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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AFD64 it is the complementary color #95029B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AFD64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AFD64 shade: #6FFD5F, #80FF72, #91FF85, #A2FF98 and #B3FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AFD64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AFD64 shade: #6AFD64, #59EB51, #48D93E, #37C72B and #26B518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AFD64 shade: #69FD63, #93FD63, #BCFD63, #E5FD63 and #FDEB63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AFD64 shade: #69FD63, #63FD87, #63FDB0, #63FDD9 and #63F7FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AFD64 shade matches the following richer shades: #69FD63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AFD64 shade: #69FD63, #75F070, #81E37D, #8DD68A and #98C996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AFD64 shade: #BDFD63, #94FD63, #6BFD63, #63FD84 and #63FDAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AFD64 shade: #1BFB12, #42FC3B, #69FD63, #90FD8C and #B7FEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AFD64 shade: #6AFD64, #63E6FD and #FD63A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AFD64 shade: #6AFD64, #636BFD and #FD636B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AFD64 shade: #6AFD64, #63E6FD, #F563FD and #FD7A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AFD64 shade: #6AFD64, #63B8FD, #F563FD and #FDA863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

Complementary color

CMYK 4 / 99 / 0 / 39

HEX #95029B

RGB 149 2 155

HSL 297.65, 0.97%, 0.31%

LAB 35.6, 66.5, -43.66

 

CMYK 56 / 0 / 62 / 1

HEX #6FFD5F

RGB 111 253 95

HSL 113.92, 0.98%, 0.68%

LAB 89.14, -67.13, 62.35

 

CMYK 50 / 0 / 55 / 0

HEX #80FF72

RGB 128 255 114

HSL 114.04, 1%, 0.72%

LAB 90.47, -61.59, 55.89

 

CMYK 43 / 0 / 48 / 0

HEX #91FF85

RGB 145 255 133

HSL 114.1, 1%, 0.76%

LAB 91.34, -54.6, 48.38

 

CMYK 36 / 0 / 40 / 0

HEX #A2FF98

RGB 162 255 152

HSL 114.17, 1%, 0.8%

LAB 92.34, -47, 40.67

 

CMYK 30 / 0 / 33 / 0

HEX #B3FFAB

RGB 179 255 171

HSL 114.29, 1%, 0.84%

LAB 93.47, -38.92, 32.91

 

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

CMYK 62 / 0 / 66 / 8

HEX #59EB51

RGB 89 235 81

HSL 116.88, 0.79%, 0.62%

LAB 82.98, -67.21, 61.07

 

CMYK 67 / 0 / 71 / 15

HEX #48D93E

RGB 72 217 62

HSL 116.13, 0.67%, 0.55%

LAB 76.89, -66.3, 61.74

 

CMYK 72 / 0 / 78 / 22

HEX #37C72B

RGB 55 199 43

HSL 115.38, 0.64%, 0.47%

LAB 70.76, -64.94, 61.89

 

CMYK 79 / 0 / 87 / 29

HEX #26B518

RGB 38 181 24

HSL 114.65, 0.77%, 0.4%

LAB 64.58, -62.96, 61.12

 

CMYK 58 / 0 / 61 / 1

HEX #69FD63

RGB 105 253 99

HSL 117.66, 0.97%, 0.69%

LAB 89, -68.13, 60.48

 

CMYK 42 / 0 / 61 / 1

HEX #93FD63

RGB 147 253 99

HSL 101.3, 0.97%, 0.69%

LAB 90.48, -56.95, 62.56

 

CMYK 26 / 0 / 61 / 1

HEX #BCFD63

RGB 188 253 99

HSL 85.32, 0.97%, 0.69%

LAB 92.51, -43.31, 65.37

 

CMYK 9 / 0 / 61 / 1

HEX #E5FD63

RGB 229 253 99

HSL 69.35, 0.97%, 0.69%

LAB 95.08, -27.93, 68.92

 

CMYK 0 / 7 / 61 / 1

HEX #FDEB63

RGB 253 235 99

HSL 52.99, 0.97%, 0.69%

LAB 92.22, -9.69, 66.35

 

CMYK 58 / 0 / 61 / 1

HEX #69FD63

RGB 105 253 99

HSL 117.66, 0.97%, 0.69%

LAB 89, -68.13, 60.48

 

CMYK 61 / 0 / 47 / 1

HEX #63FD87

RGB 99 253 135

HSL 134.03, 0.97%, 0.69%

LAB 89.23, -64.91, 44.46

 

CMYK 61 / 0 / 30 / 1

HEX #63FDB0

RGB 99 253 176

HSL 150, 0.97%, 0.69%

LAB 89.88, -57.9, 25.01

 

CMYK 61 / 0 / 14 / 1

HEX #63FDD9

RGB 99 253 217

HSL 165.97, 0.97%, 0.69%

LAB 90.74, -49.07, 5.16

 

CMYK 61 / 2 / 0 / 1

HEX #63F7FD

RGB 99 247 253

HSL 182.34, 0.97%, 0.69%

LAB 89.98, -37.32, -14.67

 

CMYK 58 / 0 / 61 / 1

HEX #69FD63

RGB 105 253 99

HSL 117.66, 0.97%, 0.69%

LAB 89, -68.13, 60.48

 

CMYK 58 / 0 / 61 / 1

HEX #69FD63

RGB 105 253 99

HSL 117.66, 0.97%, 0.69%

LAB 89, -68.13, 60.48

 

CMYK 51 / 0 / 53 / 6

HEX #75F070

RGB 117 240 112

HSL 117.66, 0.81%, 0.69%

LAB 85.64, -59.03, 50.96

 

CMYK 43 / 0 / 45 / 11

HEX #81E37D

RGB 129 227 125

HSL 117.65, 0.65%, 0.69%

LAB 82.42, -48.85, 40.91

 

CMYK 34 / 0 / 36 / 16

HEX #8DD68A

RGB 141 214 138

HSL 117.63, 0.48%, 0.69%

LAB 79.38, -37.62, 30.53

 

CMYK 24 / 0 / 25 / 21

HEX #98C996

RGB 152 201 150

HSL 117.65, 0.32%, 0.69%

LAB 76.47, -25.94, 20.42

 

CMYK 25 / 0 / 61 / 1

HEX #BDFD63

RGB 189 253 99

HSL 84.94, 0.97%, 0.69%

LAB 92.56, -42.96, 65.45

 

CMYK 42 / 0 / 61 / 1

HEX #94FD63

RGB 148 253 99

HSL 100.91, 0.97%, 0.69%

LAB 90.53, -56.65, 62.62

 

CMYK 58 / 0 / 61 / 1

HEX #6BFD63

RGB 107 253 99

HSL 116.88, 0.97%, 0.69%

LAB 89.05, -67.67, 60.56

 

CMYK 61 / 0 / 48 / 1

HEX #63FD84

RGB 99 253 132

HSL 132.86, 0.97%, 0.69%

LAB 89.19, -65.35, 45.84

 

CMYK 61 / 0 / 32 / 1

HEX #63FDAD

RGB 99 253 173

HSL 148.83, 0.97%, 0.69%

LAB 89.82, -58.47, 26.45

 

CMYK 89 / 0 / 93 / 2

HEX #1BFB12

RGB 27 251 18

HSL 117.68, 0.97%, 0.53%

LAB 86.64, -83.82, 80.82

 

CMYK 74 / 0 / 77 / 1

HEX #42FC3B

RGB 66 252 59

HSL 117.82, 0.97%, 0.61%

LAB 87.53, -78.41, 73.26

 

CMYK 58 / 0 / 61 / 1

HEX #69FD63

RGB 105 253 99

HSL 117.66, 0.97%, 0.69%

LAB 89, -68.13, 60.48

 

CMYK 43 / 0 / 45 / 1

HEX #90FD8C

RGB 144 253 140

HSL 117.88, 0.97%, 0.77%

LAB 90.81, -53.15, 44.38

 

CMYK 28 / 0 / 29 / 0

HEX #B7FEB5

RGB 183 254 181

HSL 118.36, 0.97%, 0.85%

LAB 93.58, -35.64, 28.07

 

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

CMYK 61 / 9 / 0 / 1

HEX #63E6FD

RGB 99 230 253

HSL 188.96, 0.97%, 0.69%

LAB 85.17, -29.31, -21.93

 

CMYK 0 / 61 / 34 / 1

HEX #FD63A8

RGB 253 99 168

HSL 333.12, 0.97%, 0.69%

LAB 63.86, 64.8, -6.26

 

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

CMYK 61 / 58 / 0 / 1

HEX #636BFD

RGB 99 107 253

HSL 236.88, 0.97%, 0.69%

LAB 52.13, 39.56, -73.88

 

CMYK 0 / 61 / 58 / 1

HEX #FD636B

RGB 253 99 107

HSL 356.88, 0.97%, 0.69%

LAB 62.4, 59.22, 26.72

 

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

CMYK 61 / 9 / 0 / 1

HEX #63E6FD

RGB 99 230 253

HSL 188.96, 0.97%, 0.69%

LAB 85.17, -29.31, -21.93

 

CMYK 3 / 61 / 0 / 1

HEX #F563FD

RGB 245 99 253

HSL 296.88, 0.97%, 0.69%

LAB 66.08, 74.76, -50.67

 

CMYK 0 / 52 / 61 / 1

HEX #FD7A63

RGB 253 122 99

HSL 8.96, 0.97%, 0.69%

LAB 66.29, 48.16, 36.18

 

CMYK 58 / 0 / 60 / 1

HEX #6AFD64

RGB 106 253 100

HSL 117.65, 0.97%, 0.69%

LAB 89.03, -67.8, 60.11

 

CMYK 61 / 27 / 0 / 1

HEX #63B8FD

RGB 99 184 253

HSL 206.88, 0.97%, 0.69%

LAB 72.25, -5.63, -41.82

 

CMYK 3 / 61 / 0 / 1

HEX #F563FD

RGB 245 99 253

HSL 296.88, 0.97%, 0.69%

LAB 66.08, 74.76, -50.67

 

CMYK 0 / 34 / 61 / 1

HEX #FDA863

RGB 253 168 99

HSL 26.88, 0.97%, 0.69%

LAB 75.94, 24.77, 47.9

 

Description

Color code: HEX #6AFD64 | qconv.com Color code: HEX #6AFD64 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 253 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 253 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 60 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 60% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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