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Color name
HEX #6AF224

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AF224 it is the complementary color #950DDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AF224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AF224 shade: #6FF21F, #80FF32, #91FF45, #A2FF58 and #B3FF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AF224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AF224 shade: #6AF224, #59E011, #48CE00, #37BC00 and #26AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AF224 shade: #6CF226, #A3F226, #DAF226, #F2D426 and #F29D26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AF224 shade: #6CF226, #34F226, #26F24F, #26F286 and #26F2BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AF224 shade matches the following richer shades: #6CF226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AF224 shade: #6CF226, #71E039, #77CD4B, #7DBB5E and #83A870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AF224 shade: #DBF226, #A4F226, #6EF226, #37F226 and #26F24C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AF224 shade: #47BB0B, #56E20D, #6CF226, #86F54D and #A1F774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AF224 shade: #6AF224, #26F2D4 and #F226BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AF224 shade: #6AF224, #266EF2 and #F2266E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AF224 shade: #6AF224, #26F2D4, #AB26F2 and #F22645

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AF224 shade: #6AF224, #26D4F2, #AB26F2 and #F24526

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

Complementary color

CMYK 32 / 94 / 0 / 14

HEX #950DDB

RGB 149 13 219

HSL 279.61, 0.89%, 0.45%

LAB 40.88, 76.55, -72.85

 

CMYK 54 / 0 / 87 / 5

HEX #6FF21F

RGB 111 242 31

HSL 97.25, 0.89%, 0.54%

LAB 85.5, -67.35, 78.59

 

CMYK 50 / 0 / 80 / 0

HEX #80FF32

RGB 128 255 50

HSL 97.17, 1%, 0.6%

LAB 90.02, -66.59, 78.66

 

CMYK 43 / 0 / 73 / 0

HEX #91FF45

RGB 145 255 69

HSL 95.48, 1%, 0.64%

LAB 90.77, -60.62, 74.06

 

CMYK 36 / 0 / 65 / 0

HEX #A2FF58

RGB 162 255 88

HSL 93.41, 1%, 0.67%

LAB 91.64, -53.94, 68.42

 

CMYK 30 / 0 / 58 / 0

HEX #B3FF6B

RGB 179 255 107

HSL 90.81, 1%, 0.71%

LAB 92.65, -46.65, 62.04

 

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

CMYK 60 / 0 / 92 / 12

HEX #59E011

RGB 89 224 17

HSL 99.13, 0.86%, 0.47%

LAB 79.31, -67.12, 75.29

 

CMYK 65 / 0 / 100 / 19

HEX #48CE00

RGB 72 206 0

HSL 99.03, 1%, 0.4%

LAB 73.23, -65.36, 71.93

 

CMYK 71 / 0 / 100 / 26

HEX #37BC00

RGB 55 188 0

HSL 102.45, 1%, 0.37%

LAB 67.11, -63.04, 66.9

 

CMYK 78 / 0 / 100 / 33

HEX #26AA00

RGB 38 170 0

HSL 106.59, 1%, 0.33%

LAB 60.92, -60.33, 61.83

 

CMYK 55 / 0 / 84 / 5

HEX #6CF226

RGB 108 242 38

HSL 99.41, 0.89%, 0.55%

LAB 85.42, -67.89, 77.1

 

CMYK 33 / 0 / 84 / 5

HEX #A3F226

RGB 163 242 38

HSL 83.24, 0.89%, 0.55%

LAB 87.69, -50.99, 79.97

 

CMYK 10 / 0 / 84 / 5

HEX #DAF226

RGB 218 242 38

HSL 67.06, 0.89%, 0.55%

LAB 91.03, -30.01, 84.12

 

CMYK 0 / 12 / 84 / 5

HEX #F2D426

RGB 242 212 38

HSL 51.18, 0.89%, 0.55%

LAB 85.05, -5.43, 79.95

 

CMYK 0 / 35 / 84 / 5

HEX #F29D26

RGB 242 157 38

HSL 35, 0.89%, 0.55%

LAB 71.64, 23.21, 68.85

 

CMYK 55 / 0 / 84 / 5

HEX #6CF226

RGB 108 242 38

HSL 99.41, 0.89%, 0.55%

LAB 85.42, -67.89, 77.1

 

CMYK 79 / 0 / 84 / 5

HEX #34F226

RGB 52 242 38

HSL 115.88, 0.89%, 0.55%

LAB 84.16, -78.47, 75.51

 

CMYK 84 / 0 / 67 / 5

HEX #26F24F

RGB 38 242 79

HSL 132.06, 0.89%, 0.55%

LAB 84.22, -77.16, 62.91

 

CMYK 84 / 0 / 45 / 5

HEX #26F286

RGB 38 242 134

HSL 148.24, 0.89%, 0.55%

LAB 84.81, -69.93, 39.09

 

CMYK 84 / 0 / 22 / 5

HEX #26F2BD

RGB 38 242 189

HSL 164.41, 0.89%, 0.55%

LAB 85.8, -58.76, 12.48

 

CMYK 55 / 0 / 84 / 5

HEX #6CF226

RGB 108 242 38

HSL 99.41, 0.89%, 0.55%

LAB 85.42, -67.89, 77.1

 

CMYK 55 / 0 / 84 / 5

HEX #6CF226

RGB 108 242 38

HSL 99.41, 0.89%, 0.55%

LAB 85.42, -67.89, 77.1

 

CMYK 50 / 0 / 75 / 12

HEX #71E039

RGB 113 224 57

HSL 99.88, 0.73%, 0.55%

LAB 80.25, -59.21, 67.22

 

CMYK 42 / 0 / 63 / 20

HEX #77CD4B

RGB 119 205 75

HSL 99.69, 0.57%, 0.55%

LAB 74.88, -48.64, 54.98

 

CMYK 33 / 0 / 50 / 27

HEX #7DBB5E

RGB 125 187 94

HSL 100, 0.41%, 0.55%

LAB 69.97, -36.89, 40.62

 

CMYK 22 / 0 / 33 / 34

HEX #83A870

RGB 131 168 112

HSL 99.64, 0.24%, 0.55%

LAB 64.96, -23.21, 24.95

 

CMYK 10 / 0 / 84 / 5

HEX #DBF226

RGB 219 242 38

HSL 66.76, 0.89%, 0.55%

LAB 91.1, -29.61, 84.21

 

CMYK 32 / 0 / 84 / 5

HEX #A4F226

RGB 164 242 38

HSL 82.94, 0.89%, 0.55%

LAB 87.75, -50.64, 80.03

 

CMYK 55 / 0 / 84 / 5

HEX #6EF226

RGB 110 242 38

HSL 98.82, 0.89%, 0.55%

LAB 85.48, -67.37, 77.18

 

CMYK 77 / 0 / 84 / 5

HEX #37F226

RGB 55 242 38

HSL 115, 0.89%, 0.55%

LAB 84.2, -78.1, 75.56

 

CMYK 84 / 0 / 69 / 5

HEX #26F24C

RGB 38 242 76

HSL 131.18, 0.89%, 0.55%

LAB 84.19, -77.43, 64.03

 

CMYK 62 / 0 / 94 / 27

HEX #47BB0B

RGB 71 187 11

HSL 99.55, 0.89%, 0.39%

LAB 67.21, -59.14, 65.84

 

CMYK 62 / 0 / 94 / 11

HEX #56E20D

RGB 86 226 13

HSL 99.44, 0.89%, 0.47%

LAB 79.84, -68.54, 76.14

 

CMYK 55 / 0 / 84 / 5

HEX #6CF226

RGB 108 242 38

HSL 99.41, 0.89%, 0.55%

LAB 85.42, -67.89, 77.1

 

CMYK 45 / 0 / 69 / 4

HEX #86F54D

RGB 134 245 77

HSL 99.64, 0.89%, 0.63%

LAB 87.44, -59.59, 67.78

 

CMYK 35 / 0 / 53 / 3

HEX #A1F774

RGB 161 247 116

HSL 99.39, 0.89%, 0.71%

LAB 89.56, -48.41, 54.25

 

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

CMYK 84 / 0 / 12 / 5

HEX #26F2D4

RGB 38 242 212

HSL 171.18, 0.89%, 0.55%

LAB 86.34, -53.06, 1.24

 

CMYK 0 / 84 / 21 / 5

HEX #F226BF

RGB 242 38 191

HSL 315, 0.89%, 0.55%

LAB 56.11, 83.76, -31.46

 

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

CMYK 84 / 55 / 0 / 5

HEX #266EF2

RGB 38 110 242

HSL 218.82, 0.89%, 0.55%

LAB 49.47, 26.68, -72.21

 

CMYK 0 / 84 / 55 / 5

HEX #F2266E

RGB 242 38 110

HSL 338.82, 0.89%, 0.55%

LAB 53.37, 76.06, 12.41

 

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

CMYK 84 / 0 / 12 / 5

HEX #26F2D4

RGB 38 242 212

HSL 171.18, 0.89%, 0.55%

LAB 86.34, -53.06, 1.24

 

CMYK 29 / 84 / 0 / 5

HEX #AB26F2

RGB 171 38 242

HSL 279.12, 0.89%, 0.55%

LAB 47.57, 79.25, -74.86

 

CMYK 0 / 84 / 71 / 5

HEX #F22645

RGB 242 38 69

HSL 350.88, 0.89%, 0.55%

LAB 52.61, 73.84, 35.94

 

CMYK 56 / 0 / 85 / 5

HEX #6AF224

RGB 106 242 36

HSL 99.61, 0.89%, 0.55%

LAB 85.35, -68.46, 77.44

 

CMYK 84 / 12 / 0 / 5

HEX #26D4F2

RGB 38 212 242

HSL 188.82, 0.89%, 0.55%

LAB 78.41, -31.09, -26.5

 

CMYK 29 / 84 / 0 / 5

HEX #AB26F2

RGB 171 38 242

HSL 279.12, 0.89%, 0.55%

LAB 47.57, 79.25, -74.86

 

CMYK 0 / 71 / 84 / 5

HEX #F24526

RGB 242 69 38

HSL 9.12, 0.89%, 0.55%

LAB 55.35, 64.29, 55.1

 

Description

Color code: HEX #6AF224 | qconv.com Color code: HEX #6AF224 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 242 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 242 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 85 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 85% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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