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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AED78 it is the complementary color #951287. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AED78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AED78 shade: #6FED73, #80FF86, #91FF99, #A2FFAC and #B3FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AED78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AED78 shade: #6AED78, #59DB65, #48C952, #37B73F and #26A52C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AED78 shade: #69EC77, #7FEC69, #A2EC69, #C5EC69 and #E9EC69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AED78 shade: #69EC77, #69EC9B, #69ECBE, #69ECE1 and #69D4EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AED78 shade matches the following richer shades: #69EC77 and #5CFA6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AED78 shade: #69EC77, #77DF82, #84D18D, #92C497 and #A0B6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AED78 shade: #A2EC69, #7FEC69, #69EC76, #69EC99 and #69ECBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AED78 shade: #20E335, #44E856, #69EC77, #8EF199 and #B3F6BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AED78 shade: #6AED78, #69C5EC and #EC6991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AED78 shade: #6AED78, #7669EC and #EC7669

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AED78 shade: #6AED78, #69C5EC, #EC69DF and #EC9169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AED78 shade: #6AED78, #699EEC, #EC69DF and #ECB869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

Complementary color

CMYK 0 / 88 / 9 / 42

HEX #951287

RGB 149 18 135

HSL 306.41, 0.78%, 0.33%

LAB 35.15, 61.17, -32.09

 

CMYK 53 / 0 / 51 / 7

HEX #6FED73

RGB 111 237 115

HSL 121.9, 0.78%, 0.68%

LAB 84.58, -59.04, 48.23

 

CMYK 50 / 0 / 47 / 0

HEX #80FF86

RGB 128 255 134

HSL 122.83, 1%, 0.75%

LAB 90.7, -59.1, 46.97

 

CMYK 43 / 0 / 40 / 0

HEX #91FF99

RGB 145 255 153

HSL 124.36, 1%, 0.78%

LAB 91.61, -51.82, 39.1

 

CMYK 36 / 0 / 33 / 0

HEX #A2FFAC

RGB 162 255 172

HSL 126.45, 1%, 0.82%

LAB 92.65, -43.98, 31.18

 

CMYK 30 / 0 / 25 / 0

HEX #B3FFBF

RGB 179 255 191

HSL 129.47, 1%, 0.85%

LAB 93.83, -35.7, 23.31

 

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

CMYK 59 / 0 / 54 / 14

HEX #59DB65

RGB 89 219 101

HSL 125.54, 0.64%, 0.6%

LAB 78.3, -59.36, 47.02

 

CMYK 64 / 0 / 59 / 21

HEX #48C952

RGB 72 201 82

HSL 124.65, 0.54%, 0.54%

LAB 72.07, -58.89, 48.3

 

CMYK 70 / 0 / 66 / 28

HEX #37B73F

RGB 55 183 63

HSL 123.75, 0.54%, 0.47%

LAB 65.78, -58.07, 49.45

 

CMYK 77 / 0 / 73 / 35

HEX #26A52C

RGB 38 165 44

HSL 122.83, 0.63%, 0.4%

LAB 59.44, -56.72, 50.27

 

CMYK 56 / 0 / 50 / 7

HEX #69EC77

RGB 105 236 119

HSL 126.41, 0.78%, 0.67%

LAB 84.14, -59.59, 45.76

 

CMYK 46 / 0 / 56 / 7

HEX #7FEC69

RGB 127 236 105

HSL 109.92, 0.78%, 0.67%

LAB 84.75, -55.57, 53.18

 

CMYK 31 / 0 / 56 / 7

HEX #A2EC69

RGB 162 236 105

HSL 93.89, 0.78%, 0.67%

LAB 86.35, -44.54, 55.45

 

CMYK 17 / 0 / 56 / 7

HEX #C5EC69

RGB 197 236 105

HSL 77.86, 0.78%, 0.67%

LAB 88.39, -31.87, 58.33

 

CMYK 1 / 0 / 56 / 7

HEX #E9EC69

RGB 233 236 105

HSL 61.37, 0.78%, 0.67%

LAB 90.93, -17.82, 61.9

 

CMYK 56 / 0 / 50 / 7

HEX #69EC77

RGB 105 236 119

HSL 126.41, 0.78%, 0.67%

LAB 84.14, -59.59, 45.76

 

CMYK 56 / 0 / 34 / 7

HEX #69EC9B

RGB 105 236 155

HSL 142.9, 0.78%, 0.67%

LAB 84.67, -53.88, 28.65

 

CMYK 56 / 0 / 19 / 7

HEX #69ECBE

RGB 105 236 190

HSL 158.93, 0.78%, 0.67%

LAB 85.36, -46.86, 11.51

 

CMYK 56 / 0 / 5 / 7

HEX #69ECE1

RGB 105 236 225

HSL 174.96, 0.78%, 0.67%

LAB 86.22, -38.57, -5.6

 

CMYK 56 / 10 / 0 / 7

HEX #69D4EC

RGB 105 212 236

HSL 190.99, 0.78%, 0.67%

LAB 79.7, -24.21, -21.19

 

CMYK 56 / 0 / 50 / 7

HEX #69EC77

RGB 105 236 119

HSL 126.41, 0.78%, 0.67%

LAB 84.14, -59.59, 45.76

 

CMYK 63 / 0 / 56 / 2

HEX #5CFA6D

RGB 92 250 109

HSL 126.46, 0.94%, 0.67%

LAB 87.85, -68.73, 54.75

 

CMYK 56 / 0 / 50 / 7

HEX #69EC77

RGB 105 236 119

HSL 126.41, 0.78%, 0.67%

LAB 84.14, -59.59, 45.76

 

CMYK 47 / 0 / 42 / 13

HEX #77DF82

RGB 119 223 130

HSL 126.35, 0.62%, 0.67%

LAB 80.91, -49.29, 36.41

 

CMYK 37 / 0 / 33 / 18

HEX #84D18D

RGB 132 209 141

HSL 127.01, 0.46%, 0.67%

LAB 77.54, -37.69, 26.44

 

CMYK 26 / 0 / 23 / 23

HEX #92C497

RGB 146 196 151

HSL 126, 0.3%, 0.67%

LAB 74.71, -25.34, 17.41

 

CMYK 12 / 0 / 11 / 29

HEX #A0B6A2

RGB 160 182 162

HSL 125.45, 0.13%, 0.67%

LAB 71.92, -11.44, 7.64

 

CMYK 31 / 0 / 56 / 7

HEX #A2EC69

RGB 162 236 105

HSL 93.89, 0.78%, 0.67%

LAB 86.35, -44.54, 55.45

 

CMYK 46 / 0 / 56 / 7

HEX #7FEC69

RGB 127 236 105

HSL 109.92, 0.78%, 0.67%

LAB 84.75, -55.57, 53.18

 

CMYK 56 / 0 / 50 / 7

HEX #69EC76

RGB 105 236 118

HSL 125.95, 0.78%, 0.67%

LAB 84.12, -59.73, 46.22

 

CMYK 56 / 0 / 35 / 7

HEX #69EC99

RGB 105 236 153

HSL 141.98, 0.78%, 0.67%

LAB 84.64, -54.24, 29.62

 

CMYK 56 / 0 / 20 / 7

HEX #69ECBC

RGB 105 236 188

HSL 158.02, 0.78%, 0.67%

LAB 85.31, -47.3, 12.49

 

CMYK 86 / 0 / 77 / 11

HEX #20E335

RGB 32 227 53

HSL 126.46, 0.78%, 0.51%

LAB 79.33, -75.43, 66.98

 

CMYK 71 / 0 / 63 / 9

HEX #44E856

RGB 68 232 86

HSL 126.59, 0.78%, 0.59%

LAB 81.63, -69.67, 57.4

 

CMYK 56 / 0 / 50 / 7

HEX #69EC77

RGB 105 236 119

HSL 126.41, 0.78%, 0.67%

LAB 84.14, -59.59, 45.76

 

CMYK 41 / 0 / 37 / 5

HEX #8EF199

RGB 142 241 153

HSL 126.67, 0.78%, 0.75%

LAB 87.47, -46.81, 33.63

 

CMYK 27 / 0 / 24 / 4

HEX #B3F6BA

RGB 179 246 186

HSL 126.27, 0.79%, 0.83%

LAB 91.25, -32.4, 22.3

 

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

CMYK 56 / 17 / 0 / 7

HEX #69C5EC

RGB 105 197 236

HSL 197.86, 0.78%, 0.67%

LAB 75.45, -16.58, -27.68

 

CMYK 0 / 56 / 39 / 7

HEX #EC6991

RGB 236 105 145

HSL 341.68, 0.78%, 0.67%

LAB 61.64, 54.34, 3.4

 

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

CMYK 50 / 56 / 0 / 7

HEX #7669EC

RGB 118 105 236

HSL 245.95, 0.78%, 0.67%

LAB 51.85, 38.9, -64.8

 

CMYK 0 / 50 / 56 / 7

HEX #EC7669

RGB 236 118 105

HSL 5.95, 0.78%, 0.67%

LAB 63.19, 44.36, 28.4

 

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

CMYK 56 / 17 / 0 / 7

HEX #69C5EC

RGB 105 197 236

HSL 197.86, 0.78%, 0.67%

LAB 75.45, -16.58, -27.68

 

CMYK 0 / 56 / 6 / 7

HEX #EC69DF

RGB 236 105 223

HSL 305.95, 0.78%, 0.67%

LAB 64.37, 65.01, -36.82

 

CMYK 0 / 39 / 56 / 7

HEX #EC9169

RGB 236 145 105

HSL 18.32, 0.78%, 0.67%

LAB 68.83, 30.51, 35.64

 

CMYK 55 / 0 / 49 / 7

HEX #6AED78

RGB 106 237 120

HSL 126.41, 0.78%, 0.67%

LAB 84.48, -59.6, 45.71

 

CMYK 56 / 33 / 0 / 7

HEX #699EEC

RGB 105 158 236

HSL 215.73, 0.78%, 0.67%

LAB 64.57, 4.8, -44.56

 

CMYK 0 / 56 / 6 / 7

HEX #EC69DF

RGB 236 105 223

HSL 305.95, 0.78%, 0.67%

LAB 64.37, 65.01, -36.82

 

CMYK 0 / 22 / 56 / 7

HEX #ECB869

RGB 236 184 105

HSL 36.18, 0.78%, 0.67%

LAB 77.95, 9.86, 46.88

 

Description

Color code: HEX #6AED78 | qconv.com Color code: HEX #6AED78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 237 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 237 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 49 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 49% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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