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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD4ED it is the complementary color #952B12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD4ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD4ED shade: #6FD4E8, #80E6FB, #91F8FF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD4ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD4ED shade: #6AD4ED, #59C2DA, #48B0C7, #379EB4 and #268CA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD4ED shade: #69D3EC, #69B0EC, #698DEC, #6969EC and #8D69EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD4ED shade: #69D3EC, #69B0EC, #698DEC and #6969EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD4ED shade matches the following richer shades: #69D3EC and #5CDCFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD4ED shade: #69D3EC, #77CBDF, #84C3D1, #92BAC4 and #A0B2B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD4ED shade: #69ECBF, #69ECE2, #69D4EC, #69B1EC and #698EEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD4ED shade: #20BEE3, #44C9E8, #69D3EC, #8EDEF1 and #B3E9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD4ED shade: #6AD4ED, #9C69EC and #ECD069

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD4ED shade: #6AD4ED, #EC69D4 and #D4EC69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD4ED shade: #6AD4ED, #9C69EC, #EC8169 and #BAEC69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD4ED shade: #6AD4ED, #C369EC, #EC8169 and #93EC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

Complementary color

CMYK 0 / 71 / 88 / 42

HEX #952B12

RGB 149 43 18

HSL 11.45, 0.78%, 0.33%

LAB 34.32, 43.14, 39.42

 

CMYK 52 / 9 / 0 / 9

HEX #6FD4E8

RGB 111 212 232

HSL 189.92, 0.72%, 0.67%

LAB 79.78, -24.12, -18.91

 

CMYK 49 / 8 / 0 / 2

HEX #80E6FB

RGB 128 230 251

HSL 190.24, 0.94%, 0.74%

LAB 86.08, -24.33, -19.4

 

CMYK 43 / 3 / 0 / 0

HEX #91F8FF

RGB 145 248 255

HSL 183.82, 1%, 0.78%

LAB 91.85, -28.25, -12.75

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

CMYK 59 / 11 / 0 / 15

HEX #59C2DA

RGB 89 194 218

HSL 191.16, 0.64%, 0.6%

LAB 73.4, -23.34, -21.13

 

CMYK 64 / 12 / 0 / 22

HEX #48B0C7

RGB 72 176 199

HSL 190.87, 0.53%, 0.53%

LAB 66.94, -22.81, -20.59

 

CMYK 69 / 12 / 0 / 29

HEX #379EB4

RGB 55 158 180

HSL 190.56, 0.53%, 0.46%

LAB 60.39, -22.09, -20.01

 

CMYK 76 / 13 / 0 / 37

HEX #268CA1

RGB 38 140 161

HSL 190.24, 0.62%, 0.39%

LAB 53.75, -21.11, -19.35

 

CMYK 56 / 11 / 0 / 7

HEX #69D3EC

RGB 105 211 236

HSL 191.45, 0.78%, 0.67%

LAB 79.41, -23.71, -21.63

 

CMYK 56 / 25 / 0 / 7

HEX #69B0EC

RGB 105 176 236

HSL 207.48, 0.78%, 0.67%

LAB 69.55, -5.34, -36.79

 

CMYK 56 / 40 / 0 / 7

HEX #698DEC

RGB 105 141 236

HSL 223.51, 0.78%, 0.67%

LAB 59.99, 14.75, -51.82

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 40 / 56 / 0 / 7

HEX #8D69EC

RGB 141 105 236

HSL 256.49, 0.78%, 0.67%

LAB 53.84, 43.8, -61.5

 

CMYK 56 / 11 / 0 / 7

HEX #69D3EC

RGB 105 211 236

HSL 191.45, 0.78%, 0.67%

LAB 79.41, -23.71, -21.63

 

CMYK 56 / 25 / 0 / 7

HEX #69B0EC

RGB 105 176 236

HSL 207.48, 0.78%, 0.67%

LAB 69.55, -5.34, -36.79

 

CMYK 56 / 40 / 0 / 7

HEX #698DEC

RGB 105 141 236

HSL 223.51, 0.78%, 0.67%

LAB 59.99, 14.75, -51.82

 

CMYK 56 / 56 / 0 / 7

HEX #6969EC

RGB 105 105 236

HSL 240, 0.78%, 0.67%

LAB 50.88, 36.39, -66.42

 

CMYK 56 / 11 / 0 / 7

HEX #69D3EC

RGB 105 211 236

HSL 191.45, 0.78%, 0.67%

LAB 79.41, -23.71, -21.63

 

CMYK 63 / 12 / 0 / 2

HEX #5CDCFA

RGB 92 220 250

HSL 191.39, 0.94%, 0.67%

LAB 82.04, -26.45, -25.12

 

CMYK 56 / 11 / 0 / 7

HEX #69D3EC

RGB 105 211 236

HSL 191.45, 0.78%, 0.67%

LAB 79.41, -23.71, -21.63

 

CMYK 47 / 9 / 0 / 13

HEX #77CBDF

RGB 119 203 223

HSL 191.54, 0.62%, 0.67%

LAB 77.26, -20.28, -17.87

 

CMYK 37 / 7 / 0 / 18

HEX #84C3D1

RGB 132 195 209

HSL 190.91, 0.46%, 0.67%

LAB 75.16, -16.58, -13.4

 

CMYK 26 / 5 / 0 / 23

HEX #92BAC4

RGB 146 186 196

HSL 192, 0.3%, 0.67%

LAB 73.03, -11.02, -9.43

 

CMYK 12 / 2 / 0 / 29

HEX #A0B2B6

RGB 160 178 182

HSL 190.91, 0.13%, 0.67%

LAB 71.35, -5.38, -4.16

 

CMYK 56 / 0 / 19 / 7

HEX #69ECBF

RGB 105 236 191

HSL 159.39, 0.78%, 0.67%

LAB 85.38, -46.64, 11.02

 

CMYK 56 / 0 / 4 / 7

HEX #69ECE2

RGB 105 236 226

HSL 175.42, 0.78%, 0.67%

LAB 86.25, -38.32, -6.08

 

CMYK 56 / 10 / 0 / 7

HEX #69D4EC

RGB 105 212 236

HSL 190.99, 0.78%, 0.67%

LAB 79.7, -24.21, -21.19

 

CMYK 56 / 25 / 0 / 7

HEX #69B1EC

RGB 105 177 236

HSL 207.02, 0.78%, 0.67%

LAB 69.83, -5.89, -36.35

 

CMYK 56 / 40 / 0 / 7

HEX #698EEC

RGB 105 142 236

HSL 223.05, 0.78%, 0.67%

LAB 60.25, 14.15, -51.39

 

CMYK 86 / 16 / 0 / 11

HEX #20BEE3

RGB 32 190 227

HSL 191.38, 0.78%, 0.51%

LAB 71.34, -25.48, -29.27

 

CMYK 71 / 13 / 0 / 9

HEX #44C9E8

RGB 68 201 232

HSL 191.34, 0.78%, 0.59%

LAB 75.34, -25.91, -25.78

 

CMYK 56 / 11 / 0 / 7

HEX #69D3EC

RGB 105 211 236

HSL 191.45, 0.78%, 0.67%

LAB 79.41, -23.71, -21.63

 

CMYK 41 / 8 / 0 / 5

HEX #8EDEF1

RGB 142 222 241

HSL 191.52, 0.78%, 0.75%

LAB 84.14, -19.72, -16.99

 

CMYK 27 / 5 / 0 / 4

HEX #B3E9F6

RGB 179 233 246

HSL 191.64, 0.79%, 0.83%

LAB 89.17, -14.23, -11.9

 

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

CMYK 34 / 56 / 0 / 7

HEX #9C69EC

RGB 156 105 236

HSL 263.36, 0.78%, 0.67%

LAB 55.31, 47.24, -59.06

 

CMYK 0 / 12 / 56 / 7

HEX #ECD069

RGB 236 208 105

HSL 47.18, 0.78%, 0.67%

LAB 83.95, -2.61, 53.97

 

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

CMYK 0 / 56 / 10 / 7

HEX #EC69D4

RGB 236 105 212

HSL 310.99, 0.78%, 0.67%

LAB 63.91, 63.26, -31.39

 

CMYK 10 / 0 / 56 / 7

HEX #D4EC69

RGB 212 236 105

HSL 70.99, 0.78%, 0.67%

LAB 89.4, -26.1, 59.75

 

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

CMYK 34 / 56 / 0 / 7

HEX #9C69EC

RGB 156 105 236

HSL 263.36, 0.78%, 0.67%

LAB 55.31, 47.24, -59.06

 

CMYK 0 / 45 / 56 / 7

HEX #EC8169

RGB 236 129 105

HSL 10.99, 0.78%, 0.67%

LAB 65.4, 38.82, 31.27

 

CMYK 21 / 0 / 56 / 7

HEX #BAEC69

RGB 186 236 105

HSL 82.9, 0.78%, 0.67%

LAB 87.7, -35.98, 57.36

 

CMYK 55 / 11 / 0 / 7

HEX #6AD4ED

RGB 106 212 237

HSL 191.45, 0.78%, 0.67%

LAB 79.76, -23.74, -21.62

 

CMYK 17 / 56 / 0 / 7

HEX #C369EC

RGB 195 105 236

HSL 281.22, 0.78%, 0.67%

LAB 59.67, 56.76, -51.84

 

CMYK 0 / 45 / 56 / 7

HEX #EC8169

RGB 236 129 105

HSL 10.99, 0.78%, 0.67%

LAB 65.4, 38.82, 31.27

 

CMYK 38 / 0 / 56 / 7

HEX #93EC69

RGB 147 236 105

HSL 100.76, 0.78%, 0.67%

LAB 85.61, -49.51, 54.4

 

Description

Color code: HEX #6AD4ED | qconv.com Color code: HEX #6AD4ED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 212 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 212 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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