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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B0597 it is the complementary color #94FA68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B0597. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B0597 shade: #700592, #8117A5, #9229B8, #A33BCB and #B44DDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B0597. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B0597 shade: #6B0597, #5A0084, #490071, #38005E and #27004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B0597 shade: #6C0499, #940499, #990475, #99044D and #990425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B0597 shade: #6C0499, #440499, #1C0499 and #040499

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B0597 shade matches the following richer shades: #6C0499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B0597 shade: #6C0499, #67118C, #621E7F, #5D2B72 and #583766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B0597 shade: #1B0499, #420499, #6A0499, #910499 and #990479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B0597 shade: #330249, #500371, #6C0499, #8805C1 and #A507E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B0597 shade: #6B0597, #990416 and #04992E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B0597 shade: #6B0597, #996A04 and #04996A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B0597 shade: #6B0597, #990416, #339904 and #049988

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B0597 shade: #6B0597, #991F04, #339904 and #047E99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

Complementary color

CMYK 41 / 0 / 58 / 2

HEX #94FA68

RGB 148 250 104

HSL 101.92, 0.94%, 0.69%

LAB 89.7, -54.98, 59.58

 

CMYK 23 / 97 / 0 / 43

HEX #700592

RGB 112 5 146

HSL 285.53, 0.93%, 0.3%

LAB 28.46, 58.69, -50.01

 

CMYK 22 / 86 / 0 / 35

HEX #8117A5

RGB 129 23 165

HSL 284.79, 0.76%, 0.37%

LAB 33.98, 61.53, -52.5

 

CMYK 21 / 78 / 0 / 28

HEX #9229B8

RGB 146 41 184

HSL 284.06, 0.64%, 0.44%

LAB 39.84, 62.99, -54.2

 

CMYK 20 / 71 / 0 / 20

HEX #A33BCB

RGB 163 59 203

HSL 283.33, 0.58%, 0.51%

LAB 45.94, 63.5, -55.32

 

CMYK 19 / 65 / 0 / 13

HEX #B44DDE

RGB 180 77 222

HSL 282.62, 0.69%, 0.59%

LAB 52.16, 63.44, -56.08

 

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

CMYK 32 / 100 / 0 / 48

HEX #5A0084

RGB 90 0 132

HSL 280.91, 1%, 0.26%

LAB 23.13, 53.87, -50.12

 

CMYK 35 / 100 / 0 / 56

HEX #490071

RGB 73 0 113

HSL 278.76, 1%, 0.22%

LAB 18.4, 47.74, -45.84

 

CMYK 40 / 100 / 0 / 63

HEX #38005E

RGB 56 0 94

HSL 275.74, 1%, 0.18%

LAB 13.52, 41.45, -41.43

 

CMYK 48 / 100 / 0 / 71

HEX #27004B

RGB 39 0 75

HSL 271.2, 1%, 0.15%

LAB 8.48, 34.95, -36.87

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 3 / 97 / 0 / 40

HEX #940499

RGB 148 4 153

HSL 297.99, 0.95%, 0.31%

LAB 35.37, 65.76, -42.82

 

CMYK 0 / 97 / 24 / 40

HEX #990475

RGB 153 4 117

HSL 314.5, 0.95%, 0.31%

LAB 34.28, 61.59, -22.13

 

CMYK 0 / 97 / 50 / 40

HEX #99044D

RGB 153 4 77

HSL 330.6, 0.95%, 0.31%

LAB 32.69, 57.42, 1.3

 

CMYK 0 / 97 / 76 / 40

HEX #990425

RGB 153 4 37

HSL 346.71, 0.95%, 0.31%

LAB 31.79, 54.98, 26.42

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 56 / 97 / 0 / 40

HEX #440499

RGB 68 4 153

HSL 265.77, 0.95%, 0.31%

LAB 22.36, 55.39, -64.59

 

CMYK 82 / 97 / 0 / 40

HEX #1C0499

RGB 28 4 153

HSL 249.66, 0.95%, 0.31%

LAB 18.51, 53.29, -71.09

 

CMYK 97 / 97 / 0 / 40

HEX #040499

RGB 4 4 153

HSL 240, 0.95%, 0.31%

LAB 17.52, 52.86, -72.78

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 26 / 88 / 0 / 45

HEX #67118C

RGB 103 17 140

HSL 281.95, 0.78%, 0.31%

LAB 27.24, 53.76, -48.34

 

CMYK 23 / 76 / 0 / 50

HEX #621E7F

RGB 98 30 127

HSL 282.06, 0.62%, 0.31%

LAB 26.9, 45.76, -40.78

 

CMYK 18 / 62 / 0 / 55

HEX #5D2B72

RGB 93 43 114

HSL 282.25, 0.45%, 0.31%

LAB 27.49, 35.39, -31.63

 

CMYK 14 / 46 / 0 / 60

HEX #583766

RGB 88 55 102

HSL 282.13, 0.3%, 0.31%

LAB 28.82, 24.01, -21.9

 

CMYK 82 / 97 / 0 / 40

HEX #1B0499

RGB 27 4 153

HSL 249.26, 0.95%, 0.31%

LAB 18.45, 53.26, -71.19

 

CMYK 57 / 97 / 0 / 40

HEX #420499

RGB 66 4 153

HSL 264.97, 0.95%, 0.31%

LAB 22.11, 55.24, -65.01

 

CMYK 31 / 97 / 0 / 40

HEX #6A0499

RGB 106 4 153

HSL 281.07, 0.95%, 0.31%

LAB 27.98, 59.41, -55.13

 

CMYK 5 / 97 / 0 / 40

HEX #910499

RGB 145 4 153

HSL 296.78, 0.95%, 0.31%

LAB 34.82, 65.25, -43.73

 

CMYK 0 / 97 / 21 / 40

HEX #990479

RGB 153 4 121

HSL 312.89, 0.95%, 0.31%

LAB 34.48, 62.09, -24.35

 

CMYK 30 / 97 / 0 / 71

HEX #330249

RGB 51 2 73

HSL 281.41, 0.95%, 0.15%

LAB 10.76, 35.09, -31.63

 

CMYK 29 / 97 / 0 / 56

HEX #500371

RGB 80 3 113

HSL 282, 0.95%, 0.23%

LAB 19.89, 47.86, -43.35

 

CMYK 29 / 97 / 0 / 40

HEX #6C0499

RGB 108 4 153

HSL 281.88, 0.95%, 0.31%

LAB 28.31, 59.67, -54.58

 

CMYK 30 / 97 / 0 / 24

HEX #8805C1

RGB 136 5 193

HSL 281.81, 0.95%, 0.39%

LAB 36.35, 70.91, -65.24

 

CMYK 29 / 97 / 0 / 9

HEX #A507E9

RGB 165 7 233

HSL 281.95, 0.94%, 0.47%

LAB 44.28, 81.73, -75.17

 

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

CMYK 0 / 97 / 86 / 40

HEX #990416

RGB 153 4 22

HSL 352.75, 0.95%, 0.31%

LAB 31.62, 54.5, 35.34

 

CMYK 97 / 0 / 70 / 40

HEX #04992E

RGB 4 153 46

HSL 136.91, 0.95%, 0.31%

LAB 55.08, -56, 44.8

 

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

CMYK 0 / 31 / 97 / 40

HEX #996A04

RGB 153 106 4

HSL 41.07, 0.95%, 0.31%

LAB 48.37, 11.32, 54.54

 

CMYK 97 / 0 / 31 / 40

HEX #04996A

RGB 4 153 106

HSL 161.07, 0.95%, 0.31%

LAB 55.94, -45.74, 15.29

 

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

CMYK 0 / 97 / 86 / 40

HEX #990416

RGB 153 4 22

HSL 352.75, 0.95%, 0.31%

LAB 31.62, 54.5, 35.34

 

CMYK 67 / 0 / 97 / 40

HEX #339904

RGB 51 153 4

HSL 101.07, 0.95%, 0.31%

LAB 55.58, -52.39, 57.06

 

CMYK 97 / 0 / 11 / 40

HEX #049988

RGB 4 153 136

HSL 173.15, 0.95%, 0.31%

LAB 56.67, -37.82, -0.67

 

CMYK 29 / 97 / 0 / 41

HEX #6B0597

RGB 107 5 151

HSL 281.92, 0.94%, 0.31%

LAB 28.03, 58.96, -53.82

 

CMYK 0 / 80 / 97 / 40

HEX #991F04

RGB 153 31 4

HSL 10.87, 0.95%, 0.31%

LAB 33.48, 48.55, 44.94

 

CMYK 67 / 0 / 97 / 40

HEX #339904

RGB 51 153 4

HSL 101.07, 0.95%, 0.31%

LAB 55.58, -52.39, 57.06

 

CMYK 97 / 18 / 0 / 40

HEX #047E99

RGB 4 126 153

HSL 190.87, 0.95%, 0.31%

LAB 48.57, -18.99, -22.7

 

Description

Color code: HEX #6B0597 | qconv.com Color code: HEX #6B0597 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 5 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 5 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 97 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 97% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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