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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD5E4 it is the complementary color #952A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD5E4 shade: #6FD5DF, #80E7F2, #91F9FF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD5E4 shade: #6AD5E4, #59C3D1, #48B1BE, #379FAB and #268D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD5E4 shade: #68D4E3, #68B3E3, #6892E3, #6871E3 and #8168E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD5E4 shade: #68D4E3, #68B3E3, #6892E3, #6871E3 and #6868E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD5E4 shade matches the following richer shades: #68D4E3 and #5ADFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD5E4 shade: #68D4E3, #77C9D5, #85BEC6, #93B4B8 and #A2A9AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD5E4 shade: #68E3B0, #68E3D1, #68D5E3, #68B4E3 and #6893E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD5E4 shade: #27BDD2, #45CADD, #68D4E3, #8BDEEA and #AEE8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD5E4 shade: #6AD5E4, #8F68E3 and #E3C068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD5E4 shade: #6AD5E4, #E368D5 and #D5E368

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD5E4 shade: #6AD5E4, #8F68E3, #E37768 and #BCE368

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD5E4 shade: #6AD5E4, #B468E3, #E37768 and #97E368

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

Complementary color

CMYK 0 / 72 / 82 / 42

HEX #952A1B

RGB 149 42 27

HSL 7.38, 0.69%, 0.35%

LAB 34.24, 43.81, 34.77

 

CMYK 50 / 4 / 0 / 13

HEX #6FD5DF

RGB 111 213 223

HSL 185.36, 0.64%, 0.65%

LAB 79.78, -27.04, -14.1

 

CMYK 47 / 5 / 0 / 5

HEX #80E7F2

RGB 128 231 242

HSL 185.79, 0.81%, 0.73%

LAB 86.08, -27.16, -14.66

 

CMYK 43 / 2 / 0 / 0

HEX #91F9FF

RGB 145 249 255

HSL 183.27, 1%, 0.78%

LAB 92.13, -28.73, -12.34

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

CMYK 57 / 7 / 0 / 18

HEX #59C3D1

RGB 89 195 209

HSL 187, 0.57%, 0.58%

LAB 73.39, -26.42, -16.25

 

CMYK 62 / 7 / 0 / 25

HEX #48B1BE

RGB 72 177 190

HSL 186.61, 0.48%, 0.51%

LAB 66.93, -26, -15.63

 

CMYK 68 / 7 / 0 / 33

HEX #379FAB

RGB 55 159 171

HSL 186.21, 0.51%, 0.44%

LAB 60.38, -25.41, -14.95

 

CMYK 75 / 7 / 0 / 40

HEX #268D98

RGB 38 141 152

HSL 185.79, 0.6%, 0.37%

LAB 53.74, -24.57, -14.18

 

CMYK 54 / 7 / 0 / 11

HEX #68D4E3

RGB 104 212 227

HSL 187.32, 0.69%, 0.65%

LAB 79.37, -26.9, -16.88

 

CMYK 54 / 21 / 0 / 11

HEX #68B3E3

RGB 104 179 227

HSL 203.41, 0.69%, 0.65%

LAB 69.99, -9.89, -31.2

 

CMYK 54 / 36 / 0 / 11

HEX #6892E3

RGB 104 146 227

HSL 219.51, 0.69%, 0.65%

LAB 60.82, 8.74, -45.51

 

CMYK 54 / 50 / 0 / 11

HEX #6871E3

RGB 104 113 227

HSL 235.61, 0.69%, 0.65%

LAB 52.17, 28.54, -59.28

 

CMYK 43 / 54 / 0 / 11

HEX #8168E3

RGB 129 104 227

HSL 252.2, 0.69%, 0.65%

LAB 51.97, 39.22, -59.52

 

CMYK 54 / 7 / 0 / 11

HEX #68D4E3

RGB 104 212 227

HSL 187.32, 0.69%, 0.65%

LAB 79.37, -26.9, -16.88

 

CMYK 54 / 21 / 0 / 11

HEX #68B3E3

RGB 104 179 227

HSL 203.41, 0.69%, 0.65%

LAB 69.99, -9.89, -31.2

 

CMYK 54 / 36 / 0 / 11

HEX #6892E3

RGB 104 146 227

HSL 219.51, 0.69%, 0.65%

LAB 60.82, 8.74, -45.51

 

CMYK 54 / 50 / 0 / 11

HEX #6871E3

RGB 104 113 227

HSL 235.61, 0.69%, 0.65%

LAB 52.17, 28.54, -59.28

 

CMYK 54 / 54 / 0 / 11

HEX #6868E3

RGB 104 104 227

HSL 240, 0.69%, 0.65%

LAB 49.97, 33.98, -62.84

 

CMYK 54 / 7 / 0 / 11

HEX #68D4E3

RGB 104 212 227

HSL 187.32, 0.69%, 0.65%

LAB 79.37, -26.9, -16.88

 

CMYK 63 / 8 / 0 / 5

HEX #5ADFF2

RGB 90 223 242

HSL 187.5, 0.85%, 0.65%

LAB 82.57, -30.53, -20.07

 

CMYK 54 / 7 / 0 / 11

HEX #68D4E3

RGB 104 212 227

HSL 187.32, 0.69%, 0.65%

LAB 79.37, -26.9, -16.88

 

CMYK 44 / 6 / 0 / 16

HEX #77C9D5

RGB 119 201 213

HSL 187.66, 0.53%, 0.65%

LAB 76.37, -21.9, -13.81

 

CMYK 33 / 4 / 0 / 22

HEX #85BEC6

RGB 133 190 198

HSL 187.38, 0.36%, 0.65%

LAB 73.47, -16.42, -9.94

 

CMYK 20 / 2 / 0 / 28

HEX #93B4B8

RGB 147 180 184

HSL 186.49, 0.21%, 0.65%

LAB 71.08, -10.25, -5.75

 

CMYK 5 / 1 / 0 / 33

HEX #A2A9AA

RGB 162 169 170

HSL 187.5, 0.04%, 0.65%

LAB 68.72, -2.27, -1.38

 

CMYK 54 / 0 / 22 / 11

HEX #68E3B0

RGB 104 227 176

HSL 155.12, 0.69%, 0.65%

LAB 82.39, -46.25, 14.63

 

CMYK 54 / 0 / 8 / 11

HEX #68E3D1

RGB 104 227 209

HSL 171.22, 0.69%, 0.65%

LAB 83.17, -38.67, -1.65

 

CMYK 54 / 6 / 0 / 11

HEX #68D5E3

RGB 104 213 227

HSL 186.83, 0.69%, 0.65%

LAB 79.66, -27.39, -16.45

 

CMYK 54 / 21 / 0 / 11

HEX #68B4E3

RGB 104 180 227

HSL 202.93, 0.69%, 0.65%

LAB 70.27, -10.43, -30.77

 

CMYK 54 / 35 / 0 / 11

HEX #6893E3

RGB 104 147 227

HSL 219.02, 0.69%, 0.65%

LAB 61.1, 8.16, -45.08

 

CMYK 81 / 10 / 0 / 18

HEX #27BDD2

RGB 39 189 210

HSL 187.37, 0.69%, 0.49%

LAB 70.51, -29.95, -21.26

 

CMYK 69 / 9 / 0 / 13

HEX #45CADD

RGB 69 202 221

HSL 187.5, 0.69%, 0.57%

LAB 75.28, -29.6, -19.94

 

CMYK 54 / 7 / 0 / 11

HEX #68D4E3

RGB 104 212 227

HSL 187.32, 0.69%, 0.65%

LAB 79.37, -26.9, -16.88

 

CMYK 41 / 5 / 0 / 8

HEX #8BDEEA

RGB 139 222 234

HSL 187.58, 0.69%, 0.73%

LAB 83.79, -22.21, -13.82

 

CMYK 28 / 3 / 0 / 6

HEX #AEE8F0

RGB 174 232 240

HSL 187.27, 0.69%, 0.81%

LAB 88.45, -16.49, -9.85

 

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

CMYK 37 / 54 / 0 / 11

HEX #8F68E3

RGB 143 104 227

HSL 259.02, 0.69%, 0.65%

LAB 53.26, 42.43, -57.36

 

CMYK 0 / 15 / 54 / 11

HEX #E3C068

RGB 227 192 104

HSL 42.93, 0.69%, 0.65%

LAB 79.06, 1.88, 48.48

 

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

CMYK 0 / 54 / 6 / 11

HEX #E368D5

RGB 227 104 213

HSL 306.83, 0.69%, 0.65%

LAB 62.54, 61.41, -34.17

 

CMYK 6 / 0 / 54 / 11

HEX #D5E368

RGB 213 227 104

HSL 66.83, 0.69%, 0.65%

LAB 87.04, -21.48, 57.52

 

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

CMYK 37 / 54 / 0 / 11

HEX #8F68E3

RGB 143 104 227

HSL 259.02, 0.69%, 0.65%

LAB 53.26, 42.43, -57.36

 

CMYK 0 / 48 / 54 / 11

HEX #E37768

RGB 227 119 104

HSL 7.32, 0.69%, 0.65%

LAB 62.1, 40.44, 27.31

 

CMYK 17 / 0 / 54 / 11

HEX #BCE368

RGB 188 227 104

HSL 79.02, 0.69%, 0.65%

LAB 85.32, -31.19, 55.08

 

CMYK 54 / 7 / 0 / 11

HEX #6AD5E4

RGB 106 213 228

HSL 187.38, 0.69%, 0.65%

LAB 79.76, -26.72, -16.83

 

CMYK 21 / 54 / 0 / 11

HEX #B468E3

RGB 180 104 227

HSL 277.07, 0.69%, 0.65%

LAB 57.22, 51.56, -50.81

 

CMYK 0 / 48 / 54 / 11

HEX #E37768

RGB 227 119 104

HSL 7.32, 0.69%, 0.65%

LAB 62.1, 40.44, 27.31

 

CMYK 33 / 0 / 54 / 11

HEX #97E368

RGB 151 227 104

HSL 97.07, 0.69%, 0.65%

LAB 83.19, -44.5, 52.05

 

Description

Color code: HEX #6AD5E4 | qconv.com Color code: HEX #6AD5E4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 213 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 213 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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