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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ACDEF it is the complementary color #953210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ACDEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ACDEF shade: #6FCDEA, #80DFFD, #91F1FF, #A2FFFF and #B3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ACDEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ACDEF shade: #6ACDEF, #59BBDC, #48A9C9, #3797B6 and #2685A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ACDEF shade: #6BCEEF, #6BAAEF, #6B86EF, #746BEF and #986BEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ACDEF shade: #6BCEEF, #6BAAEF, #6B86EF and #6B6BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ACDEF shade matches the following richer shades: #6BCEEF and #5ED4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ACDEF shade: #6BCEEF, #79C7E2, #86C1D5, #93BAC8 and #A0B4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ACDEF shade: #6BEFCA, #6BEFED, #6BCEEF, #6BABEF and #6B88EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ACDEF shade: #21B5E8, #46C1EC, #6BCEEF, #91DAF3 and #B6E7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ACDEF shade: #6ACDEF, #A76BEF and #EFDC6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ACDEF shade: #6ACDEF, #EF6BCE and #CEEF6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ACDEF shade: #6ACDEF, #A76BEF, #EF8C6B and #B4EF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ACDEF shade: #6ACDEF, #CE6BEF, #EF8C6B and #8CEF6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

Complementary color

CMYK 0 / 66 / 89 / 42

HEX #953210

RGB 149 50 16

HSL 15.34, 0.81%, 0.32%

LAB 35.42, 40.08, 41.21

 

CMYK 53 / 12 / 0 / 8

HEX #6FCDEA

RGB 111 205 234

HSL 194.15, 0.75%, 0.68%

LAB 77.86, -20.05, -22.89

 

CMYK 49 / 12 / 0 / 1

HEX #80DFFD

RGB 128 223 253

HSL 194.4, 0.97%, 0.75%

LAB 84.2, -20.32, -23.3

 

CMYK 43 / 5 / 0 / 0

HEX #91F1FF

RGB 145 241 255

HSL 187.64, 1%, 0.78%

LAB 89.93, -24.87, -15.63

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

CMYK 60 / 15 / 0 / 14

HEX #59BBDC

RGB 89 187 220

HSL 195.11, 0.65%, 0.61%

LAB 71.44, -19.17, -25.19

 

CMYK 64 / 16 / 0 / 21

HEX #48A9C9

RGB 72 169 201

HSL 194.88, 0.54%, 0.54%

LAB 64.94, -18.56, -24.76

 

CMYK 70 / 17 / 0 / 29

HEX #3797B6

RGB 55 151 182

HSL 194.65, 0.54%, 0.46%

LAB 58.34, -17.76, -24.28

 

CMYK 77 / 18 / 0 / 36

HEX #2685A3

RGB 38 133 163

HSL 194.4, 0.62%, 0.39%

LAB 51.65, -16.67, -23.74

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 55 / 29 / 0 / 6

HEX #6BAAEF

RGB 107 170 239

HSL 211.36, 0.8%, 0.68%

LAB 68.1, -0.67, -40.67

 

CMYK 55 / 44 / 0 / 6

HEX #6B86EF

RGB 107 134 239

HSL 227.73, 0.8%, 0.68%

LAB 58.42, 20.28, -55.96

 

CMYK 51 / 55 / 0 / 6

HEX #746BEF

RGB 116 107 239

HSL 244.09, 0.8%, 0.68%

LAB 52.35, 38.22, -65.67

 

CMYK 36 / 55 / 0 / 6

HEX #986BEF

RGB 152 107 239

HSL 260.45, 0.8%, 0.68%

LAB 55.51, 45.98, -60.44

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 55 / 29 / 0 / 6

HEX #6BAAEF

RGB 107 170 239

HSL 211.36, 0.8%, 0.68%

LAB 68.1, -0.67, -40.67

 

CMYK 55 / 44 / 0 / 6

HEX #6B86EF

RGB 107 134 239

HSL 227.73, 0.8%, 0.68%

LAB 58.42, 20.28, -55.96

 

CMYK 55 / 55 / 0 / 6

HEX #6B6BEF

RGB 107 107 239

HSL 240, 0.8%, 0.68%

LAB 51.69, 36.5, -66.77

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 63 / 16 / 0 / 1

HEX #5ED4FD

RGB 94 212 253

HSL 195.47, 0.98%, 0.68%

LAB 79.93, -21.25, -29.93

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 46 / 12 / 0 / 11

HEX #79C7E2

RGB 121 199 226

HSL 195.43, 0.64%, 0.68%

LAB 76.32, -16.97, -20.9

 

CMYK 37 / 9 / 0 / 16

HEX #86C1D5

RGB 134 193 213

HSL 195.19, 0.48%, 0.68%

LAB 74.83, -14, -16.06

 

CMYK 27 / 7 / 0 / 22

HEX #93BAC8

RGB 147 186 200

HSL 195.85, 0.33%, 0.68%

LAB 73.21, -9.8, -11.34

 

CMYK 14 / 4 / 0 / 27

HEX #A0B4BB

RGB 160 180 187

HSL 195.56, 0.17%, 0.68%

LAB 72.03, -5.41, -5.9

 

CMYK 55 / 0 / 15 / 6

HEX #6BEFCA

RGB 107 239 202

HSL 163.18, 0.8%, 0.68%

LAB 86.56, -45.05, 6.97

 

CMYK 55 / 0 / 1 / 6

HEX #6BEFED

RGB 107 239 237

HSL 179.09, 0.8%, 0.68%

LAB 87.47, -36.5, -10.04

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 55 / 28 / 0 / 6

HEX #6BABEF

RGB 107 171 239

HSL 210.91, 0.8%, 0.68%

LAB 68.38, -1.23, -40.24

 

CMYK 55 / 43 / 0 / 6

HEX #6B88EF

RGB 107 136 239

HSL 226.82, 0.8%, 0.68%

LAB 58.94, 19.09, -55.13

 

CMYK 86 / 22 / 0 / 9

HEX #21B5E8

RGB 33 181 232

HSL 195.38, 0.81%, 0.52%

LAB 68.89, -19.12, -35.77

 

CMYK 70 / 18 / 0 / 7

HEX #46C1EC

RGB 70 193 236

HSL 195.54, 0.81%, 0.6%

LAB 73.22, -20.35, -31.19

 

CMYK 55 / 14 / 0 / 6

HEX #6BCEEF

RGB 107 206 239

HSL 195, 0.8%, 0.68%

LAB 78.17, -19.95, -25.12

 

CMYK 40 / 10 / 0 / 5

HEX #91DAF3

RGB 145 218 243

HSL 195.31, 0.8%, 0.76%

LAB 83.25, -16.45, -19.38

 

CMYK 26 / 6 / 0 / 3

HEX #B6E7F7

RGB 182 231 247

HSL 194.77, 0.8%, 0.84%

LAB 88.83, -12.13, -12.9

 

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

CMYK 30 / 55 / 0 / 6

HEX #A76BEF

RGB 167 107 239

HSL 267.27, 0.8%, 0.68%

LAB 57.04, 49.51, -57.89

 

CMYK 0 / 8 / 55 / 6

HEX #EFDC6B

RGB 239 220 107

HSL 51.36, 0.8%, 0.68%

LAB 87.29, -7.33, 56.98

 

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

CMYK 0 / 55 / 14 / 6

HEX #EF6BCE

RGB 239 107 206

HSL 315, 0.8%, 0.68%

LAB 64.42, 62.28, -27.19

 

CMYK 14 / 0 / 55 / 6

HEX #CEEF6B

RGB 206 239 107

HSL 75, 0.8%, 0.68%

LAB 89.82, -29.66, 59.24

 

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

CMYK 30 / 55 / 0 / 6

HEX #A76BEF

RGB 167 107 239

HSL 267.27, 0.8%, 0.68%

LAB 57.04, 49.51, -57.89

 

CMYK 0 / 41 / 55 / 6

HEX #EF8C6B

RGB 239 140 107

HSL 15, 0.8%, 0.68%

LAB 68.14, 34.45, 33.77

 

CMYK 25 / 0 / 55 / 6

HEX #B4EF6B

RGB 180 239 107

HSL 86.82, 0.8%, 0.68%

LAB 88.21, -39.34, 56.96

 

CMYK 56 / 14 / 0 / 6

HEX #6ACDEF

RGB 106 205 239

HSL 195.34, 0.81%, 0.68%

LAB 77.85, -19.64, -25.61

 

CMYK 14 / 55 / 0 / 6

HEX #CE6BEF

RGB 206 107 239

HSL 285, 0.8%, 0.68%

LAB 61.54, 59.16, -50.45

 

CMYK 0 / 41 / 55 / 6

HEX #EF8C6B

RGB 239 140 107

HSL 15, 0.8%, 0.68%

LAB 68.14, 34.45, 33.77

 

CMYK 41 / 0 / 55 / 6

HEX #8CEF6B

RGB 140 239 107

HSL 105, 0.8%, 0.68%

LAB 86.19, -52.71, 54.1

 

Description

Color code: HEX #6ACDEF | qconv.com Color code: HEX #6ACDEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 205 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 205 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 14 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 14% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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