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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADEF4 it is the complementary color #95210B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADEF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADEF4 shade: #6FDEEF, #80F0FF, #91FFFF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADEF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADEF4 shade: #6ADEF4, #59CCE1, #48BACE, #37A8BB and #2696A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADEF4 shade: #6CDEF4, #6CBAF4, #6C95F4, #6C70F4 and #8C6CF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADEF4 shade: #6CDEF4, #6CBAF4, #6C95F4, #6C70F4 and #6C6CF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADEF4 shade matches the following richer shades: #6CDEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADEF4 shade: #6CDEF4, #79D6E7, #86CDDA, #92C4CE and #9FBBC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADEF4 shade: #6CF4C0, #6CF4E4, #6CE0F4, #6CBBF4 and #6C97F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADEF4 shade: #1FCDEE, #46D6F1, #6CDEF4, #92E7F7 and #B9EFFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADEF4 shade: #6ADEF4, #9C6CF4 and #F4D26C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADEF4 shade: #6ADEF4, #F46CE0 and #E0F46C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADEF4 shade: #6ADEF4, #9C6CF4, #F4806C and #C4F46C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADEF4 shade: #6ADEF4, #C46CF4, #F4806C and #9CF46C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

Complementary color

CMYK 0 / 78 / 93 / 42

HEX #95210B

RGB 149 33 11

HSL 9.57, 0.86%, 0.31%

LAB 32.92, 46.74, 41.38

 

CMYK 54 / 7 / 0 / 6

HEX #6FDEEF

RGB 111 222 239

HSL 187.97, 0.8%, 0.69%

LAB 82.84, -27.14, -18.02

 

CMYK 50 / 6 / 0 / 0

HEX #80F0FF

RGB 128 240 255

HSL 187.09, 1%, 0.75%

LAB 88.98, -28.14, -17.12

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

CMYK 60 / 9 / 0 / 12

HEX #59CCE1

RGB 89 204 225

HSL 189.26, 0.69%, 0.62%

LAB 76.52, -26.31, -20.16

 

CMYK 65 / 10 / 0 / 19

HEX #48BACE

RGB 72 186 206

HSL 188.96, 0.58%, 0.55%

LAB 70.14, -25.76, -19.57

 

CMYK 71 / 10 / 0 / 27

HEX #37A8BB

RGB 55 168 187

HSL 188.64, 0.55%, 0.47%

LAB 63.68, -25.02, -18.93

 

CMYK 77 / 11 / 0 / 34

HEX #2696A8

RGB 38 150 168

HSL 188.31, 0.63%, 0.4%

LAB 57.13, -24.01, -18.22

 

CMYK 56 / 9 / 0 / 4

HEX #6CDEF4

RGB 108 222 244

HSL 189.71, 0.86%, 0.69%

LAB 82.89, -26.34, -20.59

 

CMYK 56 / 24 / 0 / 4

HEX #6CBAF4

RGB 108 186 244

HSL 205.59, 0.86%, 0.69%

LAB 72.78, -7.77, -36.09

 

CMYK 56 / 39 / 0 / 4

HEX #6C95F4

RGB 108 149 244

HSL 221.91, 0.86%, 0.69%

LAB 62.69, 13.17, -51.93

 

CMYK 56 / 54 / 0 / 4

HEX #6C70F4

RGB 108 112 244

HSL 238.24, 0.86%, 0.69%

LAB 53.29, 35.26, -66.99

 

CMYK 43 / 56 / 0 / 4

HEX #8C6CF4

RGB 140 108 244

HSL 254.12, 0.86%, 0.69%

LAB 54.9, 44.06, -64.26

 

CMYK 56 / 9 / 0 / 4

HEX #6CDEF4

RGB 108 222 244

HSL 189.71, 0.86%, 0.69%

LAB 82.89, -26.34, -20.59

 

CMYK 56 / 24 / 0 / 4

HEX #6CBAF4

RGB 108 186 244

HSL 205.59, 0.86%, 0.69%

LAB 72.78, -7.77, -36.09

 

CMYK 56 / 39 / 0 / 4

HEX #6C95F4

RGB 108 149 244

HSL 221.91, 0.86%, 0.69%

LAB 62.69, 13.17, -51.93

 

CMYK 56 / 54 / 0 / 4

HEX #6C70F4

RGB 108 112 244

HSL 238.24, 0.86%, 0.69%

LAB 53.29, 35.26, -66.99

 

CMYK 56 / 56 / 0 / 4

HEX #6C6CF4

RGB 108 108 244

HSL 240, 0.86%, 0.69%

LAB 52.34, 37.65, -68.52

 

CMYK 56 / 9 / 0 / 4

HEX #6CDEF4

RGB 108 222 244

HSL 189.71, 0.86%, 0.69%

LAB 82.89, -26.34, -20.59

 

CMYK 56 / 9 / 0 / 4

HEX #6CDEF4

RGB 108 222 244

HSL 189.71, 0.86%, 0.69%

LAB 82.89, -26.34, -20.59

 

CMYK 48 / 7 / 0 / 9

HEX #79D6E7

RGB 121 214 231

HSL 189.27, 0.7%, 0.69%

LAB 80.7, -23.23, -16.95

 

CMYK 39 / 6 / 0 / 15

HEX #86CDDA

RGB 134 205 218

HSL 189.29, 0.53%, 0.69%

LAB 78.34, -18.92, -13.48

 

CMYK 29 / 5 / 0 / 19

HEX #92C4CE

RGB 146 196 206

HSL 190, 0.38%, 0.69%

LAB 76.1, -13.93, -10.3

 

CMYK 18 / 3 / 0 / 24

HEX #9FBBC1

RGB 159 187 193

HSL 190.59, 0.22%, 0.69%

LAB 74.04, -8.18, -6.22

 

CMYK 56 / 0 / 21 / 4

HEX #6CF4C0

RGB 108 244 192

HSL 157.06, 0.86%, 0.69%

LAB 87.82, -49.2, 13.97

 

CMYK 56 / 0 / 7 / 4

HEX #6CF4E4

RGB 108 244 228

HSL 172.94, 0.86%, 0.69%

LAB 88.68, -40.87, -3.54

 

CMYK 56 / 8 / 0 / 4

HEX #6CE0F4

RGB 108 224 244

HSL 188.82, 0.86%, 0.69%

LAB 83.46, -27.32, -19.74

 

CMYK 56 / 23 / 0 / 4

HEX #6CBBF4

RGB 108 187 244

HSL 205.15, 0.86%, 0.69%

LAB 73.06, -8.31, -35.66

 

CMYK 56 / 38 / 0 / 4

HEX #6C97F4

RGB 108 151 244

HSL 221.03, 0.86%, 0.69%

LAB 63.22, 12, -51.09

 

CMYK 87 / 14 / 0 / 7

HEX #1FCDEE

RGB 31 205 238

HSL 189.57, 0.86%, 0.53%

LAB 76.15, -29.4, -27.82

 

CMYK 71 / 11 / 0 / 5

HEX #46D6F1

RGB 70 214 241

HSL 189.47, 0.86%, 0.61%

LAB 79.47, -29.31, -24.3

 

CMYK 56 / 9 / 0 / 4

HEX #6CDEF4

RGB 108 222 244

HSL 189.71, 0.86%, 0.69%

LAB 82.89, -26.34, -20.59

 

CMYK 41 / 6 / 0 / 3

HEX #92E7F7

RGB 146 231 247

HSL 189.5, 0.86%, 0.77%

LAB 86.99, -21.72, -15.86

 

CMYK 26 / 4 / 0 / 2

HEX #B9EFFA

RGB 185 239 250

HSL 190.15, 0.87%, 0.85%

LAB 91.21, -14.64, -10.9

 

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

CMYK 36 / 56 / 0 / 4

HEX #9C6CF4

RGB 156 108 244

HSL 261.18, 0.86%, 0.69%

LAB 56.41, 47.63, -61.74

 

CMYK 0 / 14 / 56 / 4

HEX #F4D26C

RGB 244 210 108

HSL 45, 0.86%, 0.69%

LAB 85.2, -0.13, 54.21

 

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

CMYK 0 / 56 / 8 / 4

HEX #F46CE0

RGB 244 108 224

HSL 308.82, 0.86%, 0.69%

LAB 66.01, 65.98, -34.74

 

CMYK 8 / 0 / 56 / 4

HEX #E0F46C

RGB 224 244 108

HSL 68.82, 0.86%, 0.69%

LAB 92.41, -24.98, 62.08

 

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

CMYK 36 / 56 / 0 / 4

HEX #9C6CF4

RGB 156 108 244

HSL 261.18, 0.86%, 0.69%

LAB 56.41, 47.63, -61.74

 

CMYK 0 / 48 / 56 / 4

HEX #F4806C

RGB 244 128 108

HSL 8.82, 0.86%, 0.69%

LAB 66.33, 42.56, 31.03

 

CMYK 20 / 0 / 56 / 4

HEX #C4F46C

RGB 196 244 108

HSL 81.18, 0.86%, 0.69%

LAB 90.56, -35.65, 59.48

 

CMYK 57 / 9 / 0 / 4

HEX #6ADEF4

RGB 106 222 244

HSL 189.57, 0.86%, 0.69%

LAB 82.83, -26.72, -20.7

 

CMYK 20 / 56 / 0 / 4

HEX #C46CF4

RGB 196 108 244

HSL 278.82, 0.86%, 0.69%

LAB 60.78, 57.2, -54.52

 

CMYK 0 / 48 / 56 / 4

HEX #F4806C

RGB 244 128 108

HSL 8.82, 0.86%, 0.69%

LAB 66.33, 42.56, 31.03

 

CMYK 36 / 0 / 56 / 4

HEX #9CF46C

RGB 156 244 108

HSL 98.82, 0.86%, 0.69%

LAB 88.38, -49.62, 56.39

 

Description

Color code: HEX #6ADEF4 | qconv.com Color code: HEX #6ADEF4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 222 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 222 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 9 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 9% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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