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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AF2D0 it is the complementary color #950D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AF2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AF2D0 shade: #6FF2CB, #80FFDE, #91FFF1, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AF2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AF2D0 shade: #6AF2D0, #59E0BD, #48CEAA, #37BC97 and #26AA84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AF2D0 shade: #69F2D0, #69F2AB, #69F286, #71F269 and #96F269

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AF2D0 shade: #69F2D0, #69EFF2, #69CAF2, #69A5F2 and #6980F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AF2D0 shade matches the following richer shades: #69F2D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AF2D0 shade: #69F2D0, #76E5C9, #83D8C2, #90CABC and #9EBDB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AF2D0 shade: #69F287, #69F2AB, #69F2D0, #69F0F2 and #69CBF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AF2D0 shade: #1DEBB8, #43EFC4, #69F2D0, #8FF5DC and #B5F9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AF2D0 shade: #6AF2D0, #6970F2 and #F29969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AF2D0 shade: #6AF2D0, #D069F2 and #F2D069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AF2D0 shade: #6AF2D0, #6970F2, #F2698B and #F2EB69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AF2D0 shade: #6AF2D0, #8B69F2, #F2698B and #D0F269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

Complementary color

CMYK 0 / 91 / 68 / 42

HEX #950D2F

RGB 149 13 47

HSL 345, 0.84%, 0.32%

LAB 31.54, 53.05, 19.42

 

CMYK 54 / 0 / 16 / 5

HEX #6FF2CB

RGB 111 242 203

HSL 162.14, 0.83%, 0.69%

LAB 87.58, -45.31, 7.92

 

CMYK 50 / 0 / 13 / 0

HEX #80FFDE

RGB 128 255 222

HSL 164.41, 1%, 0.75%

LAB 92.3, -43.09, 4.94

 

CMYK 43 / 0 / 5 / 0

HEX #91FFF1

RGB 145 255 241

HSL 172.36, 1%, 0.78%

LAB 93.4, -34.89, -3.2

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

CMYK 60 / 0 / 16 / 12

HEX #59E0BD

RGB 89 224 189

HSL 164.44, 0.69%, 0.61%

LAB 81.35, -45.05, 6.24

 

CMYK 65 / 0 / 17 / 19

HEX #48CEAA

RGB 72 206 170

HSL 163.88, 0.58%, 0.55%

LAB 75.09, -44.8, 7.32

 

CMYK 71 / 0 / 20 / 26

HEX #37BC97

RGB 55 188 151

HSL 163.31, 0.55%, 0.48%

LAB 68.76, -44.37, 8.51

 

CMYK 78 / 0 / 22 / 33

HEX #26AA84

RGB 38 170 132

HSL 162.73, 0.63%, 0.41%

LAB 62.36, -43.68, 9.83

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 57 / 0 / 29 / 5

HEX #69F2AB

RGB 105 242 171

HSL 148.91, 0.84%, 0.68%

LAB 86.73, -53.29, 23.26

 

CMYK 57 / 0 / 45 / 5

HEX #69F286

RGB 105 242 134

HSL 132.7, 0.84%, 0.68%

LAB 86.12, -59.7, 41.03

 

CMYK 53 / 0 / 57 / 5

HEX #71F269

RGB 113 242 105

HSL 116.5, 0.84%, 0.68%

LAB 86.02, -61.62, 54.54

 

CMYK 38 / 0 / 57 / 5

HEX #96F269

RGB 150 242 105

HSL 100.29, 0.84%, 0.68%

LAB 87.49, -51.02, 56.62

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 57 / 1 / 0 / 5

HEX #69EFF2

RGB 105 239 242

HSL 181.31, 0.84%, 0.68%

LAB 87.56, -35.55, -12.54

 

CMYK 57 / 17 / 0 / 5

HEX #69CAF2

RGB 105 202 242

HSL 197.52, 0.84%, 0.68%

LAB 77.07, -17.42, -28.41

 

CMYK 57 / 32 / 0 / 5

HEX #69A5F2

RGB 105 165 242

HSL 213.72, 0.84%, 0.68%

LAB 66.77, 2.68, -44.41

 

CMYK 57 / 47 / 0 / 5

HEX #6980F2

RGB 105 128 242

HSL 229.93, 0.84%, 0.68%

LAB 56.93, 24.45, -60.02

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 48 / 0 / 12 / 10

HEX #76E5C9

RGB 118 229 201

HSL 164.86, 0.68%, 0.68%

LAB 84.02, -38.47, 3.87

 

CMYK 39 / 0 / 10 / 15

HEX #83D8C2

RGB 131 216 194

HSL 164.47, 0.52%, 0.68%

LAB 80.65, -30.8, 2.75

 

CMYK 29 / 0 / 7 / 21

HEX #90CABC

RGB 144 202 188

HSL 165.52, 0.35%, 0.68%

LAB 77.16, -21.63, 0.98

 

CMYK 16 / 0 / 4 / 26

HEX #9EBDB5

RGB 158 189 181

HSL 164.52, 0.19%, 0.68%

LAB 74.19, -12.07, 0.54

 

CMYK 57 / 0 / 44 / 5

HEX #69F287

RGB 105 242 135

HSL 133.14, 0.84%, 0.68%

LAB 86.13, -59.55, 40.56

 

CMYK 57 / 0 / 29 / 5

HEX #69F2AB

RGB 105 242 171

HSL 148.91, 0.84%, 0.68%

LAB 86.73, -53.29, 23.26

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 57 / 1 / 0 / 5

HEX #69F0F2

RGB 105 240 242

HSL 180.88, 0.84%, 0.68%

LAB 87.84, -36.01, -12.11

 

CMYK 57 / 16 / 0 / 5

HEX #69CBF2

RGB 105 203 242

HSL 197.08, 0.84%, 0.68%

LAB 77.36, -17.94, -27.97

 

CMYK 88 / 0 / 22 / 8

HEX #1DEBB8

RGB 29 235 184

HSL 165.15, 0.84%, 0.52%

LAB 83.52, -57.82, 11.83

 

CMYK 72 / 0 / 18 / 6

HEX #43EFC4

RGB 67 239 196

HSL 165, 0.84%, 0.6%

LAB 85.46, -53.06, 8.39

 

CMYK 57 / 0 / 14 / 5

HEX #69F2D0

RGB 105 242 208

HSL 165.11, 0.84%, 0.68%

LAB 87.51, -45.37, 5.2

 

CMYK 42 / 0 / 10 / 4

HEX #8FF5DC

RGB 143 245 220

HSL 165.29, 0.84%, 0.76%

LAB 90, -35.52, 2.72

 

CMYK 27 / 0 / 7 / 2

HEX #B5F9E8

RGB 181 249 232

HSL 165, 0.85%, 0.84%

LAB 93.19, -24.56, 1.34

 

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

CMYK 57 / 54 / 0 / 5

HEX #6970F2

RGB 105 112 242

HSL 236.93, 0.84%, 0.68%

LAB 52.95, 34.08, -66.42

 

CMYK 0 / 37 / 57 / 5

HEX #F29969

RGB 242 153 105

HSL 21.02, 0.84%, 0.68%

LAB 71.34, 28.67, 38.94

 

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

CMYK 14 / 57 / 0 / 5

HEX #D069F2

RGB 208 105 242

HSL 285.11, 0.84%, 0.68%

LAB 61.59, 61.21, -52.03

 

CMYK 0 / 14 / 57 / 5

HEX #F2D069

RGB 242 208 105

HSL 45.11, 0.84%, 0.68%

LAB 84.49, -0.15, 54.74

 

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

CMYK 57 / 54 / 0 / 5

HEX #6970F2

RGB 105 112 242

HSL 236.93, 0.84%, 0.68%

LAB 52.95, 34.08, -66.42

 

CMYK 0 / 57 / 43 / 5

HEX #F2698B

RGB 242 105 139

HSL 345.11, 0.84%, 0.68%

LAB 62.38, 55.67, 8.04

 

CMYK 0 / 3 / 57 / 5

HEX #F2EB69

RGB 242 235 105

HSL 56.93, 0.84%, 0.68%

LAB 91.38, -13.72, 62.59

 

CMYK 56 / 0 / 14 / 5

HEX #6AF2D0

RGB 106 242 208

HSL 165, 0.84%, 0.68%

LAB 87.54, -45.17, 5.24

 

CMYK 43 / 57 / 0 / 5

HEX #8B69F2

RGB 139 105 242

HSL 254.89, 0.84%, 0.68%

LAB 54.03, 44.99, -64.55

 

CMYK 0 / 57 / 43 / 5

HEX #F2698B

RGB 242 105 139

HSL 345.11, 0.84%, 0.68%

LAB 62.38, 55.67, 8.04

 

CMYK 14 / 0 / 57 / 5

HEX #D0F269

RGB 208 242 105

HSL 74.89, 0.84%, 0.68%

LAB 90.75, -30.46, 61.21

 

Description

Color code: HEX #6AF2D0 | qconv.com Color code: HEX #6AF2D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 242 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 242 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 14 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 14% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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