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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADE4D it is the complementary color #9521B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADE4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADE4D shade: #6FDE48, #80F05B, #91FF6E, #A2FF81 and #B3FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADE4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADE4D shade: #6ADE4D, #59CC3A, #48BA27, #37A814 and #269601

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADE4D shade: #6BDF4E, #92DF4E, #B9DF4E, #DFDD4E and #DFB64E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADE4D shade: #6BDF4E, #4EDF58, #4EDF7F, #4EDFA6 and #4EDFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADE4D shade matches the following richer shades: #6BDF4E and #61F03D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADE4D shade: #6BDF4E, #75CE5F, #7FBD70, #8AAC81 and #949B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADE4D shade: #B8DF4E, #92DF4E, #6BDF4E, #4EDF58 and #4EDF7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADE4D shade: #40B922, #4ED82B, #6BDF4E, #88E571 and #A6EB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADE4D shade: #6ADE4D, #4EDFDF and #DF4EA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADE4D shade: #6ADE4D, #4E6BDF and #DF4E6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADE4D shade: #6ADE4D, #4EDFDF, #C24EDF and #DF4E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADE4D shade: #6ADE4D, #4EB3DF, #C24EDF and #DF7A4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

Complementary color

CMYK 16 / 81 / 0 / 30

HEX #9521B2

RGB 149 33 178

HSL 288, 0.69%, 0.41%

LAB 39.06, 64.84, -51.9

 

CMYK 50 / 0 / 68 / 13

HEX #6FDE48

RGB 111 222 72

HSL 104.4, 0.69%, 0.58%

LAB 79.66, -57.95, 61.25

 

CMYK 47 / 0 / 62 / 6

HEX #80F05B

RGB 128 240 91

HSL 105.1, 0.83%, 0.65%

LAB 85.84, -58.27, 60.5

 

CMYK 43 / 0 / 57 / 0

HEX #91FF6E

RGB 145 255 110

HSL 105.52, 1%, 0.72%

LAB 91.08, -57.26, 58.53

 

CMYK 36 / 0 / 49 / 0

HEX #A2FF81

RGB 162 255 129

HSL 104.29, 1%, 0.75%

LAB 92.04, -49.97, 51.27

 

CMYK 30 / 0 / 42 / 0

HEX #B3FF94

RGB 179 255 148

HSL 102.62, 1%, 0.79%

LAB 93.12, -42.15, 43.79

 

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

CMYK 56 / 0 / 72 / 20

HEX #59CC3A

RGB 89 204 58

HSL 107.26, 0.59%, 0.51%

LAB 73.3, -58.35, 59.66

 

CMYK 61 / 0 / 79 / 27

HEX #48BA27

RGB 72 186 39

HSL 106.53, 0.65%, 0.44%

LAB 67.01, -57.46, 59.68

 

CMYK 67 / 0 / 88 / 34

HEX #37A814

RGB 55 168 20

HSL 105.81, 0.79%, 0.37%

LAB 60.66, -56.09, 58.67

 

CMYK 75 / 0 / 99 / 41

HEX #269601

RGB 38 150 1

HSL 105.1, 0.99%, 0.3%

LAB 54.27, -54.07, 56.36

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 35 / 0 / 65 / 13

HEX #92DF4E

RGB 146 223 78

HSL 91.86, 0.69%, 0.59%

LAB 81.53, -46.9, 61.33

 

CMYK 17 / 0 / 65 / 13

HEX #B9DF4E

RGB 185 223 78

HSL 75.72, 0.69%, 0.59%

LAB 83.78, -32.54, 64.39

 

CMYK 0 / 1 / 65 / 13

HEX #DFDD4E

RGB 223 221 78

HSL 59.17, 0.69%, 0.59%

LAB 85.98, -16.3, 67.54

 

CMYK 0 / 18 / 65 / 13

HEX #DFB64E

RGB 223 182 78

HSL 43.03, 0.69%, 0.59%

LAB 75.88, 3.61, 56.89

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 65 / 0 / 61 / 13

HEX #4EDF58

RGB 78 223 88

HSL 124.14, 0.69%, 0.59%

LAB 79.1, -64.66, 53.75

 

CMYK 65 / 0 / 43 / 13

HEX #4EDF7F

RGB 78 223 127

HSL 140.28, 0.69%, 0.59%

LAB 79.57, -59.25, 35.93

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA6

RGB 78 223 166

HSL 156.41, 0.69%, 0.59%

LAB 80.26, -51.79, 16.79

 

CMYK 65 / 0 / 8 / 13

HEX #4EDFCD

RGB 78 223 205

HSL 172.55, 0.69%, 0.59%

LAB 81.18, -42.49, -2.53

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 60 / 0 / 75 / 6

HEX #61F03D

RGB 97 240 61

HSL 107.93, 0.86%, 0.59%

LAB 84.59, -68.7, 70.01

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 43 / 0 / 54 / 19

HEX #75CE5F

RGB 117 206 95

HSL 108.11, 0.53%, 0.59%

LAB 75.3, -47.6, 46.48

 

CMYK 33 / 0 / 41 / 26

HEX #7FBD70

RGB 127 189 112

HSL 108.31, 0.37%, 0.59%

LAB 70.92, -34.71, 32.73

 

CMYK 20 / 0 / 25 / 33

HEX #8AAC81

RGB 138 172 129

HSL 107.44, 0.21%, 0.59%

LAB 66.9, -19.94, 18.41

 

CMYK 5 / 0 / 6 / 39

HEX #949B92

RGB 148 155 146

HSL 106.67, 0.04%, 0.59%

LAB 63.19, -4.25, 3.84

 

CMYK 17 / 0 / 65 / 13

HEX #B8DF4E

RGB 184 223 78

HSL 76.14, 0.69%, 0.59%

LAB 83.71, -32.93, 64.3

 

CMYK 35 / 0 / 65 / 13

HEX #92DF4E

RGB 146 223 78

HSL 91.86, 0.69%, 0.59%

LAB 81.53, -46.9, 61.33

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 65 / 0 / 61 / 13

HEX #4EDF58

RGB 78 223 88

HSL 124.14, 0.69%, 0.59%

LAB 79.1, -64.66, 53.75

 

CMYK 65 / 0 / 43 / 13

HEX #4EDF7E

RGB 78 223 126

HSL 139.86, 0.69%, 0.59%

LAB 79.56, -59.42, 36.41

 

CMYK 65 / 0 / 82 / 27

HEX #40B922

RGB 64 185 34

HSL 108.08, 0.69%, 0.43%

LAB 66.45, -59.21, 60.52

 

CMYK 64 / 0 / 80 / 15

HEX #4ED82B

RGB 78 216 43

HSL 107.86, 0.69%, 0.51%

LAB 76.62, -66.01, 67.61

 

CMYK 52 / 0 / 65 / 13

HEX #6BDF4E

RGB 107 223 78

HSL 108, 0.69%, 0.59%

LAB 79.87, -58.9, 59.05

 

CMYK 41 / 0 / 51 / 10

HEX #88E571

RGB 136 229 113

HSL 108.1, 0.69%, 0.67%

LAB 83.16, -49.15, 47.67

 

CMYK 29 / 0 / 37 / 8

HEX #A6EB94

RGB 166 235 148

HSL 107.59, 0.69%, 0.75%

LAB 86.83, -37.52, 35.52

 

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

CMYK 65 / 0 / 0 / 13

HEX #4EDFDF

RGB 78 223 223

HSL 180, 0.69%, 0.59%

LAB 81.69, -37.68, -11.35

 

CMYK 0 / 65 / 26 / 13

HEX #DF4EA5

RGB 223 78 165

HSL 324, 0.69%, 0.59%

LAB 55.94, 64.44, -16.89

 

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

CMYK 65 / 52 / 0 / 13

HEX #4E6BDF

RGB 78 107 223

HSL 228, 0.69%, 0.59%

LAB 48.84, 26.21, -62.48

 

CMYK 0 / 65 / 52 / 13

HEX #DF4E6B

RGB 223 78 107

HSL 348, 0.69%, 0.59%

LAB 54.24, 58.38, 14.89

 

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

CMYK 65 / 0 / 0 / 13

HEX #4EDFDF

RGB 78 223 223

HSL 180, 0.69%, 0.59%

LAB 81.69, -37.68, -11.35

 

CMYK 13 / 65 / 0 / 13

HEX #C24EDF

RGB 194 78 223

HSL 288, 0.69%, 0.59%

LAB 54.29, 66.32, -53.13

 

CMYK 0 / 65 / 65 / 13

HEX #DF4E4E

RGB 223 78 78

HSL 0, 0.69%, 0.59%

LAB 53.69, 56.37, 31.23

 

CMYK 52 / 0 / 65 / 13

HEX #6ADE4D

RGB 106 222 77

HSL 108, 0.69%, 0.59%

LAB 79.52, -58.89, 59.07

 

CMYK 65 / 20 / 0 / 13

HEX #4EB3DF

RGB 78 179 223

HSL 198.21, 0.69%, 0.59%

LAB 68.89, -15.96, -30.79

 

CMYK 13 / 65 / 0 / 13

HEX #C24EDF

RGB 194 78 223

HSL 288, 0.69%, 0.59%

LAB 54.29, 66.32, -53.13

 

CMYK 0 / 45 / 65 / 13

HEX #DF7A4E

RGB 223 122 78

HSL 18.21, 0.69%, 0.59%

LAB 61.79, 35.5, 41.01

 

Description

Color code: HEX #6ADE4D | qconv.com Color code: HEX #6ADE4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 222 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 222 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 65 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 65% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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