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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADAA9 it is the complementary color #952556. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADAA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADAA9 shade: #6FDAA4, #80ECB7, #91FECA, #A2FFDD and #B3FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADAA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADAA9 shade: #6ADAA9, #59C896, #48B683, #37A470 and #26925D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADAA9 shade: #6CDAAA, #6CDA8C, #6CDA6F, #87DA6C and #A5DA6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADAA9 shade: #6CDAAA, #6CDAC8, #6CCFDA, #6CB1DA and #6C94DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADAA9 shade matches the following richer shades: #6CDAAA, #5DE9AC and #4EF8AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADAA9 shade: #6CDAAA, #7BCBA8, #8ABDA6, #99AEA5 and #A89FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADAA9 shade: #6CDA6E, #6CDA8B, #6CDAA9, #6CDAC6 and #6CD1DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADAA9 shade: #31C383, #4BD297, #6CDAAA, #8DE3BD and #AEEBD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADAA9 shade: #6ADAA9, #6C88DA and #DA7D6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADAA9 shade: #6ADAA9, #A96CDA and #DAA96C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADAA9 shade: #6ADAA9, #6C88DA, #DA6C9E and #DABF6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADAA9 shade: #6ADAA9, #726CDA, #DA6C9E and #D5DA6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

Complementary color

CMYK 0 / 75 / 42 / 42

HEX #952556

RGB 149 37 86

HSL 333.75, 0.6%, 0.36%

LAB 34.77, 49.76, -1.62

 

CMYK 49 / 0 / 25 / 15

HEX #6FDAA4

RGB 111 218 164

HSL 149.72, 0.59%, 0.65%

LAB 79.73, -43.23, 17.24

 

CMYK 46 / 0 / 22 / 7

HEX #80ECB7

RGB 128 236 183

HSL 150.56, 0.74%, 0.71%

LAB 86.01, -43.05, 16.18

 

CMYK 43 / 0 / 20 / 0

HEX #91FECA

RGB 145 254 202

HSL 151.38, 0.98%, 0.78%

LAB 92.21, -42.85, 15.19

 

CMYK 36 / 0 / 13 / 0

HEX #A2FFDD

RGB 162 255 221

HSL 158.06, 1%, 0.82%

LAB 93.63, -34.97, 7.55

 

CMYK 30 / 0 / 6 / 0

HEX #B3FFF0

RGB 179 255 240

HSL 168.16, 1%, 0.85%

LAB 94.91, -26.34, -0.3

 

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

CMYK 56 / 0 / 25 / 22

HEX #59C896

RGB 89 200 150

HSL 152.97, 0.5%, 0.57%

LAB 73.31, -43.46, 15.6

 

CMYK 60 / 0 / 28 / 29

HEX #48B683

RGB 72 182 131

HSL 152.18, 0.43%, 0.5%

LAB 66.88, -43.43, 16.82

 

CMYK 66 / 0 / 32 / 36

HEX #37A470

RGB 55 164 112

HSL 151.38, 0.5%, 0.43%

LAB 60.37, -43.24, 18.17

 

CMYK 74 / 0 / 36 / 43

HEX #26925D

RGB 38 146 93

HSL 150.56, 0.59%, 0.36%

LAB 53.77, -42.77, 19.67

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 50 / 0 / 36 / 15

HEX #6CDA8C

RGB 108 218 140

HSL 137.45, 0.6%, 0.64%

LAB 79.17, -48.49, 28.97

 

CMYK 50 / 0 / 49 / 15

HEX #6CDA6F

RGB 108 218 111

HSL 121.64, 0.6%, 0.64%

LAB 78.74, -52.99, 42.94

 

CMYK 38 / 0 / 50 / 15

HEX #87DA6C

RGB 135 218 108

HSL 105.27, 0.6%, 0.64%

LAB 79.83, -45.45, 45.97

 

CMYK 24 / 0 / 50 / 15

HEX #A5DA6C

RGB 165 218 108

HSL 88.91, 0.6%, 0.64%

LAB 81.42, -35.18, 48.27

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 50 / 0 / 8 / 15

HEX #6CDAC8

RGB 108 218 200

HSL 170.18, 0.6%, 0.64%

LAB 80.46, -35.91, -0.83

 

CMYK 50 / 5 / 0 / 15

HEX #6CCFDA

RGB 108 207 218

HSL 186, 0.6%, 0.64%

LAB 77.8, -26.06, -14.4

 

CMYK 50 / 19 / 0 / 15

HEX #6CB1DA

RGB 108 177 218

HSL 202.36, 0.6%, 0.64%

LAB 69.25, -10.58, -27.39

 

CMYK 50 / 32 / 0 / 15

HEX #6C94DA

RGB 108 148 218

HSL 218.18, 0.6%, 0.64%

LAB 61.16, 5.68, -39.96

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 60 / 0 / 26 / 9

HEX #5DE9AC

RGB 93 233 172

HSL 153.86, 0.76%, 0.64%

LAB 83.75, -51.85, 18.57

 

CMYK 69 / 0 / 30 / 3

HEX #4EF8AE

RGB 78 248 174

HSL 153.88, 0.92%, 0.64%

LAB 87.88, -59.94, 23.2

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 39 / 0 / 17 / 20

HEX #7BCBA8

RGB 123 203 168

HSL 153.75, 0.43%, 0.64%

LAB 75.92, -32.45, 9.81

 

CMYK 27 / 0 / 12 / 26

HEX #8ABDA6

RGB 138 189 166

HSL 152.94, 0.28%, 0.64%

LAB 72.6, -21.59, 6.24

 

CMYK 12 / 0 / 5 / 32

HEX #99AEA5

RGB 153 174 165

HSL 154.29, 0.11%, 0.64%

LAB 69.3, -9.07, 2.15

 

CMYK 0 / 5 / 3 / 34

HEX #A89FA3

RGB 168 159 163

HSL 333.33, 0.05%, 0.64%

LAB 66.34, 4, -0.92

 

CMYK 50 / 0 / 50 / 15

HEX #6CDA6E

RGB 108 218 110

HSL 121.09, 0.6%, 0.64%

LAB 78.73, -53.13, 43.41

 

CMYK 50 / 0 / 36 / 15

HEX #6CDA8B

RGB 108 218 139

HSL 136.91, 0.6%, 0.64%

LAB 79.15, -48.66, 29.46

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAA9

RGB 108 218 169

HSL 153.27, 0.6%, 0.64%

LAB 79.72, -42.92, 14.58

 

CMYK 50 / 0 / 9 / 15

HEX #6CDAC6

RGB 108 218 198

HSL 169.09, 0.6%, 0.64%

LAB 80.41, -36.39, 0.16

 

CMYK 50 / 4 / 0 / 15

HEX #6CD1DA

RGB 108 209 218

HSL 184.91, 0.6%, 0.64%

LAB 78.37, -27.04, -13.54

 

CMYK 75 / 0 / 33 / 24

HEX #31C383

RGB 49 195 131

HSL 153.7, 0.6%, 0.48%

LAB 70.4, -52.58, 21.58

 

CMYK 64 / 0 / 28 / 18

HEX #4BD297

RGB 75 210 151

HSL 153.78, 0.6%, 0.56%

LAB 75.96, -50.24, 18.7

 

CMYK 50 / 0 / 22 / 15

HEX #6CDAAA

RGB 108 218 170

HSL 153.82, 0.6%, 0.64%

LAB 79.75, -42.71, 14.09

 

CMYK 38 / 0 / 17 / 11

HEX #8DE3BD

RGB 141 227 189

HSL 153.49, 0.61%, 0.72%

LAB 84.11, -34.33, 10.44

 

CMYK 26 / 0 / 11 / 8

HEX #AEEBD0

RGB 174 235 208

HSL 153.44, 0.6%, 0.8%

LAB 88.43, -24.71, 6.89

 

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

CMYK 50 / 38 / 0 / 15

HEX #6C88DA

RGB 108 136 218

HSL 224.73, 0.6%, 0.64%

LAB 57.9, 12.73, -45.08

 

CMYK 0 / 43 / 50 / 15

HEX #DA7D6C

RGB 218 125 108

HSL 9.27, 0.6%, 0.64%

LAB 62.22, 34.26, 24.98

 

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

CMYK 22 / 50 / 0 / 15

HEX #A96CDA

RGB 169 108 218

HSL 273.27, 0.6%, 0.64%

LAB 56.31, 44.57, -47.28

 

CMYK 0 / 22 / 50 / 15

HEX #DAA96C

RGB 218 169 108

HSL 33.27, 0.6%, 0.64%

LAB 72.47, 10.68, 38.21

 

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

CMYK 50 / 38 / 0 / 15

HEX #6C88DA

RGB 108 136 218

HSL 224.73, 0.6%, 0.64%

LAB 57.9, 12.73, -45.08

 

CMYK 0 / 50 / 28 / 15

HEX #DA6C9E

RGB 218 108 158

HSL 332.73, 0.6%, 0.64%

LAB 59.98, 48.59, -6.84

 

CMYK 0 / 12 / 50 / 15

HEX #DABF6C

RGB 218 191 108

HSL 45.27, 0.6%, 0.64%

LAB 78.02, -0.97, 45.07

 

CMYK 51 / 0 / 22 / 15

HEX #6ADAA9

RGB 106 218 169

HSL 153.75, 0.6%, 0.64%

LAB 79.65, -43.39, 14.47

 

CMYK 48 / 50 / 0 / 15

HEX #726CDA

RGB 114 108 218

HSL 243.27, 0.6%, 0.64%

LAB 51.11, 30.9, -55.87

 

CMYK 0 / 50 / 28 / 15

HEX #DA6C9E

RGB 218 108 158

HSL 332.73, 0.6%, 0.64%

LAB 59.98, 48.59, -6.84

 

CMYK 2 / 0 / 50 / 15

HEX #D5DA6C

RGB 213 218 108

HSL 62.73, 0.6%, 0.64%

LAB 84.67, -16.74, 52.94

 

Description

Color code: HEX #6ADAA9 | qconv.com Color code: HEX #6ADAA9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 218 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 218 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 22 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 22% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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