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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ACF19 it is the complementary color #9530E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ACF19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ACF19 shade: #6FCF14, #80E127, #91F33A, #A2FF4D and #B3FF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ACF19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ACF19 shade: #6ACF19, #59BD06, #48AB00, #379900 and #268700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ACF19 shade: #69CC19, #99CC19, #C9CC19, #CC9F19 and #CC6F19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ACF19 shade: #69CC19, #39CC19, #19CC2A, #19CC5A and #19CC8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ACF19 shade matches the following richer shades: #69CC19 and #67DF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ACF19 shade: #69CC19, #6BBA2C, #6DA73E, #6F9551 and #718264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ACF19 shade: #C9CC19, #9ACC19, #6ACC19, #3ACC19 and #19CC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ACF19 shade: #438310, #56A815, #69CC19, #7DE52A and #94E94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ACF19 shade: #6ACF19, #19CCA0 and #CC19B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ACF19 shade: #6ACF19, #196ACC and #CC196A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ACF19 shade: #6ACF19, #19CCA0, #7C19CC and #CC1946

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ACF19 shade: #6ACF19, #19C3CC, #7C19CC and #CC2219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

Complementary color

CMYK 35 / 79 / 0 / 10

HEX #9530E6

RGB 149 48 230

HSL 273.3, 0.78%, 0.55%

LAB 44.54, 70.68, -73.14

 

CMYK 46 / 0 / 90 / 19

HEX #6FCF14

RGB 111 207 20

HSL 90.8, 0.82%, 0.45%

LAB 74.86, -55.05, 71.48

 

CMYK 43 / 0 / 83 / 12

HEX #80E127

RGB 128 225 39

HSL 91.29, 0.76%, 0.52%

LAB 81.06, -55.97, 73.31

 

CMYK 40 / 0 / 76 / 5

HEX #91F33A

RGB 145 243 58

HSL 91.78, 0.89%, 0.59%

LAB 87.21, -56.63, 74.07

 

CMYK 36 / 0 / 70 / 0

HEX #A2FF4D

RGB 162 255 77

HSL 91.35, 1%, 0.65%

LAB 91.57, -54.71, 72.4

 

CMYK 30 / 0 / 62 / 0

HEX #B3FF60

RGB 179 255 96

HSL 88.68, 1%, 0.69%

LAB 92.55, -47.58, 66.5

 

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

CMYK 53 / 0 / 97 / 26

HEX #59BD06

RGB 89 189 6

HSL 92.79, 0.94%, 0.38%

LAB 68.41, -55.22, 67.65

 

CMYK 58 / 0 / 100 / 33

HEX #48AB00

RGB 72 171 0

HSL 94.74, 1%, 0.34%

LAB 62.09, -53.57, 63.11

 

CMYK 64 / 0 / 100 / 40

HEX #379900

RGB 55 153 0

HSL 98.43, 1%, 0.3%

LAB 55.68, -51.57, 57.82

 

CMYK 72 / 0 / 100 / 47

HEX #268700

RGB 38 135 0

HSL 103.11, 1%, 0.26%

LAB 49.18, -49.2, 52.48

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 25 / 0 / 88 / 20

HEX #99CC19

RGB 153 204 25

HSL 77.09, 0.78%, 0.45%

LAB 76.09, -38.87, 72.51

 

CMYK 1 / 0 / 88 / 20

HEX #C9CC19

RGB 201 204 25

HSL 61.01, 0.78%, 0.45%

LAB 79.43, -19.17, 76.61

 

CMYK 0 / 22 / 88 / 20

HEX #CC9F19

RGB 204 159 25

HSL 44.92, 0.78%, 0.45%

LAB 67.8, 5.43, 67.45

 

CMYK 0 / 46 / 88 / 20

HEX #CC6F19

RGB 204 111 25

HSL 28.83, 0.78%, 0.45%

LAB 56.36, 31.38, 58.37

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 72 / 0 / 88 / 20

HEX #39CC19

RGB 57 204 25

HSL 109.27, 0.78%, 0.45%

LAB 72.31, -67.04, 67.8

 

CMYK 88 / 0 / 79 / 20

HEX #19CC2A

RGB 25 204 42

HSL 125.7, 0.78%, 0.45%

LAB 71.93, -70.12, 63.16

 

CMYK 88 / 0 / 56 / 20

HEX #19CC5A

RGB 25 204 90

HSL 141.79, 0.78%, 0.45%

LAB 72.32, -65.35, 44.71

 

CMYK 88 / 0 / 32 / 20

HEX #19CC8B

RGB 25 204 139

HSL 158.21, 0.78%, 0.45%

LAB 73.06, -56.61, 20.92

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 54 / 0 / 97 / 13

HEX #67DF07

RGB 103 223 7

HSL 93.33, 0.94%, 0.45%

LAB 79.43, -63.42, 76.58

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 42 / 0 / 76 / 27

HEX #6BBA2C

RGB 107 186 44

HSL 93.38, 0.62%, 0.45%

LAB 68.33, -47.14, 59.82

 

CMYK 35 / 0 / 63 / 35

HEX #6DA73E

RGB 109 167 62

HSL 93.14, 0.46%, 0.45%

LAB 62.71, -37.01, 47.06

 

CMYK 26 / 0 / 46 / 42

HEX #6F9551

RGB 111 149 81

HSL 93.53, 0.3%, 0.45%

LAB 57.53, -25.67, 31.66

 

CMYK 13 / 0 / 23 / 49

HEX #718264

RGB 113 130 100

HSL 94, 0.13%, 0.45%

LAB 52.28, -12.09, 14.22

 

CMYK 1 / 0 / 88 / 20

HEX #C9CC19

RGB 201 204 25

HSL 61.01, 0.78%, 0.45%

LAB 79.43, -19.17, 76.61

 

CMYK 25 / 0 / 88 / 20

HEX #9ACC19

RGB 154 204 25

HSL 76.76, 0.78%, 0.45%

LAB 76.15, -38.48, 72.58

 

CMYK 48 / 0 / 88 / 20

HEX #6ACC19

RGB 106 204 25

HSL 92.85, 0.78%, 0.45%

LAB 73.75, -55.32, 69.61

 

CMYK 72 / 0 / 88 / 20

HEX #3ACC19

RGB 58 204 25

HSL 108.94, 0.78%, 0.45%

LAB 72.33, -66.86, 67.83

 

CMYK 88 / 0 / 80 / 20

HEX #19CC28

RGB 25 204 40

HSL 125.03, 0.78%, 0.45%

LAB 71.92, -70.24, 63.73

 

CMYK 49 / 0 / 88 / 49

HEX #438310

RGB 67 131 16

HSL 93.39, 0.78%, 0.29%

LAB 48.84, -39.38, 49.39

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 49 / 0 / 88 / 20

HEX #69CC19

RGB 105 204 25

HSL 93.18, 0.78%, 0.45%

LAB 73.71, -55.62, 69.56

 

CMYK 45 / 0 / 82 / 10

HEX #7DE52A

RGB 125 229 42

HSL 93.37, 0.78%, 0.53%

LAB 82.14, -58.3, 73.5

 

CMYK 36 / 0 / 66 / 9

HEX #94E94F

RGB 148 233 79

HSL 93.12, 0.78%, 0.61%

LAB 84.55, -50.3, 64.18

 

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

CMYK 88 / 0 / 22 / 20

HEX #19CCA0

RGB 25 204 160

HSL 165.25, 0.78%, 0.45%

LAB 73.5, -51.75, 10.32

 

CMYK 0 / 88 / 13 / 20

HEX #CC19B1

RGB 204 25 177

HSL 309.05, 0.78%, 0.45%

LAB 47.89, 76.7, -36.66

 

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

CMYK 88 / 48 / 0 / 20

HEX #196ACC

RGB 25 106 204

HSL 212.85, 0.78%, 0.45%

LAB 45.46, 13.74, -57.2

 

CMYK 0 / 88 / 48 / 20

HEX #CC196A

RGB 204 25 106

HSL 332.85, 0.78%, 0.45%

LAB 45.04, 68.98, 2

 

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

CMYK 88 / 0 / 22 / 20

HEX #19CCA0

RGB 25 204 160

HSL 165.25, 0.78%, 0.45%

LAB 73.5, -51.75, 10.32

 

CMYK 39 / 88 / 0 / 20

HEX #7C19CC

RGB 124 25 204

HSL 273.18, 0.78%, 0.45%

LAB 36.63, 68.34, -71.29

 

CMYK 0 / 88 / 66 / 20

HEX #CC1946

RGB 204 25 70

HSL 344.92, 0.78%, 0.45%

LAB 44.2, 66.58, 23.28

 

CMYK 49 / 0 / 88 / 19

HEX #6ACF19

RGB 106 207 25

HSL 93.3, 0.78%, 0.45%

LAB 74.67, -56.44, 70.39

 

CMYK 88 / 4 / 0 / 20

HEX #19C3CC

RGB 25 195 204

HSL 183.02, 0.78%, 0.45%

LAB 71.96, -35.64, -15.81

 

CMYK 39 / 88 / 0 / 20

HEX #7C19CC

RGB 124 25 204

HSL 273.18, 0.78%, 0.45%

LAB 36.63, 68.34, -71.29

 

CMYK 0 / 83 / 88 / 20

HEX #CC2219

RGB 204 34 25

HSL 3.02, 0.78%, 0.45%

LAB 44.31, 63.17, 48.85

 

Description

Color code: HEX #6ACF19 | qconv.com Color code: HEX #6ACF19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 207 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 207 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 88 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 88% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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