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Color name
HEX #6AF7E1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AF7E1 it is the complementary color #95081E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AF7E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AF7E1 shade: #6FF7DC, #80FFEF, #91FFFF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AF7E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AF7E1 shade: #6AF7E1, #59E5CE, #48D3BB, #37C1A8 and #26AF95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AF7E1 shade: #69F7E1, #69F7BB, #69F794, #69F76E and #8AF769

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AF7E1 shade: #69F7E1, #69E7F7, #69C1F7, #699AF7 and #6974F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AF7E1 shade matches the following richer shades: #69F7E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AF7E1 shade: #69F7E1, #76EAD8, #82DECF, #8FD1C6 and #9CC4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AF7E1 shade: #69F793, #69F7B9, #69F7DF, #69E9F7 and #69C3F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AF7E1 shade: #1AF3D1, #42F5D9, #69F7E1, #90F9E9 and #B7FBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AF7E1 shade: #6AF7E1, #6E69F7 and #F7A669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AF7E1 shade: #6AF7E1, #DF69F7 and #F7DF69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AF7E1 shade: #6AF7E1, #6E69F7, #F76981 and #F2F769

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AF7E1 shade: #6AF7E1, #9869F7, #F76981 and #C8F769

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

Complementary color

CMYK 0 / 95 / 80 / 42

HEX #95081E

RGB 149 8 30

HSL 350.64, 0.9%, 0.31%

LAB 31.01, 53.08, 29.71

 

CMYK 55 / 0 / 11 / 3

HEX #6FF7DC

RGB 111 247 220

HSL 168.09, 0.89%, 0.7%

LAB 89.42, -43.56, 1.73

 

CMYK 50 / 0 / 6 / 0

HEX #80FFEF

RGB 128 255 239

HSL 172.44, 1%, 0.75%

LAB 92.73, -39.15, -3.24

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

CMYK 61 / 0 / 10 / 10

HEX #59E5CE

RGB 89 229 206

HSL 170.14, 0.73%, 0.62%

LAB 83.24, -43.1, -0.01

 

CMYK 66 / 0 / 11 / 17

HEX #48D3BB

RGB 72 211 187

HSL 169.64, 0.61%, 0.55%

LAB 77.01, -42.75, 0.97

 

CMYK 72 / 0 / 13 / 24

HEX #37C1A8

RGB 55 193 168

HSL 169.13, 0.56%, 0.49%

LAB 70.72, -42.23, 2.05

 

CMYK 78 / 0 / 15 / 31

HEX #26AF95

RGB 38 175 149

HSL 168.61, 0.64%, 0.42%

LAB 64.36, -41.46, 3.24

 

CMYK 57 / 0 / 9 / 3

HEX #69F7E1

RGB 105 247 225

HSL 170.7, 0.9%, 0.69%

LAB 89.37, -43.5, -0.96

 

CMYK 57 / 0 / 24 / 3

HEX #69F7BB

RGB 105 247 187

HSL 154.65, 0.9%, 0.69%

LAB 88.5, -52.11, 17.5

 

CMYK 57 / 0 / 40 / 3

HEX #69F794

RGB 105 247 148

HSL 138.17, 0.9%, 0.69%

LAB 87.81, -59.39, 36.33

 

CMYK 57 / 0 / 55 / 3

HEX #69F76E

RGB 105 247 110

HSL 122.11, 0.9%, 0.69%

LAB 87.31, -64.78, 53.76

 

CMYK 44 / 0 / 57 / 3

HEX #8AF769

RGB 138 247 105

HSL 106.06, 0.9%, 0.69%

LAB 88.42, -56.7, 57.56

 

CMYK 57 / 0 / 9 / 3

HEX #69F7E1

RGB 105 247 225

HSL 170.7, 0.9%, 0.69%

LAB 89.37, -43.5, -0.96

 

CMYK 57 / 6 / 0 / 3

HEX #69E7F7

RGB 105 231 247

HSL 186.76, 0.9%, 0.69%

LAB 85.44, -30.43, -18.34

 

CMYK 57 / 22 / 0 / 3

HEX #69C1F7

RGB 105 193 247

HSL 202.82, 0.9%, 0.69%

LAB 74.74, -11.22, -34.69

 

CMYK 57 / 38 / 0 / 3

HEX #699AF7

RGB 105 154 247

HSL 219.3, 0.9%, 0.69%

LAB 64.02, 10.6, -51.47

 

CMYK 57 / 53 / 0 / 3

HEX #6974F7

RGB 105 116 247

HSL 235.35, 0.9%, 0.69%

LAB 54.25, 33.27, -67.11

 

CMYK 57 / 0 / 9 / 3

HEX #69F7E1

RGB 105 247 225

HSL 170.7, 0.9%, 0.69%

LAB 89.37, -43.5, -0.96

 

CMYK 57 / 0 / 9 / 3

HEX #69F7E1

RGB 105 247 225

HSL 170.7, 0.9%, 0.69%

LAB 89.37, -43.5, -0.96

 

CMYK 50 / 0 / 8 / 8

HEX #76EAD8

RGB 118 234 216

HSL 170.69, 0.73%, 0.69%

LAB 85.83, -37.23, -1.39

 

CMYK 41 / 0 / 7 / 13

HEX #82DECF

RGB 130 222 207

HSL 170.22, 0.58%, 0.69%

LAB 82.64, -30.95, -1.25

 

CMYK 32 / 0 / 5 / 18

HEX #8FD1C6

RGB 143 209 198

HSL 170, 0.42%, 0.69%

LAB 79.34, -23.21, -1.22

 

CMYK 20 / 0 / 3 / 23

HEX #9CC4BE

RGB 156 196 190

HSL 171, 0.25%, 0.69%

LAB 76.23, -14.48, -1.38

 

CMYK 57 / 0 / 40 / 3

HEX #69F793

RGB 105 247 147

HSL 137.75, 0.9%, 0.69%

LAB 87.79, -59.55, 36.8

 

CMYK 57 / 0 / 25 / 3

HEX #69F7B9

RGB 105 247 185

HSL 153.8, 0.9%, 0.69%

LAB 88.46, -52.52, 18.47

 

CMYK 57 / 0 / 10 / 3

HEX #69F7DF

RGB 105 247 223

HSL 169.86, 0.9%, 0.69%

LAB 89.32, -43.98, 0

 

CMYK 57 / 6 / 0 / 3

HEX #69E9F7

RGB 105 233 247

HSL 185.92, 0.9%, 0.69%

LAB 86, -31.38, -17.49

 

CMYK 57 / 21 / 0 / 3

HEX #69C3F7

RGB 105 195 247

HSL 201.97, 0.9%, 0.69%

LAB 75.29, -12.28, -33.83

 

CMYK 89 / 0 / 14 / 5

HEX #1AF3D1

RGB 26 243 209

HSL 170.6, 0.9%, 0.53%

LAB 86.47, -54.92, 2.98

 

CMYK 73 / 0 / 11 / 4

HEX #42F5D9

RGB 66 245 217

HSL 170.61, 0.9%, 0.61%

LAB 87.71, -50.47, 0.68

 

CMYK 57 / 0 / 9 / 3

HEX #69F7E1

RGB 105 247 225

HSL 170.7, 0.9%, 0.69%

LAB 89.37, -43.5, -0.96

 

CMYK 42 / 0 / 6 / 2

HEX #90F9E9

RGB 144 249 233

HSL 170.86, 0.9%, 0.77%

LAB 91.49, -34.19, -1.87

 

CMYK 27 / 0 / 4 / 2

HEX #B7FBF1

RGB 183 251 241

HSL 171.18, 0.89%, 0.85%

LAB 94.06, -23.07, -2.03

 

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

CMYK 55 / 57 / 0 / 3

HEX #6E69F7

RGB 110 105 247

HSL 242.11, 0.9%, 0.69%

LAB 51.99, 40.71, -70.75

 

CMYK 0 / 33 / 57 / 3

HEX #F7A669

RGB 247 166 105

HSL 25.77, 0.9%, 0.69%

LAB 74.87, 23.83, 43.42

 

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

CMYK 10 / 57 / 0 / 3

HEX #DF69F7

RGB 223 105 247

HSL 289.86, 0.9%, 0.69%

LAB 63.76, 65.86, -51.23

 

CMYK 0 / 10 / 57 / 3

HEX #F7DF69

RGB 247 223 105

HSL 49.86, 0.9%, 0.69%

LAB 88.72, -5.73, 59.71

 

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

CMYK 55 / 57 / 0 / 3

HEX #6E69F7

RGB 110 105 247

HSL 242.11, 0.9%, 0.69%

LAB 51.99, 40.71, -70.75

 

CMYK 0 / 57 / 48 / 3

HEX #F76981

RGB 247 105 129

HSL 349.86, 0.9%, 0.69%

LAB 62.9, 56.36, 14.64

 

CMYK 2 / 0 / 57 / 3

HEX #F2F769

RGB 242 247 105

HSL 62.11, 0.9%, 0.69%

LAB 94.49, -19.56, 66.06

 

CMYK 57 / 0 / 9 / 3

HEX #6AF7E1

RGB 106 247 225

HSL 170.64, 0.9%, 0.69%

LAB 89.4, -43.31, -0.92

 

CMYK 38 / 57 / 0 / 3

HEX #9869F7

RGB 152 105 247

HSL 259.86, 0.9%, 0.69%

LAB 55.58, 49.14, -64.77

 

CMYK 0 / 57 / 48 / 3

HEX #F76981

RGB 247 105 129

HSL 349.86, 0.9%, 0.69%

LAB 62.9, 56.36, 14.64

 

CMYK 19 / 0 / 57 / 3

HEX #C8F769

RGB 200 247 105

HSL 79.86, 0.9%, 0.69%

LAB 91.6, -35.78, 62.04

 

Description

Color code: HEX #6AF7E1 | qconv.com Color code: HEX #6AF7E1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 247 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 247 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 9 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 9% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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