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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AD2BC it is the complementary color #952D43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AD2BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AD2BC shade: #6FD2B7, #80E4CA, #91F6DD, #A2FFF0 and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AD2BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AD2BC shade: #6AD2BC, #59C0A9, #48AE96, #379C83 and #268A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AD2BC shade: #6AD2BC, #6AD2A0, #6AD284, #6CD26A and #88D26A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AD2BC shade: #6AD2BC, #6ACCD2, #6AB0D2, #6A94D2 and #6A78D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AD2BC shade matches the following richer shades: #6AD2BC, #5AE2C5 and #4AF2CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AD2BC shade: #6AD2BC, #79C3B3, #89B3AA, #99A3A1 and #A89498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AD2BC shade: #6AD284, #6AD2A0, #6AD2BC, #6ACDD2 and #6AB1D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AD2BC shade: #36B499, #4AC9AE, #6AD2BC, #8ADCCA and #A9E5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AD2BC shade: #6AD2BC, #6A6CD2 and #D2926A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AD2BC shade: #6AD2BC, #BC6AD2 and #D2BC6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AD2BC shade: #6AD2BC, #6A6CD2, #D26A80 and #D2D16A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AD2BC shade: #6AD2BC, #876AD2, #D26A80 and #B5D26A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

Complementary color

CMYK 0 / 70 / 55 / 42

HEX #952D43

RGB 149 45 67

HSL 347.31, 0.54%, 0.38%

LAB 35.34, 44.9, 11.47

 

CMYK 47 / 0 / 13 / 18

HEX #6FD2B7

RGB 111 210 183

HSL 163.64, 0.52%, 0.63%

LAB 77.81, -35.53, 4.42

 

CMYK 44 / 0 / 11 / 11

HEX #80E4CA

RGB 128 228 202

HSL 164.4, 0.65%, 0.7%

LAB 84.14, -35.4, 3.57

 

CMYK 41 / 0 / 10 / 4

HEX #91F6DD

RGB 145 246 221

HSL 165.15, 0.85%, 0.77%

LAB 90.39, -35.26, 2.77

 

CMYK 36 / 0 / 6 / 0

HEX #A2FFF0

RGB 162 255 240

HSL 170.32, 1%, 0.82%

LAB 94.09, -30.92, -1.59

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 54 / 0 / 12 / 25

HEX #59C0A9

RGB 89 192 169

HSL 166.6, 0.45%, 0.55%

LAB 71.34, -35.55, 2.52

 

CMYK 59 / 0 / 14 / 32

HEX #48AE96

RGB 72 174 150

HSL 165.88, 0.41%, 0.48%

LAB 64.84, -35.48, 3.49

 

CMYK 65 / 0 / 16 / 39

HEX #379C83

RGB 55 156 131

HSL 165.15, 0.48%, 0.41%

LAB 58.25, -35.28, 4.57

 

CMYK 72 / 0 / 19 / 46

HEX #268A70

RGB 38 138 112

HSL 164.4, 0.57%, 0.35%

LAB 51.56, -34.85, 5.78

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 50 / 0 / 24 / 18

HEX #6AD2A0

RGB 106 210 160

HSL 151.15, 0.54%, 0.62%

LAB 77.1, -41.76, 15.65

 

CMYK 50 / 0 / 37 / 18

HEX #6AD284

RGB 106 210 132

HSL 135, 0.54%, 0.62%

LAB 76.57, -47.04, 29.62

 

CMYK 49 / 0 / 50 / 18

HEX #6CD26A

RGB 108 210 106

HSL 118.85, 0.54%, 0.62%

LAB 76.27, -50.47, 42.31

 

CMYK 35 / 0 / 50 / 18

HEX #88D26A

RGB 136 210 106

HSL 102.69, 0.54%, 0.62%

LAB 77.5, -41.92, 44.1

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 50 / 3 / 0 / 18

HEX #6ACCD2

RGB 106 204 210

HSL 183.46, 0.54%, 0.62%

LAB 76.62, -27.14, -11.88

 

CMYK 50 / 16 / 0 / 18

HEX #6AB0D2

RGB 106 176 210

HSL 199.62, 0.54%, 0.62%

LAB 68.58, -12.8, -24.03

 

CMYK 50 / 30 / 0 / 18

HEX #6A94D2

RGB 106 148 210

HSL 215.77, 0.54%, 0.62%

LAB 60.69, 2.79, -36.23

 

CMYK 50 / 43 / 0 / 18

HEX #6A78D2

RGB 106 120 210

HSL 231.92, 0.54%, 0.62%

LAB 53.11, 19.41, -48.18

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 60 / 0 / 13 / 11

HEX #5AE2C5

RGB 90 226 197

HSL 167.21, 0.7%, 0.62%

LAB 82.16, -43.82, 3.18

 

CMYK 69 / 0 / 15 / 5

HEX #4AF2CE

RGB 74 242 206

HSL 167.14, 0.87%, 0.62%

LAB 86.71, -50.96, 4.98

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 38 / 0 / 8 / 24

HEX #79C3B3

RGB 121 195 179

HSL 167.03, 0.38%, 0.62%

LAB 73.77, -26.74, 0.77

 

CMYK 23 / 0 / 5 / 30

HEX #89B3AA

RGB 137 179 170

HSL 167.14, 0.22%, 0.62%

LAB 69.8, -15.95, -0.01

 

CMYK 6 / 0 / 1 / 36

HEX #99A3A1

RGB 153 163 161

HSL 168, 0.05%, 0.62%

LAB 66.17, -3.93, -0.19

 

CMYK 0 / 12 / 10 / 34

HEX #A89498

RGB 168 148 152

HSL 348, 0.1%, 0.62%

LAB 63.15, 8.12, 0.61

 

CMYK 50 / 0 / 37 / 18

HEX #6AD284

RGB 106 210 132

HSL 135, 0.54%, 0.62%

LAB 76.57, -47.04, 29.62

 

CMYK 50 / 0 / 24 / 18

HEX #6AD2A0

RGB 106 210 160

HSL 151.15, 0.54%, 0.62%

LAB 77.1, -41.76, 15.65

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 50 / 2 / 0 / 18

HEX #6ACDD2

RGB 106 205 210

HSL 182.88, 0.54%, 0.62%

LAB 76.91, -27.63, -11.45

 

CMYK 50 / 16 / 0 / 18

HEX #6AB1D2

RGB 106 177 210

HSL 199.04, 0.54%, 0.62%

LAB 68.87, -13.33, -23.6

 

CMYK 70 / 0 / 15 / 29

HEX #36B499

RGB 54 180 153

HSL 167.14, 0.54%, 0.46%

LAB 66.31, -40.56, 3.89

 

CMYK 63 / 0 / 13 / 21

HEX #4AC9AE

RGB 74 201 174

HSL 167.24, 0.54%, 0.54%

LAB 73.73, -41.3, 3.21

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 37 / 0 / 8 / 14

HEX #8ADCCA

RGB 138 220 202

HSL 166.83, 0.54%, 0.7%

LAB 82.3, -29.06, 0.94

 

CMYK 26 / 0 / 5 / 10

HEX #A9E5D9

RGB 169 229 217

HSL 168, 0.54%, 0.78%

LAB 86.74, -21.44, -0.31

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 50 / 49 / 0 / 18

HEX #6A6CD2

RGB 106 108 210

HSL 238.85, 0.54%, 0.62%

LAB 50.03, 26.7, -53.1

 

CMYK 0 / 30 / 50 / 18

HEX #D2926A

RGB 210 146 106

HSL 23.08, 0.54%, 0.62%

LAB 65.98, 19.63, 30.84

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 10 / 50 / 0 / 18

HEX #BC6AD2

RGB 188 106 210

HSL 287.31, 0.54%, 0.62%

LAB 57.71, 49.11, -40.41

 

CMYK 0 / 10 / 50 / 18

HEX #D2BC6A

RGB 210 188 106

HSL 47.31, 0.54%, 0.62%

LAB 76.5, -2.87, 44.05

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 50 / 49 / 0 / 18

HEX #6A6CD2

RGB 106 108 210

HSL 238.85, 0.54%, 0.62%

LAB 50.03, 26.7, -53.1

 

CMYK 0 / 50 / 39 / 18

HEX #D26A80

RGB 210 106 128

HSL 347.31, 0.54%, 0.62%

LAB 57.62, 43.17, 7.01

 

CMYK 0 / 0 / 50 / 18

HEX #D2D16A

RGB 210 209 106

HSL 59.42, 0.54%, 0.62%

LAB 82.02, -13.63, 50.69

 

CMYK 50 / 0 / 10 / 18

HEX #6AD2BC

RGB 106 210 188

HSL 167.31, 0.54%, 0.62%

LAB 77.75, -35.53, 1.63

 

CMYK 36 / 50 / 0 / 18

HEX #876AD2

RGB 135 106 210

HSL 256.73, 0.54%, 0.62%

LAB 51.96, 34.84, -49.87

 

CMYK 0 / 50 / 39 / 18

HEX #D26A80

RGB 210 106 128

HSL 347.31, 0.54%, 0.62%

LAB 57.62, 43.17, 7.01

 

CMYK 14 / 0 / 50 / 18

HEX #B5D26A

RGB 181 210 106

HSL 76.73, 0.54%, 0.62%

LAB 80.16, -25.62, 47.94

 

Description

Color code: HEX #6AD2BC | qconv.com Color code: HEX #6AD2BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 210 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 210 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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