5 60

HSL 342.99, 0.95%, 0.4%

LAB 42.12, 67.36, 26.65

 

CMYK 50 / 0 / 97 / 22

HEX #63C705

RGB 99 199 5

HSL 90.93, 0.95%, 0.4%

LAB 71.9, -55.99, 70.7

 

CMYK 97 / 0 / 28 / 22

HEX #05C790

RGB 5 199 144

HSL 162.99, 0.95%, 0.4%

LAB 71.48, -54.51, 16.06

 

CMYK 47 / 98 / 0 / 22

HEX #6B05C8

RGB 107 5 200

HSL 271.38, 0.95%, 0.4%

LAB 32.71, 69.21, -75.49

 

CMYK 0 / 96 / 97 / 22

HEX #C70805

RGB 199 8 5

HSL 0.93, 0.95%, 0.4%

LAB 41.73, 65.72, 54.11

 

CMYK 50 / 0 / 97 / 22

HEX #63C705

RGB 99 199 5

HSL 90.93, 0.95%, 0.4%

LAB 71.9, -55.99, 70.7

 

CMYK 97 / 2 / 0 / 22

HEX #05C4C7

RGB 5 196 199

HSL 180.93, 0.95%, 0.4%

LAB 71.98, -38.39, -13.06

 

Description

Color code: HEX #6B05C8 | qconv.com Color code: HEX #6B05C8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 5 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 5 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 98 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 98% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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