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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B01CB it is the complementary color #94FE34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B01CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B01CB shade: #7001C6, #8113D9, #9225EC, #A337FF and #B449FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B01CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B01CB shade: #6B01CB, #5A00B8, #4900A5, #380092 and #27007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B01CB shade: #6B01CB, #A101CB, #CB01BE, #CB0188 and #CB0151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B01CB shade: #6B01CB, #3501CB and #0101CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B01CB shade matches the following richer shades: #6B01CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B01CB shade: #6B01CB, #6A12BA, #6922AA, #693399 and #684389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B01CB shade: #0104CB, #3401CB, #6901CB, #9F01CB and #CB01C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B01CB shade: #400179, #5501A2, #6B01CB, #8101F4 and #9521FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B01CB shade: #6B01CB, #CB013A and #01CB19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B01CB shade: #6B01CB, #CB6901 and #01CB69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B01CB shade: #6B01CB, #CB013A, #63CB01 and #01CB92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B01CB shade: #6B01CB, #CB0401, #63CB01 and #01C8CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

Complementary color

CMYK 42 / 0 / 80 / 0

HEX #94FE34

RGB 148 254 52

HSL 91.49, 0.99%, 0.6%

LAB 90.52, -60.2, 78.89

 

CMYK 43 / 99 / 0 / 22

HEX #7001C6

RGB 112 1 198

HSL 273.81, 0.99%, 0.39%

LAB 33.01, 69.82, -73.8

 

CMYK 41 / 91 / 0 / 15

HEX #8113D9

RGB 129 19 217

HSL 273.33, 0.84%, 0.46%

LAB 38.1, 72.93, -76.38

 

CMYK 38 / 84 / 0 / 7

HEX #9225EC

RGB 146 37 236

HSL 272.86, 0.84%, 0.54%

LAB 43.49, 74.89, -78.27

 

CMYK 36 / 78 / 0 / 0

HEX #A337FF

RGB 163 55 255

HSL 272.4, 1%, 0.61%

LAB 49.18, 75.8, -79.54

 

CMYK 29 / 71 / 0 / 0

HEX #B449FF

RGB 180 73 255

HSL 275.27, 1%, 0.64%

LAB 53.69, 71.94, -72.1

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 51 / 100 / 0 / 28

HEX #5A00B8

RGB 90 0 184

HSL 269.35, 1%, 0.36%

LAB 28.47, 65.06, -73.13

 

CMYK 56 / 100 / 0 / 35

HEX #4900A5

RGB 73 0 165

HSL 266.55, 1%, 0.32%

LAB 24.11, 59.49, -69.01

 

CMYK 62 / 100 / 0 / 43

HEX #380092

RGB 56 0 146

HSL 263.01, 1%, 0.29%

LAB 19.7, 53.86, -64.7

 

CMYK 69 / 100 / 0 / 50

HEX #27007F

RGB 39 0 127

HSL 258.43, 1%, 0.25%

LAB 15.3, 48.2, -60.13

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 21 / 100 / 0 / 20

HEX #A101CB

RGB 161 1 203

HSL 287.52, 0.99%, 0.4%

LAB 41.07, 76.42, -63.21

 

CMYK 0 / 100 / 6 / 20

HEX #CB01BE

RGB 203 1 190

HSL 303.86, 0.99%, 0.4%

LAB 47.54, 80.82, -44.85

 

CMYK 0 / 100 / 33 / 20

HEX #CB0188

RGB 203 1 136

HSL 319.9, 0.99%, 0.4%

LAB 44.94, 74.28, -16.68

 

CMYK 0 / 100 / 60 / 20

HEX #CB0151

RGB 203 1 81

HSL 336.24, 0.99%, 0.4%

LAB 43.23, 69.79, 15.07

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 74 / 100 / 0 / 20

HEX #3501CB

RGB 53 1 203

HSL 255.45, 0.99%, 0.4%

LAB 26.99, 67.32, -86.91

 

CMYK 100 / 100 / 0 / 20

HEX #0101CB

RGB 1 1 203

HSL 240, 0.99%, 0.4%

LAB 24.76, 66.49, -90.69

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 43 / 90 / 0 / 27

HEX #6A12BA

RGB 106 18 186

HSL 271.43, 0.82%, 0.4%

LAB 31.9, 63.86, -68.58

 

CMYK 38 / 80 / 0 / 33

HEX #6922AA

RGB 105 34 170

HSL 271.32, 0.67%, 0.4%

LAB 31.92, 55.31, -59.02

 

CMYK 31 / 67 / 0 / 40

HEX #693399

RGB 105 51 153

HSL 271.76, 0.5%, 0.4%

LAB 33.29, 43.57, -46.52

 

CMYK 24 / 51 / 0 / 46

HEX #684389

RGB 104 67 137

HSL 271.71, 0.34%, 0.4%

LAB 35.52, 30.34, -33.16

 

CMYK 100 / 98 / 0 / 20

HEX #0104CB

RGB 1 4 203

HSL 239.11, 0.99%, 0.4%

LAB 24.97, 65.86, -90.35

 

CMYK 74 / 100 / 0 / 20

HEX #3401CB

RGB 52 1 203

HSL 255.15, 0.99%, 0.4%

LAB 26.92, 67.28, -87.04

 

CMYK 48 / 100 / 0 / 20

HEX #6901CB

RGB 105 1 203

HSL 270.89, 0.99%, 0.4%

LAB 32.56, 70.26, -77.5

 

CMYK 22 / 100 / 0 / 20

HEX #9F01CB

RGB 159 1 203

HSL 286.93, 0.99%, 0.4%

LAB 40.74, 76.16, -63.77

 

CMYK 0 / 100 / 5 / 20

HEX #CB01C1

RGB 203 1 193

HSL 302.97, 0.99%, 0.4%

LAB 47.71, 81.24, -46.33

 

CMYK 47 / 99 / 0 / 53

HEX #400179

RGB 64 1 121

HSL 271.5, 0.98%, 0.24%

LAB 17.88, 48.24, -51.91

 

CMYK 48 / 99 / 0 / 36

HEX #5501A2

RGB 85 1 162

HSL 271.3, 0.99%, 0.32%

LAB 25.45, 59.56, -64.91

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 47 / 100 / 0 / 4

HEX #8101F4

RGB 129 1 244

HSL 271.6, 0.99%, 0.48%

LAB 39.95, 80.87, -88.71

 

CMYK 41 / 87 / 0 / 0

HEX #9521FE

RGB 149 33 254

HSL 271.49, 0.99%, 0.56%

LAB 45.13, 80.05, -85.7

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 0 / 100 / 71 / 20

HEX #CB013A

RGB 203 1 58

HSL 343.07, 0.99%, 0.4%

LAB 42.8, 68.63, 28.92

 

CMYK 100 / 0 / 88 / 20

HEX #01CB19

RGB 1 203 25

HSL 127.13, 0.99%, 0.4%

LAB 71.41, -71.91, 66.79

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 0 / 48 / 100 / 20

HEX #CB6901

RGB 203 105 1

HSL 30.89, 0.99%, 0.4%

LAB 54.87, 33.78, 62.7

 

CMYK 100 / 0 / 48 / 20

HEX #01CB69

RGB 1 203 105

HSL 150.89, 0.99%, 0.4%

LAB 72.05, -63.87, 37.1

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 0 / 100 / 71 / 20

HEX #CB013A

RGB 203 1 58

HSL 343.07, 0.99%, 0.4%

LAB 42.8, 68.63, 28.92

 

CMYK 51 / 0 / 100 / 20

HEX #63CB01

RGB 99 203 1

HSL 90.89, 0.99%, 0.4%

LAB 73.13, -57.52, 72.1

 

CMYK 100 / 0 / 28 / 20

HEX #01CB92

RGB 1 203 146

HSL 163.07, 0.99%, 0.4%

LAB 72.76, -55.69, 16.76

 

CMYK 47 / 100 / 0 / 20

HEX #6B01CB

RGB 107 1 203

HSL 271.49, 0.99%, 0.4%

LAB 32.83, 70.43, -77.05

 

CMYK 0 / 98 / 100 / 20

HEX #CB0401

RGB 203 4 1

HSL 0.89, 0.99%, 0.4%

LAB 42.44, 67.09, 56.3

 

CMYK 51 / 0 / 100 / 20

HEX #63CB01

RGB 99 203 1

HSL 90.89, 0.99%, 0.4%

LAB 73.13, -57.52, 72.1

 

CMYK 100 / 1 / 0 / 20

HEX #01C8CB

RGB 1 200 203

HSL 180.89, 0.99%, 0.4%

LAB 73.3, -39.11, -13.26

 

Description

Color code: HEX #6B01CB | qconv.com Color code: HEX #6B01CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 1 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 1 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 100 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 100% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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