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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD499 it is the complementary color #952B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD499 shade: #6FD494, #80E6A7, #91F8BA, #A2FFCD and #B3FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD499 shade: #6AD499, #59C286, #48B073, #379E60 and #268C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD499 shade: #69D398, #69D37B, #73D369, #90D369 and #ADD369

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD499 shade: #69D398, #69D3B5, #69D3D2, #69B8D3 and #699CD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD499 shade matches the following richer shades: #69D398, #59E396 and #49F395

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD499 shade: #69D398, #78C49A, #88B49C, #98A49D and #A8959F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD499 shade: #73D369, #69D37B, #69D397, #69D3B3 and #69D3D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD499 shade: #35B56E, #49CA82, #69D398, #89DDAE and #A9E6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD499 shade: #6AD499, #6990D3 and #D36C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD499 shade: #6AD499, #9769D3 and #D39769

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD499 shade: #6AD499, #6990D3, #D369A5 and #D3AC69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD499 shade: #6AD499, #6970D3, #D369A5 and #D3CC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

Complementary color

CMYK 0 / 71 / 32 / 42

HEX #952B66

RGB 149 43 102

HSL 326.6, 0.55%, 0.38%

LAB 36.13, 49.38, -9.84

 

CMYK 48 / 0 / 30 / 17

HEX #6FD494

RGB 111 212 148

HSL 141.98, 0.54%, 0.63%

LAB 77.64, -43.73, 22.77

 

CMYK 44 / 0 / 27 / 10

HEX #80E6A7

RGB 128 230 167

HSL 142.94, 0.67%, 0.7%

LAB 83.95, -43.53, 21.63

 

CMYK 42 / 0 / 25 / 3

HEX #91F8BA

RGB 145 248 186

HSL 143.88, 0.88%, 0.77%

LAB 90.18, -43.3, 20.57

 

CMYK 36 / 0 / 20 / 0

HEX #A2FFCD

RGB 162 255 205

HSL 147.74, 1%, 0.82%

LAB 93.28, -38.15, 15.27

 

CMYK 30 / 0 / 12 / 0

HEX #B3FFE0

RGB 179 255 224

HSL 155.53, 1%, 0.85%

LAB 94.52, -29.61, 7.38

 

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

CMYK 54 / 0 / 31 / 24

HEX #59C286

RGB 89 194 134

HSL 145.71, 0.46%, 0.55%

LAB 71.17, -44.15, 21.19

 

CMYK 59 / 0 / 35 / 31

HEX #48B073

RGB 72 176 115

HSL 144.81, 0.42%, 0.49%

LAB 64.7, -44.16, 22.5

 

CMYK 65 / 0 / 39 / 38

HEX #379E60

RGB 55 158 96

HSL 143.88, 0.48%, 0.42%

LAB 58.14, -44, 23.93

 

CMYK 73 / 0 / 45 / 45

HEX #268C4D

RGB 38 140 77

HSL 142.94, 0.57%, 0.35%

LAB 51.5, -43.53, 25.5

 

CMYK 50 / 0 / 28 / 17

HEX #69D398

RGB 105 211 152

HSL 146.6, 0.55%, 0.62%

LAB 77.2, -44.05, 20.02

 

CMYK 50 / 0 / 42 / 17

HEX #69D37B

RGB 105 211 123

HSL 130.19, 0.55%, 0.62%

LAB 76.69, -49.2, 34.38

 

CMYK 45 / 0 / 50 / 17

HEX #73D369

RGB 115 211 105

HSL 114.34, 0.55%, 0.62%

LAB 76.83, -49.02, 43.55

 

CMYK 32 / 0 / 50 / 17

HEX #90D369

RGB 144 211 105

HSL 97.92, 0.55%, 0.62%

LAB 78.19, -39.78, 45.52

 

CMYK 18 / 0 / 50 / 17

HEX #ADD369

RGB 173 211 105

HSL 81.51, 0.55%, 0.62%

LAB 79.89, -29.27, 47.98

 

CMYK 50 / 0 / 28 / 17

HEX #69D398

RGB 105 211 152

HSL 146.6, 0.55%, 0.62%

LAB 77.2, -44.05, 20.02

 

CMYK 50 / 0 / 14 / 17

HEX #69D3B5

RGB 105 211 181

HSL 163.02, 0.55%, 0.62%

LAB 77.83, -37.86, 5.49

 

CMYK 50 / 0 / 0 / 17

HEX #69D3D2

RGB 105 211 210

HSL 179.43, 0.55%, 0.62%

LAB 78.6, -30.75, -8.92

 

CMYK 50 / 13 / 0 / 17

HEX #69B8D3

RGB 105 184 211

HSL 195.28, 0.55%, 0.62%

LAB 70.86, -16.97, -21.11

 

CMYK 50 / 26 / 0 / 17

HEX #699CD3

RGB 105 156 211

HSL 211.13, 0.55%, 0.62%

LAB 62.91, -1.72, -33.33

 

CMYK 50 / 0 / 28 / 17

HEX #69D398

RGB 105 211 152

HSL 146.6, 0.55%, 0.62%

LAB 77.2, -44.05, 20.02

 

CMYK 61 / 0 / 34 / 11

HEX #59E396

RGB 89 227 150

HSL 146.52, 0.71%, 0.62%

LAB 81.44, -54.59, 26.77

 

CMYK 70 / 0 / 39 / 5

HEX #49F395

RGB 73 243 149

HSL 146.82, 0.88%, 0.62%

LAB 85.85, -63.62, 33.11

 

CMYK 50 / 0 / 28 / 17

HEX #69D398

RGB 105 211 152

HSL 146.6, 0.55%, 0.62%

LAB 77.2, -44.05, 20.02

 

CMYK 39 / 0 / 21 / 23

HEX #78C49A

RGB 120 196 154

HSL 146.84, 0.39%, 0.62%

LAB 73.42, -32.88, 13.78

 

CMYK 24 / 0 / 13 / 29

HEX #88B49C

RGB 136 180 156

HSL 147.27, 0.23%, 0.62%

LAB 69.67, -19.7, 7.49

 

CMYK 7 / 0 / 4 / 36

HEX #98A49D

RGB 152 164 157

HSL 145, 0.06%, 0.62%

LAB 66.26, -5.61, 2.16

 

CMYK 0 / 11 / 5 / 34

HEX #A8959F

RGB 168 149 159

HSL 328.42, 0.1%, 0.62%

LAB 63.61, 8.83, -2.68

 

CMYK 45 / 0 / 50 / 17

HEX #73D369

RGB 115 211 105

HSL 114.34, 0.55%, 0.62%

LAB 76.83, -49.02, 43.55

 

CMYK 50 / 0 / 42 / 17

HEX #69D37B

RGB 105 211 123

HSL 130.19, 0.55%, 0.62%

LAB 76.69, -49.2, 34.38

 

CMYK 50 / 0 / 28 / 17

HEX #69D397

RGB 105 211 151

HSL 146.04, 0.55%, 0.62%

LAB 77.18, -44.25, 20.52

 

CMYK 50 / 0 / 15 / 17

HEX #69D3B3

RGB 105 211 179

HSL 161.89, 0.55%, 0.62%

LAB 77.78, -38.32, 6.49

 

CMYK 50 / 0 / 1 / 17

HEX #69D3D0

RGB 105 211 208

HSL 178.3, 0.55%, 0.62%

LAB 78.55, -31.26, -7.93

 

CMYK 71 / 0 / 39 / 29

HEX #35B56E

RGB 53 181 110

HSL 146.72, 0.55%, 0.46%

LAB 65.69, -50.79, 26.41

 

CMYK 64 / 0 / 36 / 21

HEX #49CA82

RGB 73 202 130

HSL 146.51, 0.55%, 0.54%

LAB 73.07, -51.63, 25.8

 

CMYK 50 / 0 / 28 / 17

HEX #69D398

RGB 105 211 152

HSL 146.6, 0.55%, 0.62%

LAB 77.2, -44.05, 20.02

 

CMYK 38 / 0 / 21 / 13

HEX #89DDAE

RGB 137 221 174

HSL 146.43, 0.55%, 0.7%

LAB 81.89, -35.68, 15.16

 

CMYK 27 / 0 / 15 / 10

HEX #A9E6C4

RGB 169 230 196

HSL 146.56, 0.55%, 0.78%

LAB 86.51, -26.16, 10.38

 

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

CMYK 50 / 32 / 0 / 17

HEX #6990D3

RGB 105 144 211

HSL 217.92, 0.55%, 0.62%

LAB 59.57, 5.18, -38.54

 

CMYK 0 / 49 / 50 / 17

HEX #D36C69

RGB 211 108 105

HSL 1.7, 0.55%, 0.62%

LAB 57.65, 40.16, 20.41

 

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

CMYK 28 / 50 / 0 / 17

HEX #9769D3

RGB 151 105 211

HSL 266.04, 0.55%, 0.62%

LAB 53.37, 39.8, -48.1

 

CMYK 0 / 28 / 50 / 17

HEX #D39769

RGB 211 151 105

HSL 26.04, 0.55%, 0.62%

LAB 67.28, 17.23, 33.06

 

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

CMYK 50 / 32 / 0 / 17

HEX #6990D3

RGB 105 144 211

HSL 217.92, 0.55%, 0.62%

LAB 59.57, 5.18, -38.54

 

CMYK 0 / 50 / 22 / 17

HEX #D369A5

RGB 211 105 165

HSL 326.04, 0.55%, 0.62%

LAB 58.67, 48.78, -12.94

 

CMYK 0 / 18 / 50 / 17

HEX #D3AC69

RGB 211 172 105

HSL 37.92, 0.55%, 0.62%

LAB 72.48, 5.91, 39.62

 

CMYK 50 / 0 / 28 / 17

HEX #6AD499

RGB 106 212 153

HSL 146.6, 0.55%, 0.62%

LAB 77.55, -44.04, 19.98

 

CMYK 50 / 47 / 0 / 17

HEX #6970D3

RGB 105 112 211

HSL 236.04, 0.55%, 0.62%

LAB 51.03, 24.35, -52.07

 

CMYK 0 / 50 / 22 / 17

HEX #D369A5

RGB 211 105 165

HSL 326.04, 0.55%, 0.62%

LAB 58.67, 48.78, -12.94

 

CMYK 0 / 3 / 50 / 17

HEX #D3CC69

RGB 211 204 105

HSL 56.04, 0.55%, 0.62%

LAB 80.77, -10.79, 49.69

 

Description

Color code: HEX #6AD499 | qconv.com Color code: HEX #6AD499 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 212 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 212 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 28 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 28% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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