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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AE241 it is the complementary color #951DBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AE241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AE241 shade: #6FE23C, #80F44F, #91FF62, #A2FF75 and #B3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AE241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AE241 shade: #6AE241, #59D02E, #48BE1B, #37AC08 and #269A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AE241 shade: #6AE240, #95E240, #C1E240, #E2D840 and #E2AC40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AE241 shade: #6AE240, #40E243, #40E26E, #40E29A and #40E2C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AE241 shade matches the following richer shades: #6AE240 and #61F42E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AE241 shade: #6AE240, #72D152, #7BBF64, #84AD75 and #8C9C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AE241 shade: #C2E240, #97E240, #6BE240, #40E240 and #40E26B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AE241 shade: #42B51B, #4FD920, #6AE240, #86E864 and #A2ED88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AE241 shade: #6AE241, #40E2D8 and #E240AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AE241 shade: #6AE241, #406BE2 and #E2406B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AE241 shade: #6AE241, #40E2D8, #B740E2 and #E2404B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AE241 shade: #6AE241, #40BDE2, #B740E2 and #E26640

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

Complementary color

CMYK 22 / 85 / 0 / 25

HEX #951DBE

RGB 149 29 190

HSL 284.72, 0.74%, 0.43%

LAB 39.56, 68.12, -58.17

 

CMYK 51 / 0 / 73 / 11

HEX #6FE23C

RGB 111 226 60

HSL 101.57, 0.74%, 0.56%

LAB 80.79, -60.31, 66.75

 

CMYK 48 / 0 / 68 / 4

HEX #80F44F

RGB 128 244 79

HSL 102.18, 0.88%, 0.63%

LAB 86.93, -60.81, 66.42

 

CMYK 43 / 0 / 62 / 0

HEX #91FF62

RGB 145 255 98

HSL 102.04, 1%, 0.69%

LAB 90.97, -58.43, 63.49

 

CMYK 36 / 0 / 54 / 0

HEX #A2FF75

RGB 162 255 117

HSL 100.43, 1%, 0.73%

LAB 91.9, -51.31, 56.59

 

CMYK 30 / 0 / 47 / 0

HEX #B3FF88

RGB 179 255 136

HSL 98.32, 1%, 0.77%

LAB 92.96, -43.64, 49.33

 

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

CMYK 57 / 0 / 78 / 18

HEX #59D02E

RGB 89 208 46

HSL 104.07, 0.64%, 0.5%

LAB 74.47, -60.57, 64.82

 

CMYK 62 / 0 / 86 / 25

HEX #48BE1B

RGB 72 190 27

HSL 103.44, 0.75%, 0.43%

LAB 68.23, -59.43, 63.96

 

CMYK 68 / 0 / 95 / 33

HEX #37AC08

RGB 55 172 8

HSL 102.8, 0.91%, 0.35%

LAB 61.94, -57.76, 61.72

 

CMYK 75 / 0 / 100 / 40

HEX #269A00

RGB 38 154 0

HSL 105.19, 1%, 0.3%

LAB 55.61, -55.37, 57.59

 

CMYK 53 / 0 / 72 / 11

HEX #6AE240

RGB 106 226 64

HSL 104.44, 0.74%, 0.57%

LAB 80.64, -61.4, 65.16

 

CMYK 34 / 0 / 72 / 11

HEX #95E240

RGB 149 226 64

HSL 88.52, 0.74%, 0.57%

LAB 82.46, -48.1, 67.58

 

CMYK 15 / 0 / 72 / 11

HEX #C1E240

RGB 193 226 64

HSL 72.22, 0.74%, 0.57%

LAB 85.05, -31.62, 71

 

CMYK 0 / 4 / 72 / 11

HEX #E2D840

RGB 226 216 64

HSL 56.3, 0.74%, 0.57%

LAB 84.82, -13.29, 71.63

 

CMYK 0 / 24 / 72 / 11

HEX #E2AC40

RGB 226 172 64

HSL 40, 0.74%, 0.57%

LAB 73.57, 9.41, 60.57

 

CMYK 53 / 0 / 72 / 11

HEX #6AE240

RGB 106 226 64

HSL 104.44, 0.74%, 0.57%

LAB 80.64, -61.4, 65.16

 

CMYK 72 / 0 / 70 / 11

HEX #40E243

RGB 64 226 67

HSL 121.11, 0.74%, 0.57%

LAB 79.55, -70.2, 62.61

 

CMYK 72 / 0 / 51 / 11

HEX #40E26E

RGB 64 226 110

HSL 137.04, 0.74%, 0.57%

LAB 79.96, -65.33, 44.66

 

CMYK 72 / 0 / 32 / 11

HEX #40E29A

RGB 64 226 154

HSL 153.33, 0.74%, 0.57%

LAB 80.64, -57.66, 23.52

 

CMYK 72 / 0 / 12 / 11

HEX #40E2C6

RGB 64 226 198

HSL 169.63, 0.74%, 0.57%

LAB 81.6, -47.54, 1.76

 

CMYK 53 / 0 / 72 / 11

HEX #6AE240

RGB 106 226 64

HSL 104.44, 0.74%, 0.57%

LAB 80.64, -61.4, 65.16

 

CMYK 60 / 0 / 81 / 4

HEX #61F42E

RGB 97 244 46

HSL 104.55, 0.9%, 0.57%

LAB 85.73, -70.86, 75.39

 

CMYK 53 / 0 / 72 / 11

HEX #6AE240

RGB 106 226 64

HSL 104.44, 0.74%, 0.57%

LAB 80.64, -61.4, 65.16

 

CMYK 45 / 0 / 61 / 18

HEX #72D152

RGB 114 209 82

HSL 104.88, 0.58%, 0.57%

LAB 75.94, -51.14, 53.1

 

CMYK 36 / 0 / 48 / 25

HEX #7BBF64

RGB 123 191 100

HSL 104.84, 0.42%, 0.57%

LAB 71.14, -38.62, 39.06

 

CMYK 24 / 0 / 32 / 32

HEX #84AD75

RGB 132 173 117

HSL 103.93, 0.25%, 0.57%

LAB 66.58, -24.56, 24.43

 

CMYK 10 / 0 / 13 / 39

HEX #8C9C87

RGB 140 156 135

HSL 105.71, 0.1%, 0.57%

LAB 62.59, -9.77, 9.09

 

CMYK 14 / 0 / 72 / 11

HEX #C2E240

RGB 194 226 64

HSL 71.85, 0.74%, 0.57%

LAB 85.11, -31.22, 71.09

 

CMYK 33 / 0 / 72 / 11

HEX #97E240

RGB 151 226 64

HSL 87.78, 0.74%, 0.57%

LAB 82.56, -47.4, 67.72

 

CMYK 53 / 0 / 72 / 11

HEX #6BE240

RGB 107 226 64

HSL 104.07, 0.74%, 0.57%

LAB 80.68, -61.13, 65.21

 

CMYK 72 / 0 / 72 / 11

HEX #40E240

RGB 64 226 64

HSL 120, 0.74%, 0.57%

LAB 79.53, -70.44, 63.67

 

CMYK 72 / 0 / 53 / 11

HEX #40E26B

RGB 64 226 107

HSL 135.93, 0.74%, 0.57%

LAB 79.92, -65.75, 46.03

 

CMYK 64 / 0 / 85 / 29

HEX #42B51B

RGB 66 181 27

HSL 104.81, 0.74%, 0.41%

LAB 65.19, -57.76, 61.2

 

CMYK 64 / 0 / 85 / 15

HEX #4FD920

RGB 79 217 32

HSL 104.76, 0.74%, 0.49%

LAB 76.92, -66.63, 70.59

 

CMYK 53 / 0 / 72 / 11

HEX #6AE240

RGB 106 226 64

HSL 104.44, 0.74%, 0.57%

LAB 80.64, -61.4, 65.16

 

CMYK 42 / 0 / 57 / 9

HEX #86E864

RGB 134 232 100

HSL 104.55, 0.74%, 0.65%

LAB 83.81, -52.46, 54.39

 

CMYK 32 / 0 / 43 / 7

HEX #A2ED88

RGB 162 237 136

HSL 104.55, 0.74%, 0.73%

LAB 87.01, -41.38, 41.66

 

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

CMYK 72 / 0 / 4 / 11

HEX #40E2D8

RGB 64 226 216

HSL 176.3, 0.74%, 0.57%

LAB 82.08, -42.8, -7.09

 

CMYK 0 / 72 / 24 / 11

HEX #E240AC

RGB 226 64 172

HSL 320, 0.74%, 0.57%

LAB 54.88, 71.18, -22.56

 

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

CMYK 72 / 53 / 0 / 11

HEX #406BE2

RGB 64 107 226

HSL 224.07, 0.74%, 0.57%

LAB 48.38, 25.24, -64.95

 

CMYK 0 / 72 / 53 / 11

HEX #E2406B

RGB 226 64 107

HSL 344.07, 0.74%, 0.57%

LAB 52.84, 64.55, 13.03

 

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

CMYK 72 / 0 / 4 / 11

HEX #40E2D8

RGB 64 226 216

HSL 176.3, 0.74%, 0.57%

LAB 82.08, -42.8, -7.09

 

CMYK 19 / 72 / 0 / 11

HEX #B740E2

RGB 183 64 226

HSL 284.07, 0.74%, 0.57%

LAB 50.95, 70.11, -60.26

 

CMYK 0 / 72 / 67 / 11

HEX #E2404B

RGB 226 64 75

HSL 355.93, 0.74%, 0.57%

LAB 52.22, 62.49, 31.26

 

CMYK 53 / 0 / 71 / 11

HEX #6AE241

RGB 106 226 65

HSL 104.72, 0.74%, 0.57%

LAB 80.65, -61.33, 64.81

 

CMYK 72 / 16 / 0 / 11

HEX #40BDE2

RGB 64 189 226

HSL 193.7, 0.74%, 0.57%

LAB 71.54, -22.25, -28.37

 

CMYK 19 / 72 / 0 / 11

HEX #B740E2

RGB 183 64 226

HSL 284.07, 0.74%, 0.57%

LAB 50.95, 70.11, -60.26

 

CMYK 0 / 55 / 72 / 11

HEX #E26640

RGB 226 102 64

HSL 14.07, 0.74%, 0.57%

LAB 58.08, 45.92, 44.21

 

Description

Color code: HEX #6AE241 | qconv.com Color code: HEX #6AE241 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 226 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 226 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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